"Then there’s another documentary that I saw last time at Sundance, which is called Position Among the Stars. This is a Dutch-Indonesian director who has made a portrait of one family over the course of 12 years in Indonesia. His name is Leonard Retel Helmrich. I talked to him for a few hours on the last day, before he won the award in Sundance, about what he was doing and how he was doing it, because the way in which he conducts his camera is completely different. He said, “I wanted to make a very simple portrait about a very poor family in Indonesia and see if I could find a link to the bigger picture, so to speak, and the alignment of the stars above their head.” And he succeeded. It’s an awesome documentary. It’s just a portrait of a small family, with a universal theme coming out of it at the end."

"I, as a child, loved Mary Poppins. Something about these misunderstood kids who couldn’t catch a break, and this fantastic woman coming into their life and showing them this other world, and yet also being so coy: “I don’t know what you’re talking about. What world do you mean?” I just really liked escapism as a child, I guess. The time element of Britain in another era, and then this fantastical element of going into pictures and cartoons and flying and laughing. It’s like it was so exciting to me, even though it came out 30 years before I was born. Something like that. It was a real go-to as a kid. In the last two and a half decades, it still works. It doesn’t drag. It’s still like the magic is still there. Whereas maybe other films from that era may or may not have aged quite as gracefully as Mary Poppins has."

"I only heard this for the first time about six years ago. It was just like this culmination of melody… like the way he… Why do I love it? I don't know. What I love about his music is the playfulness, the way he plays with words, his sense of humour. There's no clear obvious harmony, no clear obvious arrangements. It's very individual: it doesn't sound like a particular style. It has, actually, a little bit of a jazz style, because he was coming out of jazz: that was his love. It's like he's this poet who's finding the music that will fit for each song. It's kind of how I approach my music, too. You're not looking at it like, "This song is going to be this kind of song"; it's more like: "This song is about this and so maybe I'll make these sounds with it." It's a much more playful approach to music. I like that. I identify with that a lot."