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The Constant Rabbit
8.5
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England, 2020. There are 1.2 million human-sized rabbits living in the UK. They can walk, talk...
Trick or Murder? (Sophie Sayers Village Mystery #2)
4.0
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As Halloween approaches in the Cotswold village of Wendlebury Barrow, Sophie Sayers, new to the...
Bethr1986 (305 KP) rated Shifting and Shenanigans (Magical Mystery Book Club #1) in Books
Jul 25, 2022
Paige is a recent divorcee who's great grandma has gone to a better place and left her business the snapdragon Inn to her and her aunt glo. They take the bull by the horns and pack up what they own move across the country to where the Inn is. They discover a few different things about the Inn including the cosy murder mystery book club and how adventurous it can get reading.
Well, what can I say? I think Elizabeth is a Fantastic write and cannot praise her high enough. I thought very highly of her destiny falls series (I recommend that a read as well) and although this is book number 1 in this series I'm already waiting for the next one!
The way her writing just flows I never actually find myself questioning what is and isn't real as it seems like it could be even though I know it's impossible, I never seem to stutter or stop and think hold on a minute I'm just excited to read the next part of the story.
Well done Elizabeth you've got me hooked again!
Well, what can I say? I think Elizabeth is a Fantastic write and cannot praise her high enough. I thought very highly of her destiny falls series (I recommend that a read as well) and although this is book number 1 in this series I'm already waiting for the next one!
The way her writing just flows I never actually find myself questioning what is and isn't real as it seems like it could be even though I know it's impossible, I never seem to stutter or stop and think hold on a minute I'm just excited to read the next part of the story.
Well done Elizabeth you've got me hooked again!
Clues to You (Love in the Comptons #3)
10.0
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One murder mystery weekend. Two rival sleuths. They’re looking for answers. But will they find...
Contemporary Romance
The Case of the Canterfell Codicil
10.0
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There's a literary niche for all tastes including those who think that either Dorothy L Sayers...
Mayhawke (97 KP) rated Bats In The Belfry in Books
Feb 26, 2018 (Updated Feb 27, 2018)
A Cosy Crime sleeper worthy of resurrection
I’m a huge fan of Cosy Crime, I cut my grown-up reading teeth on Agatha Christie and Dorothy L Sayers, so it should be no surprise that I’m a big fan of the British Library’s inspired decision to republish lost Golden Age novels.
Fifty-one re-issues in and I’m still stunned at the number of authors who had stellar careers as crime writers, were fully inducted members of the Detection Club, and had publication lists to rival Christie’s but who, within a few years of their deaths, had just vanished from the pantheon classic crime novelists.
Such a writer was E.C.R.Lorac, author of Bats In The Belfry. In his introduction Martin Edwards describes the pseudonymous Lorac (real name Edith Caroline Rivett) as enjoying a “low-key career spanning more than a quarter of a century.” It also produced a catalogue of over seventy novels, yet, cosy crime fan that I am I had never heard of her until her book turned up on my work intranet.
Bats, British Library’s inaugural Crime Classic for 2018, is also the first of Lorac’s novels to be given the British Library treatment. It couldn’t have happened to a better book! One of the dangers of republishing books that have disappeared in the mists of time, at least if you are republishing them for the mass market, is that some of them will prove to have been ‘lost’ with good cause. Not that the writing need be poor or the plotting weak, but there are social aspects that can be critical to the development or fundamental premise of the story that change over the course of half a century. When that happens there is a danger that the reader will at best be disgruntled with a puzzle they were unlikely to be able to solve because they didn’t understand the clues they were being given, or, at worst, that the whole premise will seem beyond ludicrous to modern readers. Of the twenty or so BLCC’s I have read only one has fallen into the latter category, and whilst there have been one or two which were a bit plodding thanks to such issues they have largely been a pleasure to read, and I have been able to joyfully pit my wits against the authors’ intrinsic challenge to solve the mystery before the denouement.
Bats in the Belfry most definitely falls into this class of Crime Classic, so much so that it’s a surprise to find from Edwards that it was a bit of a non-starter when it was first published in 1937.
A failing writer, his actress wife, his ward and a selection of friends are collected one evening following the funeral of the writer’s cousin. Shortly thereafter the writer himself has vanished, his suitcase and passport left in a darkly sinister studio known variously as The Belfry, and The Morgue. The story is as dark and twisty as any you could hope for from a member of the Detection Club, and it plays nicely on themes of the time. Broken marriages, financially emasculated men, and the requisite ‘strange foreign man’ all appear, and even aarchaeology gets a look in. As the main characters sit and incautiously discuss ways to bump off someone and hide the body there is brief verbal tussle over the usefulness – and even existence of – dene holes, ancient subterranean storage areas that provided writers of the time with endless possibilities, most notably in Sayers’ The Nine Tailors. Lorac’s plotting is flawless and deceptively simplistic, and she leads you back and forth from suspect to suspect. She is brutally unsympathetic to her characters, and her writing bundles you along until you finally reach the conclusion, to discover how good you are at detecting. Or not.
Fifty-one re-issues in and I’m still stunned at the number of authors who had stellar careers as crime writers, were fully inducted members of the Detection Club, and had publication lists to rival Christie’s but who, within a few years of their deaths, had just vanished from the pantheon classic crime novelists.
Such a writer was E.C.R.Lorac, author of Bats In The Belfry. In his introduction Martin Edwards describes the pseudonymous Lorac (real name Edith Caroline Rivett) as enjoying a “low-key career spanning more than a quarter of a century.” It also produced a catalogue of over seventy novels, yet, cosy crime fan that I am I had never heard of her until her book turned up on my work intranet.
Bats, British Library’s inaugural Crime Classic for 2018, is also the first of Lorac’s novels to be given the British Library treatment. It couldn’t have happened to a better book! One of the dangers of republishing books that have disappeared in the mists of time, at least if you are republishing them for the mass market, is that some of them will prove to have been ‘lost’ with good cause. Not that the writing need be poor or the plotting weak, but there are social aspects that can be critical to the development or fundamental premise of the story that change over the course of half a century. When that happens there is a danger that the reader will at best be disgruntled with a puzzle they were unlikely to be able to solve because they didn’t understand the clues they were being given, or, at worst, that the whole premise will seem beyond ludicrous to modern readers. Of the twenty or so BLCC’s I have read only one has fallen into the latter category, and whilst there have been one or two which were a bit plodding thanks to such issues they have largely been a pleasure to read, and I have been able to joyfully pit my wits against the authors’ intrinsic challenge to solve the mystery before the denouement.
Bats in the Belfry most definitely falls into this class of Crime Classic, so much so that it’s a surprise to find from Edwards that it was a bit of a non-starter when it was first published in 1937.
A failing writer, his actress wife, his ward and a selection of friends are collected one evening following the funeral of the writer’s cousin. Shortly thereafter the writer himself has vanished, his suitcase and passport left in a darkly sinister studio known variously as The Belfry, and The Morgue. The story is as dark and twisty as any you could hope for from a member of the Detection Club, and it plays nicely on themes of the time. Broken marriages, financially emasculated men, and the requisite ‘strange foreign man’ all appear, and even aarchaeology gets a look in. As the main characters sit and incautiously discuss ways to bump off someone and hide the body there is brief verbal tussle over the usefulness – and even existence of – dene holes, ancient subterranean storage areas that provided writers of the time with endless possibilities, most notably in Sayers’ The Nine Tailors. Lorac’s plotting is flawless and deceptively simplistic, and she leads you back and forth from suspect to suspect. She is brutally unsympathetic to her characters, and her writing bundles you along until you finally reach the conclusion, to discover how good you are at detecting. Or not.
Sassy Brit (97 KP) rated Death On The Coast in Books
Jun 5, 2019
I thoroughly enjoyed this “West Country Crime Mystery” Death on the Coast by Bernie Steadman, even though it was book 3 and I’d not read the previous two books in this series.
Set in Devon, DCI Dan Hellier and DS Sally Ellis’ crew make a gruesome discovery; someone is burning body parts in a very ritualistic way. Could a cult be responsible for this? What are their motivations? Can his team work out what is happening before another death hits their shores?
I whizzed through this well written story and although the title suggests cosy mystery to me, this is a much darker and more realistic police procedural. It’s got everything I love in a good murder mystery; a great cast of people with their own issues to contend with, interesting plot twists (despite knowing who is responsible all the way through the book) and enough intriguing goings on to keep me reading long well into the night until I finished it. Bernie Steadman is on fire with this book! I must keep up with this series from now on!
Thank you to Bloodhound Books, and #NetGalley for my ARC copy. This is my own opinion and not biased in any way.
Set in Devon, DCI Dan Hellier and DS Sally Ellis’ crew make a gruesome discovery; someone is burning body parts in a very ritualistic way. Could a cult be responsible for this? What are their motivations? Can his team work out what is happening before another death hits their shores?
I whizzed through this well written story and although the title suggests cosy mystery to me, this is a much darker and more realistic police procedural. It’s got everything I love in a good murder mystery; a great cast of people with their own issues to contend with, interesting plot twists (despite knowing who is responsible all the way through the book) and enough intriguing goings on to keep me reading long well into the night until I finished it. Bernie Steadman is on fire with this book! I must keep up with this series from now on!
Thank you to Bloodhound Books, and #NetGalley for my ARC copy. This is my own opinion and not biased in any way.
Awix (3310 KP) rated King of Thieves (2018) in Movies
Oct 10, 2018
Michael Caine leads a crack team of crock crooks in robbing a safe deposit vault in London in this loosely-based-on-reality black comedy thriller. Quite apart from Caine, the film has an excellent cast (Jim Broadbent, Tom Courtenay, Ray Winstone, Paul Whitehouse, and Michael Gambon, plus Charlie Cox for the streaming generation), which will probably be what draws most people to it.
Initially this looks like it's going to be a slightly cosy comedy thriller about blokes who are too old be robbers any more, but - very pleasantly - it quite soon acquires some real heft and gravity to it, with the various members of the gang falling out and attempting to double-cross each other - most of these actors are well-known as comedians, but there is some proper meaty drama here and scenes with a definite tension to them.
Not quite as much Caine as you might hope for, but he is still the guv'nor as far as British film acting is concerned, and this is his best role for a while. Everyone else is good too. The film never quite gets the shifts between comedy and gangster thriller right, and the low budget keeps it from being very cinematic, but it's an engaging movie driven by great performances.
Initially this looks like it's going to be a slightly cosy comedy thriller about blokes who are too old be robbers any more, but - very pleasantly - it quite soon acquires some real heft and gravity to it, with the various members of the gang falling out and attempting to double-cross each other - most of these actors are well-known as comedians, but there is some proper meaty drama here and scenes with a definite tension to them.
Not quite as much Caine as you might hope for, but he is still the guv'nor as far as British film acting is concerned, and this is his best role for a while. Everyone else is good too. The film never quite gets the shifts between comedy and gangster thriller right, and the low budget keeps it from being very cinematic, but it's an engaging movie driven by great performances.
Vintage Knits for Babies: 30 Patterns for Timeless Clothes, Toys and Gifts (0-18 Months)
Book
Nothing can beat the individuality and beauty of hand-knitted shawls and garments for babies, which...
Absolute Pandemonium: My Louder Than Life Story
Book
There is no one quite like Brian Blessed. He's an actor, film star, trained undertaker, unlikely...