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Legendary: A Marvel Deck Building Game
8.9
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Tabletop Game
Legendary: A Marvel Deck Building Game is set in the Marvel Comics universe. To set up the game,...
LeftSideCut (3778 KP) rated Doctor Strange in the Multiverse of Madness (2022) in Movies
May 11, 2022
I've taken a few days since seeing Multiverse of Madness to try and digest it as a whole, and decide how I felt about it. It's certainly wild, and leaves a hefty impression. My initial reservations stem from a couple of elements. Firstly, due to the nature of the multiverse, there are some big set pieces and character moments that feel a bit inconsequential. I hope that future projects might reveist these moments and the subsequent fallout from them, but I've got a sneaky feeling that might not happen. Secondly, there's a massive plot point that drives the entire movie that feels a little unearned, even if the execution packs a hell of a punch.
Overall though, I feel that these are minor detriments to what is a spectacular, and comic-book-as-fuck MCU entry, an entry that carries a unique signature, thanks in no small part to its director. It's no secret that I'm a big ol' Sam Raimi fan, and the entirety of MoM feels like a film straight from his mind. Sure, it has the standard Marvel Studios template, but his style shines through with little effort. There are definitely some moments that feel like a gateway horror flick, and even a bit of splatter that you might not expect from an MCU movie. There's even a few Evil Dead references chucked in for good measure.
It terms of wider connections, there's a lot goinh on here. The narrative does a lot to establish Dr Strange as a major player going forward, and introduces a great deep cut from the comics in America Chavez, another character that would fit right in with a Young Avenger film that is surely not too far off. It's also the first theater release to really feel impacted by the Disney+ shows, essentially acting as not just a sequel to Doctor Strange and No Way Home, but to WandaVision as well. On that note, Elizabeth Olsen all but steals the show here, and it's quite glorious. Elsewhere, the multiverse ensures that there are some crazy set pieces, and some fun cameos that will surely have fans talking and speculating for quite some time.
If nothing else, MoM is an incredibly fun Sam Raimi film, and a solid entry into the wider MCU, and I'm happy with that result.
Overall though, I feel that these are minor detriments to what is a spectacular, and comic-book-as-fuck MCU entry, an entry that carries a unique signature, thanks in no small part to its director. It's no secret that I'm a big ol' Sam Raimi fan, and the entirety of MoM feels like a film straight from his mind. Sure, it has the standard Marvel Studios template, but his style shines through with little effort. There are definitely some moments that feel like a gateway horror flick, and even a bit of splatter that you might not expect from an MCU movie. There's even a few Evil Dead references chucked in for good measure.
It terms of wider connections, there's a lot goinh on here. The narrative does a lot to establish Dr Strange as a major player going forward, and introduces a great deep cut from the comics in America Chavez, another character that would fit right in with a Young Avenger film that is surely not too far off. It's also the first theater release to really feel impacted by the Disney+ shows, essentially acting as not just a sequel to Doctor Strange and No Way Home, but to WandaVision as well. On that note, Elizabeth Olsen all but steals the show here, and it's quite glorious. Elsewhere, the multiverse ensures that there are some crazy set pieces, and some fun cameos that will surely have fans talking and speculating for quite some time.
If nothing else, MoM is an incredibly fun Sam Raimi film, and a solid entry into the wider MCU, and I'm happy with that result.
Purple Phoenix Games (2266 KP) rated Cartooner: The Fast & Furious Game of Drawing Comics in Tabletop Games
Jul 23, 2019
Ok, I need to admit to you all that I am an artist. I am a musician (as we all at Purple Phoenix Games are). Unfortunately, I am nowhere near what anyone would call a competent visual artist (see play pic below for evidence of that). So when I received Cartooner from Japanime Games (thank you!) I was a bit intimidated. I was never good at Pictionary and I thought I was gonna be doomed whilst playing this. If you are like me, please keep reading because I actually did really well with this one.
A typical game of Cartooner will last four rounds and each round will be the same length – five, six, or seven minutes each. During these rounds players will create comics using increasing numbers of panels each round. So Round 1 will be a 2-panel comic, Round 2 will have 4 panels, Round 3 will have 6 panels, and the final round will contain 8 panels to fill with glorious comic gold. This is the basic game flow. Where the actual “game” part comes in is through the use of the two decks of cards.
DISCLAIMER: I do not intend to cover every single rule included in the rule book, but will describe the overall game flow and major rule set so that our readers may get a sense of how the game plays. For more in depth rules, you may purchase a copy from the publisher directly or from your FLGS. -T
Three “Theme” cards are dealt at the beginning of the game to each player, which describe the player’s obsessions. Players score points at the end of each round for including their Themes in the comic. This may sound somewhat easy, but the game comes with about 28,000 Theme cards and the combinations can be pretty wonky. For example, for my first game I was dealt Fear of Growing Old, Infidelity, and Desire to Be Famous. My 10-year old niece was dealt Aliens, Flowers, and Animals. I mean, come on! AND her dad is an art teacher (who also played with us and totally killed the art). So I thought I was beaten before we even began. The three Theme cards kept everyone pretty busy in Round 1, but it was about to get harder.
Round 2 introduces a new element to the game that refreshes every round: “Trend” cards. Whomever scored lowest in the previous round will draw Trend cards (the number of which is determined by which round you are currently playing) and choose cards to enact for the upcoming round. Trends are basically bonus cards that you can attempt to incorporate into your comic for the round to score fabulous amounts of points. These are optional, of course, but really can boost those scores for the round, so are not to be ignored.
At the end of each round players will present and read their comics to the group to be scored. Points are awarded for including your Themes, completing objectives from the Trend cards, and also for filling in every panel on your page – which I thought would be a breeze, but apparently eight panels is way too hard for me because I neglected to draw something in the final two panels. Tally up your points from all the rounds and determine the greatest comic artist at the table (it was me)!
Components. This game is a large pad of paper, 28,000 cards, and cardboard VP tokens. You must supply your own writing utensil. As you can see below, I like to live on the edge and used ballpoint pen for my artwork. The tokens are fine and the cards are of good quality. What I really want to highlight is the pad of paper that is provided. Every game each player will need four sheets of paper from the pad, one for each round. These pages are wonderfully organized and include the game rules at the bottom of each page to remind you of what will score points. This helps you to prioritize your panels to include the most VP-worthy elements and to (hopefully) tell a good story as well.
All in all this is a frantic comic drawing game that will have you pulling out your hair trying to compose a somewhat cohesive short visual story including elements that may not, and probably WILL not, fit into that narrative. It is relatively quick, as long as the presentations and arbitrations are held in check for time. We do not have many drawing games in our collections, and I am overjoyed that we now have an enjoyable representative of the genre. Purple Phoenix Games eagerly awards this one a 10/12. Go check it out and test your own illustration skills.
A typical game of Cartooner will last four rounds and each round will be the same length – five, six, or seven minutes each. During these rounds players will create comics using increasing numbers of panels each round. So Round 1 will be a 2-panel comic, Round 2 will have 4 panels, Round 3 will have 6 panels, and the final round will contain 8 panels to fill with glorious comic gold. This is the basic game flow. Where the actual “game” part comes in is through the use of the two decks of cards.
DISCLAIMER: I do not intend to cover every single rule included in the rule book, but will describe the overall game flow and major rule set so that our readers may get a sense of how the game plays. For more in depth rules, you may purchase a copy from the publisher directly or from your FLGS. -T
Three “Theme” cards are dealt at the beginning of the game to each player, which describe the player’s obsessions. Players score points at the end of each round for including their Themes in the comic. This may sound somewhat easy, but the game comes with about 28,000 Theme cards and the combinations can be pretty wonky. For example, for my first game I was dealt Fear of Growing Old, Infidelity, and Desire to Be Famous. My 10-year old niece was dealt Aliens, Flowers, and Animals. I mean, come on! AND her dad is an art teacher (who also played with us and totally killed the art). So I thought I was beaten before we even began. The three Theme cards kept everyone pretty busy in Round 1, but it was about to get harder.
Round 2 introduces a new element to the game that refreshes every round: “Trend” cards. Whomever scored lowest in the previous round will draw Trend cards (the number of which is determined by which round you are currently playing) and choose cards to enact for the upcoming round. Trends are basically bonus cards that you can attempt to incorporate into your comic for the round to score fabulous amounts of points. These are optional, of course, but really can boost those scores for the round, so are not to be ignored.
At the end of each round players will present and read their comics to the group to be scored. Points are awarded for including your Themes, completing objectives from the Trend cards, and also for filling in every panel on your page – which I thought would be a breeze, but apparently eight panels is way too hard for me because I neglected to draw something in the final two panels. Tally up your points from all the rounds and determine the greatest comic artist at the table (it was me)!
Components. This game is a large pad of paper, 28,000 cards, and cardboard VP tokens. You must supply your own writing utensil. As you can see below, I like to live on the edge and used ballpoint pen for my artwork. The tokens are fine and the cards are of good quality. What I really want to highlight is the pad of paper that is provided. Every game each player will need four sheets of paper from the pad, one for each round. These pages are wonderfully organized and include the game rules at the bottom of each page to remind you of what will score points. This helps you to prioritize your panels to include the most VP-worthy elements and to (hopefully) tell a good story as well.
All in all this is a frantic comic drawing game that will have you pulling out your hair trying to compose a somewhat cohesive short visual story including elements that may not, and probably WILL not, fit into that narrative. It is relatively quick, as long as the presentations and arbitrations are held in check for time. We do not have many drawing games in our collections, and I am overjoyed that we now have an enjoyable representative of the genre. Purple Phoenix Games eagerly awards this one a 10/12. Go check it out and test your own illustration skills.
Bob Mann (459 KP) rated The Big Sick (2017) in Movies
Sep 29, 2021
Just what the doctor ordered: a charming and thoughtful summer comedy.
Romance and comedy work together beautifully on film: love is innately ridiculous after all! But mix in a dramatic element – particularly a serious medical emergency – to a Rom Com and you walk a dangerous line between on the one hand letting the drama overwhelm the comedy ( “Well! I don’t feel like laughing now!”) and on the other hand diverging into shockingly mawkish finger-down-the-throat sentimentality. Fortunately the new comedy – “The Big Sick” – walks that line to perfection.
Kumail Nanjiani plays (who’d have thought it?) Kumail, a Pakistani-born comic-cum-Uber-driver struggling to get recognised on the Chicago comedy circuit. His performances mix traditional stand-up at a club with a rather po-faced one-man show where he explains at length the culture of Pakistan (Naan-splaining?), including intricate detail on the fielding positions and strategies of cricket. Kumail is heckled during a show by the young and perky Emily (Zoe Kazan, the middle daughter from “It’s Complicated”). Lust blossoms (mental note: stand up comedy seems a fabulous strategy for picking up women) and lust turns to romance as the pair grow closer to each other.
A surging romance. Uber gets love from A to B.
Unfortunately Kumail is aware of something Emily isn’t: his strictly Muslim parents Sharmeen and Azmat (Anupam Kher and Zenobia Schroff) believe in arranged marriages to ‘nice Pakistani girls’ and a relationship with – let alone a marriage to – Emily risks disgrace and familial exile. A medical crisis brings Kumail further into dispute, this time with Emily’s parents Beth and Terry (Holly Hunter and Ray Romano).
Stand-up is, I assert, a very nationalistic thing. It is a medium hugely dependant on context and while I’m sure great British comics like Peter Kay and Eddie Izzard might rate as only a 4 or a 5 out of 10 for most Americans, so most American stand-up comics tend to leave me cold. And perhaps it’s also a movie-thing, that stand-up on the big screen just doesn’t work well? Either way, the initial comedy-club scenes rather left me cold. (And I don’t think most of them were SUPPOSED to be particularly bad – since they seemed to fill the seats each night). As a result I thought this was a “comedy” that wasn’t going to be for me.
Stand up and be counted. Kumail Nanjiani doing the circuit.
But once Nanjiani and Kazan got together the chemistry was immediate and palpable and the duo completely won me round. Kazan in particular is a vibrant and joyous actress who I would love to see a lot more of: this should be a breakout movie for her.
Broader, but none less welcome, comedy is to be found in Kumail’s family home as his mother introduces serial Pakistani girls to the dinner table.
Holly Hunter (“Broadcast News” – one of my favourite films) and Ray Romano are also superb, delivering really thoughtful and nuanced performances that slowly unpeel the stresses inherent in many long-term marriages. The relationship that develops between Kumail and Beth is both poignant and truly touching.
Where the script succeeds is in never quite making the viewer comfortable about where the movie is going and whether the film will end with joy or heartbreak. And you will find no spoilers here!
So is it a comedy classic? Well, no, not quite. What’s a bit disappointing is that for a film as culturally topical as this, the whole question of Islamophobia in Trump’s America is juggled like a hot potato. Aside from one memorable scene in the club, with a redneck heckler, and an excruciating exchange about 9/11 between Kumail and Terry, the subject is completely ignored. This is a shame. The script (by Nanjiani and Emily Gordon) would have benefited enormously from some rather braver “Thick of It” style input from the likes of Armando Iannucci.
I also have to despair at the movie’s marketing executives who came up with this title. FFS! I know “East is East” has already gone, but could you have possibly come up with a less appealing title? I guess the title does serve one useful purpose in flagging up potential upset for those with bad historical experiences of intensive care. (Like “The Descendants” this is what we would term in our family #notaShawFamilyfilm).
Overall though this film, directed by Michael Showalter (no, me neither!) and produced by Judd Apatow (whose name gets the biggest billing), is a fun and engaging movie experience that comes highly recommended. A delightful antidote to the summer blockbuster season. The end titles also bring a delightful surprise (that I’ve seen spoiled since by some reviews) that was moving and brought added depth to the drama that had gone before.
More Hollywood please, more.
Kumail Nanjiani plays (who’d have thought it?) Kumail, a Pakistani-born comic-cum-Uber-driver struggling to get recognised on the Chicago comedy circuit. His performances mix traditional stand-up at a club with a rather po-faced one-man show where he explains at length the culture of Pakistan (Naan-splaining?), including intricate detail on the fielding positions and strategies of cricket. Kumail is heckled during a show by the young and perky Emily (Zoe Kazan, the middle daughter from “It’s Complicated”). Lust blossoms (mental note: stand up comedy seems a fabulous strategy for picking up women) and lust turns to romance as the pair grow closer to each other.
A surging romance. Uber gets love from A to B.
Unfortunately Kumail is aware of something Emily isn’t: his strictly Muslim parents Sharmeen and Azmat (Anupam Kher and Zenobia Schroff) believe in arranged marriages to ‘nice Pakistani girls’ and a relationship with – let alone a marriage to – Emily risks disgrace and familial exile. A medical crisis brings Kumail further into dispute, this time with Emily’s parents Beth and Terry (Holly Hunter and Ray Romano).
Stand-up is, I assert, a very nationalistic thing. It is a medium hugely dependant on context and while I’m sure great British comics like Peter Kay and Eddie Izzard might rate as only a 4 or a 5 out of 10 for most Americans, so most American stand-up comics tend to leave me cold. And perhaps it’s also a movie-thing, that stand-up on the big screen just doesn’t work well? Either way, the initial comedy-club scenes rather left me cold. (And I don’t think most of them were SUPPOSED to be particularly bad – since they seemed to fill the seats each night). As a result I thought this was a “comedy” that wasn’t going to be for me.
Stand up and be counted. Kumail Nanjiani doing the circuit.
But once Nanjiani and Kazan got together the chemistry was immediate and palpable and the duo completely won me round. Kazan in particular is a vibrant and joyous actress who I would love to see a lot more of: this should be a breakout movie for her.
Broader, but none less welcome, comedy is to be found in Kumail’s family home as his mother introduces serial Pakistani girls to the dinner table.
Holly Hunter (“Broadcast News” – one of my favourite films) and Ray Romano are also superb, delivering really thoughtful and nuanced performances that slowly unpeel the stresses inherent in many long-term marriages. The relationship that develops between Kumail and Beth is both poignant and truly touching.
Where the script succeeds is in never quite making the viewer comfortable about where the movie is going and whether the film will end with joy or heartbreak. And you will find no spoilers here!
So is it a comedy classic? Well, no, not quite. What’s a bit disappointing is that for a film as culturally topical as this, the whole question of Islamophobia in Trump’s America is juggled like a hot potato. Aside from one memorable scene in the club, with a redneck heckler, and an excruciating exchange about 9/11 between Kumail and Terry, the subject is completely ignored. This is a shame. The script (by Nanjiani and Emily Gordon) would have benefited enormously from some rather braver “Thick of It” style input from the likes of Armando Iannucci.
I also have to despair at the movie’s marketing executives who came up with this title. FFS! I know “East is East” has already gone, but could you have possibly come up with a less appealing title? I guess the title does serve one useful purpose in flagging up potential upset for those with bad historical experiences of intensive care. (Like “The Descendants” this is what we would term in our family #notaShawFamilyfilm).
Overall though this film, directed by Michael Showalter (no, me neither!) and produced by Judd Apatow (whose name gets the biggest billing), is a fun and engaging movie experience that comes highly recommended. A delightful antidote to the summer blockbuster season. The end titles also bring a delightful surprise (that I’ve seen spoiled since by some reviews) that was moving and brought added depth to the drama that had gone before.
More Hollywood please, more.
SummerLGrant (185 KP) rated Valerian and the City of a Thousand Planets (2017) in Movies
Aug 5, 2017
Visual effects (1 more)
Rihanna - surprisingly
Predictable (2 more)
The script and story had weak moments
Dated and lacking diversity
A mish mash that fails to hit the mark
Contains spoilers, click to show
It had the potential to be the sci-fi blockbuster of the summer, but where there was plenty of ambition the execution was lacking. One of the first things to crop up was right at the beginning of the film, well, two things really. First was the opening scene explaining the situation that led to the main story, each delegation of new astronauts popped in and greeting the humans on the space station - but unless they were obviously meant to be from a different country you only ever saw white men climbing aboard with the odd token woman thrown in for good measure. The other thing was when it said it was based on the Valerian and Laureline comics - so typical that when the film industry gets hold of it they cut off the woman's name.
Anyway, it begins with the destruction of Mul - pretty much a paradise - and this launches the story as we find Valerian on his ship enjoying some sun on an artificial beach. And this is when it starts to get really predictable, which is a shame because it's only about 15 minutes in. After the mission to take the last known Converter into government custody Valerian and Laureline head to their rendezvous where we meet their Commander - at which point we know who the bad guy is through a mixture of a bad script and failed attempts at setting up some mystery. So when we finally get told he's the guy who pretty much destroyed Mul there's no surprised and you can't help but roll your eyes at the "twist"
There are some good bits though, if you want a film that you don't want to think and just want to sit back and enjoy then this is it. The visual effects are fantastic, it's amazing to watch the two main characters jump from environment to environment, especially as Valerian is chasing after the Pearls who kidnapped the Commander. There were also some ideas that were good and could probably have been expanded on.
One thing that was better than expected was Rihanna. I didn't expect her to be any good and while there was some clunky parts to her role, she was mostly good and I would have liked to see more of Bubble - although, again, her fate was struck by predictability. For all its faults it's still an enjoyable film, you just have to be willing to look past everything it's lacking.
Anyway, it begins with the destruction of Mul - pretty much a paradise - and this launches the story as we find Valerian on his ship enjoying some sun on an artificial beach. And this is when it starts to get really predictable, which is a shame because it's only about 15 minutes in. After the mission to take the last known Converter into government custody Valerian and Laureline head to their rendezvous where we meet their Commander - at which point we know who the bad guy is through a mixture of a bad script and failed attempts at setting up some mystery. So when we finally get told he's the guy who pretty much destroyed Mul there's no surprised and you can't help but roll your eyes at the "twist"
There are some good bits though, if you want a film that you don't want to think and just want to sit back and enjoy then this is it. The visual effects are fantastic, it's amazing to watch the two main characters jump from environment to environment, especially as Valerian is chasing after the Pearls who kidnapped the Commander. There were also some ideas that were good and could probably have been expanded on.
One thing that was better than expected was Rihanna. I didn't expect her to be any good and while there was some clunky parts to her role, she was mostly good and I would have liked to see more of Bubble - although, again, her fate was struck by predictability. For all its faults it's still an enjoyable film, you just have to be willing to look past everything it's lacking.
BankofMarquis (1832 KP) rated Avengers: Infinity War (2018) in Movies
May 5, 2018
Very good "culmination" of the last 10 years of Marvel Films
AVENGERS: INFINITY WAR is the best film in the Marvel Cinematic Universe.
Said to be the culmination of 10 years worth of Marvel films - and Marvel heroes - INFINITY WAR lives up to it's bill, bringing all the Marvel Universe heroes together to fight a "big bad" that is worthy of this sort of thing - THANOS.
Voiced by Josh Brolin, the CGI Thanos is powerful, destructive, razor-focused on his one purpose with moments of "humanity" that makes him an interesting villain. The filmmakers kept his motivation and machinations simple so you are never confused by this bad guy or what he is trying to do. What surprised me is that the filmmakers added another layer to this character that was a nice layer that really added to the character, his motivations and his personality.
As for the band of heroes brought together for this film, it works well. The criticisms I have heard is that no ONE hero stands out, so EVERY hero is in the background. I couldn't disagree more. I thought the evenness of the "screen time" was one of the strengths of this film, not focusing too much on one hero (or heroes), giving all time to shine - and focus on what they do best. There were moments of humor, drama, action and heroism sprinkled across all. But what really thrilled me was the different combinations that were put together, for these heroes all had different missions and assignments and some odd and interesting cross-film dynamics took shape. I won't give any of these away, but I thought they ALL dynamics blended together nicely.
This is definitely a "fan-boy" film, giving service to fans of all these films, characters - and comics and credit for that should go to filmmakers Anthony and Joe Russo (Directors of the previously best film in this series - CAPTAIN AMERICA: THE WINTER SOLDIER) who kept the action moving, the motivations of the participants simple and the effects dazzling.
One final note - this is the first part of a two part film, so it does end in a cliffhanger, one that works effectively well. As always with the Marvel films - but especially in this one - stay through to the end of the credits, the scene at the end of the credits sets up Part 2.
I thoroughly enjoyed my time at this film and can't wait to see the next one.
Letter Grade: A
9 (out of 10) stars and you can take that to the Bank(ofMarquis)
Said to be the culmination of 10 years worth of Marvel films - and Marvel heroes - INFINITY WAR lives up to it's bill, bringing all the Marvel Universe heroes together to fight a "big bad" that is worthy of this sort of thing - THANOS.
Voiced by Josh Brolin, the CGI Thanos is powerful, destructive, razor-focused on his one purpose with moments of "humanity" that makes him an interesting villain. The filmmakers kept his motivation and machinations simple so you are never confused by this bad guy or what he is trying to do. What surprised me is that the filmmakers added another layer to this character that was a nice layer that really added to the character, his motivations and his personality.
As for the band of heroes brought together for this film, it works well. The criticisms I have heard is that no ONE hero stands out, so EVERY hero is in the background. I couldn't disagree more. I thought the evenness of the "screen time" was one of the strengths of this film, not focusing too much on one hero (or heroes), giving all time to shine - and focus on what they do best. There were moments of humor, drama, action and heroism sprinkled across all. But what really thrilled me was the different combinations that were put together, for these heroes all had different missions and assignments and some odd and interesting cross-film dynamics took shape. I won't give any of these away, but I thought they ALL dynamics blended together nicely.
This is definitely a "fan-boy" film, giving service to fans of all these films, characters - and comics and credit for that should go to filmmakers Anthony and Joe Russo (Directors of the previously best film in this series - CAPTAIN AMERICA: THE WINTER SOLDIER) who kept the action moving, the motivations of the participants simple and the effects dazzling.
One final note - this is the first part of a two part film, so it does end in a cliffhanger, one that works effectively well. As always with the Marvel films - but especially in this one - stay through to the end of the credits, the scene at the end of the credits sets up Part 2.
I thoroughly enjoyed my time at this film and can't wait to see the next one.
Letter Grade: A
9 (out of 10) stars and you can take that to the Bank(ofMarquis)
Ryan Hill (152 KP) rated Iron Man (2008) in Movies
May 9, 2019
"I am iron man"
Marking the commencement of Marvel Cinematic Universe, catapulting Robert Downey Jr. into the league of Hollywood's biggest stars & also announcing the arrival of Marvel Studios into motion picture filmmaking for it is their first fully-financed project, Iron Man not only succeeds as a quality blend of style & substance but is also amongst the best origin stories cinema has come up with for a comic book superhero.
Iron Man tells the story of genius, billionaire, playboy, philanthropist Tony Stark who, while on his tour to war-torn Afghanistan for the demonstration of his new weaponry to United States military, is ambushed & taken hostage by a terrorist group. Working with another captive, he designs an exoskeleton to get out from there & after returning to US further refines his design. The plot covers the change his captivity brings in his entire personality.
Stylishly directed by Jon Favreau, Iron Man aims for the same grounded approach that Christopher Nolan applied in Batman Begins & succeeds amazingly well for the most part. The screenplay is brimming with energy, wit & charm, and is brilliantly written & narrated. Production design provides it a very modern feel, Camerawork is vibrantly carried out, Editing briskly paces the whole story which also benefits from Ramin Djawadi's fitting score as well as clever use of existing songs.
Coming to the acting department, Iron Man features a star-studded cast in Robert Downey Jr., Gwyneth Paltrow, Jeff Bridges & Terrence Howard but the film belongs to Downey Jr. who blazes brightly in red n gold with a performance that's absolutely fantastic, effortlessly charismatic & downright polished. Overshadowing the input of the rest & fitting the suit perfectly, this is one role that couldn't have gone to a better actor & how this gifted talent renders Tony Stark on screen is a further proof of that.
On an overall scale, Iron Man has enough power in it to please both fans of the comics as well as newcomers. Sure its third act isn't as impressive as the first two but the positives eclipse the negatives by a huge margin. Balancing its storytelling aspects with big budget extravaganza to triumph as a work of quality in the eyes of viewers n critics alike, Iron Man is a highly refreshing, wildly entertaining & largely satisfying crowd-pleaser that's hugely responsible for the foundation on which Marvel Studios stands today. Highly recommended.
Iron Man tells the story of genius, billionaire, playboy, philanthropist Tony Stark who, while on his tour to war-torn Afghanistan for the demonstration of his new weaponry to United States military, is ambushed & taken hostage by a terrorist group. Working with another captive, he designs an exoskeleton to get out from there & after returning to US further refines his design. The plot covers the change his captivity brings in his entire personality.
Stylishly directed by Jon Favreau, Iron Man aims for the same grounded approach that Christopher Nolan applied in Batman Begins & succeeds amazingly well for the most part. The screenplay is brimming with energy, wit & charm, and is brilliantly written & narrated. Production design provides it a very modern feel, Camerawork is vibrantly carried out, Editing briskly paces the whole story which also benefits from Ramin Djawadi's fitting score as well as clever use of existing songs.
Coming to the acting department, Iron Man features a star-studded cast in Robert Downey Jr., Gwyneth Paltrow, Jeff Bridges & Terrence Howard but the film belongs to Downey Jr. who blazes brightly in red n gold with a performance that's absolutely fantastic, effortlessly charismatic & downright polished. Overshadowing the input of the rest & fitting the suit perfectly, this is one role that couldn't have gone to a better actor & how this gifted talent renders Tony Stark on screen is a further proof of that.
On an overall scale, Iron Man has enough power in it to please both fans of the comics as well as newcomers. Sure its third act isn't as impressive as the first two but the positives eclipse the negatives by a huge margin. Balancing its storytelling aspects with big budget extravaganza to triumph as a work of quality in the eyes of viewers n critics alike, Iron Man is a highly refreshing, wildly entertaining & largely satisfying crowd-pleaser that's hugely responsible for the foundation on which Marvel Studios stands today. Highly recommended.
James P. Sumner (65 KP) rated X-Men: Dark Phoenix (2019) in Movies
Jun 5, 2019
A poor end to a great series.
With the much-publicised sale of the Fox-owned Marvel properties to Disney, we knew going into this film it would be the last of its series. The three entries that came before breathed life into a tired franchise, and were all must-see blockbusters.
Sadly, Dark Phoenix doesn't live up to the quality of its predecessors.
It reminded me in a lot of ways of Christopher Nolan's "Dark Knight Rises". It was the end of something special... we had been promised stakes that had never been higher... we expected sadness... we expected fireworks. We expected a big finish.
Unfortunately, Dark Phoenix failed where Dark Knight Rises succeeded, and that was the payoff. The film seemed to be over just as it was getting started. A strong beginning with tension and danger promised more of the same, but it never quite got there. Visually, yes, you could see the build-up, see what was at stake... but you couldn't feel it. I found myself not caring what happened to the characters, which was a real shame.
The film just didn't feel... big enough for what it was trying to do.
We know from the trailers that an early mission into space ends with Jean Grey absorbing a cosmic energy known in the comics as the Phoenix Force. This whole thing felt very watered down compared to the source material, probably because for the entire time, none of the X-Men actually knew what they were dealing with. Just that Jean was angry and, well, you wouldn't like her when she's angry.
The bulk of the story revolves around the heroes trying to save their friend, but even they don't know from what they're trying to save her from. The CGI is well done, and isn't over-used. Some of the character arcs are intriguing to a point, although they lack the depth they needed to really make you care.
Without spoilers, the ending is satisfactory. It's very Dark Knight Rises in some ways, actually. A fitting end to the film, but only because the film itself was below par. The X-Men series that began with First Class deserved so much more.
If you've seen the other three, there's an obligation to say goodbye to the current iteration of these characters. But if you're just after a typical popcorn movie, I'm sad to say you could do much, much better than this.
(Oh, and there's no mid- or post-credits scene, so no need to sit through them.)
Sadly, Dark Phoenix doesn't live up to the quality of its predecessors.
It reminded me in a lot of ways of Christopher Nolan's "Dark Knight Rises". It was the end of something special... we had been promised stakes that had never been higher... we expected sadness... we expected fireworks. We expected a big finish.
Unfortunately, Dark Phoenix failed where Dark Knight Rises succeeded, and that was the payoff. The film seemed to be over just as it was getting started. A strong beginning with tension and danger promised more of the same, but it never quite got there. Visually, yes, you could see the build-up, see what was at stake... but you couldn't feel it. I found myself not caring what happened to the characters, which was a real shame.
The film just didn't feel... big enough for what it was trying to do.
We know from the trailers that an early mission into space ends with Jean Grey absorbing a cosmic energy known in the comics as the Phoenix Force. This whole thing felt very watered down compared to the source material, probably because for the entire time, none of the X-Men actually knew what they were dealing with. Just that Jean was angry and, well, you wouldn't like her when she's angry.
The bulk of the story revolves around the heroes trying to save their friend, but even they don't know from what they're trying to save her from. The CGI is well done, and isn't over-used. Some of the character arcs are intriguing to a point, although they lack the depth they needed to really make you care.
Without spoilers, the ending is satisfactory. It's very Dark Knight Rises in some ways, actually. A fitting end to the film, but only because the film itself was below par. The X-Men series that began with First Class deserved so much more.
If you've seen the other three, there's an obligation to say goodbye to the current iteration of these characters. But if you're just after a typical popcorn movie, I'm sad to say you could do much, much better than this.
(Oh, and there's no mid- or post-credits scene, so no need to sit through them.)
Darkwriter1408 (8 KP) rated Guardians of the Galaxy (2014) in Movies
Jun 13, 2019
Funny (2 more)
Good acting
Good diversity
Amazing! Brilliant! Funny
Contains spoilers, click to show
So if you haven't seen the film then go watch it and then come back and read this review! I am about to go in depth!.. GO NOW!!
Right, so the film centres on peter quill who is a earth boy abducted by an alien race, initially you don't know what for *SPOILER* (it gets revealed in GOTG2) that he was abducted for his father but let's not get in to that.
So, Peter is abducted by the alien race and developed into a thief, he's sent to retrieve this orb that he knows nothing about and is to deliver it to ronin... if your familiar with the comics you'll know all about him. He's big, ugly, strong and quite frankly the evil guy.
Peter is meant to take the orb to yondu for him to deliver it. However after taking a little bit of a detour to another planet, Peter finds himself in a 3-way battle with Gamora, rocket and groot. Gamora is there for the orb and rocket and groot are there for gamora and Peter.
All this being said, they end up in a pretty public fight and end up being sent to jail. This is where the film starts to build it's character, they are put in a maximum security stronghold where Drax is. More on him in a moment. The character building in these scenes are quite intense and you really see gamora for who she is..
Drax, right Drax is also seen as the destroyer because Ronin destroyed his planet and family and Drax has held a vengeance for the entirety of his time. Seeing gamora and knowing she is associated with ronin is enough for him to want to kill her. This is where his character starts his arc. After speaking to peter, he decides to join them anf see where he can go.
Following the stronghold scene, they eventually come against ronin after taking a mahoosive detour.
Coming to the end of the film you have been through intense laughter, even bits of sadness but you'll understand all of there standings and why they do what they do. The visual effects are brilliant and second to none and the action and comedy within is also amazing. Then we get to the performances of the cast, these really bring the film together and show the versatility of some of the actors.
Now even without my biased opinion onnthis film it is definitely a family friends amazing film you should definitely watch!!!
Right, so the film centres on peter quill who is a earth boy abducted by an alien race, initially you don't know what for *SPOILER* (it gets revealed in GOTG2) that he was abducted for his father but let's not get in to that.
So, Peter is abducted by the alien race and developed into a thief, he's sent to retrieve this orb that he knows nothing about and is to deliver it to ronin... if your familiar with the comics you'll know all about him. He's big, ugly, strong and quite frankly the evil guy.
Peter is meant to take the orb to yondu for him to deliver it. However after taking a little bit of a detour to another planet, Peter finds himself in a 3-way battle with Gamora, rocket and groot. Gamora is there for the orb and rocket and groot are there for gamora and Peter.
All this being said, they end up in a pretty public fight and end up being sent to jail. This is where the film starts to build it's character, they are put in a maximum security stronghold where Drax is. More on him in a moment. The character building in these scenes are quite intense and you really see gamora for who she is..
Drax, right Drax is also seen as the destroyer because Ronin destroyed his planet and family and Drax has held a vengeance for the entirety of his time. Seeing gamora and knowing she is associated with ronin is enough for him to want to kill her. This is where his character starts his arc. After speaking to peter, he decides to join them anf see where he can go.
Following the stronghold scene, they eventually come against ronin after taking a mahoosive detour.
Coming to the end of the film you have been through intense laughter, even bits of sadness but you'll understand all of there standings and why they do what they do. The visual effects are brilliant and second to none and the action and comedy within is also amazing. Then we get to the performances of the cast, these really bring the film together and show the versatility of some of the actors.
Now even without my biased opinion onnthis film it is definitely a family friends amazing film you should definitely watch!!!
Kyera (8 KP) rated Batman: Nightwalker - DC Icons Book 2 in Books
Jan 31, 2018
Batman: Nightwalker gives us an origin story for the Caped Crusader that we didn't know we needed - even if it doesn't feel like the dark, gritty Batman we know from the Dark Knight or the comics. Bruce is an eighteen-year-old boy who is still trying to figure out who he is in a world where his parents were murdered when he was a child and he has just come into their vast fortune. He struggles to figure out how to live up to his parents' legacy and finds himself in a dangerous situation.
If you go into this book expecting Batman, I'm afraid you're going to be disappointed. This is a teenaged boy who is realizing that he wants to do more for his city and is coming to the conclusion that Bruce Wayne might not be enough. This book is his real origin story and Marie Lu brings his transformation back to its roots. We meet the boy who will one day become Batman, not the man we are familiar with as the Dark Knight.
I really enjoyed getting to know young Bruce in this story, although Alfred certainly stole the show. You could feel the bond that they had with one another, which translated so much more authentically than some of the other relationships in the story. I felt that Diane and Harvey were a little underdeveloped in the story, so I never really formed a connection with them. I really enjoyed the little cameos from characters we're familiar with and the characterization of people that we know are much more important in the Batman mythology in later years.
Superhero books are definitely difficult to write because they're so action heavy and as a result, visual, but I feel that Lu managed to capture the kinesthetic nature of the book well. She definitely delved more into Batman's detective nature, which was really nice because we don't see that as often as his fighting bad guys schtick. If you're interested in seeing the detective Batman dig into mysteries and try to foil a criminal organization than you should enjoy this book - just don't expect giant action-packed fight scenes.
I have really enjoyed the DC Icons series thus far because it brings the characters we've grown familiar with back to their roots. They're teenagers who are still figuring out who they are in the world, regardless of their future superhero journey. They are fragile and unsure, yet with a thirst for justice that one day will allow them to grow into the superheroes we know and love.
If you go into this book expecting Batman, I'm afraid you're going to be disappointed. This is a teenaged boy who is realizing that he wants to do more for his city and is coming to the conclusion that Bruce Wayne might not be enough. This book is his real origin story and Marie Lu brings his transformation back to its roots. We meet the boy who will one day become Batman, not the man we are familiar with as the Dark Knight.
I really enjoyed getting to know young Bruce in this story, although Alfred certainly stole the show. You could feel the bond that they had with one another, which translated so much more authentically than some of the other relationships in the story. I felt that Diane and Harvey were a little underdeveloped in the story, so I never really formed a connection with them. I really enjoyed the little cameos from characters we're familiar with and the characterization of people that we know are much more important in the Batman mythology in later years.
Superhero books are definitely difficult to write because they're so action heavy and as a result, visual, but I feel that Lu managed to capture the kinesthetic nature of the book well. She definitely delved more into Batman's detective nature, which was really nice because we don't see that as often as his fighting bad guys schtick. If you're interested in seeing the detective Batman dig into mysteries and try to foil a criminal organization than you should enjoy this book - just don't expect giant action-packed fight scenes.
I have really enjoyed the DC Icons series thus far because it brings the characters we've grown familiar with back to their roots. They're teenagers who are still figuring out who they are in the world, regardless of their future superhero journey. They are fragile and unsure, yet with a thirst for justice that one day will allow them to grow into the superheroes we know and love.