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Ross (3284 KP) rated Split (2016) in Movies
Apr 19, 2019
A half-decent film in its own right. A dreadful desperate attempt to link to Unbreakable at the end
Contains spoilers, click to show
I had watched over half of this film before someone mentioned to me it was part of the Unbreakable "trilogy". I had heard of Glass, and had noticed that McAvoy looked similar in the two films but hadn't realised they were linked (I guess I assumed he got bored of growing his hair back to then have to become Professor X again). I had wondered what the second film in the trilogy was. Unbeknownst to me, I was watching it.
McAvoy plays Kevin, a man whose upbringing lead him to develop a number of (mostly) distinct personalities. These personalities allow his brain to compartmentalise and protect itself from certain aspects of life.
Kevin has decided to kidnap two girls (but for reasons he ends up getting three for the price of two). There is much less threat and horror in their imprisonment than in this type of scenario normally, which is to the film's credit. The girls are confused by the different personalities and how they interact with them and with each other. There are moments of charm, comedy, pantomime and some chilling moments in these scenes.
McAvoy does a good job of portraying these different personalities and they are mostly distinct. He is said to have 23 such personalities but I can only say I recognised 5 distinct ones, two of which were only a camp leg-crossing away from being the same.
Kevin is afraid of, but also excited about (depending on which personality has the spotlight) the possible coming of The Beast, a 24th personality that will be strong and powerful and hard for him to control.
Most of the film centres around either Kevin and his kidnappees or his therapist, which helps to describe his issues and show them at the same time.
The final section, The Beast's emergence and the eventual escape of the victims (I actually can't remember if either of the other 2 girls escaped) was so implausible and hammy. The supposed physical changes that each personality brings to Kevin's body are stretched to breaking point, and I think this just becomes stupid.
We then see where the girls had been kept all this time (a zoo) and again this just shouts out stupid. Suggesting a mentally ill janitor could drive a car with three unconscious schoolgirls into a closed zoo is just stupid.
The final scene made me so angry. Up to this point, there was no link whatsoever to Unbreakable. Fine, I thought. Keep them as separate films in their own right and then Glass can bring them together. But no. We see a news report of the kidnapping and Kevin's escape and disappearance playing out in a diner. One woman remarks that it sounded like that guy a few years ago who went to prison. She turns to Bruce Willis who responds "Mr Glass" (Samuel L Jackson's character from Unbreakable). It sounded absolutely nothing like "that guy". There was no similarity whatsoever in what had been described on TV and the story about a rich disabled man organising terrorist attacks. None whatsoever. This was such a clumsy, unnecessary attempt to sow the seeds of excitement for Glass. This has actually tainted the film for me, it would probably have gotten a 7 or an 8 if not for this lunacy.
McAvoy plays Kevin, a man whose upbringing lead him to develop a number of (mostly) distinct personalities. These personalities allow his brain to compartmentalise and protect itself from certain aspects of life.
Kevin has decided to kidnap two girls (but for reasons he ends up getting three for the price of two). There is much less threat and horror in their imprisonment than in this type of scenario normally, which is to the film's credit. The girls are confused by the different personalities and how they interact with them and with each other. There are moments of charm, comedy, pantomime and some chilling moments in these scenes.
McAvoy does a good job of portraying these different personalities and they are mostly distinct. He is said to have 23 such personalities but I can only say I recognised 5 distinct ones, two of which were only a camp leg-crossing away from being the same.
Kevin is afraid of, but also excited about (depending on which personality has the spotlight) the possible coming of The Beast, a 24th personality that will be strong and powerful and hard for him to control.
Most of the film centres around either Kevin and his kidnappees or his therapist, which helps to describe his issues and show them at the same time.
The final section, The Beast's emergence and the eventual escape of the victims (I actually can't remember if either of the other 2 girls escaped) was so implausible and hammy. The supposed physical changes that each personality brings to Kevin's body are stretched to breaking point, and I think this just becomes stupid.
We then see where the girls had been kept all this time (a zoo) and again this just shouts out stupid. Suggesting a mentally ill janitor could drive a car with three unconscious schoolgirls into a closed zoo is just stupid.
The final scene made me so angry. Up to this point, there was no link whatsoever to Unbreakable. Fine, I thought. Keep them as separate films in their own right and then Glass can bring them together. But no. We see a news report of the kidnapping and Kevin's escape and disappearance playing out in a diner. One woman remarks that it sounded like that guy a few years ago who went to prison. She turns to Bruce Willis who responds "Mr Glass" (Samuel L Jackson's character from Unbreakable). It sounded absolutely nothing like "that guy". There was no similarity whatsoever in what had been described on TV and the story about a rich disabled man organising terrorist attacks. None whatsoever. This was such a clumsy, unnecessary attempt to sow the seeds of excitement for Glass. This has actually tainted the film for me, it would probably have gotten a 7 or an 8 if not for this lunacy.
Heather Cranmer (2721 KP) rated Then She Was Gone in Books
Apr 27, 2019
Just Okay
I loved I Found You by Lisa Jewell, so when I read the synopsis of her other book, Then She Was Gone, it was a book I knew I had to read. While this book was still a good read, it wasn't great, and I was left feeling a little disappointed.
The plot for Then She Was Gone was interesting enough although I did predict the mystery of why Poppy looked like Ellie early on. There were a couple of plot twists that I didn't see coming though of which I was thankful. I was constantly trying to figure out what Floyd's endgame was when it came to Laurel. I was also always hopeful that Ellie would return home safely. I thought the ending was done nicely. It tied up all loose ends and provided me with enough closure to be satisfied.
The one thing that bothered me, and I know it's a personal preference, was how the book was written in present tense aside from when Ellie and Noelle were telling their side of the story. It just really irks me when books are written this way. That really seemed to take away from the story for me.
The characters in Then She Was Gone were mostly believable. I had a hard time believing Noelle's side of things could actually happen for as long as they did when it came to Poppy. I also had a hard time believing Noelle could stay a virgin for so long. Poppy seemed very intelligent for her young years to not have been in some kind of advanced schooling. Poppy came across more of an adult than a child in every scene she was in. The author does attempt to explain why Poppy is the way she is, but I still found Poppy a bit unrealistic for a little girl. I liked Laurel, and I could only imagine her pain, but I felt like she was too uncaring toward her daughter Hanna and her son Jake. Maybe I'd have to be in Laurel's shoes to understand what it's like (although I pray I never am). It would have been nice to get a glimpse of Hanna's and Jake's point of view of things. Jake is hardly ever mentioned in the book, and there were many times I had to rack my brain to remember who Jake was whilst reading Then She Was Gone. It seems like Jake was put in as an afterthought to quickly tie up some loose ends. I enjoyed the character of Paul, Laurel's ex-husband. I admired his sunny disposition. Sara-Jade was another character I liked a lot although she wasn't in the book often enough. I liked Floyd and felt he was a well fleshed out character, but I was always wary when it came to him.
The pacing was done well enough. My interest never wavered, and I found myself needing to know what happened next to see if my predictions were correct. Then She Was Gone is definitely a page turner. I'll give it that.
Trigger warnings for Then She Was Gone include profanities, sexual situations (although not graphic), kidnapping, drinking alcohol, violence, death, murder, and miscarriages.
Overall, Then She Was Gone is just a decent read. The plot is interesting enough, and some of the characters are well written. For me, the present tense use really took away my enjoyment of the book. I would still recommend Then She Was Gone by Lisa Jewell to those aged 17+ especially to those who like thrillers.
The plot for Then She Was Gone was interesting enough although I did predict the mystery of why Poppy looked like Ellie early on. There were a couple of plot twists that I didn't see coming though of which I was thankful. I was constantly trying to figure out what Floyd's endgame was when it came to Laurel. I was also always hopeful that Ellie would return home safely. I thought the ending was done nicely. It tied up all loose ends and provided me with enough closure to be satisfied.
The one thing that bothered me, and I know it's a personal preference, was how the book was written in present tense aside from when Ellie and Noelle were telling their side of the story. It just really irks me when books are written this way. That really seemed to take away from the story for me.
The characters in Then She Was Gone were mostly believable. I had a hard time believing Noelle's side of things could actually happen for as long as they did when it came to Poppy. I also had a hard time believing Noelle could stay a virgin for so long. Poppy seemed very intelligent for her young years to not have been in some kind of advanced schooling. Poppy came across more of an adult than a child in every scene she was in. The author does attempt to explain why Poppy is the way she is, but I still found Poppy a bit unrealistic for a little girl. I liked Laurel, and I could only imagine her pain, but I felt like she was too uncaring toward her daughter Hanna and her son Jake. Maybe I'd have to be in Laurel's shoes to understand what it's like (although I pray I never am). It would have been nice to get a glimpse of Hanna's and Jake's point of view of things. Jake is hardly ever mentioned in the book, and there were many times I had to rack my brain to remember who Jake was whilst reading Then She Was Gone. It seems like Jake was put in as an afterthought to quickly tie up some loose ends. I enjoyed the character of Paul, Laurel's ex-husband. I admired his sunny disposition. Sara-Jade was another character I liked a lot although she wasn't in the book often enough. I liked Floyd and felt he was a well fleshed out character, but I was always wary when it came to him.
The pacing was done well enough. My interest never wavered, and I found myself needing to know what happened next to see if my predictions were correct. Then She Was Gone is definitely a page turner. I'll give it that.
Trigger warnings for Then She Was Gone include profanities, sexual situations (although not graphic), kidnapping, drinking alcohol, violence, death, murder, and miscarriages.
Overall, Then She Was Gone is just a decent read. The plot is interesting enough, and some of the characters are well written. For me, the present tense use really took away my enjoyment of the book. I would still recommend Then She Was Gone by Lisa Jewell to those aged 17+ especially to those who like thrillers.
Heather Cranmer (2721 KP) rated We Were Liars in Books
May 20, 2019
I feel like I went into We Were Liars by E. Lockhart blind. The synopsis intrigued me, but it didn't really give anything away. I just wish I had known more about this book because while it wasn't a bad read, it was just a mediocre read, and it didn't really have much to do with lying at all.
Cadence (Cady for short) is a Sinclair. She is part of a very rich family. In fact, they have their own island. She, her cousins Mirren and Johnny, and their friend Gat, nicknamed "The Liars," all vacation there with their families every summer. The Liars are all the same age, and during Summer 15 (when the Liars were 15 years old), Cady has an accident which leaves her with temporary amnesia. As she slowly gets her memory back, she learns some very harsh and painful truths about what really happened that summer.
We Were Liars never explains why the teens were nicknamed The Liars. I did find out that a deleted scene from the book explains how they got the name. I think this scene should have been left in since I feel it was relevant to the book. Most of the plot is about Cady looking back over her summers with the Liars and her summers since the eventful Summer 15. I will say that I never saw that major plot twist coming! When I read it, I was left with my mouth hanging open. I will say We Were Liars had one of the best plot twists I've read. Well done to E. Lockhart for that! This book does not have a cliffhanger ending, so all questions are answered and things are explained quite well.
The pacing is what lets this book down. I found it to be very slow. Most of the time, I was just reading about the boring lives of rich, privileged teenagers. Everything was so mundane. It just droned on and on for the most part. Luckily, the chapters are quite short, so I soldiered on. I'm glad I did because the section marked "The Truth" was really good! This is the section that contained the plot twist and when the book actually went at a decent pace. I just wish I didn't have to read through 75 percent of the book for the pacing to pick up.
While the pacing was slow, I did feel that the characters were well written. I enjoyed reading about everything from the perspective of Cady. I feel that she was the most interesting. I enjoyed watching her grow up throughout her teenage years and her feelings about everything. I also adored her feelings for Gat. I loved Gat's philosophy about everything. I felt he was very mature and wise beyond his years. Johnny and Mirren were also interesting in their own way. I felt that Johnny was the humorous one and Mirren the more serious out of the Liars. I enjoyed reading about how the Liars felt about their parents' and aunts' greed and how it was the downfall of everything.
Trigger warnings for We Were Liars include mentions of the phrase sexual intercourse (although there was no sex), kissing, arson, death, underage drinking, and greed.
Overall, We Were Liars is a decent read although it is a forgettable one. The plot twist is what really saved this book from being too boring. I would recommend We Were Liars by E. Lockhart simply for that amazing plot twist!
Cadence (Cady for short) is a Sinclair. She is part of a very rich family. In fact, they have their own island. She, her cousins Mirren and Johnny, and their friend Gat, nicknamed "The Liars," all vacation there with their families every summer. The Liars are all the same age, and during Summer 15 (when the Liars were 15 years old), Cady has an accident which leaves her with temporary amnesia. As she slowly gets her memory back, she learns some very harsh and painful truths about what really happened that summer.
We Were Liars never explains why the teens were nicknamed The Liars. I did find out that a deleted scene from the book explains how they got the name. I think this scene should have been left in since I feel it was relevant to the book. Most of the plot is about Cady looking back over her summers with the Liars and her summers since the eventful Summer 15. I will say that I never saw that major plot twist coming! When I read it, I was left with my mouth hanging open. I will say We Were Liars had one of the best plot twists I've read. Well done to E. Lockhart for that! This book does not have a cliffhanger ending, so all questions are answered and things are explained quite well.
The pacing is what lets this book down. I found it to be very slow. Most of the time, I was just reading about the boring lives of rich, privileged teenagers. Everything was so mundane. It just droned on and on for the most part. Luckily, the chapters are quite short, so I soldiered on. I'm glad I did because the section marked "The Truth" was really good! This is the section that contained the plot twist and when the book actually went at a decent pace. I just wish I didn't have to read through 75 percent of the book for the pacing to pick up.
While the pacing was slow, I did feel that the characters were well written. I enjoyed reading about everything from the perspective of Cady. I feel that she was the most interesting. I enjoyed watching her grow up throughout her teenage years and her feelings about everything. I also adored her feelings for Gat. I loved Gat's philosophy about everything. I felt he was very mature and wise beyond his years. Johnny and Mirren were also interesting in their own way. I felt that Johnny was the humorous one and Mirren the more serious out of the Liars. I enjoyed reading about how the Liars felt about their parents' and aunts' greed and how it was the downfall of everything.
Trigger warnings for We Were Liars include mentions of the phrase sexual intercourse (although there was no sex), kissing, arson, death, underage drinking, and greed.
Overall, We Were Liars is a decent read although it is a forgettable one. The plot twist is what really saved this book from being too boring. I would recommend We Were Liars by E. Lockhart simply for that amazing plot twist!
Debbiereadsbook (1440 KP) rated His Steady Heart in Books
May 30, 2019
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
I’m gonna jump straight in here, cos, well, because it’s my review and I can.
If you follow my reviews, you’ll know I have a particular dislike of several things.
First Person
Present Tense
Single Point of View.
So, when I started this book, and found it first person AND present tense, I got all ansty and twitchy and thought, nope, not doing it. THEN I realised it was single point of view, and my twitchiness went sky high and . . . .
bloody hell if I did not bloody LOVE this book!
Ashley or Buck, depending on who addresses him, was 22 years old when he first met Pippin and now, some 15 years (I was a bit unclear on that) later, he is still looking out for the little 6 year old boy who wormed his way into his heart. Now though, the little boy is all man, and when Pippin’s mother throws him under a bus (not literally, mind you!) of course Ashley will step up to look after the young man. But Pippin is proud, and won’t just take Ashley’s care, he must give back. The big bear of a man is Pippin’s idea of heaven, he just has to reach out and take him.
This has to be the sweetest, cutest CLEANEST book I've read in a long time, and I inhaled this book. I mean, I sat down, and didn’t move til I was done. It is only short, took me just over an hour but I really LOVED!
Ashley is the sweetest bear of a man, and no one can see that, except Pippin. Pippin sees Ashley, deep down, that he isn’t anyone’s “daddy”. He wants to look after people, yes, but PIPPIN is at the top of that very short list. PIPPIN is the one he realises he wants, even as he fights his attraction to the smaller man. PIPPIN tells Ashley he wants him, too, but not just for a quick lay. Pippin wants his first time to be special, and ASHLEY is that special man for Pippin.
I didn’t like what Pippin’s mum does to him, but you kinda saw that one coming like a train wreck and you can’t do anything to stop it.
The only thing, the one thing I cannot forgive is that Pippin doesn’t get a say! I wanted desperately to hear from him, even if it does make it first person/present tense/MULTI point of view (cos that would be my idea of Hell!) I NEEDED Pippin and I don’t get him. And I wanted to know, just what it was about Ashley that pushed his buttons, what he thought when Ashley’s ex turned up (and I LOVED how Pippin reacted to that!) and I wanted to know how he felt about his mum, and what she was doing to him.
That’s the only reason I gave it 4 stars and not 5 stars, was because I did not get Pippin and I really needed him.
I’ve not read anything by this author before, but if they are all this good, I’d gladly inhale a few more!
4 sweet, cute, warm and so bloody fuzzies stars
**same worded review will appear elsewhere**
I’m gonna jump straight in here, cos, well, because it’s my review and I can.
If you follow my reviews, you’ll know I have a particular dislike of several things.
First Person
Present Tense
Single Point of View.
So, when I started this book, and found it first person AND present tense, I got all ansty and twitchy and thought, nope, not doing it. THEN I realised it was single point of view, and my twitchiness went sky high and . . . .
bloody hell if I did not bloody LOVE this book!
Ashley or Buck, depending on who addresses him, was 22 years old when he first met Pippin and now, some 15 years (I was a bit unclear on that) later, he is still looking out for the little 6 year old boy who wormed his way into his heart. Now though, the little boy is all man, and when Pippin’s mother throws him under a bus (not literally, mind you!) of course Ashley will step up to look after the young man. But Pippin is proud, and won’t just take Ashley’s care, he must give back. The big bear of a man is Pippin’s idea of heaven, he just has to reach out and take him.
This has to be the sweetest, cutest CLEANEST book I've read in a long time, and I inhaled this book. I mean, I sat down, and didn’t move til I was done. It is only short, took me just over an hour but I really LOVED!
Ashley is the sweetest bear of a man, and no one can see that, except Pippin. Pippin sees Ashley, deep down, that he isn’t anyone’s “daddy”. He wants to look after people, yes, but PIPPIN is at the top of that very short list. PIPPIN is the one he realises he wants, even as he fights his attraction to the smaller man. PIPPIN tells Ashley he wants him, too, but not just for a quick lay. Pippin wants his first time to be special, and ASHLEY is that special man for Pippin.
I didn’t like what Pippin’s mum does to him, but you kinda saw that one coming like a train wreck and you can’t do anything to stop it.
The only thing, the one thing I cannot forgive is that Pippin doesn’t get a say! I wanted desperately to hear from him, even if it does make it first person/present tense/MULTI point of view (cos that would be my idea of Hell!) I NEEDED Pippin and I don’t get him. And I wanted to know, just what it was about Ashley that pushed his buttons, what he thought when Ashley’s ex turned up (and I LOVED how Pippin reacted to that!) and I wanted to know how he felt about his mum, and what she was doing to him.
That’s the only reason I gave it 4 stars and not 5 stars, was because I did not get Pippin and I really needed him.
I’ve not read anything by this author before, but if they are all this good, I’d gladly inhale a few more!
4 sweet, cute, warm and so bloody fuzzies stars
**same worded review will appear elsewhere**
BankofMarquis (1832 KP) rated Godzilla: King of the Monsters (2019) in Movies
Jun 5, 2019
Good Enough - Monsters Fighting Each Other
I grew up in the 1960's watching old monster movies on Saturday afternoons on an old black and white TV in the home I grew up in. A staple of these Saturday afternoon movies was the Godzilla monster movies from Japan, featuring such great monsters as Godzilla, Mothra, Rodan and Ghidorah. So, imagine my excitement when I realized that they all would be in the same film.
And...that film...GODZILLA - KING OF THE MONSTERS...delivers the goods just fine. Sometimes you go to the movie theater looking for laughs, sometimes you are looking to cry, sometimes you are looking to have your mind stimulated with interesting thoughts and ideas and sometimes you just want to watch giant monsters battling it out over the remnants of Fenway Park in Boston.
The 3rd in the "Monarch Series" of films from Warner Brothers (following the surprisingly good 2014 GODZILLA film and the fun KONG: SKULL ISLAND movie of 2017), GODZILLA - KING OF THE MONSTERS follows Monarch as they find (and in some instances, re-awaken) giant monsters - TITANS as they are called - the Titans attempt to take over the planet from the humans (there's a "save the planet" message that is being used as the excuse)...but here comes good ol' Godzilla to save the day.
Besides the monsters, there are quite a few humans along for the ride...Kyle Chandler and Vera Famiga as a dysfunctional couple (who also happen to be experts in Monsters) who are trying to keep in check their daughter, Millie Bobbie Brown (STRANGER THINGS). Ken Watanbe, Sally Hawkins and Jason Strahairn reprise their roles as members of MONARCH from the 2014 GODZILLA film, 2 veritable "that person" actors, Thomas Middleditch & Aisha Hinds as other members of Monarch along with Ziya Zhang and O'Shea Jackson, Jr. - all of these actors are "serviceable" to the plot and machinations, reacting appropriately to the green screen carnage and monsters that they are pretending to react to. Only Bradley Whitford (as a Monarch Scientist) rises above things with a goofy, "almost too over the top" performance that captures the spirit of the proceedings. Add into this good ol' Tywin Lannister himself (Charles Dance) as a shadowy, non-feeling bad guy that seems to have an inexhaustible supply of men and material - kind of like Tywinn Lannister - and the "human side" of this movie is fun...enough.
But, make no mistake about it, this film - and the reason I came to see it - is to watch giant monsters fighting each other and destroying everything in their wake and this film delivers the goods. Director Micheal Dougherty ( KRAMPUS) does a "serviceable" job keeping the action moving and coherent while avoiding (for the most part) the headache-inducing "quick-cut" editing sequence. There's nothing much new or innovative in his approach to showing us monsters fighting and creating massive destruction, but he doesn't take away from the spectacle of the action on the screen so that's a good thing..
There are 2 more Godzilla films currently "on the books" to be produced - including next year's KONG vs. GODZILLA - which will keep me coming back to the IMAX in the multiplex for years to come...and that's just fine with me.
Letter Grade: a solid B
7 stars (out of 10) and you can take that to the Bank (ofMarquis)
And...that film...GODZILLA - KING OF THE MONSTERS...delivers the goods just fine. Sometimes you go to the movie theater looking for laughs, sometimes you are looking to cry, sometimes you are looking to have your mind stimulated with interesting thoughts and ideas and sometimes you just want to watch giant monsters battling it out over the remnants of Fenway Park in Boston.
The 3rd in the "Monarch Series" of films from Warner Brothers (following the surprisingly good 2014 GODZILLA film and the fun KONG: SKULL ISLAND movie of 2017), GODZILLA - KING OF THE MONSTERS follows Monarch as they find (and in some instances, re-awaken) giant monsters - TITANS as they are called - the Titans attempt to take over the planet from the humans (there's a "save the planet" message that is being used as the excuse)...but here comes good ol' Godzilla to save the day.
Besides the monsters, there are quite a few humans along for the ride...Kyle Chandler and Vera Famiga as a dysfunctional couple (who also happen to be experts in Monsters) who are trying to keep in check their daughter, Millie Bobbie Brown (STRANGER THINGS). Ken Watanbe, Sally Hawkins and Jason Strahairn reprise their roles as members of MONARCH from the 2014 GODZILLA film, 2 veritable "that person" actors, Thomas Middleditch & Aisha Hinds as other members of Monarch along with Ziya Zhang and O'Shea Jackson, Jr. - all of these actors are "serviceable" to the plot and machinations, reacting appropriately to the green screen carnage and monsters that they are pretending to react to. Only Bradley Whitford (as a Monarch Scientist) rises above things with a goofy, "almost too over the top" performance that captures the spirit of the proceedings. Add into this good ol' Tywin Lannister himself (Charles Dance) as a shadowy, non-feeling bad guy that seems to have an inexhaustible supply of men and material - kind of like Tywinn Lannister - and the "human side" of this movie is fun...enough.
But, make no mistake about it, this film - and the reason I came to see it - is to watch giant monsters fighting each other and destroying everything in their wake and this film delivers the goods. Director Micheal Dougherty ( KRAMPUS) does a "serviceable" job keeping the action moving and coherent while avoiding (for the most part) the headache-inducing "quick-cut" editing sequence. There's nothing much new or innovative in his approach to showing us monsters fighting and creating massive destruction, but he doesn't take away from the spectacle of the action on the screen so that's a good thing..
There are 2 more Godzilla films currently "on the books" to be produced - including next year's KONG vs. GODZILLA - which will keep me coming back to the IMAX in the multiplex for years to come...and that's just fine with me.
Letter Grade: a solid B
7 stars (out of 10) and you can take that to the Bank (ofMarquis)
Zuky the BookBum (15 KP) rated The Ridge in Books
Mar 15, 2018
When I saw John Rector had another novel coming out I was really excited. I read a previous book of his, <i>Ruthless</i>, which I really enjoyed, so I was sure I was going to like this one, but it didn't live up to my expectations.
This book sounds like it's going to be about a creepy neighbourhood, and while it is, it also isn't. Sure, our characters live in a Stepford Wives feeling place, but we actually only meet 2 or 3 extra characters who live in the neighbourhood, so when the synopsis says something about "exposing the community's pretty lies", there didn't feel like there was much of that. It was far more about a woman digging up secrets on an institute that happens to have all its employees living in one area. This isn't particularly a bad thing, it's just something to note. It's not quite as Stepford Wives as you might think!
This book is 90% conversation and 10% description, so if you're the kind of person who likes descriptive, poetic reads, this certainly won't be for you, but for me, all the speech wasn't an issue, it was sometimes what was being said that I had an issue with. Lots of the time I felt conversation was a little bland, stiff and unrealistic. In terms of descriptive writing, about the neighbourhood or a person, there was nothing special to note. There was also a rehashing of several particular phrases that began to grate on me quite soon into the book.
To begin with, I did really like this novel, I found myself rushing through it, intrigued to know what was going on. It was subtle but it was creepy. Towards the middle, my interest began to dip a bit. I had started to guess what was happening, as well as there being a not-so-exciting reveal. Some parts of the story also started to feel amiss, such as the roses bushes outside of Rachel's being described as "in full bloom" after the scene of her hacking away at them... continuity was sometimes a little shady.
What really let this novel down for me was the characters and the immaturity of them all. None of them felt real, so it was difficult picturing them in situations. Particularly our MC, Megan, who was really juvenile and melodramatic. And naive. Oh so very, stupidly, unrealistically naive. It was so easy to become annoyed by her rash decision making and all the different ways she handled situations. What really got me, was her revealing conversation with Mercer about midway through the book. I couldn't wrap my head around how she could turn around and call him "crazy" after everything she had been through. It felt totally off kilter!
I liked and I didn't like this book. I think it could have been so much creepier and mysterious than it was. I felt there was too much time being spent on Megan's thoughts of Chicago and her marriage to fully appreciate the weirdness of the community she lived in. Ultimately, this book was too simple. It all worked out too well and everything slot perfectly into place, which totally isn't my kind of thriller story.
<i>Thanks to Netgalley and Thomas & Mercer for giving me the opportunity to read this in exchange for an honest review.</i>
This book sounds like it's going to be about a creepy neighbourhood, and while it is, it also isn't. Sure, our characters live in a Stepford Wives feeling place, but we actually only meet 2 or 3 extra characters who live in the neighbourhood, so when the synopsis says something about "exposing the community's pretty lies", there didn't feel like there was much of that. It was far more about a woman digging up secrets on an institute that happens to have all its employees living in one area. This isn't particularly a bad thing, it's just something to note. It's not quite as Stepford Wives as you might think!
This book is 90% conversation and 10% description, so if you're the kind of person who likes descriptive, poetic reads, this certainly won't be for you, but for me, all the speech wasn't an issue, it was sometimes what was being said that I had an issue with. Lots of the time I felt conversation was a little bland, stiff and unrealistic. In terms of descriptive writing, about the neighbourhood or a person, there was nothing special to note. There was also a rehashing of several particular phrases that began to grate on me quite soon into the book.
To begin with, I did really like this novel, I found myself rushing through it, intrigued to know what was going on. It was subtle but it was creepy. Towards the middle, my interest began to dip a bit. I had started to guess what was happening, as well as there being a not-so-exciting reveal. Some parts of the story also started to feel amiss, such as the roses bushes outside of Rachel's being described as "in full bloom" after the scene of her hacking away at them... continuity was sometimes a little shady.
What really let this novel down for me was the characters and the immaturity of them all. None of them felt real, so it was difficult picturing them in situations. Particularly our MC, Megan, who was really juvenile and melodramatic. And naive. Oh so very, stupidly, unrealistically naive. It was so easy to become annoyed by her rash decision making and all the different ways she handled situations. What really got me, was her revealing conversation with Mercer about midway through the book. I couldn't wrap my head around how she could turn around and call him "crazy" after everything she had been through. It felt totally off kilter!
I liked and I didn't like this book. I think it could have been so much creepier and mysterious than it was. I felt there was too much time being spent on Megan's thoughts of Chicago and her marriage to fully appreciate the weirdness of the community she lived in. Ultimately, this book was too simple. It all worked out too well and everything slot perfectly into place, which totally isn't my kind of thriller story.
<i>Thanks to Netgalley and Thomas & Mercer for giving me the opportunity to read this in exchange for an honest review.</i>
Zuky the BookBum (15 KP) rated The Keeper (DCI Antonia Hawkins, #3) in Books
Mar 15, 2018
Also read it here: http://bookbum.weebly.com/book-reviews/the-keeper-by-alastair-gunn
NOW AVAILABLE IN THE UK!
<i>No interesting quote for this book I'm afraid...</i>
This started badly, for me. Theres nothing like starting a new detective book and being planted in the middle of a therapy session. Who would have thought a senior police officer who has enough baggage to need therapy? Well I never! Thats something Ive only seen done 1 million times before <i>sigh.</i> Thank God it picked up with the excitement afterwards because I wasnt interested in Hawkins anxiety or love life.
This was by no means unique to other detective novels out there. They all have the same sort of plot and characters and themes, but this one did keep me more interested than some of the others Ive read, purely because there was a humorous side to it as well as the serious side too.
This had some really exciting moments and it had some really drawn out, drab moments where we were repeatedly updated on how the case was going, even though we already knew cause we were reading the book so I think a lot of this novel could have been cut down to make a shorter novel. 400 pages is quite a lot for a detective series novel, especially one where theres not a lot of evidence or leads to the case. This really was up and down, up and down, the whole way through. I lost interest so much in some places that I was completely distracted while reading it but then when we got onto a big reveal or breakthrough part, I rushed through it to know what happened next! There were some really great edge of the seat, nail biting moments! It was quite the hit and miss story.
As far as characters go, there werent any that I really connected with very well, but none of them were dislikable people. It could get a bit confusing to remember who was who because theyd go from their first name to their last name, back to their first name and then their last name again etc etc. It would have been nice to have some consistency with what the author called them.
This was by far a 3 star read until the twist at the end. I mean, really, I should have seen it coming, Ive read a million crime thrillers before, but I just hadnt suspected this one! Really, there were two twists at the end of this, the first one shocked me and then the second one I was expecting because of the first. The ending of this novel was really thrilling and nerve-wracking, it was a great way to finish it off.
Also, considering this is the third novel in a series (something Netgalley hadnt made me aware of when I requested it!) this did really well as a standalone novel. I didnt feel like I was missing any part of the characters stories, even when it came to the subject of Hawkins therapy sessions.
Thanks to Netgalley and Penguin UK - Michael Joseph for giving me the opportunity to read this in exchange for an honest review.
NOW AVAILABLE IN THE UK!
<i>No interesting quote for this book I'm afraid...</i>
This started badly, for me. Theres nothing like starting a new detective book and being planted in the middle of a therapy session. Who would have thought a senior police officer who has enough baggage to need therapy? Well I never! Thats something Ive only seen done 1 million times before <i>sigh.</i> Thank God it picked up with the excitement afterwards because I wasnt interested in Hawkins anxiety or love life.
This was by no means unique to other detective novels out there. They all have the same sort of plot and characters and themes, but this one did keep me more interested than some of the others Ive read, purely because there was a humorous side to it as well as the serious side too.
This had some really exciting moments and it had some really drawn out, drab moments where we were repeatedly updated on how the case was going, even though we already knew cause we were reading the book so I think a lot of this novel could have been cut down to make a shorter novel. 400 pages is quite a lot for a detective series novel, especially one where theres not a lot of evidence or leads to the case. This really was up and down, up and down, the whole way through. I lost interest so much in some places that I was completely distracted while reading it but then when we got onto a big reveal or breakthrough part, I rushed through it to know what happened next! There were some really great edge of the seat, nail biting moments! It was quite the hit and miss story.
As far as characters go, there werent any that I really connected with very well, but none of them were dislikable people. It could get a bit confusing to remember who was who because theyd go from their first name to their last name, back to their first name and then their last name again etc etc. It would have been nice to have some consistency with what the author called them.
This was by far a 3 star read until the twist at the end. I mean, really, I should have seen it coming, Ive read a million crime thrillers before, but I just hadnt suspected this one! Really, there were two twists at the end of this, the first one shocked me and then the second one I was expecting because of the first. The ending of this novel was really thrilling and nerve-wracking, it was a great way to finish it off.
Also, considering this is the third novel in a series (something Netgalley hadnt made me aware of when I requested it!) this did really well as a standalone novel. I didnt feel like I was missing any part of the characters stories, even when it came to the subject of Hawkins therapy sessions.
Thanks to Netgalley and Penguin UK - Michael Joseph for giving me the opportunity to read this in exchange for an honest review.
Zuky the BookBum (15 KP) rated Mercy Snow: A Novel in Books
Mar 15, 2018
Also read my review here: http://bookbum.weebly.com/book-reviews/mercy-snow-by-tiffany-baker
<b><i>The real trick to holding two things together, June was coming to see, wasnt how rightly they were bound but how well. Sometimes a loose thread was a saving grace.</b></i>
This is more a review on the characters than the overall novel because the plot took a back step to the characters stories.
Beautiful writing style! Its so elegant and well formed. Easy to read yet full of vivid imagery and scenery. Every character, no matter how small, was really well formed and interesting to read about. Unfortunately, there were some really dislikable characters in this novel.
I thought I liked June, I thought she was a brave outsider doing her best to assimilate but it just turns out shes selfish! You would have thought that a woman who knows what it feels like to be on the outside of everyone else would sympathise with the likes of Mercy and her family, but instead she does whatever she can to get rid of them, all for her own selfish needs and even after she knows how heart broken her son is. I thought maybe it had something to do with Cal, as it was obvious he was angry and controlling at times, but I still couldnt sympathise with her because, in the end, she could have just left the Snows alone, rather than torment and threaten them. <spoiler>She was also everything I hate a woman can be when her partner cheats on her - forgiving and accepting. No. <b>No.</b> Never, ever, ever, ever, ever accept infidelity.</spoiler>
Mercy, of course, was supposed to be every readers hero. She was the kind of person you wish you could be. She was gentle and kind, she was obedient and caring, and most of all, she was selfless. She held no grudges against anyone, even those who were plotting against her, all she wanted to do was help people prove her brother's innocence, and that her family werent the neer-do-wells everyone believed them to be.
Although Mercy was lovely, Hazel was by far my favourite character because she was <i>so genuine.</i> She wasnt perfect, she had her doubts and silly thoughts, <b><i>Hazel supposed she ought to thank her, but instead she felt a hot flush across her chest. They were </i>her<i> sheep, and Fergus was </i>her<i> man,</b></i> but she tried her best to do what was right and that made her a really likable person.
Nate really grew as a character throughout the novel. To begin with, he remained a bit of a nothingy addition to the story, but he gradually became one of the nicest characters to read about. He was so warm and kind, he didnt take after his father at all, which is clearly a good thing! He was a total cutie as well, the part with the lamb birthing almost had my heart melting! (although it was also a little too TMI when it talked about his hand in her really warm uterus . *shudder*)
Cal doesnt even get a paragraph because of what a twat he was.
This was a lovely book, full of morals and thought-provoking subjects. What started out as a bit of a boring and weird read for me, turned into something really wonderful. Im glad I picked this up.
<b><i>The real trick to holding two things together, June was coming to see, wasnt how rightly they were bound but how well. Sometimes a loose thread was a saving grace.</b></i>
This is more a review on the characters than the overall novel because the plot took a back step to the characters stories.
Beautiful writing style! Its so elegant and well formed. Easy to read yet full of vivid imagery and scenery. Every character, no matter how small, was really well formed and interesting to read about. Unfortunately, there were some really dislikable characters in this novel.
I thought I liked June, I thought she was a brave outsider doing her best to assimilate but it just turns out shes selfish! You would have thought that a woman who knows what it feels like to be on the outside of everyone else would sympathise with the likes of Mercy and her family, but instead she does whatever she can to get rid of them, all for her own selfish needs and even after she knows how heart broken her son is. I thought maybe it had something to do with Cal, as it was obvious he was angry and controlling at times, but I still couldnt sympathise with her because, in the end, she could have just left the Snows alone, rather than torment and threaten them. <spoiler>She was also everything I hate a woman can be when her partner cheats on her - forgiving and accepting. No. <b>No.</b> Never, ever, ever, ever, ever accept infidelity.</spoiler>
Mercy, of course, was supposed to be every readers hero. She was the kind of person you wish you could be. She was gentle and kind, she was obedient and caring, and most of all, she was selfless. She held no grudges against anyone, even those who were plotting against her, all she wanted to do was help people prove her brother's innocence, and that her family werent the neer-do-wells everyone believed them to be.
Although Mercy was lovely, Hazel was by far my favourite character because she was <i>so genuine.</i> She wasnt perfect, she had her doubts and silly thoughts, <b><i>Hazel supposed she ought to thank her, but instead she felt a hot flush across her chest. They were </i>her<i> sheep, and Fergus was </i>her<i> man,</b></i> but she tried her best to do what was right and that made her a really likable person.
Nate really grew as a character throughout the novel. To begin with, he remained a bit of a nothingy addition to the story, but he gradually became one of the nicest characters to read about. He was so warm and kind, he didnt take after his father at all, which is clearly a good thing! He was a total cutie as well, the part with the lamb birthing almost had my heart melting! (although it was also a little too TMI when it talked about his hand in her really warm uterus . *shudder*)
Cal doesnt even get a paragraph because of what a twat he was.
This was a lovely book, full of morals and thought-provoking subjects. What started out as a bit of a boring and weird read for me, turned into something really wonderful. Im glad I picked this up.
MichaelS (0 KP) rated Star Wars: Episode VIII - The Last Jedi (2017) in Movies
Feb 20, 2018
This is perhaps the most difficult review I've ever written. I simply don't know where to begin. It might help to start with saying that, as a movie lover, Star Wars is my life blood. No movie has ever sparked my imagination the way the original film did. It's kind of cliché to say it, but the movie changed me. The 8 year old boy that walked out of the movie theater that day in 1977 was not the same one that walked in.
Over the years I would devour anything and everything Star Wars related that I could get my hands on. I followed the franchise across decades of films, and their various highs and lows. The same is true of The Last Jedi.
It's almost inconsequential to discuss the plot of the film. Like The Empire Strikes Back there is not just one story, one plot, being told. Yet all of them must come together in the end. This is where the highs and lows come into play. Every character is on a separate arc of growth and discovery. But there is one subplot that just does not work. At all. It feels out of place, and contains a message about cruelty that is so ham fisted and heavy handed, that when a character makes what is supposed to be a triumphant statement, I rolled my eyes and cringed.
The most important plot area of the movie centers around the return of Luke Skywalker. Mark Hamill gives the performance of his life. Never before has Luke been so layered, and so utterly badass. Watching him in this movie is like watching Heath Ledger as The Joker. He's so mesmerizing that every moment he's off screen, you're anxiously awaiting his return.
The action in the movie is breathtaking. An opening space battle is unlike we've ever had in a Star Wars movie, There are also two hand to hand combat scenes that are not only thrilling to watch, but are also important story moments that will leave you guessing as to their meanings until the end.
I can say this is NOT going to be a movie for everyone. It is not made to be the rousing crowd pleaser that The Force Awakens was. This film is filled with twists, turns, and more than one "I did NOT see that coming moment", and not all of those moments are going to please everyone. It takes Star Wars in directions you might not expect, and might not be happy with. But that is the nature of bold filmmaking. A director has to be true to his vision, take the risks he deems necessary, and let the chips fall where they may.
Now, since I said that there is one story arc of the movie that utterly fails, you might wonder how I can still give the movie a perfect rating. Simple...as a Star Wars fan, the highs of this movie took me SO high, that the lows of the film don't take me so low that they ruin the movie for me at all.
The film thrilled me, challenged the things that I believe make Star Wars what it is, and rewarded me with an original, visually dazzling movie that commands to be seen multiple times to pick up all the little things I didn't notice the last time.
Over the years I would devour anything and everything Star Wars related that I could get my hands on. I followed the franchise across decades of films, and their various highs and lows. The same is true of The Last Jedi.
It's almost inconsequential to discuss the plot of the film. Like The Empire Strikes Back there is not just one story, one plot, being told. Yet all of them must come together in the end. This is where the highs and lows come into play. Every character is on a separate arc of growth and discovery. But there is one subplot that just does not work. At all. It feels out of place, and contains a message about cruelty that is so ham fisted and heavy handed, that when a character makes what is supposed to be a triumphant statement, I rolled my eyes and cringed.
The most important plot area of the movie centers around the return of Luke Skywalker. Mark Hamill gives the performance of his life. Never before has Luke been so layered, and so utterly badass. Watching him in this movie is like watching Heath Ledger as The Joker. He's so mesmerizing that every moment he's off screen, you're anxiously awaiting his return.
The action in the movie is breathtaking. An opening space battle is unlike we've ever had in a Star Wars movie, There are also two hand to hand combat scenes that are not only thrilling to watch, but are also important story moments that will leave you guessing as to their meanings until the end.
I can say this is NOT going to be a movie for everyone. It is not made to be the rousing crowd pleaser that The Force Awakens was. This film is filled with twists, turns, and more than one "I did NOT see that coming moment", and not all of those moments are going to please everyone. It takes Star Wars in directions you might not expect, and might not be happy with. But that is the nature of bold filmmaking. A director has to be true to his vision, take the risks he deems necessary, and let the chips fall where they may.
Now, since I said that there is one story arc of the movie that utterly fails, you might wonder how I can still give the movie a perfect rating. Simple...as a Star Wars fan, the highs of this movie took me SO high, that the lows of the film don't take me so low that they ruin the movie for me at all.
The film thrilled me, challenged the things that I believe make Star Wars what it is, and rewarded me with an original, visually dazzling movie that commands to be seen multiple times to pick up all the little things I didn't notice the last time.
FilmIntuition (33 KP) rated The Myth of Perpetual Summer in Books
Jun 19, 2018
Tennessee Williams meets Anne Tyler in award-winning novelist Susan Crandall's gorgeously penned family opus. Centered on the oldest daughter of a unique Mississippi family, The Myth of Perpetual Summer is certain to appeal to book clubs.
Moving back and forth in time between 1972 and the late 1950s and early '60s, after she learns that her younger brother has been arrested for murder in a crime that's captured national attention, Tallulah James leaves the California home she's made for herself and returns back to her southern hometown where every corner holds dozens of memories.
Wondering where it all went wrong, after she finds unexpected help for her brother's case from an old crush and family friend, Ross Saenger, Tallulah begins seeking out answers for the many mysteries of the past including the truth about her brilliant but unstable father's family tree as well as her parents' turbulent relationship.
After beginning with quite the plot hook, the pace slows down considerably with Myth requiring a good eighty or so pages to establish both its characters and momentum to the point that it's hard to put down.
Having drawn comparisons to both The Secret Life of Bees and Forrest Gump, Crandall's Myth is also reminiscent of Mary Karr's memoirs. But while Myth eventually leads a majority of its characters to well earned conclusions, it's still slightly disappointing to see how quickly the author wraps up certain plot points. In fact, it's a main source of trouble for the otherwise moving last hundred pages of the novel. And nowhere is Crandall's difficulty in judging her reader's interest better epitomized than her decision to spend far more time on a romantic backstory with Tallulah and a character who appears out of thin air (whom we could care less about) than the one that Crandall built for nearly the entire length of the novel that pays off in two pages.
Though limited by the decision to present us with only one character's point-of-view, while the romantic plotline was in great need of either more obstacles or reflection, so were other characters throughout, including the one that's sure to be a reader favorite in the form of Tallulah's protective older brother, Griff. A major protagonist in the novel's extended flashback, I couldn't help but have wished he played an even greater role in the present day '70s storyline as he did in the past.
From the blink and you'll miss it decision for a main character to run away to the solution of a murder – both of which occur in a mere page or two – while there's enough going on in the plot and character heavy book to forgive some of its lopsided storytelling, Myth should've spent less time on extraneous subplots and more ink on what really matters.
Nonetheless a lovely work of Southern Gothic fiction anchored by a strong female protagonist, Crandall's promising Myth may have its flaws. But like a good glass of lemonade on a hot summer day, you can't enjoy the sweet without the sour and thankfully there's enough of both here to keep you coming back for more.
Note – I received an ARC of the novel through Bookish First and if given the opportunity, I would've rated it 7.5 stars.
Moving back and forth in time between 1972 and the late 1950s and early '60s, after she learns that her younger brother has been arrested for murder in a crime that's captured national attention, Tallulah James leaves the California home she's made for herself and returns back to her southern hometown where every corner holds dozens of memories.
Wondering where it all went wrong, after she finds unexpected help for her brother's case from an old crush and family friend, Ross Saenger, Tallulah begins seeking out answers for the many mysteries of the past including the truth about her brilliant but unstable father's family tree as well as her parents' turbulent relationship.
After beginning with quite the plot hook, the pace slows down considerably with Myth requiring a good eighty or so pages to establish both its characters and momentum to the point that it's hard to put down.
Having drawn comparisons to both The Secret Life of Bees and Forrest Gump, Crandall's Myth is also reminiscent of Mary Karr's memoirs. But while Myth eventually leads a majority of its characters to well earned conclusions, it's still slightly disappointing to see how quickly the author wraps up certain plot points. In fact, it's a main source of trouble for the otherwise moving last hundred pages of the novel. And nowhere is Crandall's difficulty in judging her reader's interest better epitomized than her decision to spend far more time on a romantic backstory with Tallulah and a character who appears out of thin air (whom we could care less about) than the one that Crandall built for nearly the entire length of the novel that pays off in two pages.
Though limited by the decision to present us with only one character's point-of-view, while the romantic plotline was in great need of either more obstacles or reflection, so were other characters throughout, including the one that's sure to be a reader favorite in the form of Tallulah's protective older brother, Griff. A major protagonist in the novel's extended flashback, I couldn't help but have wished he played an even greater role in the present day '70s storyline as he did in the past.
From the blink and you'll miss it decision for a main character to run away to the solution of a murder – both of which occur in a mere page or two – while there's enough going on in the plot and character heavy book to forgive some of its lopsided storytelling, Myth should've spent less time on extraneous subplots and more ink on what really matters.
Nonetheless a lovely work of Southern Gothic fiction anchored by a strong female protagonist, Crandall's promising Myth may have its flaws. But like a good glass of lemonade on a hot summer day, you can't enjoy the sweet without the sour and thankfully there's enough of both here to keep you coming back for more.
Note – I received an ARC of the novel through Bookish First and if given the opportunity, I would've rated it 7.5 stars.