"He was a kind of blues/country artist from America - obviously Scottish lineage - and I remember, the first time I heard a bit of his music was a long time ago when I was very young. It was a cover of 'Sweet Dreams' by Patsy Cline; it was an instrumental version and I thought it sounded amazing. I'd just bought an acoustic guitar, and I heard it on the radio and remember thinking… I'm gonna preface this by saying we live in an age where I'm sick of seeing so many people saying, "I'm glad the guitar solo is dead, anybody can play like that" No they fucking can't! I see so many idiots in indie bands try to play solos and they can't fucking do it, because they haven't got the bravery to do it. They haven't got the fucking blood and guts to do it. You have to spill your guts if you want people to believe a guitar solo. That's why I always go for people like this; you can tell, if a Roy Buchanan song comes on, in any obscure station on the world, as soon as the solo comes you know it's him. And that's a really special gift to have. Not many people have that; as soon as he plays one note of a solo, you know it's him. It's beautiful. He always starts off a solo in a beautiful manner, almost slightly depressed, and then it just goes apeshit and he really loses it. It's almost like the guitar's having a fit. He goes from beautiful to really disturbed in one solo. I remember I went to see The Departed in the cinema and this song, his version of 'Sweet Dreams', came on in the end, and I was like, "Fuck me I forgot to buy a Roy Buchanan record!" I meant to buy one 20 years ago and I never did. I went out the next day and bought Roy Buchanan's entire back catalogue. The best one is just called Roy Buchanan. There's some beautiful stuff on it. There's one song called 'The Messiah Will Come Again', with a spoken word intro, and you can tell it's him doing it, and it's just beautiful. There's an old Phil Lynott and Gary Moore song called 'Parisienne Walkways', and you can see it was inspired by this song. I challenge somebody to listen to this song and not actually rethink their prejudice against expression on the guitar."

"I loved the lyric in 'Angel of Mine', and I loved how simple and poignant it was. Eternal was actually my first concert I went to – I just remember learning all these ballads of theirs. I was completely Eternal-obsessed from eight to 12! Maybe it was that they had elements of gospel in their music, and it was still in the pop scene. ""There weren’t many black women on the TV when I was growing up – there were maybe one or two, not people I could look up to and say, ‘Oh, that’s me, that’s who represents me. I have a chance of being on TV one day, and I could be a singer.’ ""When Eternal came along, my mind was blown on so many levels. I thought they were so beautiful, and they had so many hairstyles that I thought were amazing. Then, on top of that, they could truly sing ­ – they’d come from the church. Instead of always looking at American singers, they gave me a British option – something more relatable and close to home. ""Now, there’s so much [black British media] coming out – the actress Zawe Ashton has just released a book, and it was so amazing to see her take account of her [experiences]. There’ve never been any people on TV that show any products for her hair, just this dream that’s sold that you’re going to have this amazing glossy hair! I felt so touched by that chapter, ‘cause it just reminded me of myself as a kid. You forget once you’re an adult, and you get to move somewhere like London and have access to all of these things. As a kid it can feel very lonely and you feel very different. I feel very grateful for the progress we’ve made as a country, to prevent that feeling as much as possible."" ""I try my best to take on that responsibility, though thankfully I think there’s so many more people of colour on TV – including black women. The culture has so much more of a voice from when I was growing up, and I think that’s the beautiful thing about social media as well: you can see yourself in so many places, and you can choose where you look. When I’m on TV, though, I definitely think about that. I think about me as a kid, and what that would have meant to me. I’m proud of stepping out there and doing my best to represent in the best way possible. I feel very grateful to have had that opportunity. It’s so important for children’s self-esteem and sense of belonging."