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Emma @ The Movies (1786 KP) rated Santa Jaws (2018) in Movies
Aug 7, 2020
It really shouldn't have been such a challenge for me to see this film. Nearly two years after its release I finally managed to see it... and spoiler alert for my conclusion... it was fintastic.
Cody makes a Christmas wish to be alone, little does he know that his Christmas present is going to make that wish come true in a very festive and gruesome way.
I very quickly want to get a negative out of the way first. There is very noticeable music playing throughout the film. Now, I'm one of those terrible people that doesn't notice music unless it's brilliantly placed or horrendous, and while this music isn't horrendous it does suffer from being way too familiar. You've got Christmas tunes which work fine but the film has the Home Alone theme/feel about it and I think most people can identify those songs when they pop up anywhere.
This film has a little Inception moment at the beginning and we get a representation of the comic the boys are writing. I'm honestly a little disappointed that we didn't get to see that as a whole film of its own when it brings us the amazing line "See you in jingle hell!" spoken with such heart.
Once we get down to our regular programming it's very easy to sink into the ideas at work, there's nothing over complicated and the characters are easy to place. You get the chance to make predictors/wishes early on for who you want to die, and I was not disappointed... at the same time though I was super angry about Santa Jaws' first kill, BAD SHARK!
The acting isn't bad overall, there are some bits that come across a little cheesy and forced when we keep getting Home Alone-esque pieces thrown in, but at the same time... it's a movie about a Christmas themed shark sooooooo.
I'm not entirely sure that the comic book shop was a necessary inclusion on the whole but I can't argue with the choices the owner made... kudos... I wouldn't have wanted those missed out of the final piece.
Shark movie logic abounds and characters make tremendous leaps in deductions that further the plot. My favourite being about the Christmassy nature of the shark. I don't know how the shark's powers and weaknesses came about it the storyline but, standing ovation to you, I loved it.
I ended up getting an imported shark DVD box set so I could see this, it was definitely worth the effort. (Not the stress of trying to play it, but that's another story.) I can only hope this one hits our screens on SyFy or the Horror Channel, I'm honestly surprised it hasn't already. Santa Jaws is an amusing romp in the creature feature genre, it's a great twist on the classics (shark or Christmas film, take your pick) and for the brave I'm sure you could make a drinking game out of Christmas puns and Home Alone references... though maybe not with anything too strong, you might not make it to the end.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/08/santa-jaws-movie-review.html
Cody makes a Christmas wish to be alone, little does he know that his Christmas present is going to make that wish come true in a very festive and gruesome way.
I very quickly want to get a negative out of the way first. There is very noticeable music playing throughout the film. Now, I'm one of those terrible people that doesn't notice music unless it's brilliantly placed or horrendous, and while this music isn't horrendous it does suffer from being way too familiar. You've got Christmas tunes which work fine but the film has the Home Alone theme/feel about it and I think most people can identify those songs when they pop up anywhere.
This film has a little Inception moment at the beginning and we get a representation of the comic the boys are writing. I'm honestly a little disappointed that we didn't get to see that as a whole film of its own when it brings us the amazing line "See you in jingle hell!" spoken with such heart.
Once we get down to our regular programming it's very easy to sink into the ideas at work, there's nothing over complicated and the characters are easy to place. You get the chance to make predictors/wishes early on for who you want to die, and I was not disappointed... at the same time though I was super angry about Santa Jaws' first kill, BAD SHARK!
The acting isn't bad overall, there are some bits that come across a little cheesy and forced when we keep getting Home Alone-esque pieces thrown in, but at the same time... it's a movie about a Christmas themed shark sooooooo.
I'm not entirely sure that the comic book shop was a necessary inclusion on the whole but I can't argue with the choices the owner made... kudos... I wouldn't have wanted those missed out of the final piece.
Shark movie logic abounds and characters make tremendous leaps in deductions that further the plot. My favourite being about the Christmassy nature of the shark. I don't know how the shark's powers and weaknesses came about it the storyline but, standing ovation to you, I loved it.
I ended up getting an imported shark DVD box set so I could see this, it was definitely worth the effort. (Not the stress of trying to play it, but that's another story.) I can only hope this one hits our screens on SyFy or the Horror Channel, I'm honestly surprised it hasn't already. Santa Jaws is an amusing romp in the creature feature genre, it's a great twist on the classics (shark or Christmas film, take your pick) and for the brave I'm sure you could make a drinking game out of Christmas puns and Home Alone references... though maybe not with anything too strong, you might not make it to the end.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/08/santa-jaws-movie-review.html
Ivana A. | Diary of Difference (1171 KP) rated Wonder Woman: Her Greatest Battles in Books
Aug 21, 2018
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<img src="https://gipostcards.files.wordpress.com/2018/08/book-review-1.png"/>;
This is my first graphic novel, and I did enjoy the art in it! This book contains the greatest battles of Wonder Woman. It is a compilation of seven comic book scenes, all sharing a different battle of Wonder Woman, and a different kind of art.. But even though I enjoyed the art, as a first one, this didn’t make me happy.
The stories are put in this compilation chronologically by when they were made, starting from a scene that was made in 1987, until the last one, which was made in 2013. I will give a brief comment on all of them - in order:
<b>‘’Power Play’’ from Wonder Woman #6 (1987)
<i>Plot & Pencils: George Perez, Script: Len Wein, Inks: Bruce Patterson, Colors: Tatjana Wood, Letters: John Costanza, Cover: George Perez</i></b>
The first story is a scene where Diana is fighting the god of war - Ares. As a first one, it is not the best descriptive piece of information - so for a person that haven’t heard about Wonder Woman before, this one won’t be of any use. I also didn’t quite enjoy the art in this one.
<b><i>‘’And for the first time in his immortal existence, the war-god weeps… for, without those alive to worship him, Ares’ power swiftly wanes…’’</i></b>
<b>‘’In The Forest Of The Night’’ from Wonder Woman #119 (1997)
<i>Story & Art: John Byrne; Colors: Patricia Mulvihill; Cover: Jose Luis Garcia-Lopez</i></b>
In this scene, Diana is on a mission to save officer Michael P. Schorr of the G.C.P.D. from the cheetah that used to be Barbara Minerva. Diana manages to convince Barbara to win the battle with herself and become human again. Even though I didn’t quite enjoy the art - I did enjoy the story itself. It was a great lesson of fighting for who you are within, and winning battles with yourself and not surrendering to anything that might be in your way. We also get to have a little sneak-peak of how Wonder Woman started existing in the first place.
<b><i>‘’Yes, Mike, it is not widely known, but I was not born as mortals are, my mother sculpted a baby from the clay of Themyscira and the Gods themselves breathed life into that clay. ‘’</i></b>
<img src="https://gipostcards.files.wordpress.com/2018/08/book-cover-4.png"/>;
<b>‘’Stoned: Conclusion’’ from Wonder Woman #210 (2005)
<i>Script: Greg Rucka; Pencils: Drew Johnson; Inks: Ray Snyder; Colors: Richard & Tanya Horie; Letters: Todd Klein; Cover: J.G. Jones</i></b>
This one is a gladiator battle between Wonder Woman and Medusa. I really enjoyed this one, the art was amazing and we even get a few scenes with Circe-witch on it. I love how Wonder Woman is presented to be smart and the sacrifice that she made was very brave. Such a powerful story! Amazing!
<b>‘’Sacrifice: Part four’’ from Wonder Woman #219 (2005)
<i>Scripts: Greg Rucka; Pencils:Rags Morales, David Lopez, Tom Derenick, Georges Jeanty & Karl Kerschl; Inks: Mark Propst, BIT, Dexter Vines, Bob Petrecca & Nelson; Colors: Richard & Tanya Horie; Letters: Todd Klein; Cover: J.G. Jones</i></b>
Superman has been brainwashed and wants to kill Diana. Not much happens apart from Wonder Woman and Superman fighting. I didn’t like this one, only because of one quote that says:
<b><i>‘’You’ll forgive me for saying it, princess, but you look good on your knees…’’</i></b>
<b>‘’A Murder Of Crows: Part Two - Throwdown’’ from Wonder Woman #41 (2010)
<i>Script: Gail Simone; Pencils: Chris Batista & Fernando Dagnino; Inks: Doug Hazlewood & Raul Fernandez; Colors: Brad Anderson; Letters: Travis Lanham; Cover: Aaron Lopresti</i></b>
Even though the beginning features Achilles and Patroclus, after a page or two we don’t see them anymore, and I am standing like… what’s the point in mentioning them in the first place then? This piece of art contains a battle between Power Girl and Wonder Woman, and how Power Girl can never be like Wonder Woman, unless, of course, she has no other choice.
I liked this one, maybe the most, even though the art was just average.
<b>‘’Justice League: Part Three’’ from Justice League #3 (2011)
<i>Script: Geoff Johns; Pencils: Jim Lee; Inks: Scott Williams; Colors: Alex Sinclair, HI-FI & Gabe Ettaeb; Letters: Pat Brosseau; Cover: Jim Lee, Scott Williams & Alex Sinclair</i></b>
This piece of art was different than anything else in this book. We see a lot of famous heroes fight, like Superman, Batman, Green Lantern, Aquaman, and of course, Wonder Woman. The art is really colourful, which I enjoyed, but the story was confusing. See, it started from the middle of a comic book, and then ended unfinished. It only covered the part where Wonder Woman appears, but it confused me and I didn’t enjoy the story as much. Again, I didn’t like the way how they express themselves to a woman. They see Wonder Woman and they call dibs on her. Really?
<b>‘’Goddown’’ from Wonder Woman #23 (2013)
<i>Script: Brian Azzarello; Art: Cliff Chiang; Colors: Matthew Wilson; Letters: Jared K. Fletcher; Cover: Cliff Chiang </i></b>
A very confusing chapter, and I didn’t enjoy it at all. It was about Hera and her children, and Wonder Woman protecting them. Even though this is the newest made, it didn’t seem like it, and the art seemed old-style.
Overall, I didn’t enjoy it as much, and it wouldn’t be something I’d choose in the future. I’d rather go with a proper beginning-to-end story rather than a compilation next time.
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<img src="https://gipostcards.files.wordpress.com/2018/08/book-review-1.png"/>;
This is my first graphic novel, and I did enjoy the art in it! This book contains the greatest battles of Wonder Woman. It is a compilation of seven comic book scenes, all sharing a different battle of Wonder Woman, and a different kind of art.. But even though I enjoyed the art, as a first one, this didn’t make me happy.
The stories are put in this compilation chronologically by when they were made, starting from a scene that was made in 1987, until the last one, which was made in 2013. I will give a brief comment on all of them - in order:
<b>‘’Power Play’’ from Wonder Woman #6 (1987)
<i>Plot & Pencils: George Perez, Script: Len Wein, Inks: Bruce Patterson, Colors: Tatjana Wood, Letters: John Costanza, Cover: George Perez</i></b>
The first story is a scene where Diana is fighting the god of war - Ares. As a first one, it is not the best descriptive piece of information - so for a person that haven’t heard about Wonder Woman before, this one won’t be of any use. I also didn’t quite enjoy the art in this one.
<b><i>‘’And for the first time in his immortal existence, the war-god weeps… for, without those alive to worship him, Ares’ power swiftly wanes…’’</i></b>
<b>‘’In The Forest Of The Night’’ from Wonder Woman #119 (1997)
<i>Story & Art: John Byrne; Colors: Patricia Mulvihill; Cover: Jose Luis Garcia-Lopez</i></b>
In this scene, Diana is on a mission to save officer Michael P. Schorr of the G.C.P.D. from the cheetah that used to be Barbara Minerva. Diana manages to convince Barbara to win the battle with herself and become human again. Even though I didn’t quite enjoy the art - I did enjoy the story itself. It was a great lesson of fighting for who you are within, and winning battles with yourself and not surrendering to anything that might be in your way. We also get to have a little sneak-peak of how Wonder Woman started existing in the first place.
<b><i>‘’Yes, Mike, it is not widely known, but I was not born as mortals are, my mother sculpted a baby from the clay of Themyscira and the Gods themselves breathed life into that clay. ‘’</i></b>
<img src="https://gipostcards.files.wordpress.com/2018/08/book-cover-4.png"/>;
<b>‘’Stoned: Conclusion’’ from Wonder Woman #210 (2005)
<i>Script: Greg Rucka; Pencils: Drew Johnson; Inks: Ray Snyder; Colors: Richard & Tanya Horie; Letters: Todd Klein; Cover: J.G. Jones</i></b>
This one is a gladiator battle between Wonder Woman and Medusa. I really enjoyed this one, the art was amazing and we even get a few scenes with Circe-witch on it. I love how Wonder Woman is presented to be smart and the sacrifice that she made was very brave. Such a powerful story! Amazing!
<b>‘’Sacrifice: Part four’’ from Wonder Woman #219 (2005)
<i>Scripts: Greg Rucka; Pencils:Rags Morales, David Lopez, Tom Derenick, Georges Jeanty & Karl Kerschl; Inks: Mark Propst, BIT, Dexter Vines, Bob Petrecca & Nelson; Colors: Richard & Tanya Horie; Letters: Todd Klein; Cover: J.G. Jones</i></b>
Superman has been brainwashed and wants to kill Diana. Not much happens apart from Wonder Woman and Superman fighting. I didn’t like this one, only because of one quote that says:
<b><i>‘’You’ll forgive me for saying it, princess, but you look good on your knees…’’</i></b>
<b>‘’A Murder Of Crows: Part Two - Throwdown’’ from Wonder Woman #41 (2010)
<i>Script: Gail Simone; Pencils: Chris Batista & Fernando Dagnino; Inks: Doug Hazlewood & Raul Fernandez; Colors: Brad Anderson; Letters: Travis Lanham; Cover: Aaron Lopresti</i></b>
Even though the beginning features Achilles and Patroclus, after a page or two we don’t see them anymore, and I am standing like… what’s the point in mentioning them in the first place then? This piece of art contains a battle between Power Girl and Wonder Woman, and how Power Girl can never be like Wonder Woman, unless, of course, she has no other choice.
I liked this one, maybe the most, even though the art was just average.
<b>‘’Justice League: Part Three’’ from Justice League #3 (2011)
<i>Script: Geoff Johns; Pencils: Jim Lee; Inks: Scott Williams; Colors: Alex Sinclair, HI-FI & Gabe Ettaeb; Letters: Pat Brosseau; Cover: Jim Lee, Scott Williams & Alex Sinclair</i></b>
This piece of art was different than anything else in this book. We see a lot of famous heroes fight, like Superman, Batman, Green Lantern, Aquaman, and of course, Wonder Woman. The art is really colourful, which I enjoyed, but the story was confusing. See, it started from the middle of a comic book, and then ended unfinished. It only covered the part where Wonder Woman appears, but it confused me and I didn’t enjoy the story as much. Again, I didn’t like the way how they express themselves to a woman. They see Wonder Woman and they call dibs on her. Really?
<b>‘’Goddown’’ from Wonder Woman #23 (2013)
<i>Script: Brian Azzarello; Art: Cliff Chiang; Colors: Matthew Wilson; Letters: Jared K. Fletcher; Cover: Cliff Chiang </i></b>
A very confusing chapter, and I didn’t enjoy it at all. It was about Hera and her children, and Wonder Woman protecting them. Even though this is the newest made, it didn’t seem like it, and the art seemed old-style.
Overall, I didn’t enjoy it as much, and it wouldn’t be something I’d choose in the future. I’d rather go with a proper beginning-to-end story rather than a compilation next time.
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Gareth von Kallenbach (965 KP) rated Spider-Man 2 (2004) in Movies
Aug 14, 2019
There comes a time in every young persons life where they have to make a series of decisions regarding their future. For many the pressures of finance, school, work, and ever-changing social dynamic force individuals to take a look at their values and what is important, adjusting their lives as needed.
For many this is a difficult situation that is often accomplished through trial and error marking the difficult transition into adulthood. For Peter Parker (Tobey Maguire), the added pressure of dealing with his dual identity of Spider-Man has driven him to the edge.
Since Peter spends his evenings scouring New York fighting crime, his college studies and job have become seriously neglected. With difficulties paying the bills and making it to class and work on time, Peter has become weary of his life, as Spider-Man has made it close to impossible for him to lead any semblance of normality.
Further hindering Peter’s life is his strong feelings for Mary Jane Watson (Kirsten Dunst), who he keeps at a distance to protect her from reprisals from enemies of his alter ego, though it is causing him endless emotional turmoil to do so.
Faced with losing the woman of his dreams and his lives goals, Peter decides to abandon his alter ego and live life as a normal person allowing his energies to be focused on his studies and pursuit of science.
Peter’s new found freedom is interrupted by the emergence of a new villain named Dr. Octopus (Alfred Molina), who is a brilliant scientist turned evil as a result of an experiment gone awry. The Doctor has four metallic limbs grafted to his body and is capable of amazing feats of strength and copious amounts of destruction and mayhem due to his unrestrained madness.
The cause of the good doctors wrath is to complete the experiment that disabled him and avenge the loss of his wife in the accident that created him. Towards that end, the Doctor needs an abundance of financial assets and a rare fuel source that can only be provided by his former employer Harry Osborn (James Franco). Harry is only to happy to comply as he still blames Spider-Man for the death of his father in the previous film, and promises to supply the Doctor if he delivers Spider-Man to him. The recent failure of the Doctors experiment, have pushed Norman to the edge as what was to be a shining achievement for the company has now left him reeling and looking for answers, straining his relationship with Peter and Mary Jane.
What follows is a wild ride of action, romance, drama, and comedy as the tangled web that is Peter Parker’s life unfolds and it is one wild ride.
“Spider-Man 2” is a solid film that will delight fans of the first film as well as the comic and will provide a welcome presence at the theaters this Summer from the flock of big budget disappointments that have been the norm.
Sam Raimi paces the film at a slow pace to start with and allows the action and pace of the film to unfold. The film never seems in your face as despite the intense action sequences, the film remains a character driven piece as the relationship between Peter and those he cares for are central elements to the film.
As adventure films go, “Spider-Man 2” has a very complex storyline as several mature issues are developed and explored which helps round out the characters from comic book icons to people that you actually care about.
If I had to find fault with the film, and it would be nitpicking, would be that Doctor Octopus did not stand out as menacing a threat as The Green Goblin did in the last film, as he does not embody the same level of fear and evil. That being said, Maguire is amazing as he does a great job of making Peter a realistic character by showing the audience the pain and conflict as well as the joy that Peter experiences being Spider-Man.
The special effects are amazing but never overshadow the human performance and tone of the film, as after all, this is still a story about a regular guy, with regular problems and extraordinary abilities that are part gift and part curse.
The supporting work of Franco and Dunst is solid and there chemistry amongst the leads is evident. The ending of the film sets the stage perfectly for the next chapter in the series and here is hoping that the winning formula continues as “Spider-Man 2” is not only the best comic inspired film ever made, but one of the best films of the year.
For many this is a difficult situation that is often accomplished through trial and error marking the difficult transition into adulthood. For Peter Parker (Tobey Maguire), the added pressure of dealing with his dual identity of Spider-Man has driven him to the edge.
Since Peter spends his evenings scouring New York fighting crime, his college studies and job have become seriously neglected. With difficulties paying the bills and making it to class and work on time, Peter has become weary of his life, as Spider-Man has made it close to impossible for him to lead any semblance of normality.
Further hindering Peter’s life is his strong feelings for Mary Jane Watson (Kirsten Dunst), who he keeps at a distance to protect her from reprisals from enemies of his alter ego, though it is causing him endless emotional turmoil to do so.
Faced with losing the woman of his dreams and his lives goals, Peter decides to abandon his alter ego and live life as a normal person allowing his energies to be focused on his studies and pursuit of science.
Peter’s new found freedom is interrupted by the emergence of a new villain named Dr. Octopus (Alfred Molina), who is a brilliant scientist turned evil as a result of an experiment gone awry. The Doctor has four metallic limbs grafted to his body and is capable of amazing feats of strength and copious amounts of destruction and mayhem due to his unrestrained madness.
The cause of the good doctors wrath is to complete the experiment that disabled him and avenge the loss of his wife in the accident that created him. Towards that end, the Doctor needs an abundance of financial assets and a rare fuel source that can only be provided by his former employer Harry Osborn (James Franco). Harry is only to happy to comply as he still blames Spider-Man for the death of his father in the previous film, and promises to supply the Doctor if he delivers Spider-Man to him. The recent failure of the Doctors experiment, have pushed Norman to the edge as what was to be a shining achievement for the company has now left him reeling and looking for answers, straining his relationship with Peter and Mary Jane.
What follows is a wild ride of action, romance, drama, and comedy as the tangled web that is Peter Parker’s life unfolds and it is one wild ride.
“Spider-Man 2” is a solid film that will delight fans of the first film as well as the comic and will provide a welcome presence at the theaters this Summer from the flock of big budget disappointments that have been the norm.
Sam Raimi paces the film at a slow pace to start with and allows the action and pace of the film to unfold. The film never seems in your face as despite the intense action sequences, the film remains a character driven piece as the relationship between Peter and those he cares for are central elements to the film.
As adventure films go, “Spider-Man 2” has a very complex storyline as several mature issues are developed and explored which helps round out the characters from comic book icons to people that you actually care about.
If I had to find fault with the film, and it would be nitpicking, would be that Doctor Octopus did not stand out as menacing a threat as The Green Goblin did in the last film, as he does not embody the same level of fear and evil. That being said, Maguire is amazing as he does a great job of making Peter a realistic character by showing the audience the pain and conflict as well as the joy that Peter experiences being Spider-Man.
The special effects are amazing but never overshadow the human performance and tone of the film, as after all, this is still a story about a regular guy, with regular problems and extraordinary abilities that are part gift and part curse.
The supporting work of Franco and Dunst is solid and there chemistry amongst the leads is evident. The ending of the film sets the stage perfectly for the next chapter in the series and here is hoping that the winning formula continues as “Spider-Man 2” is not only the best comic inspired film ever made, but one of the best films of the year.
Maddi Zoe (6 KP) rated Wonder (2017) in Movies
Feb 8, 2018
acting (2 more)
storyline
underlying message
Cute messages tugging at your heart strings
Based on the best-selling novel of the same name, Wonder, directed by Stephen Chbosky, is a wonderfully endearing and uplifting story about a boy, Auggie Pullman (Jacob Tremblay), who was born with Treacher Collins syndrome and has had several surgeries leaving him with facial deformities.
The movie starts as he is entering into fifth-grade, and actually going to school for the first time as he has previously been home schooled by his mother (Julia Roberts). He is understandably scared about not making friends, or being ridiculed by his classmates, but with the help of his Mum and Dad (Owen Wilson) he braves going to school and meets new people.
There are many moments of sadness, as you would expect, but there are also moments of great joy. I found myself crying from start to finish, riding on a rollercoaster of emotions.
There are a few mini storylines about other characters that get given the spotlight at different times as well, which is a nice change to when some films focus on just the one person, because we get to see other characters backgrounds, and why they act how they do.
The casting is brilliant, Tremblay plays Auggie excellently, bringing both emotion and sass to the character. He has been in a fair few things before, such as Before I Wake, but this role will definitely boost him into the spotlight.
Roberts and Wilson as the parents is also an excellent choice, Roberts gives an emotive performance, and it’s great to see Wilson in a serious role, whilst still bringing some light comic relief.
The cast has a lot of young actors, but there isn’t one that stands out as being stiff or unnatural, they are all brilliant and help to bring the feel of the movie together. The relationships between all the characters is brought to life really well by the actors.
The writing is brilliant, although it is based on a book so the story is there already, but the screenwriters, Chbosky, Steve Conrad and Jack Thorne, put it together for the screen really well.
There are some stand out quotes, that also come from the book, that make you stop and think, and the teacher, Mr Browne (Daveed Diggs), teaches the class about precepts such as ‘When given the choice between being right or being kind, choose kind’.
Overall, it’s a well-rounded family movie, that may change your outlook on some things in life. With such great casting, writing and direction, I’d be very surprised if it didn’t do well during awards season.
The movie starts as he is entering into fifth-grade, and actually going to school for the first time as he has previously been home schooled by his mother (Julia Roberts). He is understandably scared about not making friends, or being ridiculed by his classmates, but with the help of his Mum and Dad (Owen Wilson) he braves going to school and meets new people.
There are many moments of sadness, as you would expect, but there are also moments of great joy. I found myself crying from start to finish, riding on a rollercoaster of emotions.
There are a few mini storylines about other characters that get given the spotlight at different times as well, which is a nice change to when some films focus on just the one person, because we get to see other characters backgrounds, and why they act how they do.
The casting is brilliant, Tremblay plays Auggie excellently, bringing both emotion and sass to the character. He has been in a fair few things before, such as Before I Wake, but this role will definitely boost him into the spotlight.
Roberts and Wilson as the parents is also an excellent choice, Roberts gives an emotive performance, and it’s great to see Wilson in a serious role, whilst still bringing some light comic relief.
The cast has a lot of young actors, but there isn’t one that stands out as being stiff or unnatural, they are all brilliant and help to bring the feel of the movie together. The relationships between all the characters is brought to life really well by the actors.
The writing is brilliant, although it is based on a book so the story is there already, but the screenwriters, Chbosky, Steve Conrad and Jack Thorne, put it together for the screen really well.
There are some stand out quotes, that also come from the book, that make you stop and think, and the teacher, Mr Browne (Daveed Diggs), teaches the class about precepts such as ‘When given the choice between being right or being kind, choose kind’.
Overall, it’s a well-rounded family movie, that may change your outlook on some things in life. With such great casting, writing and direction, I’d be very surprised if it didn’t do well during awards season.
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Joe Goodhart (27 KP) rated All-New Wolverine, Volume 5: Orphans of X in Books
Nov 30, 2020
<b>**</b> <i>Before I begin, I should just like to preface this review with the following disclaimer: any reviews I have written are almost always going to be less than biased, due to the content being related to Laura Kinney (X-23). However, that being said, if the story is rubbish, and Laura is in it, I will still be honest in my review. Now, on to the review.. </i><b>**</b>
ORPHANS OF X was the perfect story arc to wash away the taste from the two previous arcs - "Enemy of the State II" and "Immune". From the beginning to the end, this was a solid story! There was action, there was suspenseful tension, and, of course, there was humor along the way (Thanks in part to Gabby, or as she is known by her new codename: Honey Badger!). A winning recipe for how to write a comic book successfully!
Under writer Tom Taylor's hand, Laura has evolved as a character. Yes, she was a former assassin. Yes, she killed a hell of a lot of people during her time when she was part of the Facility's Weapon X Program. However, that doesn't mean you can't a) move beyond that, nor b) can you just forget that. And that is what Taylor has done.
Laura has grown, taking on the responsibility of looking out for/"raising" her sister/clone Gabby. She displays more emotions, not 100% perfect, but considering her backstory, it makes sense the way she is being written.
No spoilers, promise, but the ending resolution to ORPHANS OF X sets in motion great potential! We know the next arc will be "Old Woman Laura", but after that? Oh, wait 'til you read it, and if you are a fan of the character, you should be as excite as I am!
And, as praiseworthy as Tom Taylor's writing was, I feel I should also gave a more than fair nod to new series artist (I hope!) Juann Cabal. A lot of talent, and definitely someone this book could use! Cabal's pencils are tight, yet fluid. He brings a lot of action to a fight panel, yet also brings a careful attention to facial detail when it is a simpler, not action-y scene.
Oh, of course, there were also some amazing (as always) covers by fan favorite Terry Dodson! Brilliant!!
Many of us, fans of Laura Kinney, have been hankering for a story like this. Everything about it was all aces! But, don't let me be the final word on this. By all means, good folk, read on..
ORPHANS OF X was the perfect story arc to wash away the taste from the two previous arcs - "Enemy of the State II" and "Immune". From the beginning to the end, this was a solid story! There was action, there was suspenseful tension, and, of course, there was humor along the way (Thanks in part to Gabby, or as she is known by her new codename: Honey Badger!). A winning recipe for how to write a comic book successfully!
Under writer Tom Taylor's hand, Laura has evolved as a character. Yes, she was a former assassin. Yes, she killed a hell of a lot of people during her time when she was part of the Facility's Weapon X Program. However, that doesn't mean you can't a) move beyond that, nor b) can you just forget that. And that is what Taylor has done.
Laura has grown, taking on the responsibility of looking out for/"raising" her sister/clone Gabby. She displays more emotions, not 100% perfect, but considering her backstory, it makes sense the way she is being written.
No spoilers, promise, but the ending resolution to ORPHANS OF X sets in motion great potential! We know the next arc will be "Old Woman Laura", but after that? Oh, wait 'til you read it, and if you are a fan of the character, you should be as excite as I am!
And, as praiseworthy as Tom Taylor's writing was, I feel I should also gave a more than fair nod to new series artist (I hope!) Juann Cabal. A lot of talent, and definitely someone this book could use! Cabal's pencils are tight, yet fluid. He brings a lot of action to a fight panel, yet also brings a careful attention to facial detail when it is a simpler, not action-y scene.
Oh, of course, there were also some amazing (as always) covers by fan favorite Terry Dodson! Brilliant!!
Many of us, fans of Laura Kinney, have been hankering for a story like this. Everything about it was all aces! But, don't let me be the final word on this. By all means, good folk, read on..
Gareth von Kallenbach (965 KP) rated Ready Player One (2018) in Movies
Jul 8, 2019
Directed by Steven Spielberg, Ready Player One is a fast paced action film full of fun pop culture nostalgia. Set in a dystopian 2045, the world’s number one resource is the Oasis. A virtual reality world where everyone either works or uses to escape the doldrums of everyday slum/trailer park life of Columbus Ohio.
When the creator of the Oasis, James Holiday (Mark Rylance) passes away, he leaves a Willy Wonka like challenge in the Oasis, where whoever is the first to find Holiday’s “Easter egg,” will inherit control of the Oasis and the fortune that comes with it. Naturally, we go on a “Goonies” like adventure where we follow the hunt for the egg through our hero Wade Watts/Parzival (Tye Sheridan) and his crew of friends Aech (Lena Waithe) and Art3mis (Olivia Cooke). They hope to keep the Oasis free for everyone and make it so no one will have to slave away working to pay off debt in the Oasis. Meanwhile, the wicked corporation, led by Nolan Sorrento (Ben Mendelsohn) that will do anything to win control of the Oasis as a way to make money and enslave people. Got that? Good. Because the film pretty much explains this in the first fifteen minutes or so. After that, the film becomes a fast paced adventure race to find each of the three key’s needed to find Holiday’s egg and win the challenge.
Since the majority of the film takes place in the Oasis, we find ourselves mostly watching animation and voice acting. The cast does an excellent job delivering their lines combined with top tier animation. These two things are melded so well, at times you barley even realize you are watching animation. Additionally, the Oasis is packed full with visual pop culture references and gags. Whether its video game or comic characters, a reference to a scene from a movie, soundtrack, or even certain famous sound cues, you will find yourself constantly looking at everything on screen and smiling with amusement. Even if you do not know the references very well, the film moves at a fast enough pace through each part of the adventure, you never feel alienated or as if you are out of the loop.
For those who are wondering, then film differs greatly from the hit 2011 novel by the same name, in that it is able to create a version of this story that is entirely its own. Thus it leaves the “book is better” conversations to the side. Instead, the book could be seen as a complement to the movie, for those looking for more depth in character, the real world of 2045 and the Oasis. I was surprised how much I enjoyed the changes from the book in the film, and yet, I want to re-read the novel to get more out of this rich environment.
In the end, I’d have to say that Ready Player One is worth the full price of admission. There is something for everyone to enjoy in this fun, fast paced, action film.
When the creator of the Oasis, James Holiday (Mark Rylance) passes away, he leaves a Willy Wonka like challenge in the Oasis, where whoever is the first to find Holiday’s “Easter egg,” will inherit control of the Oasis and the fortune that comes with it. Naturally, we go on a “Goonies” like adventure where we follow the hunt for the egg through our hero Wade Watts/Parzival (Tye Sheridan) and his crew of friends Aech (Lena Waithe) and Art3mis (Olivia Cooke). They hope to keep the Oasis free for everyone and make it so no one will have to slave away working to pay off debt in the Oasis. Meanwhile, the wicked corporation, led by Nolan Sorrento (Ben Mendelsohn) that will do anything to win control of the Oasis as a way to make money and enslave people. Got that? Good. Because the film pretty much explains this in the first fifteen minutes or so. After that, the film becomes a fast paced adventure race to find each of the three key’s needed to find Holiday’s egg and win the challenge.
Since the majority of the film takes place in the Oasis, we find ourselves mostly watching animation and voice acting. The cast does an excellent job delivering their lines combined with top tier animation. These two things are melded so well, at times you barley even realize you are watching animation. Additionally, the Oasis is packed full with visual pop culture references and gags. Whether its video game or comic characters, a reference to a scene from a movie, soundtrack, or even certain famous sound cues, you will find yourself constantly looking at everything on screen and smiling with amusement. Even if you do not know the references very well, the film moves at a fast enough pace through each part of the adventure, you never feel alienated or as if you are out of the loop.
For those who are wondering, then film differs greatly from the hit 2011 novel by the same name, in that it is able to create a version of this story that is entirely its own. Thus it leaves the “book is better” conversations to the side. Instead, the book could be seen as a complement to the movie, for those looking for more depth in character, the real world of 2045 and the Oasis. I was surprised how much I enjoyed the changes from the book in the film, and yet, I want to re-read the novel to get more out of this rich environment.
In the end, I’d have to say that Ready Player One is worth the full price of admission. There is something for everyone to enjoy in this fun, fast paced, action film.
Nick Smallwood (0 KP) rated Black Panther (2018) in Movies
Mar 10, 2018
Black Panther was a great movie with very few negatives to it. Marvel movies being what they are, there are definitely similarities to be drawn between BP and other recent MCU entries, mostly along the lines of Spider-Man: Homecoming and Thor: Ragnarok.
Ryan Coogler very adeptly introduces a brand new culture, a brand new nation, to the Marvel Universe, finally pulling back the veil on Wakanda itself after many hints and Easter eggs.
Fresh from his appearance in Captain America: Civil War, which is recapped very briefly in the beginning of the film, Black Panther comes home to be declared King after a quick action scene that shows Black Panther in action, shot VERY well while maintaining the Marvel humor shown in Ragnarok. "Don't freeze."
As the movie progresses and we're introduced to Michael B. Jordan's villain of the film, we are given an empathetic villain we can eventually sympathize with, albeit knowing full and well that he is still the bad guy who needs to be foiled.
Some character highlights of the film include Princess Shuri, a welcome addition to the MCU, the return of Ulysses Claue from Avengers: Age of Ultron and Everett Ross from Captain America: Civil War, and newcomer M'Baku, who was very tastefully adapted for the film without calling him Man-Ape.
The action scenes were well done, Wakanda showed cultural depth, the plot was well-developed and every scene that wasn't self-explained was eventually paid off later on.
This being a comic book film, it translated Wakanda well, and shows Marvel has found their groove. The distractions I have are few and far between, mostly just stemming from Killmonger's use of a Black Panther suit (Iron Monger, The Abomination, The Red Skull, and Kaecillius all come to mind as mirrored versions of the heroes) and some spotty pacing between some scenes.
Also.
Didn't expect it, didn't see it in trailers, so mild spoilers, but.
Battle Rhinos.
Awesome.
Ryan Coogler very adeptly introduces a brand new culture, a brand new nation, to the Marvel Universe, finally pulling back the veil on Wakanda itself after many hints and Easter eggs.
Fresh from his appearance in Captain America: Civil War, which is recapped very briefly in the beginning of the film, Black Panther comes home to be declared King after a quick action scene that shows Black Panther in action, shot VERY well while maintaining the Marvel humor shown in Ragnarok. "Don't freeze."
As the movie progresses and we're introduced to Michael B. Jordan's villain of the film, we are given an empathetic villain we can eventually sympathize with, albeit knowing full and well that he is still the bad guy who needs to be foiled.
Some character highlights of the film include Princess Shuri, a welcome addition to the MCU, the return of Ulysses Claue from Avengers: Age of Ultron and Everett Ross from Captain America: Civil War, and newcomer M'Baku, who was very tastefully adapted for the film without calling him Man-Ape.
The action scenes were well done, Wakanda showed cultural depth, the plot was well-developed and every scene that wasn't self-explained was eventually paid off later on.
This being a comic book film, it translated Wakanda well, and shows Marvel has found their groove. The distractions I have are few and far between, mostly just stemming from Killmonger's use of a Black Panther suit (Iron Monger, The Abomination, The Red Skull, and Kaecillius all come to mind as mirrored versions of the heroes) and some spotty pacing between some scenes.
Also.
Didn't expect it, didn't see it in trailers, so mild spoilers, but.
Battle Rhinos.
Awesome.
Versusyours (757 KP) rated Joker (2019) in Movies
Dec 14, 2019
The slow paced deterioration of mental health (2 more)
Some terrific portrayals
Cgi sparse
Not your usual type of clowning around
After waiting longer than I should have I finally watched Joker and the delay left me with lots of other opinions and views of the impact it has generated.
It is no secret that this film takes a different approach to the comic book genre with no superpowers being gained and focuses more on loss and the power that grows from becoming mentally unstable and damaged by an unforgiving society. It also focused on the ability to become involved in the fame game not for being talented but as a source of ridicule and fun for others, thso is reflected in wider society and is a stark warning about encouraging those that are not near the level of the talented. Take note the Xfactor and other programmes that have advertising funded freak shows and gather round televisions to judge and mock. There are many factors that contribute to the descent into chaos and they are the socioeconomic factors of heriditary mental health, illegitimacy, funding cuts, street violence and the fear of the future.
The climax scenes are hard hitting but not unexpected, the impact at the time was shocking and left a lasting sense of my own unease at the future. My only thoughts on the negative side where the ability for this ending to have the lasting impact on repeat viewings and it's place in film history will be won or lost on how its seen in the upcoming years. Phoenix inhabited the role as Joker and his overall attention to detail allowed the character to form on deeper and emotion levels.
If there are others out there still waiting to see this do it before Xmas as it might be too much to take during the January blues
It is no secret that this film takes a different approach to the comic book genre with no superpowers being gained and focuses more on loss and the power that grows from becoming mentally unstable and damaged by an unforgiving society. It also focused on the ability to become involved in the fame game not for being talented but as a source of ridicule and fun for others, thso is reflected in wider society and is a stark warning about encouraging those that are not near the level of the talented. Take note the Xfactor and other programmes that have advertising funded freak shows and gather round televisions to judge and mock. There are many factors that contribute to the descent into chaos and they are the socioeconomic factors of heriditary mental health, illegitimacy, funding cuts, street violence and the fear of the future.
The climax scenes are hard hitting but not unexpected, the impact at the time was shocking and left a lasting sense of my own unease at the future. My only thoughts on the negative side where the ability for this ending to have the lasting impact on repeat viewings and it's place in film history will be won or lost on how its seen in the upcoming years. Phoenix inhabited the role as Joker and his overall attention to detail allowed the character to form on deeper and emotion levels.
If there are others out there still waiting to see this do it before Xmas as it might be too much to take during the January blues
Three Men in a Boat: To Say Nothing of the Dog
Jerome Jerome and Jeremy Lewis
Book
A comic masterpiece that has never been out of print since it was first published in 1889, Jerome K....