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Kristy H (1252 KP) rated Last Woman Standing in Books
Apr 8, 2019
Crazy but exciting read
Dana Diaz is an aspiring comedian trying to make it in Austin, TX--with the ultimate goal of making it back to L.A. someday. She once lived there with her best friend, Jason, but left in a bit of disgrace. While performing in L.A., she meets Amanda Dorn, a computer programmer who applauds during her set and catches Dana's eye. The two bond over being women in a man's world and soon learn that both have had similar struggles with harassment. But then Amanda proposes a plan: they'll each seek revenge on a man that has harmed the other. Dana quickly finds herself pulled into Amanda's revenge schemes. She also finds herself unable to trust anyone--even her friends.
I really loved Amy Gentry's GOOD AS GONE, so I was so excited to read this one. It didn't appeal to me as much as GOOD, but I enjoyed pieces of it. This was a weird but also interesting book that certainly capitalized on the momentum of the #metoo movement and did a good job of highlighting the aftermath of sexual assault and violence against women.
Dana is an intriguing character; I liked that she was a comedian, because that's not a character you usually see in books! She's also a minority and a fairly strong female--all pluses. No one expects her to be a comic or funny. It's also heartbreaking and eye-opening to see how much she's been through: as we learn about her experiences, we see how often she's had to endure sexual harassment, sexual violence, assault, and more during her career and life.
"It was true that my appearance--short and brownskinned and shaped like my mother minus the control-top pantyhouse--did not prepare most people for my extracurricular activities."
Even worse, so many of the women in the book seem to take this behavior as par for the course. To get ahead, they must endure being harassed, or they see this sexual assault as part of life. For instance, maybe it's just part of the acting business, Dana rationalizes.
"Maybe I really was the only one who couldn't take the joke."
The plot of this book was a little complicated for me; it seemed to struggle to find itself between fiction (a struggling comic attempting to find herself) and thriller (revenge scheme gone horribly wrong). For me, it really took off when it became more of a thriller. There were lots of twists and turns, most of which were quite surprising. Some of them were bizarre. Amanda and Dana's plans are a little crazy and things sort of spiral from there.
Still, I liked Dana overall, even if she made some questionable decisions. I appreciated how her character highlighted the plight of violence of women. As the book went on, it became more exciting and interesting, even some parts were a little crazy.
I received a copy of this book from the publisher and Netgalley in return for an unbiased review.
I really loved Amy Gentry's GOOD AS GONE, so I was so excited to read this one. It didn't appeal to me as much as GOOD, but I enjoyed pieces of it. This was a weird but also interesting book that certainly capitalized on the momentum of the #metoo movement and did a good job of highlighting the aftermath of sexual assault and violence against women.
Dana is an intriguing character; I liked that she was a comedian, because that's not a character you usually see in books! She's also a minority and a fairly strong female--all pluses. No one expects her to be a comic or funny. It's also heartbreaking and eye-opening to see how much she's been through: as we learn about her experiences, we see how often she's had to endure sexual harassment, sexual violence, assault, and more during her career and life.
"It was true that my appearance--short and brownskinned and shaped like my mother minus the control-top pantyhouse--did not prepare most people for my extracurricular activities."
Even worse, so many of the women in the book seem to take this behavior as par for the course. To get ahead, they must endure being harassed, or they see this sexual assault as part of life. For instance, maybe it's just part of the acting business, Dana rationalizes.
"Maybe I really was the only one who couldn't take the joke."
The plot of this book was a little complicated for me; it seemed to struggle to find itself between fiction (a struggling comic attempting to find herself) and thriller (revenge scheme gone horribly wrong). For me, it really took off when it became more of a thriller. There were lots of twists and turns, most of which were quite surprising. Some of them were bizarre. Amanda and Dana's plans are a little crazy and things sort of spiral from there.
Still, I liked Dana overall, even if she made some questionable decisions. I appreciated how her character highlighted the plight of violence of women. As the book went on, it became more exciting and interesting, even some parts were a little crazy.
I received a copy of this book from the publisher and Netgalley in return for an unbiased review.
Daniel Boyd (1066 KP) rated Deadpool (2016) in Movies
Jul 21, 2017
Ryan Reynolds (2 more)
Hilarious Throughout
Energetic Score
Even Better Than A Chimichanga
Many thought that this movie would never get made, but I am very glad that it did. The movie serves as a long awaited origin story to Deadpool, that is fairly faithful to the comic book, at least more so than the previous iteration that we got of the character. Ryan Reynolds is fantastic in the Deadpool role, he truly was born to play the merc with a mouth in my opinion. Deadpool here is crass, funny, violent and energetic as well as being pretty faithful to comic book Deadpool, with the only thing missing from this version being the multiple voices in his head, but I am pretty sure that we will see that character trait develop in future Deadpool movies. The plot is pretty simple, we are introduced to Deadpool and shown how he got his powers after being diagnosed with incurable cancer via flashback. From there we basically follow him while he attempts to track down Ajax, or Francis, (the guy that turned him into Deadpool and made him deformed,) so that he can cure his skin and give him back his good looks. The one thing that was always going to either make or break this movie, was the humour. However they capture the meta humour perfectly here, which is an essential component of what makes up this character and is one of the main reasons why so many people love him. The movie is chock full of clever fourth wall breaks and pop culture references. The film was granted an R rating by the studio and the filmmakers take full advantage of that fact, with constant blood splatter and f-bombs being dropped left and right. The hip hop based score adds to the energetic tone of the movie and the action scenes are exciting throughout.
All of this results in setting up a Deadpool universe that is full of potential, we already know that we are getting a sequel, probably featuring Cable and possibly introducing the X force, plus I am very curious whether or not we will get to see Deadpool being integrated into the larger X Men universe, it would be really cool to see him interacting with Hugh Jackman’s Wolverine, since he is the butt of several jokes in the Deadpool movie.
Overall, whether you are a fan of the Deadpool comic or not, as long as you are into crass humour, over the top cartoon violence and R rated superhero movies, then there is no reason why you won’t love this movie. It is also the best Fox superhero movie that we have had and it is the best R rated superhero movie ever produced.
All of this results in setting up a Deadpool universe that is full of potential, we already know that we are getting a sequel, probably featuring Cable and possibly introducing the X force, plus I am very curious whether or not we will get to see Deadpool being integrated into the larger X Men universe, it would be really cool to see him interacting with Hugh Jackman’s Wolverine, since he is the butt of several jokes in the Deadpool movie.
Overall, whether you are a fan of the Deadpool comic or not, as long as you are into crass humour, over the top cartoon violence and R rated superhero movies, then there is no reason why you won’t love this movie. It is also the best Fox superhero movie that we have had and it is the best R rated superhero movie ever produced.
JT (287 KP) rated Joker (2019) in Movies
Mar 10, 2020
This is the film of the year for me. A comic book adaptation like no other. Thought-provoking and difficult to watch it conveys more than just the transformation from abnormal loner to one of the greatest comic villains ever. Joaquin Phoenix’s performance goes some way to matching the psychotic heights of Heath Ledger’s incarnation in The Dark Knight. Ledger was posthumously awarded an Oscar for that performance and I would expect Phoenix to be front and centre when award season comes around.
Arthur Fleck is a clown for hire. Scraping to make ends meet while looking after his ailing mother (Frances Conroy) he has ambitions of making it as a stand-up comedian. Sadly his narcissistic personality and uncontrollable fits of laughter (through no fault of his own) make him a target for society. Gotham City is an unforgiving place and for Arthur, it is a constant struggle of acceptance. He’s belittled and beaten down at every turn and he’s not strong enough to fight back. The bruises on his skeletal frame are a testament to this. He’s an awkward character not least because his quiet personality simmers beneath someone ready to explode – and explode he does.
A comic book adaptation like no other it’s thought-provoking and difficult to watch
But Arthur is sick. That much is clear. Society no longer wants to help. As a result, his social worker explains that the city has cut all funding and the facility and access to his medication he relies on will stop – “All I have are negative thoughts,” he says. When the brutality takes a serious turn he unwittingly becomes a figurehead for Gotham’s society. The clown is a symbol of defiance. Fighting against the rich, of all people Thomas Wayne, who is running for Mayor. Wayne becomes wrapped up in a storyline that brings Arthur together with a familiar young face.
The strong comparisons to Taxi Driver are unavoidable, but there is a definite Scorsese feel to the film. The casting of Robert De Niro as talk show host Murray Franklin is almost a direct nod to King of Comedy in which De Niro stalks and kidnaps his idol to take the spotlight for himself. Here it’s Arthur who lovingly worships Murray. The build up to the clown prince of crime is worth the wait as the transformation builds up to a frenetic and gruesome final act.
One of the biggest takeaways from Joker is its focus on mental illness. Arthur’s battered notebook is not only a journal for his jokes but for his dark thoughts. This is a topic that will hit close to home for many people who might experience similar, with an outward animosity to society.
Arthur Fleck is a clown for hire. Scraping to make ends meet while looking after his ailing mother (Frances Conroy) he has ambitions of making it as a stand-up comedian. Sadly his narcissistic personality and uncontrollable fits of laughter (through no fault of his own) make him a target for society. Gotham City is an unforgiving place and for Arthur, it is a constant struggle of acceptance. He’s belittled and beaten down at every turn and he’s not strong enough to fight back. The bruises on his skeletal frame are a testament to this. He’s an awkward character not least because his quiet personality simmers beneath someone ready to explode – and explode he does.
A comic book adaptation like no other it’s thought-provoking and difficult to watch
But Arthur is sick. That much is clear. Society no longer wants to help. As a result, his social worker explains that the city has cut all funding and the facility and access to his medication he relies on will stop – “All I have are negative thoughts,” he says. When the brutality takes a serious turn he unwittingly becomes a figurehead for Gotham’s society. The clown is a symbol of defiance. Fighting against the rich, of all people Thomas Wayne, who is running for Mayor. Wayne becomes wrapped up in a storyline that brings Arthur together with a familiar young face.
The strong comparisons to Taxi Driver are unavoidable, but there is a definite Scorsese feel to the film. The casting of Robert De Niro as talk show host Murray Franklin is almost a direct nod to King of Comedy in which De Niro stalks and kidnaps his idol to take the spotlight for himself. Here it’s Arthur who lovingly worships Murray. The build up to the clown prince of crime is worth the wait as the transformation builds up to a frenetic and gruesome final act.
One of the biggest takeaways from Joker is its focus on mental illness. Arthur’s battered notebook is not only a journal for his jokes but for his dark thoughts. This is a topic that will hit close to home for many people who might experience similar, with an outward animosity to society.
We Need to Talk About ... Kevin Bridges
Book
This is the comic autobiography of 2014. A comedian's autobiography? I wonder if he's ever used...
Kiruji (13 KP) rated X-Men: First Class (2011) in Movies
Jul 18, 2018
I'm not an X-Men fan. I know, it's strange, right? I mean, I'm a comic book fan in general. Iron Man's a dude. I dig the Hulk. I love all things Batman (except when Joel Schumacher tweaked the Batman's Batnipples). I geekgasmed all over my trousers in the lead up to THE DARK KNIGHT and actually watching it at an IMAX was like losing my virginity again. But the X-Men? Kinda leave me cold. Even though, on the face of it, it should be pretty awesome. Mutant humans with the ability to do just about anything you can imagine, fighting each other and various other bad things? Why the hell wouldn't I like that? But I could never get into it. The first X-Men movie, way back in 2000, left me feeling indifferent. It was OK, but nothing special. The second one was worse. The third one just plain awful. WOLVERINE: ORIGINS was quite fun, but then, a hard drinking, smoking, swearing brawler with friendly mutton-chops and blades in his hands was always going to be appealing to me.
And so, it was with a feeling of complete indifference that I flashed my Cineworld Unlimited card at a bored usher and got my ticket and a mixed slushie last week. I only went to see it because my buddy wanted to and, well, we'd missed the start of THE HANGOVER PART II.
So, into the darkened room early for a change. Managed to get prime seats. Mainly because the auditorium was pretty much empty. Something I didn't think was the most fortuitous portent to the movie we were about to watch. On the plus side however, as we were watching a comic book movie, we got the comic book trailer reel... First was THE GREEN LANTERN, which excited me a little (mainly because I have a man crush on Ryan Reynolds). Then came CAPTAIN AMERICA, which excited me a little more (mainly because it looks FREAKIN' AWESOME). Then we got RISE OF THE PLANET OF THE APES, which intrigued me (mainly because James Franco was doing a 'learned man' accent). Presumably because Cineworld were already scraping the comic book movie barrel, they then repeated the APES trailer, which killed the mood and left me feeling indifferent again.
But I digress. I think you get that I didn't really give a crap one way or the other about the movie I was about to watch. The opening scenes however, are set in a WWII concentration camp and I found my interest piqued. At first, I couldn't figure out whether it had been newly filmed or if they were recycling one of the flashbacks from one of the earlier movies. Then, Kevin Bacon. Suddenly, I was transfixed by the German pouring forth from his mouth which seemed authentic and I couldn't quite work out if he was lip-synching or not. That's somewhat besides the point though, as the scene itself was very tense and only marginally spoiled by the child actor when it was his turn to scream the longest NOOOOOOO!!! (sorry, NEEEEEEEEIN!!!) since Adolf Vader in Episode 3.
The film very quickly moved on in leaps and bounds, sucking me in and winning me over. Kevin Bacon seemed to enjoy hamming it up as the evil Sebastian Shaw. James McAvoy is an exceptionally talented chap and made for an excellent Charles Xavier - a cocky, beer-swilling, genius ladies man. Similarly, Michael Fassbender did a top notch job in playing Erik Lehnsherr, coming across as a Holocaust-surviving Bond, maybe even slightly cooler. Even Jason Flemyng was pretty good, although I don't think he actually spoke at all, which might have helped his case.
I loved the whole origins story, seeing how Xavier and Lehnsherr were good friends despite their obvious differences and started the School for the Gifted together was pretty cool. The only little blight on the movie (after the whole NEEEEEEEIN!!! incident) was that when it came time for Fassbender to don Magneto's helmet, the prop department had obviously measured his noggin wrong and it was clearly too tight. I say that because, every time he slapped it on his dome, his accent turned from gruff-hero-of-indeterminate-country-of-origin to... Well, to Oirish. The only reason I can think of is that the helmet was squeezing his bonce a bit too snugly. It didn't happen when Kevin Bacon was wearing it.
Helmet business aside, on the whole, I left feeling like I'd just seen a proper comic book movie. Full of fantastical, incredible things dancing around a plot that made sense and characters that I, on the whole, cared about at least a little. There was even a Wolverine cameo in it, which made me chuckle more than it should have. Far from being indifferent towards the X-Men now, I'm looking forward to seeing where the story goes next. I just hope Matthew Vaughn is directing again. He's turned out an X-Men film that is much, much better than mediocre and they'd be idiots to give it to anyone else.
And so, it was with a feeling of complete indifference that I flashed my Cineworld Unlimited card at a bored usher and got my ticket and a mixed slushie last week. I only went to see it because my buddy wanted to and, well, we'd missed the start of THE HANGOVER PART II.
So, into the darkened room early for a change. Managed to get prime seats. Mainly because the auditorium was pretty much empty. Something I didn't think was the most fortuitous portent to the movie we were about to watch. On the plus side however, as we were watching a comic book movie, we got the comic book trailer reel... First was THE GREEN LANTERN, which excited me a little (mainly because I have a man crush on Ryan Reynolds). Then came CAPTAIN AMERICA, which excited me a little more (mainly because it looks FREAKIN' AWESOME). Then we got RISE OF THE PLANET OF THE APES, which intrigued me (mainly because James Franco was doing a 'learned man' accent). Presumably because Cineworld were already scraping the comic book movie barrel, they then repeated the APES trailer, which killed the mood and left me feeling indifferent again.
But I digress. I think you get that I didn't really give a crap one way or the other about the movie I was about to watch. The opening scenes however, are set in a WWII concentration camp and I found my interest piqued. At first, I couldn't figure out whether it had been newly filmed or if they were recycling one of the flashbacks from one of the earlier movies. Then, Kevin Bacon. Suddenly, I was transfixed by the German pouring forth from his mouth which seemed authentic and I couldn't quite work out if he was lip-synching or not. That's somewhat besides the point though, as the scene itself was very tense and only marginally spoiled by the child actor when it was his turn to scream the longest NOOOOOOO!!! (sorry, NEEEEEEEEIN!!!) since Adolf Vader in Episode 3.
The film very quickly moved on in leaps and bounds, sucking me in and winning me over. Kevin Bacon seemed to enjoy hamming it up as the evil Sebastian Shaw. James McAvoy is an exceptionally talented chap and made for an excellent Charles Xavier - a cocky, beer-swilling, genius ladies man. Similarly, Michael Fassbender did a top notch job in playing Erik Lehnsherr, coming across as a Holocaust-surviving Bond, maybe even slightly cooler. Even Jason Flemyng was pretty good, although I don't think he actually spoke at all, which might have helped his case.
I loved the whole origins story, seeing how Xavier and Lehnsherr were good friends despite their obvious differences and started the School for the Gifted together was pretty cool. The only little blight on the movie (after the whole NEEEEEEEIN!!! incident) was that when it came time for Fassbender to don Magneto's helmet, the prop department had obviously measured his noggin wrong and it was clearly too tight. I say that because, every time he slapped it on his dome, his accent turned from gruff-hero-of-indeterminate-country-of-origin to... Well, to Oirish. The only reason I can think of is that the helmet was squeezing his bonce a bit too snugly. It didn't happen when Kevin Bacon was wearing it.
Helmet business aside, on the whole, I left feeling like I'd just seen a proper comic book movie. Full of fantastical, incredible things dancing around a plot that made sense and characters that I, on the whole, cared about at least a little. There was even a Wolverine cameo in it, which made me chuckle more than it should have. Far from being indifferent towards the X-Men now, I'm looking forward to seeing where the story goes next. I just hope Matthew Vaughn is directing again. He's turned out an X-Men film that is much, much better than mediocre and they'd be idiots to give it to anyone else.
The Feud: Vladimir Nabokov, Edmund Wilson, and the End of a Beautiful Friendship
Book
The Feud is the deliciously ironic (and sad) tale of how two literary giants destroyed their...
More Weird Cases: Comic and Bizarre Cases from Courtrooms Around the World
Book
The first book in this series, Weird Cases, was published in 2009 and contained cases which had been...
TA
Twelve-Cent Archie
Book
For over seventy-five years, Archie and the gang at Riverdale High have been America's most iconic...
DO
Diary of a Tokyo Teen: A Japanese-American Girls Draws Her Way Across the Land of Trendy Fashion, High-Tech Toilets and Maid Cafes
Book
A book for comic lovers and Japanophiles of all ages, Diary of a Tokyo Teen presents a unique look...
Force: Dynamic Life Drawing
Book
Bring your artwork to life with the power of the FORCE! Watch, listen, and follow along as Mike...