Search
Search results
LeftSideCut (3776 KP) rated Saw III (2006) in Movies
Oct 8, 2020
The first Saw film is genuinely great. The second I can tolerate. Saw III however is where the franchise started to lose me.
At this point, it's still not as convoluted as the series eventually gets, but it's here where you can clearly see the cracks start to appear, where every entry going forwards tries to ape what made the first film a success, whilst simultaneously becoming increasingly mean spirited - it's the first entry that really hints at the gore and viscera being more important than a decent plot.
The main positive of Saw III is the sheer amount of Tobin Bell we're treated to. Even on his death bed, Jigsaw is still appropriately sinister, and it's hard to see the role belonging to any other actor.
It's also nice to see Dina Meyer back for another turn, but her role here is all too brief.
Unfortunately, everyone else I can take or leave. Shawnee Smith returns as Jigsaws' apprentice, and her character is just so damn unlikable with no redeemable features, and is a far cry from her more compelling teacher, who always had a reason for doing what he did.
Then there's Jeff (Slow Ass Motherfuckin' Jeff to some) played by Angus Macfadyen. Honestly, I struggle to recall a protagonist in a horror movie that is quite as useless as this guy. He's insufferable to the point of sheer frustration.
Everyone else is just hugely forgettable, even Costas Mandylor who would go on to have a bigger role in the series moving forward.
The mixture of these non characters makes for a boring narrative, that ends up relying on gore for any worth.
The various Jigsaw traps seen in these films become more ambitious, theatrical, and disgusting as the franchise waddles along, and that's not necessarily a good thing. With each film, the more minimalist approach to the first film seems further and further out of reach.
As I mentioned, some of the deaths in Saw III are just plain mean spirited. Gore in horror movies really works when the film still manages to be entertaining, something that the bleak Saw III just isn't.
It's still not a terrible film, but honestly, the series just nosedives from here on out in my opinion, and this third entry is the jumping point.
At this point, it's still not as convoluted as the series eventually gets, but it's here where you can clearly see the cracks start to appear, where every entry going forwards tries to ape what made the first film a success, whilst simultaneously becoming increasingly mean spirited - it's the first entry that really hints at the gore and viscera being more important than a decent plot.
The main positive of Saw III is the sheer amount of Tobin Bell we're treated to. Even on his death bed, Jigsaw is still appropriately sinister, and it's hard to see the role belonging to any other actor.
It's also nice to see Dina Meyer back for another turn, but her role here is all too brief.
Unfortunately, everyone else I can take or leave. Shawnee Smith returns as Jigsaws' apprentice, and her character is just so damn unlikable with no redeemable features, and is a far cry from her more compelling teacher, who always had a reason for doing what he did.
Then there's Jeff (Slow Ass Motherfuckin' Jeff to some) played by Angus Macfadyen. Honestly, I struggle to recall a protagonist in a horror movie that is quite as useless as this guy. He's insufferable to the point of sheer frustration.
Everyone else is just hugely forgettable, even Costas Mandylor who would go on to have a bigger role in the series moving forward.
The mixture of these non characters makes for a boring narrative, that ends up relying on gore for any worth.
The various Jigsaw traps seen in these films become more ambitious, theatrical, and disgusting as the franchise waddles along, and that's not necessarily a good thing. With each film, the more minimalist approach to the first film seems further and further out of reach.
As I mentioned, some of the deaths in Saw III are just plain mean spirited. Gore in horror movies really works when the film still manages to be entertaining, something that the bleak Saw III just isn't.
It's still not a terrible film, but honestly, the series just nosedives from here on out in my opinion, and this third entry is the jumping point.
Kristy H (1252 KP) rated When the Game Was Ours in Books
Oct 29, 2020
I am a huge NBA basketball fan, with a special love of the game from the 80s--00s. I also really love journalist Jackie MacMullan, so when I received this book through a bookswap, I was quite excited. Obviously it probably appeals to a particular set of people, but if you love NBA basketball and detailed retellings of events that already occurred, then this book is for you. Larry Bird and Magic Johnson recount events to MacMullan, starting from childhood and going through their multiple NBA championships (and a bit beyond). The focus is on their similarities--and the fact that they rose up in basketball at the same time, became fierce rivals, but also friends.
I'll confess that the bulk of the Magic and Bird rivalry was just a little ahead of my time. I fell hard for the NBA with the Chicago Bulls and MJ (both parents being from the Chicago suburbs), so, of course, I knew Bird and Magic, and saw them play a bit, but I missed most of their true heyday.
Still, I found this book absolutely fascinating. I learned so much I didn't know--especially about Magic and the racism he faced, about Magic and Kareem, and about Larry's background. It was intensely detailed. I loved how similar the two were in some ways--both so basketball-minded--yet so different in their personalities (Magic so open and brash, Larry so private and shy).
I also loved how much the late David Stern appeared in this book. I hadn't realized the depth of how much David came up with Bird and Magic in the league--combining their success with his amazing acumen to build the league into what it is today. MacMullan and Magic's discussion of Magic's HIV diagnosis is amazing (and heartbreaking) and the way Stern reacted is honestly visionary.
Overall, if you don't like basketball, you probably wouldn't gravitate to this book, yet it's so informative and factual, that if you love learning new things, I would still recommend it. It's not a fast read--I usually read one or two chapters a night after finishing whatever fiction read I was reading that evening--but it made up for it in how compelling and factual it was. Certainly worth a read and a huge find for any basketball fan. 4+ stars.
I'll confess that the bulk of the Magic and Bird rivalry was just a little ahead of my time. I fell hard for the NBA with the Chicago Bulls and MJ (both parents being from the Chicago suburbs), so, of course, I knew Bird and Magic, and saw them play a bit, but I missed most of their true heyday.
Still, I found this book absolutely fascinating. I learned so much I didn't know--especially about Magic and the racism he faced, about Magic and Kareem, and about Larry's background. It was intensely detailed. I loved how similar the two were in some ways--both so basketball-minded--yet so different in their personalities (Magic so open and brash, Larry so private and shy).
I also loved how much the late David Stern appeared in this book. I hadn't realized the depth of how much David came up with Bird and Magic in the league--combining their success with his amazing acumen to build the league into what it is today. MacMullan and Magic's discussion of Magic's HIV diagnosis is amazing (and heartbreaking) and the way Stern reacted is honestly visionary.
Overall, if you don't like basketball, you probably wouldn't gravitate to this book, yet it's so informative and factual, that if you love learning new things, I would still recommend it. It's not a fast read--I usually read one or two chapters a night after finishing whatever fiction read I was reading that evening--but it made up for it in how compelling and factual it was. Certainly worth a read and a huge find for any basketball fan. 4+ stars.
Mark @ Carstairs Considers (2452 KP) rated A Killer Carol in Books
Sep 25, 2019
A Killing at Christmas is Anything but Heavenly for Claire
Christmas is approaching in Heavenly, Pennsylvania, and Claire Weatherly has her hands full. Not only does she have the normal tourists coming into her shop, Heavenly Treasures, but she is organizing the first annual One Heavenly Night event designed as a chance for residence and tourists to enjoy the town at Christmas. However, murder rears its ugly head once again one night. Annie, the Amish teen who works for Claire, is out Christmas caroling with some friends, and when they stop at the Esch’s farm, they find both of the them dead. Detective Jakob Fisher is quick to realize it was murder. Unfortunately, the last people to visit the victims were Claire’s Amish friend Ruth and her new husband Samuel. Even worse, the couple appear to have a motive for committing the crime. Claire doesn’t believe they could have done it, but Jakob has to follow the evidence wherever it leads, even if it ruins the unofficial inroads he has made in building relationships with the people who used to be his family before he left the Amish community. Can Claire help him solve the case before that happens?
This series works best when the characters are driving a strong mystery, and that’s definitely the case here. I’ve felt like I knew the series regulars from their first appearances in the series, so it was fantastic to spend time with them again. They are still just as strong as ever, and the new character are just as compelling. Since Heavenly sits on the edge of an Amish community, life is a bit slower, and that is reflected in the plot. This isn’t a twist a page type of book, but that faster pace wouldn’t feel right. Don’t get me wrong, we do have twists and surprises, but the impact on the characters is just as important, and the two combined keep me glued to the book. I had to fight to keep from peaking ahead and making sure everyone was going to be okay. Honestly, just reading about Heavenly refreshes my soul, so picking up this book was great. The Christmas setting was an added bonus since I love that season so much. There are a couple of niggles with the book, but they are minor. This is a fantastic addition to a favorite series.
This series works best when the characters are driving a strong mystery, and that’s definitely the case here. I’ve felt like I knew the series regulars from their first appearances in the series, so it was fantastic to spend time with them again. They are still just as strong as ever, and the new character are just as compelling. Since Heavenly sits on the edge of an Amish community, life is a bit slower, and that is reflected in the plot. This isn’t a twist a page type of book, but that faster pace wouldn’t feel right. Don’t get me wrong, we do have twists and surprises, but the impact on the characters is just as important, and the two combined keep me glued to the book. I had to fight to keep from peaking ahead and making sure everyone was going to be okay. Honestly, just reading about Heavenly refreshes my soul, so picking up this book was great. The Christmas setting was an added bonus since I love that season so much. There are a couple of niggles with the book, but they are minor. This is a fantastic addition to a favorite series.
Gareth von Kallenbach (980 KP) rated Baby Driver (2017) in Movies
Jul 11, 2019
After falling into debt with a crime boss, Baby (Ansel Elgort), must pay back what he owes by being the getaway driver for brazen daytime heists. The crime boss, Doc (Kevin Spacey), promises Baby that once the next job is done he will be debt free. Baby does the job and heads home feeling finally free and ready to start doing good things with his life. He meets a beautiful waitress, Debora (Lily James), and plans to drive across the country with her. It may be too good to be true. He soon learns that being debt free may not mean that he gets to walk away from the life of crime. Being an exceptional driver has made him indispensable to Doc. Now Baby has a choice between walking away, which Doc has promised to hurt him and those he cares about if he does, or do one more job, and hope he find a way out of the criminal world and onto the road with Debora.
Writer/Director Edgar Wright (Shaun of the Dead, Hot Fuzz) does a masterful job of drawing the audience into the story with the soundtrack in a really fun and original way. From the chase scenes to the mundane task of getting coffee, the music immerses the viewer into Baby’s world. The film starts out with an exciting car chase sequence and keeps moving all the way to the end. All of the chase/driving scenes are really well done, which was expected for a movie with driver in the name, but impressive none the less. The pace of the film was consistent and it flowed all the way to the end. Kevin Spacey, Jamie Foxx, John Hamm, Eliza Gonzalez and the rest of the supporting cast did really well and all brought interesting characters to the film.
I loved the originality of the story and how it was executed. This is definitely a soundtrack I will have to listen to again. There were couple loose ends with some of the characters that didn’t get tied up but that was minimal. It is a fun ride and has a little bit of something for everyone. There is a love story, action, a compelling story, and a mixed in comedy that lightens the mood.
Writer/Director Edgar Wright (Shaun of the Dead, Hot Fuzz) does a masterful job of drawing the audience into the story with the soundtrack in a really fun and original way. From the chase scenes to the mundane task of getting coffee, the music immerses the viewer into Baby’s world. The film starts out with an exciting car chase sequence and keeps moving all the way to the end. All of the chase/driving scenes are really well done, which was expected for a movie with driver in the name, but impressive none the less. The pace of the film was consistent and it flowed all the way to the end. Kevin Spacey, Jamie Foxx, John Hamm, Eliza Gonzalez and the rest of the supporting cast did really well and all brought interesting characters to the film.
I loved the originality of the story and how it was executed. This is definitely a soundtrack I will have to listen to again. There were couple loose ends with some of the characters that didn’t get tied up but that was minimal. It is a fun ride and has a little bit of something for everyone. There is a love story, action, a compelling story, and a mixed in comedy that lightens the mood.
Gareth von Kallenbach (980 KP) rated Joker (2019) in Movies
Oct 7, 2019 (Updated Oct 13, 2019)
Arthur Fleck (Joaquin Phoenix) is a broken and troubled man. Arthur toils in as demeaning and berated Clown for Hire, and lives with his troubled mother in a dilapidated apartment.
Arthur meets with a Social Worker in an attempt as the seven medications he takes simply are not cutting it and he struggles to cope in a world that has ignored and discarded him.
Arthur dreams of being a comedian but sadly lacks the confidence and ability to pull off his material which is iffy at best. Undaunted he keeps toiling away even when life continues to beat him down mentally and physically.
This all changes when Arthur stops being the victim during and assault and fights back.
Arthur stops taking his medication and becomes more determined and is no longer afraid to confront those who antagonize him.
This leads Arthur to some renewed opportunities such as an appearance on a talk show which he has long idolized.
All of this happens against a smoldering Gotham City where tensions are high and rising even higher due to a Garbage strike and a perception that the elite of the city have abandoned those in need such as eliminating Arthur’s Social Worker due to budget cuts.
With nowhere to go but up; Arthur transforms from a disturbed individual to a violent and deeply disturbed and dangerous individual who is angry and ready for revenge.
Phoenix is fantastic and he is not afraid to let unglamorous scenes of his very thin body or lingering close ups at unflattering angels undermine him. He uses them to illustrate just how disposable Arthur is too many in the film and to also show how little he cares about such matters. The role is deeply dark and disturbing and will no doubt spark much controversy and debate ranging from making a dangerous person a sympathetic figure as well as commentary about class structure and the danger of unstable people inspiring others via a Cult of Personality.
There is a connection to the larger Batman universe even though the film is light on action and FX. This is a character study of a decent into madness and it is deeply disturbing as it is compelling.
4.5 stars out of 5
http://sknr.net/2019/10/02/joker/
Arthur meets with a Social Worker in an attempt as the seven medications he takes simply are not cutting it and he struggles to cope in a world that has ignored and discarded him.
Arthur dreams of being a comedian but sadly lacks the confidence and ability to pull off his material which is iffy at best. Undaunted he keeps toiling away even when life continues to beat him down mentally and physically.
This all changes when Arthur stops being the victim during and assault and fights back.
Arthur stops taking his medication and becomes more determined and is no longer afraid to confront those who antagonize him.
This leads Arthur to some renewed opportunities such as an appearance on a talk show which he has long idolized.
All of this happens against a smoldering Gotham City where tensions are high and rising even higher due to a Garbage strike and a perception that the elite of the city have abandoned those in need such as eliminating Arthur’s Social Worker due to budget cuts.
With nowhere to go but up; Arthur transforms from a disturbed individual to a violent and deeply disturbed and dangerous individual who is angry and ready for revenge.
Phoenix is fantastic and he is not afraid to let unglamorous scenes of his very thin body or lingering close ups at unflattering angels undermine him. He uses them to illustrate just how disposable Arthur is too many in the film and to also show how little he cares about such matters. The role is deeply dark and disturbing and will no doubt spark much controversy and debate ranging from making a dangerous person a sympathetic figure as well as commentary about class structure and the danger of unstable people inspiring others via a Cult of Personality.
There is a connection to the larger Batman universe even though the film is light on action and FX. This is a character study of a decent into madness and it is deeply disturbing as it is compelling.
4.5 stars out of 5
http://sknr.net/2019/10/02/joker/
PocketVideo - Video Editor
Photo & Video and Social Networking
App
PocketVideo is the most powerful video editing app specifically designed for iPhone video creators....
I'm Not Dying With You Tonight
Kimberly Jones and Gilly Segal
Book
"An absolute page turner, I'm Not Dying with You Tonight is a compelling and powerful novel that is...
Bloomberg Businessweek+
News and Magazines & Newspapers
App
Download the Bloomberg Businessweek app to access new, must-read content every day. Customized by...