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Gareth von Kallenbach (980 KP) rated the PlayStation 4 version of Crash Team Racing: Nitro Fueled in Video Games
Jul 9, 2019
Rev Your Engines
Rev up your engines as your favorite gaming Marsupial is back with Crash Team Racing Nitro-Fueled. The game is a remastered version of a prior release and like the amazing N Sane Trilogy; gives a new life to the game by taking advantage of the better graphics and framerates offered by the new systems.
Playing in a campaign or online mode, players can pick which character they wish to use and unlike the previous release; are not locked into completing a series with that character as they can change up as they wish.
Players must win a track in order to move on to the next track which is accessed by driving a portal located on an island which also serves as a practice area and a way to access Boss Races and other areas when key objectives have been reached.
The tracks are very detailed and great fun. From an intense sewer track to some exotic locales and temples; there are plenty of locales for everyone to enjoy.
If you have played a racing game before you will soon get the hang of the controls and mechanics of the game. Of course there are plenty of traps and obstacles for players to deal with and there are power ups with weapons and other enhancements to give player an edge which will be needed as the competition is intense; even on the lower difficulty settings.
There are also crates of fruit which can be collected and will allow players to customize their vehicles beyond cosmetic changes which will be needed as player’s progress.
The multiplayer aspects of the game were great as it was very easy to connect and play and aside from some loading screen waits, the game moves fast and looks and sounds amazing.
If you are a fan of Crash Bandicoot and love a good racing game then this is simply a must own as it is not only fun to play; but is one of the most entertaining and enjoyable games in
the genre.
http://sknr.net/2019/07/09/crash-team-racing-nitro-fueled-2/
Playing in a campaign or online mode, players can pick which character they wish to use and unlike the previous release; are not locked into completing a series with that character as they can change up as they wish.
Players must win a track in order to move on to the next track which is accessed by driving a portal located on an island which also serves as a practice area and a way to access Boss Races and other areas when key objectives have been reached.
The tracks are very detailed and great fun. From an intense sewer track to some exotic locales and temples; there are plenty of locales for everyone to enjoy.
If you have played a racing game before you will soon get the hang of the controls and mechanics of the game. Of course there are plenty of traps and obstacles for players to deal with and there are power ups with weapons and other enhancements to give player an edge which will be needed as the competition is intense; even on the lower difficulty settings.
There are also crates of fruit which can be collected and will allow players to customize their vehicles beyond cosmetic changes which will be needed as player’s progress.
The multiplayer aspects of the game were great as it was very easy to connect and play and aside from some loading screen waits, the game moves fast and looks and sounds amazing.
If you are a fan of Crash Bandicoot and love a good racing game then this is simply a must own as it is not only fun to play; but is one of the most entertaining and enjoyable games in
the genre.
http://sknr.net/2019/07/09/crash-team-racing-nitro-fueled-2/
Terry Whitaker (120 KP) rated Fast & Furious Presents: Hobbs & Shaw (2019) in Movies
Nov 25, 2019 (Updated Nov 25, 2019)
Lets get one thing out of the way. Fast and Furious started off semi serious. Then it got a little boring. Then Fast 5 went to Brazil and it got really good, but still semi serious. Then 6 was ok and 7 was nostalgic and touching. 8 was, a bit forgettable and a lot silly. This is not Fast and Furious. Its Fast and Furious Presents. It's not semi serious. It's not serious at all. Now that's cleared up, heres what i think.
The kids use words for the different use of the word that they use. Keeping up? Sick, doesn't actually mean you are going to actually be sick. If something is sick, it can actually mean its crazily awesome. Yeah, I know, kids huh?! Ridiculous doesn't mean it's so stupidly impossible, it can also mean it's awesomely good fun. I know, go figure?!
However, 'Ridiculous' is a perfect word for this film, both meanings of it in equal measure. It's so ridiculous, its ridiculous and all the better for being so!
Statham and Johnson have banter that wouldn't be out of place in a Dad Joke competition. They're so bad, they're bad!
The action and stunts are over the top and outrageous but you enjoy every thread of outrageousness. There is a bit of a story in amongst it all. But this is all about the action, not the story...and you don't really care. You want story, then maybe the Jason Bourne films will be up your street (and bloody good movies they are too!)
Hobbs and Shaw are what Saturday evenings are made for. Complete nonsense for your ears and eyes. Your senses will love you for it as your brain takes the night off to relax. It's full on Alpha- Male- Ego childish nonsense. The lads will lap it up. As may the ladies....ok, they might not but they will put up with it because they love you.
This is everything that you can't believe but everything you want to watch.
You want sensible? Sense and Sensibility is over there somewhere. You want to enjoy a film, then watch this. You deserve it.
The kids use words for the different use of the word that they use. Keeping up? Sick, doesn't actually mean you are going to actually be sick. If something is sick, it can actually mean its crazily awesome. Yeah, I know, kids huh?! Ridiculous doesn't mean it's so stupidly impossible, it can also mean it's awesomely good fun. I know, go figure?!
However, 'Ridiculous' is a perfect word for this film, both meanings of it in equal measure. It's so ridiculous, its ridiculous and all the better for being so!
Statham and Johnson have banter that wouldn't be out of place in a Dad Joke competition. They're so bad, they're bad!
The action and stunts are over the top and outrageous but you enjoy every thread of outrageousness. There is a bit of a story in amongst it all. But this is all about the action, not the story...and you don't really care. You want story, then maybe the Jason Bourne films will be up your street (and bloody good movies they are too!)
Hobbs and Shaw are what Saturday evenings are made for. Complete nonsense for your ears and eyes. Your senses will love you for it as your brain takes the night off to relax. It's full on Alpha- Male- Ego childish nonsense. The lads will lap it up. As may the ladies....ok, they might not but they will put up with it because they love you.
This is everything that you can't believe but everything you want to watch.
You want sensible? Sense and Sensibility is over there somewhere. You want to enjoy a film, then watch this. You deserve it.
Gareth von Kallenbach (980 KP) rated The Raven (2012) in Movies
Aug 7, 2019
In this dark thriller, Edgar Allan Poe (John Cusack) is forced to assist a young detective to track down a mad serial killer when it becomes obvious that the inspiration for the murders are Poe’s own literary works.
This fictionalized account of the last days of Edgar Allan Poe’s life begins with the brutal murder of a mother and daughter. Inspector Emmett Fields (Luke Evans) finds something oddly familiar about the crime scene and his research leads him to a story written by Poe. A struggling writer on his way to becoming the local drunkard, Poe is brought in for questioning just as another murder is discovered, again one that mirrors one of the author’s grisly stories.
Because it’s his stories that the murderer’s recreating, Poe becomes Field’s reluctant assistant in hunting down the serial killer. But when it appears Poe’s fiancee (Alice Eve) may become the murderer’s next victim, the stakes become even greater, and now it’s the murderer who’s inspiring the writer and inventor of the detective story genre to do some of his best sleuthing work.
While the cat-and-mouse element of the movie kept me in suspense, the movie itself was void of the dark drama one would expect of a movie about Edgar Allen Poe, even a fictionalized account. Even with the detailed attention to the look of 19th century Baltimore, it wasn’t enough to help Cusack’s lightweight portrayal of Poe. Many times I wondered if Evans would have been better cast as the grim, moody writer.
What I actually appreciated most about the movie was the lyrical dialogue, the clever, poetic word usage of yesteryear. Although, there were some minor slips that made me wonder if the scriptwriter or actor forgot which century they were in. I did not have high expectations for this movie, so it truly did not disappoint. With a 111 minute runtime, “The Raven” has just enough mystery to keep one guessing, however it felt a bit rushed at the end. Up against more lively competition this weekend, this may be one to save for a DVD rental.
This fictionalized account of the last days of Edgar Allan Poe’s life begins with the brutal murder of a mother and daughter. Inspector Emmett Fields (Luke Evans) finds something oddly familiar about the crime scene and his research leads him to a story written by Poe. A struggling writer on his way to becoming the local drunkard, Poe is brought in for questioning just as another murder is discovered, again one that mirrors one of the author’s grisly stories.
Because it’s his stories that the murderer’s recreating, Poe becomes Field’s reluctant assistant in hunting down the serial killer. But when it appears Poe’s fiancee (Alice Eve) may become the murderer’s next victim, the stakes become even greater, and now it’s the murderer who’s inspiring the writer and inventor of the detective story genre to do some of his best sleuthing work.
While the cat-and-mouse element of the movie kept me in suspense, the movie itself was void of the dark drama one would expect of a movie about Edgar Allen Poe, even a fictionalized account. Even with the detailed attention to the look of 19th century Baltimore, it wasn’t enough to help Cusack’s lightweight portrayal of Poe. Many times I wondered if Evans would have been better cast as the grim, moody writer.
What I actually appreciated most about the movie was the lyrical dialogue, the clever, poetic word usage of yesteryear. Although, there were some minor slips that made me wonder if the scriptwriter or actor forgot which century they were in. I did not have high expectations for this movie, so it truly did not disappoint. With a 111 minute runtime, “The Raven” has just enough mystery to keep one guessing, however it felt a bit rushed at the end. Up against more lively competition this weekend, this may be one to save for a DVD rental.
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