"Definitely my favourite song on that record [Yeezus]. I think it's a great record, if you can get past the ""bitches"" and what's that about Chinese pussy? Kanye, fucking grow up man, you're not 15. I was talking to Michael Azerrad, 'cause he's got me to do a couple of podcasts for him. And his clever little thing is to get musicians to review other albums. In conversation, I mentioned this track, and he said he got Lou Reed to write about the record. He said Lou Reed was in tears listening to this track. It's a very emotional track and it's very clever. He switches between making jokes and sounding very desperate indeed. One minute he's being very flippant, and I guess it's like being drunk and not drunk. The drink and the comedown, the hangover, whatever. Really beautiful, but also powerful, and quite punk in a way. And the arrangement is so clever and unexpected and unusual. He'll give you one thing and then give you something quite different, but it all works from section to section. I heard this while I was making What Happens Next and I was really impressed with the synth bass sounds, so I ended up having Thomas [McNeice] in, and we worked out where there would be a mixture of his bass playing and some electronic bass. You know, Lou Reed's point is that Kanye is demonstrating what he can get away with, which is good. I think there's quite a few ""I can do what I like moments"", including talking about ""sweet and sour pussy"" [sic]."

"One of the first records I remember having any kind of relationship to was the soundtrack to 2001. At that point, I wasn’t allowed to put the needle on the record, but my dad would put it on, and, looking back now, I liked it ’cause it it scared me. There’s a lot of spooky stuff on there. I wanted to hear the record that was going to freak me out, and I wanted my dad in the room while it was being played. Growing up in Temple, Texas, my dad was the looser parent, the kind of guy who would wake the kids up in the morning by turning the stereo on really loud and blasting some upbeat music. In fact, the neighbor was always calling over to tell him to turn his stereo down. Later, he became a little more strict and got more religious; now he goes to mass every day. My parents split up in ’79, when I was 8. It was a pretty acrimonious break up. By then, I had a younger brother and sister, and we would go see my dad every other weekend. There was a certain voice my mom reserved only for my dad—when she would pick up the phone and use this voice, I knew it was him: “Oh hello.” There was a lot of animosity there for a long time, but as of the last couple of years, we have all shared Thanksgiving together for the first time since 1978, which has been really nice. My little brother now has a kid, so that brings everybody together."