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Bob Mann (459 KP) rated Arrival (2016) in Movies
Sep 29, 2021
Wow – what a surprise.
Sometimes I can get very irritated by a trailer for giving too much away (case in point, “Room” – which I recut – and more recently “Passengers”). Sometimes I can get very excited by a really good teaser trailer (case in point, “10 Cloverfield Lane”). But most of the time a “ho hum” trailer typically drives the expectation of a “ho hum” film: “Jack Reacher: Never Look Back” being a good recent example. Then there is “Arrival”…
Because the trailer for “Arrival” belies absolutely nothing about the depth and complexity of the film. At face value, it looks like a dubious “Close Encounters” wannabe, with a threat of movement towards the likes of “Independence Day” and “The 5th Wave”. Actually what you get is a film that approaches the grandeur of “Close Encounters” but interlaces it with the intellectual depth of “Inception”, the mystery of “Intersteller” and a heavy emotional jolt or two of “Up”.
Amy Adams (“Batman vs Superman”) plays Dr Louise Banks, a language teacher at a US university facing a bunch of particularly disengaged students one morning. For good reason since world news is afoot. Twelve alien craft have positioned themselves strategically around the world, hanging a few feet from the ground in just the sort of way that bricks don’t. Banks is approached by Colonel Weber (Forest Whitaker) and offered the job of trying to communicate with the aliens: where did they come from? why are they here? Banks faces the biggest challenge of her academic career in trying to devise a strategy for communication without any foundation of knowledge on what level communication even works at for them. Assisted by Ian Donelly (Jeremy Renner, “Mission Impossible IV/V”, “Avengers”), a theoretical physicist, the pair try to crack the code against a deadline set by the inexorable rise of international tensions – driven by China’s General Chang (Tzi Ma, “Veep”; “24”).
Steven Spielberg made a rare error of judgement by adding scenes in his “Special Edition” of “Close Encounters of the Third Kind” showing everyman power guy Roy Neary (Richard Dreyfuss) entering the alien spacecraft. Some things are best left to the imagination. Here, a reprise of that mistake seems inevitable, but – perversely – seems to be pulled off with mastery and aplomb. The aliens are well rendered, and the small scale nature of the set (I’m sure I’ve been in similar dingy waiting rooms in UK railway stations!) is cleverly handled by the environmental conditions.
But where the screenplay really kills it is in the emergence of the real power unleashed by the translation work. To say any more would deliver spoilers, which I won’t do. But this is a masterly piece of science-fiction writing. The screenplay was by Eric Heisserer – someone with a limited scriptwriting CV of horror film reboots/sequels such as “Final Destination 5”, “The Thing” and “A Nightmare on Elm Street” – so the portents were not good, which just adds to the surprise. If I were to be critical, some of the dialogue at times is a little TOO clever for its own good and smacks of Aaron Sorkin over-exposition: the comment about “They have a word for it in Hungary” for example went right over my head.
Denis Villeneuve (“Sicario”) deftly directs, leaving the pace of the story glacially slow in places to let the audience deduce what is going on at their own speed. This will NOT be to the liking of movie fans who like their films in a wham-bam of CGI, but was very much to my liking. The film in fact has very little exposition, giving you lots to think about after the credits roll: there were elements of the story (such as her book) that still generated debate with my better half on the drive home.
Amy Adams and Jeremy Renner are first rate and an effectively moody score by Jóhann Jóhannsson (“Sicario”; “The Theory of Everything”) round off the other high-point credits for me.
An extraordinary film, this is a must see for sci-fi fans but also for lovers of good cinema and well-crafted stories.
Because the trailer for “Arrival” belies absolutely nothing about the depth and complexity of the film. At face value, it looks like a dubious “Close Encounters” wannabe, with a threat of movement towards the likes of “Independence Day” and “The 5th Wave”. Actually what you get is a film that approaches the grandeur of “Close Encounters” but interlaces it with the intellectual depth of “Inception”, the mystery of “Intersteller” and a heavy emotional jolt or two of “Up”.
Amy Adams (“Batman vs Superman”) plays Dr Louise Banks, a language teacher at a US university facing a bunch of particularly disengaged students one morning. For good reason since world news is afoot. Twelve alien craft have positioned themselves strategically around the world, hanging a few feet from the ground in just the sort of way that bricks don’t. Banks is approached by Colonel Weber (Forest Whitaker) and offered the job of trying to communicate with the aliens: where did they come from? why are they here? Banks faces the biggest challenge of her academic career in trying to devise a strategy for communication without any foundation of knowledge on what level communication even works at for them. Assisted by Ian Donelly (Jeremy Renner, “Mission Impossible IV/V”, “Avengers”), a theoretical physicist, the pair try to crack the code against a deadline set by the inexorable rise of international tensions – driven by China’s General Chang (Tzi Ma, “Veep”; “24”).
Steven Spielberg made a rare error of judgement by adding scenes in his “Special Edition” of “Close Encounters of the Third Kind” showing everyman power guy Roy Neary (Richard Dreyfuss) entering the alien spacecraft. Some things are best left to the imagination. Here, a reprise of that mistake seems inevitable, but – perversely – seems to be pulled off with mastery and aplomb. The aliens are well rendered, and the small scale nature of the set (I’m sure I’ve been in similar dingy waiting rooms in UK railway stations!) is cleverly handled by the environmental conditions.
But where the screenplay really kills it is in the emergence of the real power unleashed by the translation work. To say any more would deliver spoilers, which I won’t do. But this is a masterly piece of science-fiction writing. The screenplay was by Eric Heisserer – someone with a limited scriptwriting CV of horror film reboots/sequels such as “Final Destination 5”, “The Thing” and “A Nightmare on Elm Street” – so the portents were not good, which just adds to the surprise. If I were to be critical, some of the dialogue at times is a little TOO clever for its own good and smacks of Aaron Sorkin over-exposition: the comment about “They have a word for it in Hungary” for example went right over my head.
Denis Villeneuve (“Sicario”) deftly directs, leaving the pace of the story glacially slow in places to let the audience deduce what is going on at their own speed. This will NOT be to the liking of movie fans who like their films in a wham-bam of CGI, but was very much to my liking. The film in fact has very little exposition, giving you lots to think about after the credits roll: there were elements of the story (such as her book) that still generated debate with my better half on the drive home.
Amy Adams and Jeremy Renner are first rate and an effectively moody score by Jóhann Jóhannsson (“Sicario”; “The Theory of Everything”) round off the other high-point credits for me.
An extraordinary film, this is a must see for sci-fi fans but also for lovers of good cinema and well-crafted stories.
Kyera (8 KP) rated The Hidden Oracle in Books
Jan 31, 2018
Another fantastic book by RR. We are introduced to our new main character in perfect fashion. "Just another meat sack." Quaint Apollo, or should I call you Lester Papadopoulos? That is an amazing name and starts the book brilliantly.
Apollo is written just as well as RR's other character. The sun God is forced into a powerless mortal body and dumped unceremoniously onto the island of Manhattan. Into a pile of trash. He must undertake a series of trials and get the Oracles back under his control or else he will remain mortal... and Lester. Accompanied by a feisty, sword-wielding street urchin and a bitey peach spirit, Apollo fights for the future. Camp Half-Blood is sparsely populated, campers are disappearing and all forms of communication are on the fritz.
The world building is just as beautifully done as the other Olympians novel. The reader is introduced to myths creatures and gods. Recommended that you read the two previous series before Trials of Apollo. There are characters (like our beloved Percy) and gods/monsters that you either meet or are mentioned in passing and it would be beneficial to at least be familiar with them.
The character development is also well-done. Apollo is his usual self-absorbed self but he also experiences some brilliant moments of humanity. You root for his success and roll your eyes at him simultaneously. Margaret, Meg for short, is his sidekick and occasional friend. Apollo doesn't like to admit that he is actually fond of the little urchin. She immediately reminded me of Megara from Disney's Hercules, sassy, cynical, questioning. The entire time that I was reading I kept expecting her to betray Apollo to the "Big Bad" but have grown fond of Apollo as well and regret her betrayal.
In case you are unfamiliar with some of the terms or gods, RR has a handy glossary at the conclusion of the book. Highly recommended, as are all of RR's novels. Great for YA reader that enjoy witty writers, well-developed characters, mythology, adventures and just general awesomeness.
Apollo is written just as well as RR's other character. The sun God is forced into a powerless mortal body and dumped unceremoniously onto the island of Manhattan. Into a pile of trash. He must undertake a series of trials and get the Oracles back under his control or else he will remain mortal... and Lester. Accompanied by a feisty, sword-wielding street urchin and a bitey peach spirit, Apollo fights for the future. Camp Half-Blood is sparsely populated, campers are disappearing and all forms of communication are on the fritz.
The world building is just as beautifully done as the other Olympians novel. The reader is introduced to myths creatures and gods. Recommended that you read the two previous series before Trials of Apollo. There are characters (like our beloved Percy) and gods/monsters that you either meet or are mentioned in passing and it would be beneficial to at least be familiar with them.
The character development is also well-done. Apollo is his usual self-absorbed self but he also experiences some brilliant moments of humanity. You root for his success and roll your eyes at him simultaneously. Margaret, Meg for short, is his sidekick and occasional friend. Apollo doesn't like to admit that he is actually fond of the little urchin. She immediately reminded me of Megara from Disney's Hercules, sassy, cynical, questioning. The entire time that I was reading I kept expecting her to betray Apollo to the "Big Bad" but have grown fond of Apollo as well and regret her betrayal.
In case you are unfamiliar with some of the terms or gods, RR has a handy glossary at the conclusion of the book. Highly recommended, as are all of RR's novels. Great for YA reader that enjoy witty writers, well-developed characters, mythology, adventures and just general awesomeness.
Little Ray Of Sunshine (41 KP) rated Beside Myself in Books
Jan 11, 2019 (Updated Feb 10, 2019)
Book Review | Beside Myself by Ann Morgan
*Original post: http://bit.ly/2ehWQVh*
Beside Myself is about Helen and Ellie who are identical twins. Helen is the leader and Ellie is the follower. Ellie was born after Helen she had problems when she was born she had her umbilical cord wrapped around her neck so this caused Ellie communication and functional skills.
I started to hate the character, Helen
because she was awful to Ellie she bullied her and pulled pranks. I felt sorry for Ellie as she doesn't get the attention from their mother. Helen and Ellie as gone through a traumatic event in their life as their biological father took his own life so their mother couldn't cope and started neglecting them. I didn't like how their mother always spoiled Helen over Ellie and Helen always got the best of everything.
The story is all about that one day when Helen and Ellie were out playing and Helen thought it would be fun to swap places and fool everyone around them. But Helen thought it would only last for one day and everything will go back to normal the next day. But Ellie grabbed the chance as she was getting the attention she needs. So Helen life turns upside down and she starts to live Ellie life and she is shocked how Ellie is treated. Helen did try to tell their mother but she didn't believe her and so you follow Helen's nightmare through her school life, home life and through her adult life.
Helen doesn't get the support from home so she starts to rebel and go down the wrong path. You really feel for her and you experience what she is going through as the author writes in the first person.
This book touches on Mental Health and the writing is so true and beautiful as Helen is suffering from Bipolar Disorder. The book gripped me as I wanted to know how Helen's life will end. I keep wanting her mother to realize that she is the real 'Helen'. I won't say anymore as I would like you to read it for yourself.
Beside Myself is about Helen and Ellie who are identical twins. Helen is the leader and Ellie is the follower. Ellie was born after Helen she had problems when she was born she had her umbilical cord wrapped around her neck so this caused Ellie communication and functional skills.
I started to hate the character, Helen
because she was awful to Ellie she bullied her and pulled pranks. I felt sorry for Ellie as she doesn't get the attention from their mother. Helen and Ellie as gone through a traumatic event in their life as their biological father took his own life so their mother couldn't cope and started neglecting them. I didn't like how their mother always spoiled Helen over Ellie and Helen always got the best of everything.
The story is all about that one day when Helen and Ellie were out playing and Helen thought it would be fun to swap places and fool everyone around them. But Helen thought it would only last for one day and everything will go back to normal the next day. But Ellie grabbed the chance as she was getting the attention she needs. So Helen life turns upside down and she starts to live Ellie life and she is shocked how Ellie is treated. Helen did try to tell their mother but she didn't believe her and so you follow Helen's nightmare through her school life, home life and through her adult life.
Helen doesn't get the support from home so she starts to rebel and go down the wrong path. You really feel for her and you experience what she is going through as the author writes in the first person.
This book touches on Mental Health and the writing is so true and beautiful as Helen is suffering from Bipolar Disorder. The book gripped me as I wanted to know how Helen's life will end. I keep wanting her mother to realize that she is the real 'Helen'. I won't say anymore as I would like you to read it for yourself.
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