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Gareth von Kallenbach (962 KP) rated Thor (2011) in Movies
Aug 7, 2019
The latest Marvel comic based film has arrived and continues a trend of top-notch cinematic adaptations of Marvel characters. THOR stars Chris Hemsworth as the brash and bold Asgard warrior who is next in line for the kingdoms throne. His father Odin (Anthony Hopkins), has ruled the kingdom for many years and as such has been responsible for maintaining the peace for Asgard and all the other known realms. After being surprised by an incursion by an ancient enemy previously defeated by Odin, the God of Thunder leads a group of warriors on a mission of retribution against his father’s orders which soon has the Asgard people facing the spectre of war.
Instead of his planned coronation, Thor finds himself cast out of Asgard and forced to live as a mortal on Earth. Truly a fish out of water, the brash and arrogant Thor is befriended by scientist Jane Watson (Natalie Portman), the first person Thor encounters upon his arrival. Unsure of his true identity, Jane and her colleagues are drawn to the mysterious stranger despite his tales which, to the humans, are the stuff of ancient Norse legends.
While initially dismissed as a drifter, Thor soon gains the respect of Jane and her colleagues when he stands up to a mysterious government organization that has seized her work. Thor soon finds himself battling enemies on multiple fronts on both his present and former home where he must battle to regain his lost honor and status and prove himself the rightful leader of his people. What follows is a highly entertaining mix of action, comedy, and a touch of romance that sets the film apart from many of its peers.
Director Kenneth Branagh fleshes out the characters from their two-dimensional origins and paces the film well never allowing the elaborate effects or action sequences of the film to overshadow the characters or the story. J. Michael Straczynski used many of the lessons he learned as the creator of the Babylon 5 and in his recent work with Marvel comics to provide a character-driven story that is true to the source material while providing interweaving storylines and ever-changing characters.
The supporting cast was strong, especially Tom Hiddleston as Thor’s younger sibling Loki. The visuals of the film match the action perfectly as Asgard and some of the other realms are truly breathtaking. The only issue I had with the film was that, sadly, Paramount felt the need to use a post filming 3-D conversion on the film which in my opinion offered very little to the finished product. Had the film been shot with 3-D cameras it truly would’ve taken it to the next level but as it was actually done, the 3D conversion offers little to the visual experience.
Hemsworth commands the screen in every scene in which he appears. He is a charismatic presence that deftly walks the line between brash warrior and leader seeking redemption, who never lets his performance become cartoony or forced. I absolutely loved every part the film from beginning to end and in my opinion Thor has set the bar very high for the next series of comic book themed movies to aspire to and is not to be missed.
Instead of his planned coronation, Thor finds himself cast out of Asgard and forced to live as a mortal on Earth. Truly a fish out of water, the brash and arrogant Thor is befriended by scientist Jane Watson (Natalie Portman), the first person Thor encounters upon his arrival. Unsure of his true identity, Jane and her colleagues are drawn to the mysterious stranger despite his tales which, to the humans, are the stuff of ancient Norse legends.
While initially dismissed as a drifter, Thor soon gains the respect of Jane and her colleagues when he stands up to a mysterious government organization that has seized her work. Thor soon finds himself battling enemies on multiple fronts on both his present and former home where he must battle to regain his lost honor and status and prove himself the rightful leader of his people. What follows is a highly entertaining mix of action, comedy, and a touch of romance that sets the film apart from many of its peers.
Director Kenneth Branagh fleshes out the characters from their two-dimensional origins and paces the film well never allowing the elaborate effects or action sequences of the film to overshadow the characters or the story. J. Michael Straczynski used many of the lessons he learned as the creator of the Babylon 5 and in his recent work with Marvel comics to provide a character-driven story that is true to the source material while providing interweaving storylines and ever-changing characters.
The supporting cast was strong, especially Tom Hiddleston as Thor’s younger sibling Loki. The visuals of the film match the action perfectly as Asgard and some of the other realms are truly breathtaking. The only issue I had with the film was that, sadly, Paramount felt the need to use a post filming 3-D conversion on the film which in my opinion offered very little to the finished product. Had the film been shot with 3-D cameras it truly would’ve taken it to the next level but as it was actually done, the 3D conversion offers little to the visual experience.
Hemsworth commands the screen in every scene in which he appears. He is a charismatic presence that deftly walks the line between brash warrior and leader seeking redemption, who never lets his performance become cartoony or forced. I absolutely loved every part the film from beginning to end and in my opinion Thor has set the bar very high for the next series of comic book themed movies to aspire to and is not to be missed.
Purple Phoenix Games (2266 KP) rated Funny Pages: A Comical Puzzle Game in Tabletop Games
May 26, 2021
I have been intellectually burned by Enigma Emporium before. So it was with a bruised ego that I agreed to check out their next game, Funny Pages. Now, I don’t fancy myself a fool, but boy did their previous offerings knock me down a peg. But what about an innocently-titled game about (and containing) comic book panels? So far I have solved two of the seven provided to me. Here we go again.
Funny Pages is a puzzle game for any number of players and any gaming skill level. In fact, as there are so few rules, this may be a somewhat perfect game (game?) for non-gamers. Read on.
DISCLAIMER: We were provided a prototype copy of the Promo Pack for the purposes of this preview. These are preview copy components, and I do not know for sure if the final components will be any different from these shown. You are invited to back the game through the Kickstarter campaign, or through any retailers stocking it after fulfillment. -T
To setup, open the envelope (or box, if playing the boxed final version) and display the cards. Done. Easy like Sunday morning.
Funny Pages is not a turn-based game, but rather an exercise in visual clue-hunting and some amount of Google-fu. In this Promo Pack, each card represents a day of the week, and some must be on Easy mode, because I was able to solve them pretty quickly. Others, I believe, echo the difficulty of the aforementioned Wish You Were Here.
In any case, the goal of this Promo Pack is to match up the puzzle with the correct day of the week. And while that sounds very easy, the puzzles certainly are not. Good luck to all who attempt!
Components. Well, these are large, oversized cards with linen finish and obviously amazing art. I am unable to speak on the final components, but have been assured that the game is 100% ready to go, so if it mimics the provided Promo Pack, these are a great size and feel.
I will be poring over these cards much much more until I absolutely figure every one of them out. I am still a bit away from that goal, but these puzzles are definitely more my speed than what I experienced previously. Some of the comics are actually funny, even when taken out of context of the game. I like the comic art style (naturally), and having clever puzzles embedded just makes them even more enjoyable.
I must admit that after solving a few of these I am feeling more confident in my ability to solve the others. I just need to take more time and think with alternate logic. Is alternate logic a thing? If not, I call dibs on coining the term. I very much enjoy these, and I think it is partly due to the fact that they look great and all seem to offer a different type of puzzle on each card. If this is something that piques your interest, then I recommend you check out the upcoming Kickstarter campaign to add this little gem to your collection. If nothing else, use it as a distraction for unwanted guests on your coffee table. Challenge them to solve the lot in a time frame and watch them go to town.
PS – Please do not ask me for hints. I may be wrong on some of my solutions.
Funny Pages is a puzzle game for any number of players and any gaming skill level. In fact, as there are so few rules, this may be a somewhat perfect game (game?) for non-gamers. Read on.
DISCLAIMER: We were provided a prototype copy of the Promo Pack for the purposes of this preview. These are preview copy components, and I do not know for sure if the final components will be any different from these shown. You are invited to back the game through the Kickstarter campaign, or through any retailers stocking it after fulfillment. -T
To setup, open the envelope (or box, if playing the boxed final version) and display the cards. Done. Easy like Sunday morning.
Funny Pages is not a turn-based game, but rather an exercise in visual clue-hunting and some amount of Google-fu. In this Promo Pack, each card represents a day of the week, and some must be on Easy mode, because I was able to solve them pretty quickly. Others, I believe, echo the difficulty of the aforementioned Wish You Were Here.
In any case, the goal of this Promo Pack is to match up the puzzle with the correct day of the week. And while that sounds very easy, the puzzles certainly are not. Good luck to all who attempt!
Components. Well, these are large, oversized cards with linen finish and obviously amazing art. I am unable to speak on the final components, but have been assured that the game is 100% ready to go, so if it mimics the provided Promo Pack, these are a great size and feel.
I will be poring over these cards much much more until I absolutely figure every one of them out. I am still a bit away from that goal, but these puzzles are definitely more my speed than what I experienced previously. Some of the comics are actually funny, even when taken out of context of the game. I like the comic art style (naturally), and having clever puzzles embedded just makes them even more enjoyable.
I must admit that after solving a few of these I am feeling more confident in my ability to solve the others. I just need to take more time and think with alternate logic. Is alternate logic a thing? If not, I call dibs on coining the term. I very much enjoy these, and I think it is partly due to the fact that they look great and all seem to offer a different type of puzzle on each card. If this is something that piques your interest, then I recommend you check out the upcoming Kickstarter campaign to add this little gem to your collection. If nothing else, use it as a distraction for unwanted guests on your coffee table. Challenge them to solve the lot in a time frame and watch them go to town.
PS – Please do not ask me for hints. I may be wrong on some of my solutions.
BankofMarquis (1832 KP) rated Bloodshot (2020) in Movies
May 8, 2020
"Funner" than I expected
BLOODSHOT was one of those movies that I was going to "get around to see, sometime" before it left the movie theaters, little did I know that I would leave the movie theaters before Bloodshot did. So, when I ran across it On-Demand at home, I figured I would check it out - probably to let it run in the background as I multi-tasked.
Well...a funny thing happened while multi-tasking while watching this film. I found myself NOT multi-tasking, but rather, I stopped to focus on the film, for I was being entertained by the events unfolding before me on my screen.
Based on the Valiant comic of the same name, BLOODSHOT tells the tale of Ray Garrison a slain soldier who is brought back to life with nano-technology - technology that allows him to be used as a tool by Dr. Emil Harting.
Vin Diesel is the perfect blunt instrument to play Bloodshot. He reeks of testosterone and macho-ness but is a winning personality on the screen with enough charm and charisma to draw the audience in. Ably aiding him is Eiza Gonzalez (BABY DRIVER) as KT - another experiment/tool of Dr. Harting's - their relationship is the heart of this movie and it there is "enough" chemistry between the two to make me care about them. The revelation for me in this film is Lamorne Morris (GAME NIGHT) as Wilfred Wigans - a rival hacker who is an enemy (or is he a friend) of Bloodshot. I loved the fun that Wigans brought to the role and the film - he knew what kind of movie he was in and just "ran with it".
Everyone else in this film is pretty "generic" - especially (to my disappointment) Guy Pearce as Dr. Harting. I needed him to be less contained and more broad for this type of comic book film. I read that Michael Sheen was slated to play this role but had to drop out at the last moment due to scheduling conflicts. I would have loved to have seen "wild. out of control Michael Sheen" in this role.
The direction by David Wilson - in his major motion picture debut - is "serviceable", his direction doesn't get in the way. He is a former Visual Effects Supervisor and it shows in this film for it is at it's best when the VFX takes center stage (especially in the fight/action scenes). The key to Bloodshot is that he cannot be killed by conventional means for the nano-bots in his blood stream will reform immediately. So, you get quite a few slow-motion shots of bullets piercing through various parts of Bloodshot's body (with nano-bots flying out) only to have the nano-bots stop their flight away from the body and return to reform the shape of the particular body part (mostly, Bloodshot's head). In lesser hands, this could be an annoying trick, but it worked for me here.
The script and secondary characters and the plot is mostly throwaway in this film - clearly we are here for the fight scenes and the VFX - and if you set your expectations correctly, you will be entertained by this film.
I know I was - to my surprise.
Letter Grade: B
7 Stars (out of 10) - and you can take that to the Bank(ofMarquis)
Well...a funny thing happened while multi-tasking while watching this film. I found myself NOT multi-tasking, but rather, I stopped to focus on the film, for I was being entertained by the events unfolding before me on my screen.
Based on the Valiant comic of the same name, BLOODSHOT tells the tale of Ray Garrison a slain soldier who is brought back to life with nano-technology - technology that allows him to be used as a tool by Dr. Emil Harting.
Vin Diesel is the perfect blunt instrument to play Bloodshot. He reeks of testosterone and macho-ness but is a winning personality on the screen with enough charm and charisma to draw the audience in. Ably aiding him is Eiza Gonzalez (BABY DRIVER) as KT - another experiment/tool of Dr. Harting's - their relationship is the heart of this movie and it there is "enough" chemistry between the two to make me care about them. The revelation for me in this film is Lamorne Morris (GAME NIGHT) as Wilfred Wigans - a rival hacker who is an enemy (or is he a friend) of Bloodshot. I loved the fun that Wigans brought to the role and the film - he knew what kind of movie he was in and just "ran with it".
Everyone else in this film is pretty "generic" - especially (to my disappointment) Guy Pearce as Dr. Harting. I needed him to be less contained and more broad for this type of comic book film. I read that Michael Sheen was slated to play this role but had to drop out at the last moment due to scheduling conflicts. I would have loved to have seen "wild. out of control Michael Sheen" in this role.
The direction by David Wilson - in his major motion picture debut - is "serviceable", his direction doesn't get in the way. He is a former Visual Effects Supervisor and it shows in this film for it is at it's best when the VFX takes center stage (especially in the fight/action scenes). The key to Bloodshot is that he cannot be killed by conventional means for the nano-bots in his blood stream will reform immediately. So, you get quite a few slow-motion shots of bullets piercing through various parts of Bloodshot's body (with nano-bots flying out) only to have the nano-bots stop their flight away from the body and return to reform the shape of the particular body part (mostly, Bloodshot's head). In lesser hands, this could be an annoying trick, but it worked for me here.
The script and secondary characters and the plot is mostly throwaway in this film - clearly we are here for the fight scenes and the VFX - and if you set your expectations correctly, you will be entertained by this film.
I know I was - to my surprise.
Letter Grade: B
7 Stars (out of 10) - and you can take that to the Bank(ofMarquis)
Chris Sawin (602 KP) rated The Suicide Squad (2021) in Movies
Oct 6, 2021
Its adult humor is also incredibly poignant (2 more)
Blood and gore is Troma levels of insanity
King Shark and Polka Dot Man
Not as fun on repeat viewings (1 more)
Is a little too similar to Guardians of the Galaxy
I'm a Motherf@#$ing Superhero!
You could probably get away with calling James Gunn’s The Suicide Squad an R-rated version of Guardians of the Galaxy, but it isn’t entirely fair or correct. It’s a complicated comparison much like Gunn’s status with Marvel Studios that allowed him to make the film in the first place and whether or not The Suicide Squad is a sequel or a reboot to David Ayer’s 2016 film.
Gunn has always had a knack for getting gory or gross or raunchy if the opportunity presented itself. The Suicide Squad almost feels like a clean, strike that, blood-splattered slate for the filmmaker. Gunn had complete creative control while making The Suicide Squad and it shows; not only in its graphic content and excessive vulgarity, but also in the characters Gunn chose to be in the film. Nearly everyone has been replaced from the previous Suicide Squad film except for Captain Boomerang (Jai Courtney), Colonel Rick Flagg (Joel Kinnaman), Harley Quinn (Margot Robbie), and Amanda Waller (Viola Davis). The new characters are mostly unknown or barely known villains, which makes the fact that nearly all of them are expendable all the more intriguing.
While Guardians of the Galaxy and The Suicide Squad are two different films, there are some undeniable similarities. The cast of The Suicide Squad is insanely stacked, but you have to know by now that three quarters of these characters die in horribly gruesome ways. Witnessing who lives and who dies is half the fun of the film, so that won’t be spoiled here. But The Suicide Squad has a team of five characters that are grouped together and featured more than anyone else. It’s a lot like how Guardians began with Star-Lord, Gamora, Drax, Rocket, and Groot. These five characters also end up being the ones you love the most.
Gunn also has a thing for taking a group of assholes and giving them meaning. In the tenth season of South Park, Eric Cartman meets Bart Simpson face to face. Bart has always been a troublemaker and a prankster, but Cartman ground up Scott Tenorman’s parents, slapped that ground parent meat in some chili, and made Scott eat his own parents. The comparison between Guardians and The Suicide Squad is a lot like the difference between Bart Simpson and Eric Cartman. The Suicide Squad features straight up murderers, demented psychopaths, and whatever the hell Weasel is.
Not unlike his other comic book film work though, Gunn typically takes what would be unlikable characters on their own and finds a purpose for them once they’re with other outcasts that they can relate to. There is a ton of heart in The Suicide Squad. You fall in love with King Shark because he’s trying to read books upside down and use one of his fingers as mustache as a brilliant disguise, but you don’t feel for him until he reveals that he’s never had a friend. Sebastian, Ratcatcher II’s go-to rat, is adorable because he waves at, offers leaves to, and flocks toward Bloodsport even though he’s afraid of rats. There’s still this camaraderie in The Suicide Squad. It may be broken and gory, but it’s still camaraderie.
There are some unusual choices that Gunn made with The Suicide Squad though. They originally wanted Will Smith to come back as Deadshot, but supposedly cast Idris Elba to replace Smith in the role. Then they backtracked and made Elba Bloodsport. The odd thing is that both Bloodsport and Peacemaker are exactly the same as Deadshot. Peacemaker seems to be a bit crazier, but both characters have a thing for making anything a weapon in their hands and having precise aim. Bloodsport is even doing everything in the film for the sake of his daughter. It gives Warner Bros a chance to bring Smith back as Deadshot down the line, but having all three characters in the same film would be serious overkill.
Harley Quinn’s action sequences in The Suicide Squad are better and more satisfying than anything Margot Robbie has done with the role. Polka Dot Man is low-key the coolest character of the film despite seeing his mom in every person that he meets. Many will likely point to the blood, the gore, and all of the F-bombs shouted mostly among teammates as Gunn cleansing his Marvel/Disney palette so to speak. However, the major difference is Starro. Starro is a giant blue and purple starfish with an eyeball in the middle of his body. He is essentially a kaiju, but he shoots miniature versions of himself out of his armpits which latch onto people’s faces, kills them, and turns their corpses into zombie-like slaves that do his bidding; all while Starro gets bigger and bigger in the process. The abridged version of this starfish heavy explanation is that Starro is fucking terrifying. The entire world is basically on the verge of bowing down to a Godzilla sized starfish that has the ability to shoot armies of himself out of his Goddamn armpits! The MCU featuring a monster or creature of any kind that is that scary is slim to none.
The Suicide Squad is an uproarious extravaganza filled with grotesque nom-noms, full-on naked dick shots, and John Cena in tighty-whities and it’s is the most fun you’ll have with an R-rated comic book film in a theater (or at home with HBO Max) since Deadpool. It’s the first comic book film to come along in a good long while that’s charming because of how weird it is. As a final note, stay/watch after the credits. James Gunn and John Cena are doing an 8-episode Peacemaker TV series for HBO Max due sometime in 2022, so that may or may not be teased in some capacity.
Gunn has always had a knack for getting gory or gross or raunchy if the opportunity presented itself. The Suicide Squad almost feels like a clean, strike that, blood-splattered slate for the filmmaker. Gunn had complete creative control while making The Suicide Squad and it shows; not only in its graphic content and excessive vulgarity, but also in the characters Gunn chose to be in the film. Nearly everyone has been replaced from the previous Suicide Squad film except for Captain Boomerang (Jai Courtney), Colonel Rick Flagg (Joel Kinnaman), Harley Quinn (Margot Robbie), and Amanda Waller (Viola Davis). The new characters are mostly unknown or barely known villains, which makes the fact that nearly all of them are expendable all the more intriguing.
While Guardians of the Galaxy and The Suicide Squad are two different films, there are some undeniable similarities. The cast of The Suicide Squad is insanely stacked, but you have to know by now that three quarters of these characters die in horribly gruesome ways. Witnessing who lives and who dies is half the fun of the film, so that won’t be spoiled here. But The Suicide Squad has a team of five characters that are grouped together and featured more than anyone else. It’s a lot like how Guardians began with Star-Lord, Gamora, Drax, Rocket, and Groot. These five characters also end up being the ones you love the most.
Gunn also has a thing for taking a group of assholes and giving them meaning. In the tenth season of South Park, Eric Cartman meets Bart Simpson face to face. Bart has always been a troublemaker and a prankster, but Cartman ground up Scott Tenorman’s parents, slapped that ground parent meat in some chili, and made Scott eat his own parents. The comparison between Guardians and The Suicide Squad is a lot like the difference between Bart Simpson and Eric Cartman. The Suicide Squad features straight up murderers, demented psychopaths, and whatever the hell Weasel is.
Not unlike his other comic book film work though, Gunn typically takes what would be unlikable characters on their own and finds a purpose for them once they’re with other outcasts that they can relate to. There is a ton of heart in The Suicide Squad. You fall in love with King Shark because he’s trying to read books upside down and use one of his fingers as mustache as a brilliant disguise, but you don’t feel for him until he reveals that he’s never had a friend. Sebastian, Ratcatcher II’s go-to rat, is adorable because he waves at, offers leaves to, and flocks toward Bloodsport even though he’s afraid of rats. There’s still this camaraderie in The Suicide Squad. It may be broken and gory, but it’s still camaraderie.
There are some unusual choices that Gunn made with The Suicide Squad though. They originally wanted Will Smith to come back as Deadshot, but supposedly cast Idris Elba to replace Smith in the role. Then they backtracked and made Elba Bloodsport. The odd thing is that both Bloodsport and Peacemaker are exactly the same as Deadshot. Peacemaker seems to be a bit crazier, but both characters have a thing for making anything a weapon in their hands and having precise aim. Bloodsport is even doing everything in the film for the sake of his daughter. It gives Warner Bros a chance to bring Smith back as Deadshot down the line, but having all three characters in the same film would be serious overkill.
Harley Quinn’s action sequences in The Suicide Squad are better and more satisfying than anything Margot Robbie has done with the role. Polka Dot Man is low-key the coolest character of the film despite seeing his mom in every person that he meets. Many will likely point to the blood, the gore, and all of the F-bombs shouted mostly among teammates as Gunn cleansing his Marvel/Disney palette so to speak. However, the major difference is Starro. Starro is a giant blue and purple starfish with an eyeball in the middle of his body. He is essentially a kaiju, but he shoots miniature versions of himself out of his armpits which latch onto people’s faces, kills them, and turns their corpses into zombie-like slaves that do his bidding; all while Starro gets bigger and bigger in the process. The abridged version of this starfish heavy explanation is that Starro is fucking terrifying. The entire world is basically on the verge of bowing down to a Godzilla sized starfish that has the ability to shoot armies of himself out of his Goddamn armpits! The MCU featuring a monster or creature of any kind that is that scary is slim to none.
The Suicide Squad is an uproarious extravaganza filled with grotesque nom-noms, full-on naked dick shots, and John Cena in tighty-whities and it’s is the most fun you’ll have with an R-rated comic book film in a theater (or at home with HBO Max) since Deadpool. It’s the first comic book film to come along in a good long while that’s charming because of how weird it is. As a final note, stay/watch after the credits. James Gunn and John Cena are doing an 8-episode Peacemaker TV series for HBO Max due sometime in 2022, so that may or may not be teased in some capacity.
The Collected Stories of Lydia Davis
Book
The Collected Stories of Lydia Davis is the complete collection of short fiction from the...
Joe Goodhart (27 KP) rated DC Universe: Rebirth #1 in Books
Nov 30, 2020
When I still had my physical comic colletion, this had been one of the last ones purchased before making the change over to digital only, selling off the physical copies. That was then, this is now. Long story short, this review is based off of a re-read as part of my "Marvel's Making Some Dumb AF Decisions of Late, Let's Go With DC Instead" Tour!
Let me just say I remember much of it, but it still hit me hard at the end of it! Just lots and lots of SUPER-feels (is that even a word/thing? Oh well, if not, it is now! lol)! Having the story told from Wally West's POV really helped to drive the overall feeling home.
Unfortunately (and this did not necessarily wreck my enjoyment), this re-reading helped to fuel my desire for DOOMSDAY CLOCK to just finish up already! Still not sure on how you can solicit something without it even being close to completely finished! Or better still how Windows 10 can be ready for release, yet every other week there's a new patch or update for it! :S
There was a lot of set-up for what was to come in the DCU, as well as some nods to things past (including WATCHMAN and CRISIS ON INFINITE EARTHS) and the New 52 (which, for the longest time, I hated with a passion)! You don't have to be a pro at "Where's Waldo?" or even Sherlock Holmes, you just need to be alert and taking in everything with a careful eye.
Speaking of attention to detail... Let me give a shout to all the artists involved in this undertaking: Gary Frank (I love the man's art, but his slowness as far as DOOMSDAY CLOCK is frustrating. Clearly, as this book indicates, he is better at illustrating shorter vignettes, rather than epic 12-issue maxi-series!), Ethan Van Sciver (love or hate, you gotta appreciate his art! Bee-yoo-ti-ful!), Phil Jimenez (always love me some Jimenez pencilling!), and Ivan Reis (never a disappointment). And as important as the artists were, it would be unfair of me not to also acknowledge the inkers and colorists on this: Brad Anderson, Jason Wright, and Joe Prado. So, a big ol' panda-rific round of applause and adulation for the art teams for all their hard work! You guys are all aces!
Over the years, DC has published a more than fair amount of solid events and single issues. Is this the best book they've ever published? I wouldn't go that far, but it a damned good one! And at the end of the day, that's what it really comes down to: whether it's a good or a bad one, hence the name of this pretty cool less-FB-ish social media site! :)
Let me just say I remember much of it, but it still hit me hard at the end of it! Just lots and lots of SUPER-feels (is that even a word/thing? Oh well, if not, it is now! lol)! Having the story told from Wally West's POV really helped to drive the overall feeling home.
Unfortunately (and this did not necessarily wreck my enjoyment), this re-reading helped to fuel my desire for DOOMSDAY CLOCK to just finish up already! Still not sure on how you can solicit something without it even being close to completely finished! Or better still how Windows 10 can be ready for release, yet every other week there's a new patch or update for it! :S
There was a lot of set-up for what was to come in the DCU, as well as some nods to things past (including WATCHMAN and CRISIS ON INFINITE EARTHS) and the New 52 (which, for the longest time, I hated with a passion)! You don't have to be a pro at "Where's Waldo?" or even Sherlock Holmes, you just need to be alert and taking in everything with a careful eye.
Speaking of attention to detail... Let me give a shout to all the artists involved in this undertaking: Gary Frank (I love the man's art, but his slowness as far as DOOMSDAY CLOCK is frustrating. Clearly, as this book indicates, he is better at illustrating shorter vignettes, rather than epic 12-issue maxi-series!), Ethan Van Sciver (love or hate, you gotta appreciate his art! Bee-yoo-ti-ful!), Phil Jimenez (always love me some Jimenez pencilling!), and Ivan Reis (never a disappointment). And as important as the artists were, it would be unfair of me not to also acknowledge the inkers and colorists on this: Brad Anderson, Jason Wright, and Joe Prado. So, a big ol' panda-rific round of applause and adulation for the art teams for all their hard work! You guys are all aces!
Over the years, DC has published a more than fair amount of solid events and single issues. Is this the best book they've ever published? I wouldn't go that far, but it a damned good one! And at the end of the day, that's what it really comes down to: whether it's a good or a bad one, hence the name of this pretty cool less-FB-ish social media site! :)
Steven Sklansky (231 KP) rated Logan (2017) in Movies
Sep 21, 2017
Old Man Logan (2 more)
Amazing R rated comic book movie
Amazing story
One of the best Marvel movies
Contains spoilers, click to show
Oh my god, this was fantastic. I knew this was going to be a amazing movie going in but it just blew my mind. I never thought we were going to get an Old Man Logan. But Hugh Jackman played the role in away I didn't see coming. From the opening scene inside the limo was the best. Logan was so angry but he really didn't want to bust out the claws. But when you are push to the brink anger just pops out. It was the first time I think I have ever seen blood in an X-men movie. It just got so much better after that.
The addition of Professor X was kind of crazy. I didn't know how it would play out but him being bat shit crazy was a totally different side of him that worked. He really helped show the human side of being a mutant and show Logan there can be peaceful side of life. Them helping the farmer was one of the best scenes in the movie because it helped Logan bring out the human in him and not just his animal instincts.
The little girl that played X-23 was great. I did not know a girl could play anger so well. And that her parents would let her decapitate someone. I really hope they do a full X-23 movie with her grown up, I think it will help keep the series alive.
The death of Logan and Charles hit me so hard. I grew up watching these characters grow and get old and it was very sad to see it end. Logan's burial was done so fast but the kids had to escape, I do wish there was a little more to it and more of a score. But overall fantastic ending to a great Wolverine.
If you didn't see this movie in the theater that's to bad. If you haven't seen at all go see this movie now.
The addition of Professor X was kind of crazy. I didn't know how it would play out but him being bat shit crazy was a totally different side of him that worked. He really helped show the human side of being a mutant and show Logan there can be peaceful side of life. Them helping the farmer was one of the best scenes in the movie because it helped Logan bring out the human in him and not just his animal instincts.
The little girl that played X-23 was great. I did not know a girl could play anger so well. And that her parents would let her decapitate someone. I really hope they do a full X-23 movie with her grown up, I think it will help keep the series alive.
The death of Logan and Charles hit me so hard. I grew up watching these characters grow and get old and it was very sad to see it end. Logan's burial was done so fast but the kids had to escape, I do wish there was a little more to it and more of a score. But overall fantastic ending to a great Wolverine.
If you didn't see this movie in the theater that's to bad. If you haven't seen at all go see this movie now.
Ryan Hill (152 KP) rated Thor: Ragnarok (2017) in Movies
May 11, 2019
The humour
Chris Hemsworth as Thor
Tom Hiddleston as Loki
Mark Ruffalo as Bruce Banner/The Hulk
Taika Waititi as Korg
Cate Blanchett as Hela
Jeff Goldblum's Grandmaster is a God send (1 more)
Tessa Thompson as Valkiyrie
The Action was awesome specifically Hulk vs Thor and the final bridge battle
The synth score
"Piss off Ghost"
Perhaps, the most entertaining and enjoyable movie in the MCU since Iron Man?
There’s so many reasons why I enjoy Thor: Ragnarok, but it has to start with the direction and vision of Taika Waititi. He’s a genre changer in the comic book man movie universe. From his Kiwi sense of humor, to the choice in mood music, to the simply fun action sequences; Thor: Ragnarok is a two hour smile that would make it appear I had Botox injections, since my facial expression stayed happy.
Thor is one of my favorite characters in the MCU and I like the way the fat has been chewed off in his movies. Less memorable characters are disposed of, and screen time is given to the characters you want to see. Jeff Goldblum’s Grandmaster is a gift from God. Loki is Loki and who doesn’t love Loki? Tessa Thompson’s Valkyrie has a lot of depth. Cate Blanchett’s Hela might be in the top 5 in baddest of bad MCU villains, and puts the D in dysfunctional families. Plus, Idris Elba’s Heimdall deserved his own movie, and perhaps the number one scene stealer, and one of the reasons why this movie is truly special is Taika Waititi’s Korg. Who knew a CGI rock could be so hilarious? His voice is infectious, and I want to see more of Korg.
Hulk and Banner are both used just right. The synth-pop score makes me want to dance a boogie groove. Thor’s flaw is there’s too many interesting storylines, which causes the film to jump some from character to character. Watching Chris Hemsworth ham it up as Thor is what these types of movies should be all about. Putting the F back in fun and having a helluva time in the process doing so.
There’s so many reasons why I enjoy Thor: Ragnarok, but it has to start with the direction and vision of Taika Waititi. He’s a genre changer in the comic book man movie universe. From his Kiwi sense of humor, to the choice in mood music, to the simply fun action sequences; Thor: Ragnarok is a two hour smile that would make it appear I had Botox injections, since my facial expression stayed happy.
Thor is one of my favorite characters in the MCU and I like the way the fat has been chewed off in his movies. Less memorable characters are disposed of, and screen time is given to the characters you want to see. Jeff Goldblum’s Grandmaster is a gift from God. Loki is Loki and who doesn’t love Loki? Tessa Thompson’s Valkyrie has a lot of depth. Cate Blanchett’s Hela might be in the top 5 in baddest of bad MCU villains, and puts the D in dysfunctional families. Plus, Idris Elba’s Heimdall deserved his own movie, and perhaps the number one scene stealer, and one of the reasons why this movie is truly special is Taika Waititi’s Korg. Who knew a CGI rock could be so hilarious? His voice is infectious, and I want to see more of Korg.
Hulk and Banner are both used just right. The synth-pop score makes me want to dance a boogie groove. Thor’s flaw is there’s too many interesting storylines, which causes the film to jump some from character to character. Watching Chris Hemsworth ham it up as Thor is what these types of movies should be all about. Putting the F back in fun and having a helluva time in the process doing so.
LeftSideCut (3778 KP) rated Avengers: Endgame (2019) in Movies
May 14, 2019 (Updated May 14, 2019)
A truly incredible end to the MCU Infinity Saga
SPOLIER FREE REVIEW
Avengers: Endgame is finally here after the shocking events of Infinity War.
First and foremost, a huge amount of respect is owed to the Russo brothers for managing to juggle so many characters across these two films (and Civil War) to a hugely satisfying degree.
But with a smaller cast to manage this time around, this is a film that is able to focus more on the original six Avengers from 2012.
The majority of the film is quite dialogue heavy, as the film focuses on a fun time travel plot, that takes us through a nostalgia filled trip through some of the past MCU films, filled with cameos galore.
The usual mix of thrilling set pieces, emotional beats (that scene set in 1970?), and comedy land just as well as they always have done, with Paul Rudd and Chris Hemsworth delivering most of the humour.
Robert Downey Jr and Scarlett Johansson shine as Tony Stark and Black Widow, as they always do, and I also enjoyed the amount of time they spent with characters like Hawkeye and Nebula, characters who would usually be considered secondary.
A concern I had going in was that they might use the recently added Captain Marvel, but thankfully isn't the case. She is used sparingly, and therefore effectively.
The only real gripe I have with Endgame, is that Thanos is forced more into a backseat role, after his incredible character arc throughout Infinity War, but is understandable, as mentioned above, this film is all about the original 6, and that's where the main focus lies. Saying that though, I did feel pretty unsatisfied with how they concluded the story arc for Black Widow...
As the movie approaches the inevitable big showdown, the ensuing battle is nothing short of thrilling, a pure scene of unobstructed comic book joy, that will have any Marvel fan trying not to shout at the screen.
All in all, it's a phenomenal ending to this chapter of the MCU, and I can't wait for what comes next (especially now that Marvel Studios have the Fox properties back)
Avengers: Endgame is finally here after the shocking events of Infinity War.
First and foremost, a huge amount of respect is owed to the Russo brothers for managing to juggle so many characters across these two films (and Civil War) to a hugely satisfying degree.
But with a smaller cast to manage this time around, this is a film that is able to focus more on the original six Avengers from 2012.
The majority of the film is quite dialogue heavy, as the film focuses on a fun time travel plot, that takes us through a nostalgia filled trip through some of the past MCU films, filled with cameos galore.
The usual mix of thrilling set pieces, emotional beats (that scene set in 1970?), and comedy land just as well as they always have done, with Paul Rudd and Chris Hemsworth delivering most of the humour.
Robert Downey Jr and Scarlett Johansson shine as Tony Stark and Black Widow, as they always do, and I also enjoyed the amount of time they spent with characters like Hawkeye and Nebula, characters who would usually be considered secondary.
A concern I had going in was that they might use the recently added Captain Marvel, but thankfully isn't the case. She is used sparingly, and therefore effectively.
The only real gripe I have with Endgame, is that Thanos is forced more into a backseat role, after his incredible character arc throughout Infinity War, but is understandable, as mentioned above, this film is all about the original 6, and that's where the main focus lies. Saying that though, I did feel pretty unsatisfied with how they concluded the story arc for Black Widow...
As the movie approaches the inevitable big showdown, the ensuing battle is nothing short of thrilling, a pure scene of unobstructed comic book joy, that will have any Marvel fan trying not to shout at the screen.
All in all, it's a phenomenal ending to this chapter of the MCU, and I can't wait for what comes next (especially now that Marvel Studios have the Fox properties back)
LeftSideCut (3778 KP) rated Captain Marvel (2019) in Movies
May 14, 2019 (Updated Jun 22, 2020)
Captain Marvel delivers a solid and safe chapter into the MCU
Contains spoilers, click to show
After 10 years of connected movies, Marvel are finally introducing one of their most powerful characters into their cinematic universe, and there's plenty to be excited about.
It's Marvel's first truly female led movie for a start, and the decision to forgo the original Mar-vell from the comics, and dive straight into the story of Carol Danvers is a wise move.
This decision routes the film in a 90s setting, with plenty of nostalgic call backs (Blockbuster anyone?), and a solid grunge filled soundtrack, that compliments a world that is yet to see The Avengers.
It's fun to see a non jaded Nick Fury, blissfully unaware of the extent of the cosmic universe, and a pleasure to see Clark Gregg return to the MCU as Coulson (a short but sweet roll). Side roles for Anette Benning and Lashana Lynch are nicely fleshed as well.
At this point, I'm still not 100% sold on Brie Larson, but she carries the film well enough for it to be an above average origin story, but honestly, the supporting cast outshines her at times (even Goose the cat threatens to steal the show at times).
As for the villains, well, the trailers painted the long anticipated Skrulls as the main threat, but the movie pulls a right turn midway through, and reveals that Talos and his Skrull followers are actually refugees, trying to escape the clutches of Jude Law and his murderous Kree death squad.
The Skrulls are a welcome edition to the MCU, and sets up a possible Secret Invasion storyline in the future, however, the direction of the story and the script pummels Jude Law into one the most underwhelming MCU villains we've had so far.
By the same merit, this film is all about it's titular character, and I would imagine the writers never wanted that focus to stray - Carol Danvers is here to stay after all.
Captain Marvel is a low stakes, colourful comic book adventure that nicely and safely fills a gap in the MCU, and sets us you nicely for post Endgame stories.
It's Marvel's first truly female led movie for a start, and the decision to forgo the original Mar-vell from the comics, and dive straight into the story of Carol Danvers is a wise move.
This decision routes the film in a 90s setting, with plenty of nostalgic call backs (Blockbuster anyone?), and a solid grunge filled soundtrack, that compliments a world that is yet to see The Avengers.
It's fun to see a non jaded Nick Fury, blissfully unaware of the extent of the cosmic universe, and a pleasure to see Clark Gregg return to the MCU as Coulson (a short but sweet roll). Side roles for Anette Benning and Lashana Lynch are nicely fleshed as well.
At this point, I'm still not 100% sold on Brie Larson, but she carries the film well enough for it to be an above average origin story, but honestly, the supporting cast outshines her at times (even Goose the cat threatens to steal the show at times).
As for the villains, well, the trailers painted the long anticipated Skrulls as the main threat, but the movie pulls a right turn midway through, and reveals that Talos and his Skrull followers are actually refugees, trying to escape the clutches of Jude Law and his murderous Kree death squad.
The Skrulls are a welcome edition to the MCU, and sets up a possible Secret Invasion storyline in the future, however, the direction of the story and the script pummels Jude Law into one the most underwhelming MCU villains we've had so far.
By the same merit, this film is all about it's titular character, and I would imagine the writers never wanted that focus to stray - Carol Danvers is here to stay after all.
Captain Marvel is a low stakes, colourful comic book adventure that nicely and safely fills a gap in the MCU, and sets us you nicely for post Endgame stories.