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To Tell You The Truth
To Tell You The Truth
Gilly MacMillan | 2020 | Crime, Thriller
7
8.5 (2 Ratings)
Book Rating
A twisty thriller with a disappointing ending
Lucy Harper is a famous writer, known for her crime fiction stories featuring her beloved character, Eliza. Her work has made her wealthy, something that particularly pleases her husband, Dan, a once aspiring writer who now "manages" Lucy's career and money. Lucy and Dan's life and marriage look perfect from the outside, but they are anything but. Then Dan suddenly goes missing. His disappearance reminds Lucy of another time someone vanished from her life: her younger brother, Teddy, who was lost in the woods very near the house Lucy and Dan now live in. Soon Lucy finds herself reminded more and more of her past, which seems to be quickly and dangerously colliding with her present.

"After all, what kind of person creates a character who walks right out of their books and into their life? He would think I'd lost my mind."

I absolutely adore Gilly Macmillan and her books, but this was not one of my all-time favorites. It's still good, though, and twisty, and I will admit that I didn't guess the (rather bizarre) outcome. However, the ending leaves much to be desired and does not wrap everything up, which left me frustrated. (And seemed to kick off a trend in my recent thrillers, where things end with plot pieces left hanging--I'm not okay with this.)

Lucy is an unreliable narrator extraordinaire--ever since she was small, she's had a best friend named Eliza. Why yes, Eliza happens to be the name of her fictional character, as well. Lucy talks to her imaginary friend, who seems to have untold power over her. If this sounds weird and creepy, it is, and Macmillan does a good job with the eerie oddity of it all and allowing us to wonder if we can trust anything that Lucy--or Eliza--say. Knowing who and what to believe is certainly a central theme here.

Dan, meanwhile, is absolutely despicable, and I was not too sad when he disappeared, honestly. The story alternates between present-day, with Lucy's point of view, and the past, around the time Teddy disappeared. It's certainly compelling. All in all, I would have probably rated this 4-stars if there had been a better ending, versus one that felt rushed and forced, without tying up all the loose ends. This is still a good, atmospheric thriller, with plenty of twists. 3.5 stars. And if you want to read more from Macmillan, I highly recommend The Perfect Girl or her Jim Clemo series--all books that I adore.
  
Man Down (2016)
Man Down (2016)
2016 | Drama
2
4.5 (2 Ratings)
Movie Rating
This Dito Montiel (Fighting, The Son of No One) directed film is a look at mental health and how soldiers returning from war can be affected by the tragedy of war and life.

This film tries to put us inside the mind of a soldier and they lead up to his deployment to war, the trauma that can be suffered at war and the result of seeing things that can’t be unseen. It begins with U.S. Marine Gabriel Drummer (Shia LaBeouf) searching for his son, Johnathan (Charlie Shotwell), and wife, Natalie (Kate Mara), in a post-apocalyptic America.

His only company is his best friend and fellow war veteran Devin Roberts (Jai Courtney). We then flash back to a counseling session between Gabriel and Counselor Peyton (Gary Oldman). They are recounting an incident that happened while Gabriel and Devin were in the field as well as talk about the relationship between the two brothers in arms. Peyton probes Gabriel for answers to what happened in the field and what his life at home will be like when he returns. The story takes us through Gabriel’s journey from boot camp to his search to be reunited with his wife and child.

The beginning of the film is so scattered with flash backs and flash forwards it is not the easiest story to follow. Montiel tries to tie the story all together at the end but it really done quickly and sloppily. There was no really good flow to the film.

The message at the end was really powerful but there execution to get there really didn’t work for me. The cast individual performances were good but I thought that as a whole there was not cohesion.

The relationships between all the characters seemed forced and it was hard to get emotionally invested in what should have been and emotionally compelling story. LaBeouf does commit and his performance I would say the bright spot. I think the intention was that the end of the movie should be a surprise or twist but the ending for me was never really in doubt.

There were points when the film seemed to have momentum but that was stopped by a flash back or forward that would take you out of the moment. All trying to set up a conclusion that seemed inevitable.

The idea of bringing awareness to a real issue in our country, of returning veterans suffering from PTSD, is a noble one and I applaud them for trying. I just wish the execution would have been better overall.
  
Foundations Of Faith
Foundations Of Faith
Michael Chrobak | 2019 | Fiction & Poetry
7
7.0 (1 Ratings)
Book Rating
Style: Light

Point of view: Third person

Difficulty reading: It was as easy as singing the ABC’s!

Promise: Foundations of Faith promises a compelling religious read that will have you answering questions about your own faith.

Quality: All around good read, wasn’t what I was expecting but would definitely reread again.

Insights: Usually when it comes to Fantasy style of books, I always think powers (spells), mythical creatures, places that don’t exist, etc. etc. Foundations of Faith didn’t really have the typical Fantasy aspect to it. Theresa and Thomas have ‘powers’ but they aren’t magical powers like a witch or wizard would have. But it was still a great read that will end up being reread a couple more times.

Ah-Ha Moment: There wasn’t really a moment where I went ‘Ah yea, that’s the turning point’. One scene did come pretty darn close though. This scene: Thomas returns back from the retreat and finds out his mother is in the hospital and his father is in jail for putting his mother in the hospital. It’s never revealed how Thomas’s mother was hurt, and I would have definitely loved if that was explained better but then again this isn’t a Thriller so it’s also okay.

Favorite quote: “She shared how she had finally found God, not in the back of a church with hands held in prayer, but in the back of a police car with hands held in cuffs.” – I feel like this is a huge reason why most end up finding religion/ God. Something terrible or even life-threatening happens to them and they just start praying, see some signs and boom they now believe.

“As he walked, he felt the darkness behind him, following him. He swore he heard it whisper, “Run!” – Hello darkness, my old friend. I’ve come to talk with you again. Because a vision softly creeping, left its seeds while I was sleeping. And the vision that was planted in my brain still remains, within the sound of silence. Sorry, I couldn’t help myself 🙂

Aesthetics: I reallyyyyy dig the cover! It gives it that mystery horror feel even though there isn’t really any horror in Foundations of Faith. The chapter headings, awesome font. Great read. But that cover is just so aesthetically pleasing. 🙂

“The deeper the feelings of unworthiness dug into his heart, the darker the room became. It spread from the outside in, growing darker and more ominous with each new thought. He feared it would swallow him whole.”
  
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    ** Winner of Apple Design Award 2014 ** A surreal thriller in which the written word is your map,...

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Heather Cranmer (2721 KP) created a post

Nov 3, 2021  
Author Laurie Moore-Moore stops by my blog today to discuss squirrel stew in a highly interesting guest post. I'm also spotlighting her historical fiction novel GONE TO DALLAS: THE STOREKEEPER 1856-1861. Enter the giveaway to win your own signed copy of the book - three winners!

https://alltheupsandowns.blogspot.com/2021/11/book-blog-tour-and-giveaway-gone-to.html

**BOOK SYNOPSIS**
Sara’s husband was a disappointment in life, but she had to admit he was a handsome corpse.

Climb aboard an 1856 Dallas-bound wagon train and join a plucky female protagonist for the journey of a lifetime in Laurie Moore-Moore’s richly entertaining new book, Gone to Dallas: The Storekeeper 1856-1861. Far from your average historical novel or western, Gone to Dallas is a compelling tale of migration, betrayal, death and dreams—peppered with real people, places, and events. With a cast of interesting characters and more bumps and hazards than a wagon trail, Gone to Dallas tells the unforgettable story of a formidable frontier woman in the context of true Texas history.

It had seemed so romantic when Morgan Darnell courted Sara in Tennessee, finally convincing her they should marry and join an 1856 “Gone to Texas” wagon train traveling along the “Trail of Tears,” through Indian territory, and across the Red River into Texas.

In a twist of fate, Sara arrives in Dallas a 19-year-old widow, armed with plenty of pluck, and determined to open a general store in the tiny settlement of log cabins on the Trinity River. Standing in her way as a young woman alone are a host of challenges. Can Sara (with the help of her friends) pull herself up by the bootstraps and overcome uncertainty, vandalism, threats, and even being shot?

Follow Sara as she strives to create her store while living Dallas’ true history — from the beginnings of La Réunion (the European colony across the Trinity) to a mud and muck circus, a grand ball and the mighty fire that burns Dallas to the ground. Dallas is a challenging place, especially with the Civil War looming.

Even with the friendship of a retired Texas Ranger and Dallas’ most important citizen — another woman — is Sara strong enough to meet the challenge? The risks are high. Failure means being destitute in Dallas!

In Gone to Dallas: The Storekeeper 1856-1861, author Laurie Moore-Moore spins a page-turner of a tale salted with historically accurate Texas events and populated with real characters. It’s Portis’ True Grit meets Texas history.