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Julia Holter recommended Rock Bottom by Robert Wyatt in Music (curated)

 
Rock Bottom by Robert Wyatt
Rock Bottom by Robert Wyatt
1974 | Alternative, Indie, Rock
6.0 (1 Ratings)
Album Favorite

"I only heard this for the first time about six years ago. It was just like this culmination of melody… like the way he… Why do I love it? I don't know. What I love about his music is the playfulness, the way he plays with words, his sense of humour. There's no clear obvious harmony, no clear obvious arrangements. It's very individual: it doesn't sound like a particular style. It has, actually, a little bit of a jazz style, because he was coming out of jazz: that was his love. It's like he's this poet who's finding the music that will fit for each song. It's kind of how I approach my music, too. You're not looking at it like, "This song is going to be this kind of song"; it's more like: "This song is about this and so maybe I'll make these sounds with it." It's a much more playful approach to music. I like that. I identify with that a lot."

Source
  
Dracula Untold (2014)
Dracula Untold (2014)
2014 | Action, Drama, Horror, Sci-Fi
6
7.0 (26 Ratings)
Movie Rating
Untold, uninspired, and underwhelming take on a Dracula origin story, very much in the style of a comic book movie. Historians look away: Vlad Tepes is a client king of the Turks, who is forced to rebel against them and seeks out demonic, blood-sucking powers to help him defeat his opponents. (Charles Dance, playing his mentor in evil, is the best thing in the movie.)

Mildly diverting as an empty spectacle (gasp as Superdrac uses his FIST OF BATS power to squish the Turks!) but essentially useless: the film fails to engage with either the historical Vlad the Impaler or the iconic Dracula. Luke Evans fails to communicate any essential darkness lurking in his character, just coming across as a nice guy who makes a bad decision under pressure. If Dracula's not going to be a properly evil monster, what's the point of him? Good effects and reasonable art direction, but misses the point in every narrative sense.
  
Cool City by Cary Brothers
Cool City by Cary Brothers
7
7.0 (1 Ratings)
Album Rating
My old buddy Matty D used to play bass for him; Cary's been around for a while. This is how I heard this song at first: Oh really, that's the whole chorus? I mean he gives so little to start out; this whole song is a crescendo, coming from the arrangement, the production, how the chorus keeps getting slightly longer - and then you realize it's all been a set-up for the bridge.

Cary Brothers is quintessential Los Angeles. He's talking about cigarettes and easy parking, he looks good but not too good; the tie is not done. But the production is as good as it gets, and the voice is California all day long.

“I got her number
but she was so smart
I’m feeling stupid
at least it’s a start”
— Cary Brothers

This is a snapshot, a production relic, a grab-and-go musical fast-food. And it is delicious. Cool City indeed.
  
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