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Merissa (12854 KP) rated Man (Seven Forbidden Arts, #9) in Books
Sep 5, 2017
Man (Seven Forbidden Arts #9) by Charmaine Pauls
Man, oh Man, what to say about this - the bittersweet finale to the Seven Forbidden Arts series. In this instalment, we finally get some hands on knowledge of Cain, the enigmatic leader. He is getting closer to Godfrey, and now has Godfrey's wife in his sights - quite literally. However, Olivia isn't what he was expecting, and she calls to him in ways long forgotten.
The whole crew is here, with twists and turns still coming. This is no 'take it slow' finale, no way. It's full of action, tense, with nail-biting suspense right to the very end. It was lovely catching up with all the previous couples, and seeing how they were getting on with their lives. But make no mistake, this edition is all about Cain, Olivia, and Godfrey. Yeesh, that man has creeped me out for 8 books so far, and continues to do so in this one!
I don't do spoilers, but I will say two things. First one, is 'Pegs'. First reaction - ouch! Second reaction - who knew?! ? And the second thing, I won't say who, but I will say tears. Even knowing what I know now, it still makes me tear up.
Have I intrigued you? I certainly hope so! This book is an amazing climax to a fascinating concept, that has kept my interest and enjoyment from the first page of the first book, to the final page of this book. Absolutely outstanding! The whole series is a 5-star read as far as I am concerned.
Absolutely, most definitely, and indubitably, recommended by me.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
The whole crew is here, with twists and turns still coming. This is no 'take it slow' finale, no way. It's full of action, tense, with nail-biting suspense right to the very end. It was lovely catching up with all the previous couples, and seeing how they were getting on with their lives. But make no mistake, this edition is all about Cain, Olivia, and Godfrey. Yeesh, that man has creeped me out for 8 books so far, and continues to do so in this one!
I don't do spoilers, but I will say two things. First one, is 'Pegs'. First reaction - ouch! Second reaction - who knew?! ? And the second thing, I won't say who, but I will say tears. Even knowing what I know now, it still makes me tear up.
Have I intrigued you? I certainly hope so! This book is an amazing climax to a fascinating concept, that has kept my interest and enjoyment from the first page of the first book, to the final page of this book. Absolutely outstanding! The whole series is a 5-star read as far as I am concerned.
Absolutely, most definitely, and indubitably, recommended by me.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!

Daniel Holford (0 KP) rated It (2017) in Movies
Sep 20, 2017
The surprise hit film of the year is here and there's no wonder it's such a hit. Immediately from the outsit of the movie it is clear what this film is going to be. Frequent scares and creepiness, mixed with excellent visuals and directing, all spliced together with a great coming of age story. Think stranger things and stand by me, with added monsters and killer clowns.
The kids are brilliant throughout, the stand out being Richie and Beverly, the former having already kicked off his career by appearing in the excellent stranger things. Although I compared the two earlier, his character could not be more different. Beverly is also excellent in her role, a brilliant young actress who shows the sadness that Beverly hides behind her fears (perhaps the most chilling/uncomfortable moment in the movie). The other kids were also good, but some rather less well developed than the others, making their struggle with their scares far less satisfying than some of the more prominent kids. I must also admit that the greatest achievement this film has is replacing Tom Curry from the original movie and having an actor, almost, maybe actually surpassing him in the form of Bill Skarsgaard. He is excellently scary and charming in the creepiest way.
The films scares are in moderate but heavy bursts, rather than the usual constant jump scares there is often anti climaxes, tension building with little to no big jump or sound effect which works in the horror franchise almost as much as a larger scare.
Overall this film has many elements that make it such a hit, the Stranger Things hype train certainly had helped it along its way. As well as having perfect comedy, great characters, directing and visuals and most of all, scares.
The kids are brilliant throughout, the stand out being Richie and Beverly, the former having already kicked off his career by appearing in the excellent stranger things. Although I compared the two earlier, his character could not be more different. Beverly is also excellent in her role, a brilliant young actress who shows the sadness that Beverly hides behind her fears (perhaps the most chilling/uncomfortable moment in the movie). The other kids were also good, but some rather less well developed than the others, making their struggle with their scares far less satisfying than some of the more prominent kids. I must also admit that the greatest achievement this film has is replacing Tom Curry from the original movie and having an actor, almost, maybe actually surpassing him in the form of Bill Skarsgaard. He is excellently scary and charming in the creepiest way.
The films scares are in moderate but heavy bursts, rather than the usual constant jump scares there is often anti climaxes, tension building with little to no big jump or sound effect which works in the horror franchise almost as much as a larger scare.
Overall this film has many elements that make it such a hit, the Stranger Things hype train certainly had helped it along its way. As well as having perfect comedy, great characters, directing and visuals and most of all, scares.

Haley Mathiot (9 KP) rated Sundays at Tiffany's in Books
Apr 27, 2018
James Patterson never ceases to amaze me. I read this book in a matter of hours.
when Jane's imaginary friend, Michael, leaves and promises that she'll forget him, Jane is heartbroken. She goes through her life, seemingly in mediocrety, until one day after a terrible break-up with her crappy-boyfriend (dude, you so had it coming.), she visits her favorite childhood restaurant and is bombarded by memories of Michael.
then she looks across the room and sees him.
and then it takes off. Jane changes her life, no longer afraid to be who she really is. Michael calls into question who he is, and struggles through his own identity crisis--is he human, or angel, or something else? and why didn't Jane's "imaginary" experience go the way it was supposed to?
but then Michael realizes his mission in New York--and his whole world comes crashing down. how is he supposed to do this, and how is he supposed to live with it?
the whole time reading this book, i kept thinking questions. for the sake of keeping this review spoiler-free, I won't tell you what they were. one of them was "will he forget, like he did with all his other past experiences?" I couldn't see a way out of the climax... but the ending was all too sweet. i squealed (don't believe me? my sister was in the room at the time. ask her. it's true).
all in all, this book is a treasure to me. it's staying on my bookshelf where it belongs, i won't ever sell it or give it away (yeah, you can borrow it if you really want to. be careful of the pages.). maybe i loved it more than anyone else ever has, because of a strange connection I share with Jane Margaux. my imaginary friend's name was Michael, too.
when Jane's imaginary friend, Michael, leaves and promises that she'll forget him, Jane is heartbroken. She goes through her life, seemingly in mediocrety, until one day after a terrible break-up with her crappy-boyfriend (dude, you so had it coming.), she visits her favorite childhood restaurant and is bombarded by memories of Michael.
then she looks across the room and sees him.
and then it takes off. Jane changes her life, no longer afraid to be who she really is. Michael calls into question who he is, and struggles through his own identity crisis--is he human, or angel, or something else? and why didn't Jane's "imaginary" experience go the way it was supposed to?
but then Michael realizes his mission in New York--and his whole world comes crashing down. how is he supposed to do this, and how is he supposed to live with it?
the whole time reading this book, i kept thinking questions. for the sake of keeping this review spoiler-free, I won't tell you what they were. one of them was "will he forget, like he did with all his other past experiences?" I couldn't see a way out of the climax... but the ending was all too sweet. i squealed (don't believe me? my sister was in the room at the time. ask her. it's true).
all in all, this book is a treasure to me. it's staying on my bookshelf where it belongs, i won't ever sell it or give it away (yeah, you can borrow it if you really want to. be careful of the pages.). maybe i loved it more than anyone else ever has, because of a strange connection I share with Jane Margaux. my imaginary friend's name was Michael, too.

BeRad89 (48 KP) rated The War Nurses in Books
Apr 5, 2018
“... a flying ambulance corps made up of a naturist, a pianist, a journalist, a lady and a widowed mother...and a non smoking schoolgirl.” This is the description of the ambulance corp of Elsie Knockers and Mairi Chisholm during World War I. Will these brave ladies' friendship and sisterhood survive the war as they live in close quarters and dodge bullets as front line nurses in a cellar?
I started this book without much hope. To me, the cover is cheap-looking, and I admit this colored my judgement. How wrong I was!!! The War Nurses ended up being a very good read. Mairi is shown in such a real light. I was amazed at what both women did during the war. To see the human side of such a brave woman was interesting. I didn't personally like Elsie, but her character was amusing and kept surprising me.
While it didn't particularly bother me, some people will not like the amount of gore and yucky stuff in this book. While I know you can't judge a book by its cover, the cover to this book is very cheap looking.
The War Nurses by Lizzie Page is a work of historical fiction. It will be published April 17, 2018 by Bookouture.
I give this book 4 out of 5 stars. It ending up being a very pleasant surprise, as I judged this book by the cover and wasn't expecting much from it. It is an inspiring and eye-opening book. I recommend to anyone who loves powerful women, coming of age stories, WWI, medical stories, and/or historical fiction.
I was given a free copy from Net Galley and Bookouture in exchange for my honest review.
I started this book without much hope. To me, the cover is cheap-looking, and I admit this colored my judgement. How wrong I was!!! The War Nurses ended up being a very good read. Mairi is shown in such a real light. I was amazed at what both women did during the war. To see the human side of such a brave woman was interesting. I didn't personally like Elsie, but her character was amusing and kept surprising me.
While it didn't particularly bother me, some people will not like the amount of gore and yucky stuff in this book. While I know you can't judge a book by its cover, the cover to this book is very cheap looking.
The War Nurses by Lizzie Page is a work of historical fiction. It will be published April 17, 2018 by Bookouture.
I give this book 4 out of 5 stars. It ending up being a very pleasant surprise, as I judged this book by the cover and wasn't expecting much from it. It is an inspiring and eye-opening book. I recommend to anyone who loves powerful women, coming of age stories, WWI, medical stories, and/or historical fiction.
I was given a free copy from Net Galley and Bookouture in exchange for my honest review.

Rachel King (13 KP) rated Never Let You Go in Books
Feb 11, 2019
I was originally drawn to this book because it was about a mother fighting for her daughter. As a mother of two young daughters who has already been through quite a bit of fighting for them, I can relate. Once I got into the book, I was a bit put off partly because I was introduced to too many characters so soon into the plot and a lack of unique characterization made it difficult for me to keep up with the plot (and this is coming from someone who has read Sara Douglass). A second reason was that it somewhat reminded me of another book I read recently with the meth theme. Drugs are just not something that I purposely want to read about in my fiction. The only thing that really kept me reading was Lexi's relationship with her daughter, Molly. Along the way, I discovered that there actually is a fantasy-like aspect to the book that is difficult to see for at least half the book. This is probably as close as you can get to the fantasy genre without actually qualifying for the classification. I so badly wanted the book to come "out with it" over the supernatural aspect that I flew through the rest of the book. The ending was mostly satisfying in that the bad guy gets his just desserts and all the lose ends are tied up appropriately, but my fantasy-loving side wanted a more fantastical intervention than what actually occurred. At times, the plot felt like a soap-opera, with Lexi's affair and two other characters being convicts, as well as Ward's constant harrassments and almost reality-defying omnipresence. I would describe the book as high-intensity suspense combined with overdramatic reality and a dash of supernatural.

Mark @ Carstairs Considers (2340 KP) rated The Victory Garden in Books
Feb 13, 2019
I Was the Wrong Audience for this Book
Emily Bryce is about to turn twenty-one, and she is ready to start doing something to help with the war effort. Her parents have kept her at home with her mom hoping to find someone from the aristocracy to marry her off to, but Emily is determined to find her own path. Then Emily meets Robbie, an Australian pilot recovering from an injury at a hospital in the area. Even though her parents forbid it, she keeps seeing him behind their back. She also soon joins up with the Women’s Land Army, helping to keep the farms in England running to provide food for everyone. Will her parents ever accept her choices?
I’ve been a fan of Rhys’s mysteries for years, so I decided to give this book a try. As I suspected going in, this is not a mystery, but more of a coming of age story set in the England of 100 years ago. Unfortunately, I don’t think I was the target audience since I had trouble getting into it. There is a lot happening, and that was part of the problem. The story takes place over a year, and to get the entire time frame and the all Emily goes through into the story, at times I think we were cheated out of watching Emily deal with everything happening. That resulted in some things we were told about and not shown. On the other hand, Emily is a wonderful main character, and I was definitely rooting for her to succeed. I did tear up a time or two. And I felt we got a clear picture of what life was like in 1918 England for those who didn’t fight during the war – something that is often overlooked when we think about the cost of a war.
I’ve been a fan of Rhys’s mysteries for years, so I decided to give this book a try. As I suspected going in, this is not a mystery, but more of a coming of age story set in the England of 100 years ago. Unfortunately, I don’t think I was the target audience since I had trouble getting into it. There is a lot happening, and that was part of the problem. The story takes place over a year, and to get the entire time frame and the all Emily goes through into the story, at times I think we were cheated out of watching Emily deal with everything happening. That resulted in some things we were told about and not shown. On the other hand, Emily is a wonderful main character, and I was definitely rooting for her to succeed. I did tear up a time or two. And I felt we got a clear picture of what life was like in 1918 England for those who didn’t fight during the war – something that is often overlooked when we think about the cost of a war.

RəX Regent (349 KP) rated Wreck-It-Ralph (2012) in Movies
Feb 25, 2019
Wish it had been made by Pixar...
Contains spoilers, click to show
At first glance this would appear, as some reviews have sighted, the new Toy Story (1995). Maybe it is, but I just didn't feel it. I'm old enough to remember these 8-bit games and even though Fix It Felix, Hero's Duty and Sugar Rush are all fictitious, they're all rooted in the reality of the industry, with their real life counterparts being Donkey Kong, Call Of Duty and Super Mario Cart.
The plot is basically that of any Disney film and this is kind of where it fails a little. This isn't Pixar and I'm spending most of the time wishing that it was. Tangled (2010) had the same problem, with it being good, in fact better on the second viewing but not as good the masters of digi-mation would have made it. But Wreck-It Ralph would seem to cry out for the Pixar treatment. Its similarity in tone to Toy Story, with computer game characters coming to life when the kids leave, rather than toys, as well as the fact that this is the perfect subject for a Computer Generated movie!
The comedy was decent, with more of the successful jokes revolving around candy, Mentos and cola, rather than the arcade worlds themselves, but still, plenty of references for the game heads, which my wife is but I'm not, really. It was fun and the final reel was exiting, with the running time pushing two hours, it wasn't overly long but still felt wanting.
I think that it would have been better if there was more that just one line cameos from the established arcade characters, but I'll say it again, that for me, this wanted to be a Pixar classic but just couldn't match the standards.
The plot is basically that of any Disney film and this is kind of where it fails a little. This isn't Pixar and I'm spending most of the time wishing that it was. Tangled (2010) had the same problem, with it being good, in fact better on the second viewing but not as good the masters of digi-mation would have made it. But Wreck-It Ralph would seem to cry out for the Pixar treatment. Its similarity in tone to Toy Story, with computer game characters coming to life when the kids leave, rather than toys, as well as the fact that this is the perfect subject for a Computer Generated movie!
The comedy was decent, with more of the successful jokes revolving around candy, Mentos and cola, rather than the arcade worlds themselves, but still, plenty of references for the game heads, which my wife is but I'm not, really. It was fun and the final reel was exiting, with the running time pushing two hours, it wasn't overly long but still felt wanting.
I think that it would have been better if there was more that just one line cameos from the established arcade characters, but I'll say it again, that for me, this wanted to be a Pixar classic but just couldn't match the standards.

Andy K (10823 KP) rated Suspiria (2018) in Movies
Feb 25, 2019
Not the Suspiria you were looking for.
"Reimagined" would be the only word to describe this new vision of the original cult horror Argento classic from director Luca Guadagnino. It reminded me of a lot of other 70s and 80s horror including the original Hellraiser, The Wicker Man, or some early David Cronenberg body horror films.
The same basic story of American dancer Susie Banion coming to join a famous European dance company only to discover its leaders are a coven of witches is still there, but with much more complexity. As with the original, the coven does not take kindly when girls try and leave the group and usually meet with some sort of gruesome outcome.
Things get intense slowly over the 2 1/2 hour runtime with the last 20 minutes being some of the most explicit freak show, sadistic, torturous bloodbath I have ever seen. Not sure how this would play with a mainstream audience. I think some would be bored with the beginning and then get up and leave during the extreme climax scene.
Since I watch a ton of movies, I seek out the strange and unusual at this point and this one did not disappoint. It is interesting to see another director's take on the story and going in a completely opposite direction. Argento was always known, especially in this film, for his use of wild colors and patterns and this new version stands as a stark contrast opting for more neutral tones and white and black.
If you have a strong stomach and crave an interesting challenge, I highly recommend. Then let me know so we can discuss.
The same basic story of American dancer Susie Banion coming to join a famous European dance company only to discover its leaders are a coven of witches is still there, but with much more complexity. As with the original, the coven does not take kindly when girls try and leave the group and usually meet with some sort of gruesome outcome.
Things get intense slowly over the 2 1/2 hour runtime with the last 20 minutes being some of the most explicit freak show, sadistic, torturous bloodbath I have ever seen. Not sure how this would play with a mainstream audience. I think some would be bored with the beginning and then get up and leave during the extreme climax scene.
Since I watch a ton of movies, I seek out the strange and unusual at this point and this one did not disappoint. It is interesting to see another director's take on the story and going in a completely opposite direction. Argento was always known, especially in this film, for his use of wild colors and patterns and this new version stands as a stark contrast opting for more neutral tones and white and black.
If you have a strong stomach and crave an interesting challenge, I highly recommend. Then let me know so we can discuss.

RəX Regent (349 KP) rated Ralph Breaks the Internet: Wreck-It Ralph 2 (2018) in Movies
Mar 7, 2019
Contains spoilers, click to show
At first glance this would appear, as some reviews have sighted, the new Toy Story (1995). Maybe it is, but I just didn't feel it. I'm old enough to remember these 8-bit games and even though Fix It Felix, Hero's Duty and Sugar Rush are all fictitious, they're all rooted in the reality of the industry, with their real life counterparts being Donkey Kong, Call Of Duty and Super Mario Cart.
The plot is basically that of any Disney film and this is kind of where it fails a little. This isn't Pixar and I'm spending most of the time wishing that it was. Tangled (2010) had the same problem, with it being good, in fact better on the second viewing but not as good the masters of digi-mation would have made it. But Wreck-It Ralph would seem to cry out for the Pixar treatment. Its similarity in tone to Toy Story, with computer game characters coming to life when the kids leave, rather than toys, as well as the fact that this is the perfect subject for a Computer Generated movie!
The comedy was decent, with more of the successful jokes revolving around candy, Mentos and cola, rather than the arcade worlds themselves, but still, plenty of references for the game heads, which my wife is but I'm not, really. It was fun and the final reel was exiting, with the running time pushing two hours, it wasn't overly long but still felt wanting.
I think that it would have been better if there was more that just one line cameos from the established arcade characters, but I'll say it again, that for me, this wanted to be a Pixar classic but just couldn't match the standards.
The plot is basically that of any Disney film and this is kind of where it fails a little. This isn't Pixar and I'm spending most of the time wishing that it was. Tangled (2010) had the same problem, with it being good, in fact better on the second viewing but not as good the masters of digi-mation would have made it. But Wreck-It Ralph would seem to cry out for the Pixar treatment. Its similarity in tone to Toy Story, with computer game characters coming to life when the kids leave, rather than toys, as well as the fact that this is the perfect subject for a Computer Generated movie!
The comedy was decent, with more of the successful jokes revolving around candy, Mentos and cola, rather than the arcade worlds themselves, but still, plenty of references for the game heads, which my wife is but I'm not, really. It was fun and the final reel was exiting, with the running time pushing two hours, it wasn't overly long but still felt wanting.
I think that it would have been better if there was more that just one line cameos from the established arcade characters, but I'll say it again, that for me, this wanted to be a Pixar classic but just couldn't match the standards.

Daniel Boyd (1066 KP) rated Love, Death & Robots in TV
Apr 4, 2019 (Updated Apr 4, 2019)
A breezy pace throughout the series (1 more)
Some incredible animation work
Now For Something Completely Different
Love Death & Robots is an animated anthology series from David Fincher and Tim Miller, made up of 18 short films, with each one done in a completely different animation style, ranging from stylistic 2D to hyper realistic 3D. I felt compelled to watch this series, not only as a fan of Fincher's and Miller's previous respective works, but as an aspiring animator myself.
My favourite thing about this series is how brief each episode is. Even if there is a story that you aren't enjoying so much, it is over promptly and you are onto the next one. I also like the idea of this series perhaps being a way for filmmakers to pitch their ideas in the form of these short stories and then, - if they are well received, - they could maybe go on to be developed into a longer more fleshed out feature length movie.
The style of animation varies wildly and everyone who watches the series will no doubt have their own personal preference. My favourite of the series was episode 13, which was titled "Lucky 13." It was based around a spaceship owned by a pilot played by Samira Wiley, who gave an phenomenal performance throughout the short film.
If you are looking for something fresh and different to anything else on Netflix, give this one a go. You may not enjoy every single episode, but I guarantee you there will be at least a few that you like. I really hope that this gets a second series and I am looking forward to anything else that is coming in the future from this creative team.
My favourite thing about this series is how brief each episode is. Even if there is a story that you aren't enjoying so much, it is over promptly and you are onto the next one. I also like the idea of this series perhaps being a way for filmmakers to pitch their ideas in the form of these short stories and then, - if they are well received, - they could maybe go on to be developed into a longer more fleshed out feature length movie.
The style of animation varies wildly and everyone who watches the series will no doubt have their own personal preference. My favourite of the series was episode 13, which was titled "Lucky 13." It was based around a spaceship owned by a pilot played by Samira Wiley, who gave an phenomenal performance throughout the short film.
If you are looking for something fresh and different to anything else on Netflix, give this one a go. You may not enjoy every single episode, but I guarantee you there will be at least a few that you like. I really hope that this gets a second series and I am looking forward to anything else that is coming in the future from this creative team.