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Sarah (7798 KP) rated The Invisible Man (2020) in Movies
Mar 18, 2020
Terrifying
Don't you just love it when you go and see a film you know little to nothing about, and end up being pleasantly surprised at how good it is? Yesterday was my last chance to catch a film due to closure because of the coronavirus, and I'm very glad I chose to watch The Invisible Man.
Right from the opening scene, the first half of this film i found absolutely terrifying. The score really helps to build up a lot of tension and I found myself on the edge of my seat. I'm known for being quite hardened when it comes to scary films, but there was something about this film that had me wanting to hide my head in my hands. It may just be the idea of an invisible enemy or jump scares that you obviously can't see coming, but I havent been this creeped out in a long time.
The second half of the film is a little less scary and ends up being more like a thriller, which was probably a good thing as I dont think I could've handled that level of terror for the entire film! The acting is great, especially from Elizabeth Moss and really had me questioning her character's sanity. She carries the entire film and she puts in a brilliant performance. The technology and science behind this is maybe a little lacking and questionable at times, but as they dont focus too much on the detail of this and the backstory of Adrian it's rather easy to ignore some of the slightly dodgy science and just enjoy the ride. There are a lot of twists and turns in this film that I hadn't been expecting, and I found the ending to be especially satisfying.
Overall this is a unexpected yet hugely enjoyable thriller that had me cowering in my seat for a good hour. Not many films can do that.
Right from the opening scene, the first half of this film i found absolutely terrifying. The score really helps to build up a lot of tension and I found myself on the edge of my seat. I'm known for being quite hardened when it comes to scary films, but there was something about this film that had me wanting to hide my head in my hands. It may just be the idea of an invisible enemy or jump scares that you obviously can't see coming, but I havent been this creeped out in a long time.
The second half of the film is a little less scary and ends up being more like a thriller, which was probably a good thing as I dont think I could've handled that level of terror for the entire film! The acting is great, especially from Elizabeth Moss and really had me questioning her character's sanity. She carries the entire film and she puts in a brilliant performance. The technology and science behind this is maybe a little lacking and questionable at times, but as they dont focus too much on the detail of this and the backstory of Adrian it's rather easy to ignore some of the slightly dodgy science and just enjoy the ride. There are a lot of twists and turns in this film that I hadn't been expecting, and I found the ending to be especially satisfying.
Overall this is a unexpected yet hugely enjoyable thriller that had me cowering in my seat for a good hour. Not many films can do that.
Kristy H (1252 KP) rated Summer of '79 in Books
Mar 19, 2020
This is an excellent novella following up with the Foley/Levin gang ten years after the events of Summer of '69. Kate and her children, Blair, Kirby, Tiger, and Jessie, gather again on Nantucket after the death of Kate's mother, Exalta.
"Exalta is dead. She died in her sleep two days earlier in the house on Fair Street, while Mr. Crimmins, their former caretaker, slept beside her."
There are a few books in the world that end perfectly, and you don't need another word. But many books are so engaging--the characters so vivid--that you often wonder what has happened to them. Elin Hilderbrand is such an excellent author and so good at world-building for her characters. It only makes sense that she would allow us to check in on her characters at a later date. And, because she's so good at bringing them to life, the concept works perfectly.
This is a slim e-book (coming out later in book form as part of a tribute anthology to the late Dorothea Benton Frank). I read it easily in one setting and quite enjoyed catching up with Kate and the kids, particularly the youngest, Jessie, who was my favorite in '69 and remains so ten years later.
"She feels like a stranger in her own family, but there’s nothing new about that."
Despite the somber occasion for which the family has gathered, it's quite fun to check in on them ten years later. Hilderbrand switches POV from Kate to all four of the kids, allowing us to see what they've been doing and how they feel. We also find Kate adjusting to moving into the role of family matriarch with the passing of her mother.
Overall, if you enjoyed Summer of '69, this is a great novella to catch you up on some beloved characters. I kind of wish we could have novellas like this for other favorite books. 4 stars.
"Exalta is dead. She died in her sleep two days earlier in the house on Fair Street, while Mr. Crimmins, their former caretaker, slept beside her."
There are a few books in the world that end perfectly, and you don't need another word. But many books are so engaging--the characters so vivid--that you often wonder what has happened to them. Elin Hilderbrand is such an excellent author and so good at world-building for her characters. It only makes sense that she would allow us to check in on her characters at a later date. And, because she's so good at bringing them to life, the concept works perfectly.
This is a slim e-book (coming out later in book form as part of a tribute anthology to the late Dorothea Benton Frank). I read it easily in one setting and quite enjoyed catching up with Kate and the kids, particularly the youngest, Jessie, who was my favorite in '69 and remains so ten years later.
"She feels like a stranger in her own family, but there’s nothing new about that."
Despite the somber occasion for which the family has gathered, it's quite fun to check in on them ten years later. Hilderbrand switches POV from Kate to all four of the kids, allowing us to see what they've been doing and how they feel. We also find Kate adjusting to moving into the role of family matriarch with the passing of her mother.
Overall, if you enjoyed Summer of '69, this is a great novella to catch you up on some beloved characters. I kind of wish we could have novellas like this for other favorite books. 4 stars.
Gareth von Kallenbach (974 KP) rated Focus (2015) in Movies
Aug 6, 2019
Focus, a new film starring Will Smith, Rodrigo Santoro, Margot Robbie, and Gerald McRaney seems like it ‘should be’ predictable, but I didn’t find it to be predictable at all.
I only caught one of the tricky story line twists at the last minute, at the very end, and the whole entire movie, I really thought that the leading lady Jess (Margot Robbie) was up to something other than what she was.
The movie overall, after watching it, reminds me a bit of Oceans 11, with twists and turns and surprises and things I just didn’t see coming.
I felt Will Smith as Nicky Spurgeon did a great job, and portrayed his relationship, or the fact that he was bothered by his lack of a relationship with Jess very believably.
The story moves along quickly, flowing well, for the most part. We watch Jess try to con Nicky, and watch him school her on ‘how it’s done’.
This sets the tone for the rest of the show which follows Nickys’ path as a con man and him working with his crew in one job after another.
He is supposed to be the best of the best and we watch him successfully carry off con after con in the first half.
The second half of the movie takes place after a number of years have passed, and more closely details Nicky’s feelings or apparent feelings for Jess.
Without revealing too much, I can only say everything is not as it appears, but the action of what is happening is fast enough that it distracted me from being able to concentrate too hard on what the deceptions might be.
I think this might be Will Smiths ‘comeback movie’ after a series of recent films over the past handful of years with him as a headliner have been really, really bad.
I have already encouraged a handful of friends to see the film when it comes to regular release, and I would gladly see it again.
I would give this movie 4 out of 5 stars.
I only caught one of the tricky story line twists at the last minute, at the very end, and the whole entire movie, I really thought that the leading lady Jess (Margot Robbie) was up to something other than what she was.
The movie overall, after watching it, reminds me a bit of Oceans 11, with twists and turns and surprises and things I just didn’t see coming.
I felt Will Smith as Nicky Spurgeon did a great job, and portrayed his relationship, or the fact that he was bothered by his lack of a relationship with Jess very believably.
The story moves along quickly, flowing well, for the most part. We watch Jess try to con Nicky, and watch him school her on ‘how it’s done’.
This sets the tone for the rest of the show which follows Nickys’ path as a con man and him working with his crew in one job after another.
He is supposed to be the best of the best and we watch him successfully carry off con after con in the first half.
The second half of the movie takes place after a number of years have passed, and more closely details Nicky’s feelings or apparent feelings for Jess.
Without revealing too much, I can only say everything is not as it appears, but the action of what is happening is fast enough that it distracted me from being able to concentrate too hard on what the deceptions might be.
I think this might be Will Smiths ‘comeback movie’ after a series of recent films over the past handful of years with him as a headliner have been really, really bad.
I have already encouraged a handful of friends to see the film when it comes to regular release, and I would gladly see it again.
I would give this movie 4 out of 5 stars.
Gareth von Kallenbach (974 KP) rated Captain America: The First Avenger (2011) in Movies
Aug 7, 2019
Captain America: The First Avenger is a return to form for the Marvel comic-book film universe, and a solid final lead-up to the multi-hero film The Avengers, coming next year.
Chris Evans does a fantastic job of introducing us to the wiry little guy with guts who eventually becomes Captain America. Such unashamed, honest virtue is different from the typical superhero movie we’ve come to see over the last few years, and for good reason: internal conflicts often make for dramatic films. However, I don’t think such unwavering idealism would have worked with any other comic-book character than Captain America. Stanley Tucci and Tommy Lee Jones add heart to the movie, but the soul of this movie really is the Captain. Hugo Weaving as The Red Skull plays a satisfying villain here, but his motives aren’t clarified enough to warrant his fervor for evil. Hayley Atwell, playing love interest and British agent Peggy Carter does a more convincing job in her role than Hugo Weaving does in his.
The plot of the film was pretty standard fare. Hero battles villain. The ending was more climactic and earnest than I had expected walking into the theater, and it gracefully sets up the Avengers movie. Like many of the other Marvel movies of recent note, there is a decent amount of self-deprecating comic book humor that helps break up the slower parts between action scenes.
The effects of the film were solid. They were pulpy enough to feel like a Marvel universe, rather than our own, but they still carried the action to an exciting level. The art department and cinematographer did a good job recreating the 40’s asthetic throughout the film, though there was enough exotic comic book elements to bring you back into a world where superheroes really do exist.
Despite its own flaws, this is one of the better Marvel films to come out since Iron Man, and count me in to watch The Avengers next year.
Chris Evans does a fantastic job of introducing us to the wiry little guy with guts who eventually becomes Captain America. Such unashamed, honest virtue is different from the typical superhero movie we’ve come to see over the last few years, and for good reason: internal conflicts often make for dramatic films. However, I don’t think such unwavering idealism would have worked with any other comic-book character than Captain America. Stanley Tucci and Tommy Lee Jones add heart to the movie, but the soul of this movie really is the Captain. Hugo Weaving as The Red Skull plays a satisfying villain here, but his motives aren’t clarified enough to warrant his fervor for evil. Hayley Atwell, playing love interest and British agent Peggy Carter does a more convincing job in her role than Hugo Weaving does in his.
The plot of the film was pretty standard fare. Hero battles villain. The ending was more climactic and earnest than I had expected walking into the theater, and it gracefully sets up the Avengers movie. Like many of the other Marvel movies of recent note, there is a decent amount of self-deprecating comic book humor that helps break up the slower parts between action scenes.
The effects of the film were solid. They were pulpy enough to feel like a Marvel universe, rather than our own, but they still carried the action to an exciting level. The art department and cinematographer did a good job recreating the 40’s asthetic throughout the film, though there was enough exotic comic book elements to bring you back into a world where superheroes really do exist.
Despite its own flaws, this is one of the better Marvel films to come out since Iron Man, and count me in to watch The Avengers next year.
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