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The Clovehitch Killer (2018)
The Clovehitch Killer (2018)
2018 | Drama, Horror, Mystery
Story: The Clovehitch Killer starts as we head to a small town that has been living in the shadow of a serial killer branded Clovehitch because of his style of knot. We meet the picture-perfect family with Don (McDermott), Tyler (Plummer), Susie (Sherman) and Cindy (Mathis) who go to church every week.

When Tyler discovers a photo in his father’s car, he starts to think the killer could be closer to home than he first thought, he turns to the local Kassi (Beaty) who has been studying the killer for years to see if his father could be the town’s serial killer.

 

Thoughts on The Clovehitch Killer

 

Characters – Don is the father of the family, he has always helped his son with his boy scout assignments including knot tying, he helps around the neighbourhood too with his time in the church. He is hiding a secret that his son starts to figure out and does what he can to keep this from the rest of the world, Don is created in the same light as what we saw The Trinity Killer in Dexter. Tyler is the son that starts to think his father is the serial killer that scared the town, he tries to investigate which only makes things more difficult to one believe the truth and two keep a secret from his father. Cindy is the wife of Don, she is involved in the church believing they are living a happy life. Kassi is the estranged teenager in the town, she is considered an outsider because if her search for the Clovehitch killer, she is the one that Tyler turns to for help.

Performances – Dylan McDermott does give us a very disturbing performance which shows us just how easily a serial killer could operate in this world. Charlie Plummer gives us a strong performance as 2018 year was a fantastic year for him. Samantha Mathis is here and doesn’t get that much to do in the film, while Madisen Beaty brings the investigation figure to life well through the film.

Story – The story here follows a teenager that starts to believe his father is the town’s serial killer and starts investigating whether this is true or not. This is an interesting spin on the serial killer film, we do go down the line that Dexter had with the character which is all good because we see how one operates and manages to keep things secret from their family. The idea that the son is trying to learn the truth keeps us on edge, but seeing the action unfolding we get an intense story that manages to keep nearly everything calm through the events of the film.

Horror/Mystery – The horror follows the idea of a serial killer being in the family, it gets to show us how they can seem like they are everyday people which only makes the serial killer coming off worse. The mystery of the film follows whether he is the killer or not, well it is meant to, only for it to give away everything way to early.

Settings – The film uses the small town settings to make us believe just how the town has been in fear since the serial killer, it shows how one could operate without being looked at differently.

Special Effects – The effects in the film are very simple, we get to see just how he does the kills, only we don’t need to see anything graphic.


Scene of the Movie – The newest victim.

That Moment That Annoyed Me – It could have been slightly more mysterious or just given us that he is a killer early on, it just doesn’t commit either side.

Final Thoughts – This is a horror film that does take things in new direction which keeps us on edge even if it does miss a chance to commit to one side of the film.

 

Overall: Serial killer film with a twist.
  
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David Attenborough: A Life on Our Planet (2020)
David Attenborough: A Life on Our Planet (2020)
2020 | Documentary
Bleak and interesting
David Attenborough is possibly the most recognised face (and voice) when it comes to nature and our planet, and it’d be safe to say he’s also one of the most respected advisors on the environment. Now 94 years old, A Life on Our Planet is his “witness statement” for the environment and details his 60+ year career and how steeply the planet has declined during this time.

In the opening scene of this documentary Attenborough is in Chernobyl, the site of one of the worst man-made disasters in history. His comparison of the impact of the Chernobyl disaster to the impact humanity is having gradually on the environment is not one that many would have even considered, but it’s provides a stark warning. And it continues in this same vein throughout.

Whilst this still features beautifully captured videos of nature and historical footage of Attenborough throughout his career, this documentary has very dark and bleak overtones. Even the statistics on world population, carbon content and decrease in wilderness provided for certain years in Attenborough’s career prove to be crystal clear and unmistakably illustrating just how badly we’ve treated our planet in the space of a mere 90 years. For reference, wilderness in the 1930s was at 66% - in 2020 it has nearly halved to 35%. When you see it there in black and white, it’s terrifying.

Even more terrifying is Attenborough’s glimpse into the future. Showing what will happen to us and our planet in the 2030s to 2100s and beyond, it’s scarier than any horror film you will ever see. And what’s worrying is that the chances of this happening is a lot more likely than anything you see in a scary movie.

Fortunately this does move away from the rather effective warnings and dark tones and goes on to discuss how we can change to prevent this bleak future from coming true. These resolutions – stopping deforestation and overfishing, stabilising the population, more plant based diets – are nothing that we haven’t heard of before. However Attenborough does at least go on to suggest how we as a planet can move towards achieving the above and promote some rather positive success stories where this has already been achieved in a number of places across the globe.

My problem with this documentary is two fold. For one, Attenborough steers clear of the politics and blame game and doesn’t point the finger at any areas of society that may be more at fault than others (i.e. the super wealthy and their excesses). He just seems like he’s being too nice when really he needs to call out the people and areas that hold more responsibility.

My other issue is that he doesn’t relate the solutions to how we can help as individuals. Other than moving to a more plant based diet, the solutions proposed are not things that Joe public can help with and for me personally I found this very frustrating. I want to know what I personally can do to help and sadly I have no control over poaching, deforestation or over-fishing. I barely have any input into my local council’s initiative to build thousands of houses on the greenbelt behind my house, so the issues and solutions discussed here seem rather overwhelming and feel almost impossible to achieve.

However despite this, Attenborough has created a rather bleak and stark documentary that proves to be both depressing and incredibly moving and informative to watch. It will undoubtedly spur many into action and prove to be the warning we as a people need, especially with the final scenes showing how the wilderness has returned to Chernobyl and Attenborough’s reminder that we’re not saving the planet, we’re saving ourselves. I just hope those higher up that have the true power to put the solutions in place have watched this and taken note.
  
Soul (2020)
Soul (2020)
2020 | Adventure, Animation, Comedy
After all the chopping and changing in the release schedules I have to say that I was pretty glad I picked up tickets to see Soul at Watershed in Bristol before they announced its moving to Disney+.

Joe's life is music, and he's about to get the break he's been dreaming of... but life has a way of messing those dreams up. Finding himself bodiless and in a strange place, he makes the acquaintance of 22, a new soul who's keen on staying right where she is. Can the two of them work together to get what they both want the most in life?

As you'd expect with a Pixar it's got a story with a deeper meaning with an emotional rollercoaster built-in. We follow Joe as he is desperate to get back to the one thing he thinks will make his whole life make sense. Along the way he gets sidelined by a set of mishaps that bring him into pre-life where he crosses paths with 22. The pair make an unlikely team and the adventure they go on is full of comedy and relatable decisions, off-hand comments for the adults... and that's all before the expected crying portion of the film.

The voice acting was spot on with Jamie Foxx as Joe, our leading man, and Tiny Fey as 22, an adorable little blob of soul, They're a fun little mix together, and Fey in particular brings a quirky aspect to proceedings. I might only briefly query the casting of Richard Ayoade and Graham Norton, don't get me wrong, I adore both of them, but I can't deny that they felt out of place with this being set in America... but at the same time, they identified and created a multi-cultural and multi-lingual environment that you would see in the pre- and after-life, which is great attention to detail.

As always, the animation is a wonderful piece of thought, between the human realm and the spirit worlds there are clearly defined styles and ideas. The real-world design is the usual quirkiness you expect from Pixar, but the spirit world is where we really see the imagination that we've all come to love from them. Those bouncy little souls are so adorable and the celebrities you see will blow your mind. All the concepts that are dealt with in this space feel like they are crazily accurate and seeing them on-screen feels like something of a revelation.

I wondered where the film was going at the beginning, I wasn't seeing how it related to what would inevitably be coming, but the story comes full circle and, as expected, every moment turns into a thoughtful and teachable moment.

With music at its heart, Soul is a tribute to the love of a rhythm. From the skillfully done opening, the sleek saxophone (which I'm still not convinced was "merely" an animated object), to every moment we see Joe at his piano, you're faced with a piece of music that has been deftly constructed to fit its purpose and bring a rousing feeling of heart and passion into being.

Would it be better to see this on the big screen? Sure, I would rather see every film that way... but the magic of seeing a Pixar film for the first time can't be taken away from you, it doesn't matter what you're watching Soul on, I'm sure it will spark the same. I will admit there was a point while I watched that I wondered for the briefest moment how my life would look inside Soul, but if the film taught me anything it's that there's always something good there, you just have to find it.

Originally posted on: https://emmaatthemovies.blogspot.com/2020/10/soul-movie-review.html
  
Please Fix the Teleporter
Please Fix the Teleporter
2020 | Action, Kids Game, Racing, Real-time, Science Fiction
Captain Gerf and Emperor Korlax are trapped inside the teleportation beam? Again? Who forgot to install the upgrade module? Uh oh, it was me… Well now I need to get to work fixing this infernal teleporter because my captain and his captured enemy keep coming aboard all different. They are all shouting at me, “PLEASE FIX THE TELEPORTER!”

Please Fix the Teleporter is a quick real-time action/dexterity card game for 1-4 players, but in this preview I will be tackling it as a solo experience. In it players are teleportation specialists charged with repairing a malfunctioning teleportation beam that is displaying strange mix-and-match features of the two persons attempting to board the craft. By matching the images on the display six times the Captain and his quarry can board safely and in one piece.

DISCLAIMER: We were provided a prototype copy of this game for the purposes of this review. These are preview copy components, and I do not know for sure if the final components will be any different from these shown. You are invited to back the game through the Kickstarter campaign,or through any retailers stocking it after fulfillment. -T


To setup for a solo game choose one color of body part tiles and place them in front of the player. Shuffle the deck of scrambled cards and deal six face-down. Have a timer handy (Alexa, Siri, or Google also work well) and the game may begin!
Gameplay is simple: flip over one card, match the card with the body tiles to recreate the image and then flip over the next card. Repeat these steps until all six cards have been matched and then stop the timer. Based on the table on the back of the rulesheet the player may determine how well they fared. For example, the highest score that may be achieved is five stars, which is earned by completing the game in under 30 seconds.

Once the game is over, the player will most certainly wish to play again, so multiple games may be played in order to earn that glorious five star rating.


Multiplayer rules are almost exactly the same except instead of dealing six cards at the beginning, the first player to match and claim five cards will be the winner.
Components. This game is a bunch of cards and four tiles per player. The cards are nice squares and the tiles are chunky cardboard. What sets this game apart for me is the art style. The art here, as you have seen, is so crazy and wonky and I just love it! The colors used are some of my favorites and it just looks amazing on the table. I have zero complaints for components and art.

Gameplay is similarly loved. This one is so quick and easy that anyone can play and be great at it. It takes mere seconds to teach and each player will want to play more and more, even the solo player. I cannot really comment on strategy, as this game really doesn’t lend itself to any sort of strategic play. It is a free-for-all to match the cards and move on to the next. I like being frantic.

So if you are at all like me and love these little “refreshers,” as I like to call them, check this one out. It will fit perfectly between two heavy hitters to refresh the players for the next game. Or will perfectly balance your night of solo play. Are you into theme nights? I am. What a great addition to an outer space themed game night! Quick and easy with excellent art. This one is a winner, even if I never manage to actually fix the dang teleporter.
  
The Midnight Sky (2020)
The Midnight Sky (2020)
2020 | Drama, Fantasy, Sci-Fi
7
6.6 (12 Ratings)
Movie Rating
Moody and Atmospheric
Ever since his stint on ER, I have been a fan of George Clooney’s - and not just because he is charming and charismatic on film - but because I find that he brings an interesting facet to whatever character he inhabits
.
And with his latest effort THE MIDNIGHT SKY (Directed by Mr. Clooney, as well) he does not disappoint as his performance - and his Direction - are fascinating to watch.

Based upon the novel by Lily Brooks-Dalton, THE MIDNIGHT SKY tells the tale of a lone scientist (Clooney) in a remote, arctic research station, who is one of the few remaining people on an Earth that has become uninhabitable. He rushes to warn some returning astronauts to avoid their home planet.

A thoughtful, moody film. THE MIDNIGHT SKY will not be everyone’s cup of tea - and you have to be in the mood for something somewhat slow and contemplative - but if you are, you will be rewarded with a rich tapestry of visuals and performances that will be, ultimately, fulfilling.

Let’s start with what works - George Clooney. His direction and his performance as Augustine, the scientist, are both sparse and compact. Neither of these facets have an extraneous movement or tone and they work hand-in-hand to deliver the film that Clooney, obviously intends to give us.

Visually, this film is beautiful to look at - inter cutting the vast emptiness of space to the vast, snowy emptiness of the Arctic. The images that Clooney was able to create was well worth watching this film for.

Clooney was also fortunate enough to cast a variety of stellar performers in a film that has very few roles, so the ones that are there better deliver the goods - and they do. From Ethan Peck (Spock in Star Trek:Discovery) who plays the young Clooney in a flashback (I am very glad they chose to do this as opposed to “de-aging” Clooney) to the Astronauts: Felicity Jones, David Oyelowo (who I continue to like more and more every time I see him), Kyle Chandler and Tiffany Boone. All strike the right tone for the moodiness of this film.

Special notice should be made for Damien Bechir’s astronaut, Sanchez. He was terrific in the limited screen time he had and elevated every scene he was in. Bechir has become one of those performers who I get excited about when I see that he is going to be involved in a screen project.

What doesn’t work? Well…as I stated before…the pacing. It is slow (almost coming to a stop) at times. Since this is a film that will be streamed via Netflix, I can see many, many folks grabbing their phones at times, which is too bad, for the moodiness - and pace - worked for me (or at least the for the mood I was in while watching this).

My other issue with this film is the contrived circumstances that both Clooney and the Astronauts find themselves in. It isn’t enough that Clooney has to journey across rugged Arctic terrain to find a more powerful antennae to communicate with the Astronauts, we have to throw in cracking and melting ice to it. And, of course, just as the Astronauts connect with Clooney, a surprise meteor shower damages the communication array. These contrivances just wasn’t need for the type of movie this film was trying to be. It’s almost as if the Studio Heads said “it’s too slow and talky - put some action in this thing”.

But, if you are able to stay with this film, the ending pays off very well, indeed. I found that it earned it’s ending and I walked away moved and satisfied.

Letter Grade: B

7 stars (out of 10) and you can take that to the Bank(OfMarquis)