Search
Purple Phoenix Games (2266 KP) rated The Road to Canterbury in Tabletop Games
Oct 4, 2021
I am not a sinless man. In fact, it’s been years since I’ve been to confession, and at this point I’m afraid I would be there for hours just spilling the beans. I know many pious people, but alas, I am not one. However, I do appreciate those that attempt to live that holy life. It takes a lot of guts and a lot of hard work. I guess I’m a little slothy when it comes to that, personally. Anyway, I know of the Seven Deadly Sins, Cardinal Sins, Capital Vices, or whatever you’d like to call them. In fact, I really like the movie Seven – I think it’s great! That said, let’s find out just “what’s in the box?”
The Road To Canterbury is a game of medieval hand management and area influence. In it players are false pardoners stalking the road to the city of Canterbury as pilgrims make their way there from London. As their companies run across these pardoners, they are offered the chance to purchase pardons – salvation and forgiveness for their sins. However, these pardoners are also keen to help the pilgrims along the path of sin, thus making their faux pardons worth even more money! The pardoner who ends the game with the most money will win along The Road to Canterbury.
DISCLAIMER: We were provided a copy of the Impoverished Pilgrim Edition (2nd edition) game for the purposes of this review. This is a retail copy of the game, so what you see in these photos is exactly what would be received in your box. I do not intend to cover every single rule included in the rulebook, but will describe the overall game flow and major rule set so that our readers may get a sense of how the game plays. For more in depth rules, you may purchase a copy online or from your FLGS. -T
To setup, follow the rulebook, as there are many components to track. The main areas are the Circle of Sin mat that holds the Parson pawn, the decks area that hold the various decks of cards from which players will be drawing, and each player’s personal area where players will hide their earnings and hand of cards behind the privacy screen. Once all is setup somewhat correctly, it should look similar to the photo below. Warning: When I set this up and took the photo, I neglected to realize the red company and the map tiles were translated to the wrong spaces, so just switch those.
The Road to Canterbury is a game of rounds, and each round players will be taking similar steps: Play One Card, Redraw, Perform a Reckoning of Sin. Players will have access to three different types of cards that can be played during the Play One Card phase: Sin cards (five of which are dealt at setup), Pardon cards, and Relic cards. During this phase, the active player can play a Sin card to one of the active Pilgrims to tempt them towards committing that sin. The first time the player adds a Sin card to a Pilgrim, they place one of their corruption cubes on the matching sin on the Circle of Sin. Alternatively, they may play a powerful Relic card that offers adjustments to the rules, or has some interesting results. When a player feels that enough Sin cards of a specific type have been played on a Pilgrim, they may opt to play a matching Pardon card in order to gain precious coin to their pockets. Each Pardon card essentially pardons ALL the sins of that type on the Pilgrim, and the player then collects coins exponentially for a larger total of matching Sin cards on that Pilgrim. If the Parson is currently sitting on the matching sin, the pardoner receives extra coin for it being an especially egregious sin in the eyes of the church. Each time the Pilgrim is pardoned, the pardoner places one of their corruption cubes upon the Pilgrim.
After the active player has played their card, they must Redraw their hand back to five cards, choosing to draw from the Sin, Pardon, or Relic offerings. Some Sin cards may be drawn that are Death Approaches cards. When these surface, they are immediately attached to the Pilgrim whose color matches that of the drawn card’s border color. This essentially eats up a slot on the Pilgrim that could be used for a Sin card to be pardoned.
Once the player has redrawn cards to their hand they must next Perform a Reckoning of Sin. The active player assesses each active Pilgrim to see if they have seven or more cards attached to them. If so, that Pilgrim will perish from the “deadly” sins. Whichever player has placed the most number of corruption cubes upon the Pilgrim is considered present at time of death and will receive credit for the sending to the heavens. They move one of the cubes upon the Pilgrim to the first space on the map tile, earning bonus points and a Last Rites token. Last Rites may be performed immediately to take another turn, or may be held until the end of the game for a 3 VP bonus per token. The most interesting aspect of a Pilgrim dying is the fact that their card now becomes a permanent placeholder underneath their company’s colored banner. So the next Pilgrim to enter play for that company will need only six additional cards to kick the bucket, and so on.
Play continues in this fashion of players taking turns through their three phases. The game ends when all the spaces on the map tile are filled with cubes. Bonus points are counted, coins are added, and the player with the most money/highest score is the winner! The best temptress and pardoner this side of Yorkshire!
Components. I have no experience with the first edition of The Road to Canterbury, so unfortunately I cannot compare and contrast components. However, I have seen many photos and even checked out a review video or two. What I can say about components is that this edition has refreshed the look of nearly everything, and so much for the better. Instead of boring plain cards, there’s just a little more decoration. Not so much to be invasive or distracting, but very tasteful. The component quality throughout is quite stellar. There’s a lot of cardboard in this box, and it all looks and feels great. I do quite like the art style, even though it’s all medievall-y and too artsy for my normal preference. All in all a great quality box of game.
So like I said, I have no experience with this game prior to receiving it and playing through it now. It certainly doesn’t feel like a 10-year-old game, nor does it really feel like many of the Alf Seegert games I have played in the past. Neither of these points are bad at all, just some thoughts I had.
It should be obvious by my ratings graphic that I dig this game a lot. I have nothing like it in my collection, and I am super excited to really bring this out with different types of gamers to see how it fares (once the COVID is no longer an issue, of course). I see this being a hit with my family, who enjoys a lot of take that style games. I see this being a hit with my more thinky gamer friends, because there are just so many juicy choices to be had every turn. I can see this even being a hit with my more gateway friends, because it isn’t terribly heavy, has some humor in it, and I can see the prospect of sowing sin and killing off innocent Pilgrims being attractive to some of my more morbid friends.
For me, I love the ability to take every turn and make important decisions. I try to make every turn meaningful to my agenda, but tactical with what may be at my disposal at the time. When should I play this Relic? Why is named something ridiculous? Should I wait a while longer to pardon this sin, or should I pile on another and then pardon next turn? Ooh, but what if my opponent has the same Pardon card. Am I truly happy that this poor Wife of Bath is about to kick it? GAAHHHHH!
Now it’s no secret that I am a big fan of Dr. Seegert’s games, as I have previously reviewed Fantastiqa and Haven with very high ratings. So, I was not at all surprised that I would love this one as well. It offers so many great choices, looks great on the table, fills a unique void that was present in my collection, and can be played with various types of gamers, even though it is designed for two or three players total. Purple Phoenix Games gives this one an unapologetic 5 / 6. I don’t think it will break into my Top 10, but I certainly won’t rule it out quite yet. More plays with different types of gamers may change my mind on that statement, and I eagerly await my plateful of crow. So if you are like me in your gaming preferences, check out this version of The Road to Canterbury. Let me know how often you tend to grab Relics too, because I feel like I need to utilize them more, but it is so hard to pass up a Sin or Pardon. I Lust after them so very badly.
The Road To Canterbury is a game of medieval hand management and area influence. In it players are false pardoners stalking the road to the city of Canterbury as pilgrims make their way there from London. As their companies run across these pardoners, they are offered the chance to purchase pardons – salvation and forgiveness for their sins. However, these pardoners are also keen to help the pilgrims along the path of sin, thus making their faux pardons worth even more money! The pardoner who ends the game with the most money will win along The Road to Canterbury.
DISCLAIMER: We were provided a copy of the Impoverished Pilgrim Edition (2nd edition) game for the purposes of this review. This is a retail copy of the game, so what you see in these photos is exactly what would be received in your box. I do not intend to cover every single rule included in the rulebook, but will describe the overall game flow and major rule set so that our readers may get a sense of how the game plays. For more in depth rules, you may purchase a copy online or from your FLGS. -T
To setup, follow the rulebook, as there are many components to track. The main areas are the Circle of Sin mat that holds the Parson pawn, the decks area that hold the various decks of cards from which players will be drawing, and each player’s personal area where players will hide their earnings and hand of cards behind the privacy screen. Once all is setup somewhat correctly, it should look similar to the photo below. Warning: When I set this up and took the photo, I neglected to realize the red company and the map tiles were translated to the wrong spaces, so just switch those.
The Road to Canterbury is a game of rounds, and each round players will be taking similar steps: Play One Card, Redraw, Perform a Reckoning of Sin. Players will have access to three different types of cards that can be played during the Play One Card phase: Sin cards (five of which are dealt at setup), Pardon cards, and Relic cards. During this phase, the active player can play a Sin card to one of the active Pilgrims to tempt them towards committing that sin. The first time the player adds a Sin card to a Pilgrim, they place one of their corruption cubes on the matching sin on the Circle of Sin. Alternatively, they may play a powerful Relic card that offers adjustments to the rules, or has some interesting results. When a player feels that enough Sin cards of a specific type have been played on a Pilgrim, they may opt to play a matching Pardon card in order to gain precious coin to their pockets. Each Pardon card essentially pardons ALL the sins of that type on the Pilgrim, and the player then collects coins exponentially for a larger total of matching Sin cards on that Pilgrim. If the Parson is currently sitting on the matching sin, the pardoner receives extra coin for it being an especially egregious sin in the eyes of the church. Each time the Pilgrim is pardoned, the pardoner places one of their corruption cubes upon the Pilgrim.
After the active player has played their card, they must Redraw their hand back to five cards, choosing to draw from the Sin, Pardon, or Relic offerings. Some Sin cards may be drawn that are Death Approaches cards. When these surface, they are immediately attached to the Pilgrim whose color matches that of the drawn card’s border color. This essentially eats up a slot on the Pilgrim that could be used for a Sin card to be pardoned.
Once the player has redrawn cards to their hand they must next Perform a Reckoning of Sin. The active player assesses each active Pilgrim to see if they have seven or more cards attached to them. If so, that Pilgrim will perish from the “deadly” sins. Whichever player has placed the most number of corruption cubes upon the Pilgrim is considered present at time of death and will receive credit for the sending to the heavens. They move one of the cubes upon the Pilgrim to the first space on the map tile, earning bonus points and a Last Rites token. Last Rites may be performed immediately to take another turn, or may be held until the end of the game for a 3 VP bonus per token. The most interesting aspect of a Pilgrim dying is the fact that their card now becomes a permanent placeholder underneath their company’s colored banner. So the next Pilgrim to enter play for that company will need only six additional cards to kick the bucket, and so on.
Play continues in this fashion of players taking turns through their three phases. The game ends when all the spaces on the map tile are filled with cubes. Bonus points are counted, coins are added, and the player with the most money/highest score is the winner! The best temptress and pardoner this side of Yorkshire!
Components. I have no experience with the first edition of The Road to Canterbury, so unfortunately I cannot compare and contrast components. However, I have seen many photos and even checked out a review video or two. What I can say about components is that this edition has refreshed the look of nearly everything, and so much for the better. Instead of boring plain cards, there’s just a little more decoration. Not so much to be invasive or distracting, but very tasteful. The component quality throughout is quite stellar. There’s a lot of cardboard in this box, and it all looks and feels great. I do quite like the art style, even though it’s all medievall-y and too artsy for my normal preference. All in all a great quality box of game.
So like I said, I have no experience with this game prior to receiving it and playing through it now. It certainly doesn’t feel like a 10-year-old game, nor does it really feel like many of the Alf Seegert games I have played in the past. Neither of these points are bad at all, just some thoughts I had.
It should be obvious by my ratings graphic that I dig this game a lot. I have nothing like it in my collection, and I am super excited to really bring this out with different types of gamers to see how it fares (once the COVID is no longer an issue, of course). I see this being a hit with my family, who enjoys a lot of take that style games. I see this being a hit with my more thinky gamer friends, because there are just so many juicy choices to be had every turn. I can see this even being a hit with my more gateway friends, because it isn’t terribly heavy, has some humor in it, and I can see the prospect of sowing sin and killing off innocent Pilgrims being attractive to some of my more morbid friends.
For me, I love the ability to take every turn and make important decisions. I try to make every turn meaningful to my agenda, but tactical with what may be at my disposal at the time. When should I play this Relic? Why is named something ridiculous? Should I wait a while longer to pardon this sin, or should I pile on another and then pardon next turn? Ooh, but what if my opponent has the same Pardon card. Am I truly happy that this poor Wife of Bath is about to kick it? GAAHHHHH!
Now it’s no secret that I am a big fan of Dr. Seegert’s games, as I have previously reviewed Fantastiqa and Haven with very high ratings. So, I was not at all surprised that I would love this one as well. It offers so many great choices, looks great on the table, fills a unique void that was present in my collection, and can be played with various types of gamers, even though it is designed for two or three players total. Purple Phoenix Games gives this one an unapologetic 5 / 6. I don’t think it will break into my Top 10, but I certainly won’t rule it out quite yet. More plays with different types of gamers may change my mind on that statement, and I eagerly await my plateful of crow. So if you are like me in your gaming preferences, check out this version of The Road to Canterbury. Let me know how often you tend to grab Relics too, because I feel like I need to utilize them more, but it is so hard to pass up a Sin or Pardon. I Lust after them so very badly.
Acanthea Grimscythe (300 KP) rated I Am the Cheese in Books
May 16, 2018
If I were to judge a book by its title or cover, Robert Cormier's I Am the Cheese is definitely not a book that I would pick up. In fact, I probably would have gone my entire life without touching it if it weren't for the fact that one of my teachers assigned it for my class in Young Adult Literature. For that reason, I'm glad I took the class.
Like most of Cormier's books, I Am the Cheese is set in the town of Monument, Massachusetts. It is a fictional setting based on the author's own home town. In this story, the main character is Adam Farmer and doubles as my pick for PopSugar's 2017 Reading Challenge as a book with an unreliable narrator, because young Adam Farmer is precisely that: unreliable.
Adam Farmer grows up with a rather complicated life: his family is part of the early stages of the Witness Protection Program. They are relocated to Monument after his father uncovers deeply rooted corruption among government officials and, as a result, testifies against them. Having been young at the time, Adam only knows his life as it now and goes about his day to day business as any boy his age would. He meets and falls in love with a girl named Amy and one day decides to skip school and bike to Rutterberg, Vermont so that he can deliver a gift to his father, who is currently in the hospital. As Adam tells us his story of visiting his father, we are simultaneously introduced to him in the future, where he is currently under psychiatric care. There, he is urged to recover his memories via sessions with Brint. During these sessions, the reader learns more Adam and his family.
I really can't say a whole lot more about the book other than that without revealing spoilers, but what I can say is that this book has more twists and turns with sharp jerks than those little mini-coaster rides at a theme park. You know, the ones that leave you with bruises instead of making you scream with glee? Even better, these twists are rather dark in nature - more so than I would have expected for a book labeled Young Adult back in the 70s. It's extremely rare for me to find myself questioning elements of story throughout an entire book, but I Am the Cheese succeeded in doing just that.
Another interesting element to I Am the Cheese, and one of the many traits it shares with Post-Modernism literature, is the use of several different styles of writing within its pages. While the book has alternating perspectives, there is a clear distinction when each perspective changes: first person is from Adam's point-of-view; the interview transcripts are from recordings of Brint and Adam speaking; the final style is third-person limited, with most of its focus centered directly on Adam and what goes on around him.
I was also surprised to learn, via my instructor, that the number Adam calls to try and reach Amy was actually Cormier's personal phone number. He had put it in the book so that if readers called it, they would be able to speak with him - particularly during less happy moments in their life. That alone is deserving of kudos.
I Am the Cheese is undoubtedly one of my favorite Young Adult books and, as a result, I definitely plan to read more of Cormier's books, especially since many of them have startlingly dark themes.
Like most of Cormier's books, I Am the Cheese is set in the town of Monument, Massachusetts. It is a fictional setting based on the author's own home town. In this story, the main character is Adam Farmer and doubles as my pick for PopSugar's 2017 Reading Challenge as a book with an unreliable narrator, because young Adam Farmer is precisely that: unreliable.
Adam Farmer grows up with a rather complicated life: his family is part of the early stages of the Witness Protection Program. They are relocated to Monument after his father uncovers deeply rooted corruption among government officials and, as a result, testifies against them. Having been young at the time, Adam only knows his life as it now and goes about his day to day business as any boy his age would. He meets and falls in love with a girl named Amy and one day decides to skip school and bike to Rutterberg, Vermont so that he can deliver a gift to his father, who is currently in the hospital. As Adam tells us his story of visiting his father, we are simultaneously introduced to him in the future, where he is currently under psychiatric care. There, he is urged to recover his memories via sessions with Brint. During these sessions, the reader learns more Adam and his family.
I really can't say a whole lot more about the book other than that without revealing spoilers, but what I can say is that this book has more twists and turns with sharp jerks than those little mini-coaster rides at a theme park. You know, the ones that leave you with bruises instead of making you scream with glee? Even better, these twists are rather dark in nature - more so than I would have expected for a book labeled Young Adult back in the 70s. It's extremely rare for me to find myself questioning elements of story throughout an entire book, but I Am the Cheese succeeded in doing just that.
Another interesting element to I Am the Cheese, and one of the many traits it shares with Post-Modernism literature, is the use of several different styles of writing within its pages. While the book has alternating perspectives, there is a clear distinction when each perspective changes: first person is from Adam's point-of-view; the interview transcripts are from recordings of Brint and Adam speaking; the final style is third-person limited, with most of its focus centered directly on Adam and what goes on around him.
I was also surprised to learn, via my instructor, that the number Adam calls to try and reach Amy was actually Cormier's personal phone number. He had put it in the book so that if readers called it, they would be able to speak with him - particularly during less happy moments in their life. That alone is deserving of kudos.
I Am the Cheese is undoubtedly one of my favorite Young Adult books and, as a result, I definitely plan to read more of Cormier's books, especially since many of them have startlingly dark themes.
Heather Cranmer (2721 KP) rated On Wings of Silence: Mexico '68 in Books
May 6, 2019
A Well Written and Interesting Historical Fiction Novel
I'm a fan of books written in verse. There's just something special about them that calls out to me. When I first heard about On Wings of Silence: Mexico '68 by Dede Fox, the synopsis intrigued me. When I heard that it was written in verse, it was then that I knew I had to read this book. I ended up loving this book.
I will admit that I had never heard of the Tlatelolco Massacre before I read On Wings of Silence: Mexico '68. The plot does a fantastic job of explaining the massacre to those who know nothing about it. It was also interesting to read about Diana's time in Mexico as an American university student. Everything is told through Diana's perspective. This book made me want to research more about the Tlatelolco Massacre that the Mexican government tried to keep hushed up.
The prose in On Wings of Silence: Mexico '68 was done beautifully and perfectly. Every word elicited all kinds of feelings whilst reading this book. Because this novel was written in verse, it really drove those feelings home and made them feel more realistic. I think I experienced a total spectrum of feelings while reading On Wings of Silence: Mexico '68. Some readers may have a little trouble with some of the Spanish in this book, but there are enough context clues to figure out what is being said.
I really cared and felt for Diana, the main character in On Wings of Silence: Mexico '68. Diana was such an authentic and fleshed out character which can sometimes be a challenge in books written in verse. Dede Fox made character writing appear easy! My heart felt so full while Diana was falling in love with Guillermo. I felt as if I was falling in love at the same time. When Guillermo went missing while on the phone with Diana, I felt such panic. Her search for her boyfriend felt as if it was my search. I was worried for Guillermo as if he was a real person instead of a fictional character. (Sadly, as this book is based on an actual historical event, I imagine that feeling was all too real for many people.) I lived in hope Guillermo would turn up at some point. I'll just leave it at that because you'll have to read the book in order to find out Guillermo's fate. Diana was such a strong female character as well. I really admired her. Natalie and Melinda, Diana's roommates, were likable characters, but we don't get much of a backstory on them. I feel as if this was done on purpose so the reader could really focus more on Diana's story.
The pacing was done fantastically! I devoured this book in one sitting. I couldn't get enough. Each word flowed beautifully into the next, and I was left captivated and hungry for more of the story.
Trigger warnings for On Wings of Silence: Mexico '68 include attempted rape, sexual assault, violence (although not graphic), drinking, some minor profanities in English and Spanish, and political corruption.
Overall, On Wings of Silence: Mexico '68 is a beautifully written piece of literature that will leave its reader with a plethora of feelings as well as a history lesson. I would definitely recommend On Wings of Silence: Mexico '68 by Dede Fox to everyone 16+.
--
(Thanks to the Dede Fox for providing me with a paperback of On Wings of Silence: Mexico '68 in exchange for an honest and unbiased review.)
I will admit that I had never heard of the Tlatelolco Massacre before I read On Wings of Silence: Mexico '68. The plot does a fantastic job of explaining the massacre to those who know nothing about it. It was also interesting to read about Diana's time in Mexico as an American university student. Everything is told through Diana's perspective. This book made me want to research more about the Tlatelolco Massacre that the Mexican government tried to keep hushed up.
The prose in On Wings of Silence: Mexico '68 was done beautifully and perfectly. Every word elicited all kinds of feelings whilst reading this book. Because this novel was written in verse, it really drove those feelings home and made them feel more realistic. I think I experienced a total spectrum of feelings while reading On Wings of Silence: Mexico '68. Some readers may have a little trouble with some of the Spanish in this book, but there are enough context clues to figure out what is being said.
I really cared and felt for Diana, the main character in On Wings of Silence: Mexico '68. Diana was such an authentic and fleshed out character which can sometimes be a challenge in books written in verse. Dede Fox made character writing appear easy! My heart felt so full while Diana was falling in love with Guillermo. I felt as if I was falling in love at the same time. When Guillermo went missing while on the phone with Diana, I felt such panic. Her search for her boyfriend felt as if it was my search. I was worried for Guillermo as if he was a real person instead of a fictional character. (Sadly, as this book is based on an actual historical event, I imagine that feeling was all too real for many people.) I lived in hope Guillermo would turn up at some point. I'll just leave it at that because you'll have to read the book in order to find out Guillermo's fate. Diana was such a strong female character as well. I really admired her. Natalie and Melinda, Diana's roommates, were likable characters, but we don't get much of a backstory on them. I feel as if this was done on purpose so the reader could really focus more on Diana's story.
The pacing was done fantastically! I devoured this book in one sitting. I couldn't get enough. Each word flowed beautifully into the next, and I was left captivated and hungry for more of the story.
Trigger warnings for On Wings of Silence: Mexico '68 include attempted rape, sexual assault, violence (although not graphic), drinking, some minor profanities in English and Spanish, and political corruption.
Overall, On Wings of Silence: Mexico '68 is a beautifully written piece of literature that will leave its reader with a plethora of feelings as well as a history lesson. I would definitely recommend On Wings of Silence: Mexico '68 by Dede Fox to everyone 16+.
--
(Thanks to the Dede Fox for providing me with a paperback of On Wings of Silence: Mexico '68 in exchange for an honest and unbiased review.)
Darren (1599 KP) rated American Hustle (2013) in Movies
Jun 20, 2019
Story: When you have a con artist film you need to be anticipating some twist in the heroes favour. This has that and you are left to figure out how he will pull it off, what happens between is very familiar with the differences between the hero and the guy he has to complete the job for. What is not familiar is that the hero starts to support the guys he is meant to be conning, mix in a love triangle and you do get something more original. The film never tries to take its self too serious which is what makes it good, but in the end you won’t be left thinking I have to watch this again. (7/10)
Actor Reviews
Christian Bale: Irving the con-man who has to help his partner get off the crimes, keep his wife happy and work with someone he clearly doesn’t like. Good performance from Bale who takes a big step away from many roles he would be more know for. (9/10)
bale
Bradley Cooper: Richie the FBI agent who wants to take as many people down as he could, stepping on whoever tries to stop him. Good cocky performance showing he doesn’t always have to play the good guy. (8/10)
cooper
Amy Adams: Sydney the partner in crime of Irving who gets caught, but will work with her partner to take down enough people to get off the crime, smart, sexy she has to put up with being Irving’s piece on the side due to his marriage commitments. Good performance as always from Adams showing she can fit in any role given to her. (9/10)
adams
Jeremy Renner: Mayor Carmine the man they are all trying to catch, along with all his fellow big names who take money under the table. Good performance from Jeremy showing he can step into less serious roles after a string of action based films. (8/10)
renner
Jennifer Lawrence: Rosalyn, Irving’s estranged wife, they both don’t like each other but stay together for her child, and she is clumsy and never follows instructions, the complete opposite of Irving. Good performance from Jennifer who shows she can fill smaller roles and still steal the scene.(8/10)
jenny
Director Review: David O. Russell – Good direction throughout showing how each character is currently feeling and letting us know how they think about what is going on. (8/10)
Crime: Good con artist themes throughout. (8/10)
Settings: Very good authentic settings for the time period. (9/10)
Suggestion: I think this is only one to try, I feel some people will not enjoy it due to its unoriginal con artist themes but they may enjoy the characters. (Try It)
Best Part: De Niro cameo
Worst Part: It is kind of slow.
Believability: The corruption involved is real, but the characters are all made up. (5/10)
Chances of Tears: No (0/10)
Chances of Sequel: No
Post Credits Scene: No
Oscar Chances: Nominated for TEN Oscars, but didn’t win any.
Box Office: $251,171,807
Budget: $40 Million
Runtime: 2 Hours 18 Minutes
Tagline: Everyone Hustles To Survive
Overall: Con Artist time machine to the 70s
https://moviesreview101.com/2014/04/28/american-hustle-2013/
Actor Reviews
Christian Bale: Irving the con-man who has to help his partner get off the crimes, keep his wife happy and work with someone he clearly doesn’t like. Good performance from Bale who takes a big step away from many roles he would be more know for. (9/10)
bale
Bradley Cooper: Richie the FBI agent who wants to take as many people down as he could, stepping on whoever tries to stop him. Good cocky performance showing he doesn’t always have to play the good guy. (8/10)
cooper
Amy Adams: Sydney the partner in crime of Irving who gets caught, but will work with her partner to take down enough people to get off the crime, smart, sexy she has to put up with being Irving’s piece on the side due to his marriage commitments. Good performance as always from Adams showing she can fit in any role given to her. (9/10)
adams
Jeremy Renner: Mayor Carmine the man they are all trying to catch, along with all his fellow big names who take money under the table. Good performance from Jeremy showing he can step into less serious roles after a string of action based films. (8/10)
renner
Jennifer Lawrence: Rosalyn, Irving’s estranged wife, they both don’t like each other but stay together for her child, and she is clumsy and never follows instructions, the complete opposite of Irving. Good performance from Jennifer who shows she can fill smaller roles and still steal the scene.(8/10)
jenny
Director Review: David O. Russell – Good direction throughout showing how each character is currently feeling and letting us know how they think about what is going on. (8/10)
Crime: Good con artist themes throughout. (8/10)
Settings: Very good authentic settings for the time period. (9/10)
Suggestion: I think this is only one to try, I feel some people will not enjoy it due to its unoriginal con artist themes but they may enjoy the characters. (Try It)
Best Part: De Niro cameo
Worst Part: It is kind of slow.
Believability: The corruption involved is real, but the characters are all made up. (5/10)
Chances of Tears: No (0/10)
Chances of Sequel: No
Post Credits Scene: No
Oscar Chances: Nominated for TEN Oscars, but didn’t win any.
Box Office: $251,171,807
Budget: $40 Million
Runtime: 2 Hours 18 Minutes
Tagline: Everyone Hustles To Survive
Overall: Con Artist time machine to the 70s
https://moviesreview101.com/2014/04/28/american-hustle-2013/
JT (287 KP) rated RoboCop (2014) in Movies
Mar 17, 2020
Reboot taints the original's good name
If you’re going to remake one of the 80s most iconic action films you’ve got to do it with some balls. Sadly José Padilha dropped this particular ball, pretty spectacularly in fact, to give us a sorry remake and leave fans of the original baying for blood (something which was missing in this).
It’s a story that was disjointed, rushed and ill-conceived in every possible way, with a leading actor who was miscast and non-believable in the role he was trusted to uphold. Kinnaman is Alex Murphy a Detroit Detective whose ill-fated sting operation ends badly after his cover is blown leaving him high on the villains most wanted list.
In the background is OmniCorp a leading company in robot technology priding itself on making the world a safer place with drones and the all too familiar ED-209 looking to serve and protect. Lead by CEO Raymond Sellars (Michael Keaton) the initiative has not reached American soil due to Government legislation and a bill that prohibits the use of robots on the streets.
Needing a new way to reach the public, Sellars turns to Murphy as a part-man part machine creation to reach out and grab justice by the throat and give America the hope it longs for, and a hero to put their faith in. The PG-13 rating and lack of graphic violence is stark contrast to the original, while the action scenes might be slick and bolstered with nifty CGI it does little to hide the fact that there isn’t a drop of claret anywhere to be seen.
While not completely adhering to the original it nods in its direction a few times, but only because it has to appease the die-hard fan. Once Robocop is up and about after being resurrected under the watchful eye of Dr Dennett Norton (Gary Oldman) he goes on a quick hunt to bring the perpetrators who tried to have him killed to justice.
Unlike Clarence J. Boddicker, Antoine Vallon (Patrick Garrow) is only a bit part villain, hopelessly moving illegal guns around the city he’s duly finished off in one of the film’s more colourful action shoot outs. The film is comical but not in a good way when Murphy demands to see what is behind the suit you almost laugh and then hang your head that Padilha could have included and thought up such a ridiculous scene.
Supporting cast do little to add much either, Samuel L. Jackson waves his arms and shouts a lot like a current affairs news anchor that in some way pays homage to the cut to’s of the Casey Wong era. Abbie Cornish is shockingly bad, and Jackie Earle Haley as much so, all in all, a pity. Only Oldman provides any shinning light in something that was slumping before it had even made it halfway through.
Robocop continues his quest back into the Detroit Police department, where corruption is rife and all trailing back to OmniCorps big cheese in charge, culminating in a finale that does little to finish on a high note. Paul Verhoeven will be able to rest easy at night knowing that his 1987 classic will continue to live long in the memory of true Robocop fans, while its 2014 compatriot should be cast aside into the recycle bin.
It’s a story that was disjointed, rushed and ill-conceived in every possible way, with a leading actor who was miscast and non-believable in the role he was trusted to uphold. Kinnaman is Alex Murphy a Detroit Detective whose ill-fated sting operation ends badly after his cover is blown leaving him high on the villains most wanted list.
In the background is OmniCorp a leading company in robot technology priding itself on making the world a safer place with drones and the all too familiar ED-209 looking to serve and protect. Lead by CEO Raymond Sellars (Michael Keaton) the initiative has not reached American soil due to Government legislation and a bill that prohibits the use of robots on the streets.
Needing a new way to reach the public, Sellars turns to Murphy as a part-man part machine creation to reach out and grab justice by the throat and give America the hope it longs for, and a hero to put their faith in. The PG-13 rating and lack of graphic violence is stark contrast to the original, while the action scenes might be slick and bolstered with nifty CGI it does little to hide the fact that there isn’t a drop of claret anywhere to be seen.
While not completely adhering to the original it nods in its direction a few times, but only because it has to appease the die-hard fan. Once Robocop is up and about after being resurrected under the watchful eye of Dr Dennett Norton (Gary Oldman) he goes on a quick hunt to bring the perpetrators who tried to have him killed to justice.
Unlike Clarence J. Boddicker, Antoine Vallon (Patrick Garrow) is only a bit part villain, hopelessly moving illegal guns around the city he’s duly finished off in one of the film’s more colourful action shoot outs. The film is comical but not in a good way when Murphy demands to see what is behind the suit you almost laugh and then hang your head that Padilha could have included and thought up such a ridiculous scene.
Supporting cast do little to add much either, Samuel L. Jackson waves his arms and shouts a lot like a current affairs news anchor that in some way pays homage to the cut to’s of the Casey Wong era. Abbie Cornish is shockingly bad, and Jackie Earle Haley as much so, all in all, a pity. Only Oldman provides any shinning light in something that was slumping before it had even made it halfway through.
Robocop continues his quest back into the Detroit Police department, where corruption is rife and all trailing back to OmniCorps big cheese in charge, culminating in a finale that does little to finish on a high note. Paul Verhoeven will be able to rest easy at night knowing that his 1987 classic will continue to live long in the memory of true Robocop fans, while its 2014 compatriot should be cast aside into the recycle bin.
Lost - Season 1
8.5
Rate It
TV Season Watch
Oceanic Air flight 815 tore apart in mid-air and crashed on a Pacific island, leaving 48 passengers...
The Platinum Raven and Other Novellas
Book
"The Platinum Raven and other novellas" by Rohan Quine is a paperback comprising a collection of...
Lenard (726 KP) rated One Night in Miami (2020) in Movies
Jan 9, 2021
One Night in Miami is from start to finish a frank examination on responsibility and acceptance. On February 25, 1964, four friends who happened to highly visible black men, Malcolm X, Cassius Clay, Sam Cooke, and Jim Brown, met in a hotel room after Cassius surprised the world in winning the heavyweight championship. But, before we get to that night, we are introduced to each man at a crossroads. Malcolm X is breaking away from the Nation of Islam after witnessing the corruption of its leadership. His actions would lead some members to view him as a direct threat. Cassius Clay is a great boxer, but his focus is waning. His brash style is alienating the audience and he has opinions about the way his brothers are being treated in the country. Sam Cooke is recognized as a great voice, but still not respected in the "white" world where success is gauged. He is looking for a way to crossover without betraying his roots. Jim Brown is the greatest football player, but even in his hometown he is still seen as inferior socially. In this dramatized version of the events of that night, each man must come to terms with the path he has chosen and the path forward.
Like another recent film, the path is a choice between making changes within the system, like Sam Cooke and Jim Brown have attempted, or to change the system from the outside, like Malcolm and Clay. Both paths have their advantages, and both are also deadly. Within a year, both Malcolm and Cooke would be dead. The movie based on a play finds ways from each character to learn from the others by pairing them off in various combinations (Malcolm-Cooke, Brown-Clay, Cooke-Clay, Malcolm-Brown, Malcolm-Clay, Cooke-Brown). The main antagonism takes place between Cooke and Malcolm. Cooke sees Malcolm as a militant who is creating sowing seeds of fear in the eyes of "America" and Malcolm sees Cooke as a Stepin Fetchit with a huge amount of talent wasted playing by the rules. Cooke shows Malcolm that he is quietly taking control while Malcolm gives Cooke the spark to sing for civil rights for the less fortunate members of black society. Malcolm also begins to see how his actions have hurt his brothers by grouping all members of one race together similar to the way whites do not distinguish between black individuals. The movie never shies away from shading each hero with flaws.
Malcolm may be paranoid as evidenced by a couple scenes where he sees people on his trail who may or may not be real. Under a lot of pressure to break from his organization, Malcolm sees his staff betraying him to the feds who have been investigating him since he first started speaking. The whole subplot humanizes a man who many view as dangerous to the world. Jim Brown is also seen as a hero to most. He broke records and is about to conquer the film industry. Maybe they are using him, but he is using them to shine a light on the inequality of the races.
Lastly, one scene in the movie is a highlight. It is not in Miami, but in Boston. It shows how one man can turn a riot into a celebration of joy. With the main road blocked, a man of great talent can turn adversity into victory using his wits and his voice.
Like another recent film, the path is a choice between making changes within the system, like Sam Cooke and Jim Brown have attempted, or to change the system from the outside, like Malcolm and Clay. Both paths have their advantages, and both are also deadly. Within a year, both Malcolm and Cooke would be dead. The movie based on a play finds ways from each character to learn from the others by pairing them off in various combinations (Malcolm-Cooke, Brown-Clay, Cooke-Clay, Malcolm-Brown, Malcolm-Clay, Cooke-Brown). The main antagonism takes place between Cooke and Malcolm. Cooke sees Malcolm as a militant who is creating sowing seeds of fear in the eyes of "America" and Malcolm sees Cooke as a Stepin Fetchit with a huge amount of talent wasted playing by the rules. Cooke shows Malcolm that he is quietly taking control while Malcolm gives Cooke the spark to sing for civil rights for the less fortunate members of black society. Malcolm also begins to see how his actions have hurt his brothers by grouping all members of one race together similar to the way whites do not distinguish between black individuals. The movie never shies away from shading each hero with flaws.
Malcolm may be paranoid as evidenced by a couple scenes where he sees people on his trail who may or may not be real. Under a lot of pressure to break from his organization, Malcolm sees his staff betraying him to the feds who have been investigating him since he first started speaking. The whole subplot humanizes a man who many view as dangerous to the world. Jim Brown is also seen as a hero to most. He broke records and is about to conquer the film industry. Maybe they are using him, but he is using them to shine a light on the inequality of the races.
Lastly, one scene in the movie is a highlight. It is not in Miami, but in Boston. It shows how one man can turn a riot into a celebration of joy. With the main road blocked, a man of great talent can turn adversity into victory using his wits and his voice.
Lottie disney bookworm (1056 KP) rated So This is Love in Books
May 16, 2020
Never has a title of a book made me sing one verse over and over (and over) again. Seriously, I have been wandering around the house humming “So this is love” so much my husband probably thinks I have got myself a new fella!
‘So This is Love’ is the latest in the Disney Twisted Tale series and has been eagerly awaited by yours truly. The latest novel, by Elizabeth Lim (who also wrote the Mulan inspired tale ‘Reflection’) explores what would happen to the classic Cinderella tale if Cinders did not try on the glass slipper for the Grand Duke and scamper off towards her happily ever after. How would Cinderella fare if a dramatic stand off resulted in the remaining slipper shattering into a million pieces?
However, it is not, as you may suspect, Lady Tremaine who smashes the second glass slipper but Cinders herself. Lim’s Cinderella has her head firmly on her shoulders and is all too aware what the power of possessing this shoe may mean to herself, the Prince and the kingdom if it fell into the greedy hands of her relatives. Thus, in an act of bravery, she destroys her ticket to a happily ever after and faces the wrath of her stepmother in the process.
This is the first point in the twisted tale where we see a completely different Cinderella than we have ever seen before. After a dramatic turn of events Cinderella leaves her family home for good and finds herself at risk of a life living on the streets. However, Elizabeth Lim has not abandoned all aspects of a fairy tale: a chance encounter and a new friend present Cinders with the opportunity to find work within the palace where she once danced the night away.
In my opinion, the traditional Cinderella would go running straight to the Prince, explain her story, rely on her beautiful face and live happily ever after. Thankfully for the realists amongst us, our twisted tale Cinderella agonises over the possibility that the Prince is more in love with the idea of the “runaway princess”: she decides that their relationship would never work and that she should focus on her career and creating an independent life for herself.
This was such a refreshing character trait: I loved the fact that, although Elizabeth Lim did not change the time period of the novel, she modernised the main character into a young woman who does not need rescuing. Quite the opposite, as Cinderella soon finds herself witnessing corruption within the palace: can this Disney Princess become a hero and save the kingdom?
Lim’s Cinderella is truly a modern role model: she is resilient, sometimes stubborn but altogether kind and most importantly, she faces her fears despite overwhelming periods of anxiety in some of the most emotive and beautifully written pieces I have read in a long time.
In an Instagram post to Elizabeth Lim (@elimpix) I told her that this Cinderella is the version I would prefer my boys to chase after. However, on reflection that isn’t true. This Cinderella doesn’t deserve to be chased and hunted down in order to fit into a pretty shoe. This Cinderella is a partner in every aspect: working for the good of the kingdom and a ruler in her own right. This is the Cinderella I would want my boys to be worthy of.
‘So This is Love’ is the latest in the Disney Twisted Tale series and has been eagerly awaited by yours truly. The latest novel, by Elizabeth Lim (who also wrote the Mulan inspired tale ‘Reflection’) explores what would happen to the classic Cinderella tale if Cinders did not try on the glass slipper for the Grand Duke and scamper off towards her happily ever after. How would Cinderella fare if a dramatic stand off resulted in the remaining slipper shattering into a million pieces?
However, it is not, as you may suspect, Lady Tremaine who smashes the second glass slipper but Cinders herself. Lim’s Cinderella has her head firmly on her shoulders and is all too aware what the power of possessing this shoe may mean to herself, the Prince and the kingdom if it fell into the greedy hands of her relatives. Thus, in an act of bravery, she destroys her ticket to a happily ever after and faces the wrath of her stepmother in the process.
This is the first point in the twisted tale where we see a completely different Cinderella than we have ever seen before. After a dramatic turn of events Cinderella leaves her family home for good and finds herself at risk of a life living on the streets. However, Elizabeth Lim has not abandoned all aspects of a fairy tale: a chance encounter and a new friend present Cinders with the opportunity to find work within the palace where she once danced the night away.
In my opinion, the traditional Cinderella would go running straight to the Prince, explain her story, rely on her beautiful face and live happily ever after. Thankfully for the realists amongst us, our twisted tale Cinderella agonises over the possibility that the Prince is more in love with the idea of the “runaway princess”: she decides that their relationship would never work and that she should focus on her career and creating an independent life for herself.
This was such a refreshing character trait: I loved the fact that, although Elizabeth Lim did not change the time period of the novel, she modernised the main character into a young woman who does not need rescuing. Quite the opposite, as Cinderella soon finds herself witnessing corruption within the palace: can this Disney Princess become a hero and save the kingdom?
Lim’s Cinderella is truly a modern role model: she is resilient, sometimes stubborn but altogether kind and most importantly, she faces her fears despite overwhelming periods of anxiety in some of the most emotive and beautifully written pieces I have read in a long time.
In an Instagram post to Elizabeth Lim (@elimpix) I told her that this Cinderella is the version I would prefer my boys to chase after. However, on reflection that isn’t true. This Cinderella doesn’t deserve to be chased and hunted down in order to fit into a pretty shoe. This Cinderella is a partner in every aspect: working for the good of the kingdom and a ruler in her own right. This is the Cinderella I would want my boys to be worthy of.
Gotham is the kind of show where I wonder whether they tried to save money by just having the interns write the script. It's got that stilted, on-the-nose kind of dialogue that makes me just feel bad for the actors. For a while I thought the quality of the writing varied from scene to scene, but it was really just that a certain few actors (those that play Fish Mooney, Ed Nygma, and Harvey Bullock spring to mind) that were able to transcend the material they were working with, while others struggled and some just seemed to give up.
Season one starts off promisingly enough for a superhero themed crime show. The premise is solid - we get to watch how these superheroes and supervillians come to be. And that is really the draw that keeps me watching - the character driven moments where we see Nygma descend into madness, the Penguin rise through the ranks of the underworld, Mooney wrestle to keep control of her little patch of Gotham. The conflict James Gordon faces in the first season - a Lawful Good character up against rampant, insidious, and impossible to root up corruption throughout every level of Gotham's government is genuinely interesting and feels like a relevant emotional thread that keeps you going through all of the schlocky and improbable events. All three seasons seem to have a firm grasp of their season plot arc and tentpole moments, setting up the next season nicely for whatever main villain and evil will be explored, but I feel like the tone of the show has shifted wildly. The show can't decide if it's gritty or campy, whether it's a comic book or a crime procedural. It handwaves technology and superpowers in a way that fails to establish in-world rules or limitations. So every super power is all-powerful until plot convenient. I also just personally hate the third season "blood virus" arc and the non-canonical Mad Hatter who speaks in rhyming couplets.
Speaking of which, I'd love to tell the writers that a mass of contradictory, plot-convenient impulses does not a strong female character make. Barbara Kean's story arc makes absolutely no sense. Lee Thompkins seems only to exist to push Gordon to do things he wouldn't otherwise, and Selina Kyle is easily swapped out with every spunky street urchin ever.
I almost want to be offended that every single queer character is, or ends up being, a baddie, but honestly I think that's probably just because the antagonists are more interesting and fleshed out characters to begin with. Still, there's some serious issues with representation (shocker). The third season introduces a really icky variant of the Born Sexy Yesterday trope (watch the video by the Pop Culture Detective, it's worth it.)
Still, I think the casting is pretty great, acting ability aside. The costuming is good, although everything is hampered by the show's refusal to nail down any sort of time period. The dream sequences in the first two seasons are beautiful. I love Oswald Cobblepot and Ed Nygma, and I'd love to see the actor who plays Bruce Wayne master more than just his admittedly very good "holding back tears" expression.
If you're looking for something campy, if you like your villians and your superheroes, and if you need something to watch while you fold laundry or go to sleep, I would recommend this show. It's a show that thrives on tired old tropes, but it lifts those tropes from its source material, so fans of comics might enjoy it, or might be aggrieved at the retconning of beloved old character's backstories.
Whatever you do, don't call Nymga insane. He's better now. He has a certificate.
Season one starts off promisingly enough for a superhero themed crime show. The premise is solid - we get to watch how these superheroes and supervillians come to be. And that is really the draw that keeps me watching - the character driven moments where we see Nygma descend into madness, the Penguin rise through the ranks of the underworld, Mooney wrestle to keep control of her little patch of Gotham. The conflict James Gordon faces in the first season - a Lawful Good character up against rampant, insidious, and impossible to root up corruption throughout every level of Gotham's government is genuinely interesting and feels like a relevant emotional thread that keeps you going through all of the schlocky and improbable events. All three seasons seem to have a firm grasp of their season plot arc and tentpole moments, setting up the next season nicely for whatever main villain and evil will be explored, but I feel like the tone of the show has shifted wildly. The show can't decide if it's gritty or campy, whether it's a comic book or a crime procedural. It handwaves technology and superpowers in a way that fails to establish in-world rules or limitations. So every super power is all-powerful until plot convenient. I also just personally hate the third season "blood virus" arc and the non-canonical Mad Hatter who speaks in rhyming couplets.
Speaking of which, I'd love to tell the writers that a mass of contradictory, plot-convenient impulses does not a strong female character make. Barbara Kean's story arc makes absolutely no sense. Lee Thompkins seems only to exist to push Gordon to do things he wouldn't otherwise, and Selina Kyle is easily swapped out with every spunky street urchin ever.
I almost want to be offended that every single queer character is, or ends up being, a baddie, but honestly I think that's probably just because the antagonists are more interesting and fleshed out characters to begin with. Still, there's some serious issues with representation (shocker). The third season introduces a really icky variant of the Born Sexy Yesterday trope (watch the video by the Pop Culture Detective, it's worth it.)
Still, I think the casting is pretty great, acting ability aside. The costuming is good, although everything is hampered by the show's refusal to nail down any sort of time period. The dream sequences in the first two seasons are beautiful. I love Oswald Cobblepot and Ed Nygma, and I'd love to see the actor who plays Bruce Wayne master more than just his admittedly very good "holding back tears" expression.
If you're looking for something campy, if you like your villians and your superheroes, and if you need something to watch while you fold laundry or go to sleep, I would recommend this show. It's a show that thrives on tired old tropes, but it lifts those tropes from its source material, so fans of comics might enjoy it, or might be aggrieved at the retconning of beloved old character's backstories.
Whatever you do, don't call Nymga insane. He's better now. He has a certificate.