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LeftSideCut (3778 KP) rated Black Christmas (1974) in Movies
Dec 8, 2020
Black Christmas is one of those all timers, a horror film that is ground breaking, brimming with well written characters, and most essentially, is still scary as fuck 40+ years after it's release.
Considered by many to be one of the first modern slasher horrors alongside The Texas Chain Saw Massacre (and predating Halloween by 4 years), it's importance can't be understated, and still remains at the top of the pile in terms of quality.
Straight off the bat, Black Christmas is genuinely unsettling. The largely unseen killer makes his presence known mainly through phone calls, but the things he says, and the tone of his voice is genuinely disturbing, and all too realistic. The couple of glimpses we do get are iconic, namely the underside shot during the infamous glass unicorn scene, and then the goosebump inducing moment where lead character Jess spots a singular eye of his staring at her through a crack in a door. It's honestly horrific. Pair that with other creepy shit, such as the corpse in the rocking chair from the poster, and you have some pretty nightmare inducing stuff.
The Christmas setting also provides an unsettling atmosphere, a time that is mostly considered a happy and festive, soured by all of the unpleasantness going on here, and it's all topped off with a pretty bleak ending.
The characters are great - the mostly female cast are all likable, intelligent, well developed protagonists that you want to see win. Stands outs include Olivia Hussey and Margot Kidder, both great actresses who's early career appearances here bring a touch of class to proceedings. It's always nice to see genre favourite John Saxton too.
The narrative is pretty straight forward stuff - little is revealed about the killer so nothing gets bogged down in exposition, and it's perfectly paced. It's never gets boring, and the dialogue centric scenes are engaging. It also deals with heavy topics such as abortion, toxic masculinity, and manages to be subtly feminist, a quality that propels the movie as a whole even further, especially being a 70s film.
Black Christmas is pretty much perfect in my opinion, and easily stands shoulder to shoulder with Halloween in terms of slasher greatness.
Considered by many to be one of the first modern slasher horrors alongside The Texas Chain Saw Massacre (and predating Halloween by 4 years), it's importance can't be understated, and still remains at the top of the pile in terms of quality.
Straight off the bat, Black Christmas is genuinely unsettling. The largely unseen killer makes his presence known mainly through phone calls, but the things he says, and the tone of his voice is genuinely disturbing, and all too realistic. The couple of glimpses we do get are iconic, namely the underside shot during the infamous glass unicorn scene, and then the goosebump inducing moment where lead character Jess spots a singular eye of his staring at her through a crack in a door. It's honestly horrific. Pair that with other creepy shit, such as the corpse in the rocking chair from the poster, and you have some pretty nightmare inducing stuff.
The Christmas setting also provides an unsettling atmosphere, a time that is mostly considered a happy and festive, soured by all of the unpleasantness going on here, and it's all topped off with a pretty bleak ending.
The characters are great - the mostly female cast are all likable, intelligent, well developed protagonists that you want to see win. Stands outs include Olivia Hussey and Margot Kidder, both great actresses who's early career appearances here bring a touch of class to proceedings. It's always nice to see genre favourite John Saxton too.
The narrative is pretty straight forward stuff - little is revealed about the killer so nothing gets bogged down in exposition, and it's perfectly paced. It's never gets boring, and the dialogue centric scenes are engaging. It also deals with heavy topics such as abortion, toxic masculinity, and manages to be subtly feminist, a quality that propels the movie as a whole even further, especially being a 70s film.
Black Christmas is pretty much perfect in my opinion, and easily stands shoulder to shoulder with Halloween in terms of slasher greatness.
Mayhawke (97 KP) rated Elevator Pitch in Books
Jun 28, 2019
A nice return to U.S. crime fiction
Crime fiction is my thing. It's what I read most of, most of the time.
Over a decade ago I stopped reading crime fiction from the U.S. because I found what seemed to be a an unpleasant dwelling on the suffering of victims; a voyeurism which I found uncomfortable, and highly unpleasant. It was as though American crime writers were incapable of exploring the darkness of humanity, or giving clarity to events without relishing the pain and terror that must have been experienced by those on the receiving end of them.
Of course this was never true of all U.S. crime fiction, but I couldn't be asked to keep searching for the other kind. It was easier to just stay away from it all.
So, this is the first American crime novel I have read in nearly fifteen years.
What a joy it was. Barclay sets out a gripping thriller, an excellently plotted story which will educate you just a bit more than is comfortable on the ease of hacking lift controls in the technical age, whilst carefully leading you up and down the garden path a couple of times. The reading style is comfortable, the exposition is well paced. Eventually you arrive at a satisfying, and prompt conclusion. Barclay avoids the temptation to draw out the end like a cheerleader pulling gum, something that only works in Golden Era crime, and I always feel is out of place in otherwise fast-paced books of a more recent age.
Against this the characters have a slightly superficial feel, as though they have only been given the complexity they need for the book, and the denouement was not a huge surprise, though it was batted back and forth between two potential subjects nicely. But these really are minor complaints I really enjoyed this book and I will definitely be going back and reading some more of Linwood's books on the basis of this one.
Over a decade ago I stopped reading crime fiction from the U.S. because I found what seemed to be a an unpleasant dwelling on the suffering of victims; a voyeurism which I found uncomfortable, and highly unpleasant. It was as though American crime writers were incapable of exploring the darkness of humanity, or giving clarity to events without relishing the pain and terror that must have been experienced by those on the receiving end of them.
Of course this was never true of all U.S. crime fiction, but I couldn't be asked to keep searching for the other kind. It was easier to just stay away from it all.
So, this is the first American crime novel I have read in nearly fifteen years.
What a joy it was. Barclay sets out a gripping thriller, an excellently plotted story which will educate you just a bit more than is comfortable on the ease of hacking lift controls in the technical age, whilst carefully leading you up and down the garden path a couple of times. The reading style is comfortable, the exposition is well paced. Eventually you arrive at a satisfying, and prompt conclusion. Barclay avoids the temptation to draw out the end like a cheerleader pulling gum, something that only works in Golden Era crime, and I always feel is out of place in otherwise fast-paced books of a more recent age.
Against this the characters have a slightly superficial feel, as though they have only been given the complexity they need for the book, and the denouement was not a huge surprise, though it was batted back and forth between two potential subjects nicely. But these really are minor complaints I really enjoyed this book and I will definitely be going back and reading some more of Linwood's books on the basis of this one.
Emma @ The Movies (1786 KP) rated Happy Death Day (2017) in Movies
Sep 25, 2019
Groundhog Day, but a little more kick ass. Theresa wakes up on her birthday on Monday, September 18th in a strangers bed. She heads back to her house dismissing everyone she sees, she throws out her roommate's cupcake, she carries on with her professor, and then gets murdered by a hooded figure wearing the mask of their campus mascot.
Groundhog Day, but a little more kick ass. Theresa wakes up on her birthday on Monday, September 18th in a strangers bed... well you get the idea. She runs through her day, but instead of heading to the tunnel that led to her death the night before (tonight?) she heads back to her sorority house where, you've guessed it, she gets murdered.
As she loops through her birthday over and over she gets to know Carter, the guy who's bedroom she keeps waking up in, and he encourages her to try and work out what's going on in the hopes that she might be able to change the outcome.
Yet another one that I hadn't seen anything about until a couple of days before I saw it... and you know what? It was really entertaining. It's down as a slasher movie, but there's a bit of everything in it. I jumped in my seat, which doesn't happen very often. I just really enjoyed it. I was so wrapped up in it that I didn't even see the twist coming.
My only quibble, and this really isn't a major thing (I noticed it, so for me to do that I guess it is a little bit major), was when she was admitted to hospital. Her professor/doctor/lover (talk about conflict of interest) says that she's showing signs of trauma, which as we and she knows is because of how she died in the last loop. If she's showing signs of that trauma, and she says that she's feeling weaker with each loop... then... well... how does she make it too the end of the movie? Admittedly she's going to be running on a lot of adrenaline, but... well, it bugged me a little.
Groundhog Day, but a little more kick ass. Theresa wakes up on her birthday on Monday, September 18th in a strangers bed... well you get the idea. She runs through her day, but instead of heading to the tunnel that led to her death the night before (tonight?) she heads back to her sorority house where, you've guessed it, she gets murdered.
As she loops through her birthday over and over she gets to know Carter, the guy who's bedroom she keeps waking up in, and he encourages her to try and work out what's going on in the hopes that she might be able to change the outcome.
Yet another one that I hadn't seen anything about until a couple of days before I saw it... and you know what? It was really entertaining. It's down as a slasher movie, but there's a bit of everything in it. I jumped in my seat, which doesn't happen very often. I just really enjoyed it. I was so wrapped up in it that I didn't even see the twist coming.
My only quibble, and this really isn't a major thing (I noticed it, so for me to do that I guess it is a little bit major), was when she was admitted to hospital. Her professor/doctor/lover (talk about conflict of interest) says that she's showing signs of trauma, which as we and she knows is because of how she died in the last loop. If she's showing signs of that trauma, and she says that she's feeling weaker with each loop... then... well... how does she make it too the end of the movie? Admittedly she's going to be running on a lot of adrenaline, but... well, it bugged me a little.
Gareth von Kallenbach (965 KP) rated The Edge of Seventeen (2016) in Movies
Jul 12, 2019
Growing up is hard to do especially when your seventeen. When something bad happens it is easy to feel like it’s the end of the world. That’s why “The Edge of Seventeen” is such a great coming of age story with relatable characters.
The film opens with Nadine (Hailee Steinfeld), a uniquely dressed junior in high school who in a rush plops down in front of her English teacher (Woody Harrelson) to forewarn him of her impending suicide. While he is frustrated with her barging in and interrupting his lunch he shares that he was just in the process of writing his own suicide note and thus a sort of friendship is born. We are then flashed back into the past to Nadine’s childhood.
There we meet Nadine’s older brother (Blake Jenner) the “favorite” child at least in their scattered brained mothers (Kyra Sedgwick) eyes. We also meet her best and only friend Krista. After a night of partying Nadine ends up finding Krista in bed with her brother. Feeling like she has been betrayed by her bestie, she gives Krista an ultimatum.
Either she chooses their friendship or her out of control hormones for her brother. Her brother wins yet again and this is where she is forced to find herself in all of the mess that is happening. This however can’t be done without the adorkable boy helping her along the way.
While I am an only child, I found myself relating to Nadine so much. She is portrayed in such a way that is not becoming as annoying as teenagers often are portrayed or as her teacher (Harrleson) may think she is. Steinfeld has done this perfectly with this role.
She has been in a couple of films since her breakthrough roll as Mattie Ross but I think this one might be my favorite film she has done so far. Harrelson continues to impress with his performance as her teacher and I think in the end they help each other out. The film reminds me of an eighties John Hugh’s flick except for millennials. I definitely recommend seeing this film for a good laugh and to bring yourself back to those good old high school days.
The film opens with Nadine (Hailee Steinfeld), a uniquely dressed junior in high school who in a rush plops down in front of her English teacher (Woody Harrelson) to forewarn him of her impending suicide. While he is frustrated with her barging in and interrupting his lunch he shares that he was just in the process of writing his own suicide note and thus a sort of friendship is born. We are then flashed back into the past to Nadine’s childhood.
There we meet Nadine’s older brother (Blake Jenner) the “favorite” child at least in their scattered brained mothers (Kyra Sedgwick) eyes. We also meet her best and only friend Krista. After a night of partying Nadine ends up finding Krista in bed with her brother. Feeling like she has been betrayed by her bestie, she gives Krista an ultimatum.
Either she chooses their friendship or her out of control hormones for her brother. Her brother wins yet again and this is where she is forced to find herself in all of the mess that is happening. This however can’t be done without the adorkable boy helping her along the way.
While I am an only child, I found myself relating to Nadine so much. She is portrayed in such a way that is not becoming as annoying as teenagers often are portrayed or as her teacher (Harrleson) may think she is. Steinfeld has done this perfectly with this role.
She has been in a couple of films since her breakthrough roll as Mattie Ross but I think this one might be my favorite film she has done so far. Harrelson continues to impress with his performance as her teacher and I think in the end they help each other out. The film reminds me of an eighties John Hugh’s flick except for millennials. I definitely recommend seeing this film for a good laugh and to bring yourself back to those good old high school days.
Becs (244 KP) rated As Night Falls in Books
Oct 2, 2019
Highlights: I love the cover, it gives off that thriller vibe. Great read, couldn’t put it down. Had me hanging onto every word from the beginning even though there were a few slower moments in the book.
Style: Medium read, not too heavy and also not too light of a read.
Point of View: Third-person
Difficulty Reading: As Night Falls was a pretty easy read for me, but I tend to find Thrillers a little easier to read. I wouldn’t say this was a light read but it’s also not a heavy read, lying somewhere in the middle. There were a few parts that had me taking a bit more time trying to read and understand what was going on but these moments were far and few in between all the good parts!
Promise: As Night Falls promises a psychological suspense thriller that will keep you on your toes while you gain a love for the characters, it delivers.
Quality: All-around great read. Defiantly recommend to everyone who likes Thriller reads, even if it’s just a little bit.
Insights: You will either love this book or you will hate it, there’s no in between. For me, this was a love relationship that deserves many other rereads.
Ah-Ha Moment: When Nick reveals that he is the brother of Sandy, I had to stop reading for a moment to ponder the thought and what all was revealed already throughout the book that gave it away.
Favorite quote: “These days, her daughter could make obedience sound like defiance.” – Pretty much sums up the way of children haha.
What will you gain: A love relationship for Sandy and her family, this includes Harlan (as he’s like Hodor from Game of Thrones – innocent and being controlled by Nick). And an ‘I want to kill you, you scum’ relationship with psycho Nick. Plus a great thriller read that deserves so much more love than what it currently is getting!
Aesthetics: Cover was what pulled me in at first. Then the switching from past and present was hard to get into the first couple of chapters, but I feel like it helped shape the book.
“Timing was going to be key.”
Style: Medium read, not too heavy and also not too light of a read.
Point of View: Third-person
Difficulty Reading: As Night Falls was a pretty easy read for me, but I tend to find Thrillers a little easier to read. I wouldn’t say this was a light read but it’s also not a heavy read, lying somewhere in the middle. There were a few parts that had me taking a bit more time trying to read and understand what was going on but these moments were far and few in between all the good parts!
Promise: As Night Falls promises a psychological suspense thriller that will keep you on your toes while you gain a love for the characters, it delivers.
Quality: All-around great read. Defiantly recommend to everyone who likes Thriller reads, even if it’s just a little bit.
Insights: You will either love this book or you will hate it, there’s no in between. For me, this was a love relationship that deserves many other rereads.
Ah-Ha Moment: When Nick reveals that he is the brother of Sandy, I had to stop reading for a moment to ponder the thought and what all was revealed already throughout the book that gave it away.
Favorite quote: “These days, her daughter could make obedience sound like defiance.” – Pretty much sums up the way of children haha.
What will you gain: A love relationship for Sandy and her family, this includes Harlan (as he’s like Hodor from Game of Thrones – innocent and being controlled by Nick). And an ‘I want to kill you, you scum’ relationship with psycho Nick. Plus a great thriller read that deserves so much more love than what it currently is getting!
Aesthetics: Cover was what pulled me in at first. Then the switching from past and present was hard to get into the first couple of chapters, but I feel like it helped shape the book.
“Timing was going to be key.”
Gareth von Kallenbach (965 KP) rated Judy (2019) in Movies
Oct 2, 2019
Judy, is the biopic based on the stage play “End of the Rainbow” which chronicles Judy Garland’s five week run in 1968 London, at The Talk of the Town Nightclub. Ms. Garland, one of the victims of the old Hollywood studio treatments that contributed to her tragic upbringing.
The ever malleable Renee Zellweger embodies Judy Garland throughout this film. Ms. Garland’s physical affectations are translated to the screen so much that we are transported , convinced that she is Judy. Yet, there are a couple of moments where the mask slips and we see Ms. Zellweger instead .
The film begins with Judy working, doing a show at an event and being paid very much less than she has in the past. She is uninsurable, unreliable and absolutely inconsistent. Her lifelong habits have taken most of who she was and she keeps getting up every time to keep fighting.
She also has custody of her two kids, Lorna and Joe Luft. She does not have a place to call home to provide a stable environment for the children. Their father Sid Luft is challenging custody and Judy has provided enough fodder to have custody of her children revert to their father. Her intent is to be a good mother, as opposed to the parent she had growing up.
Flashbacks are cut in throughout the movie, showing her on the set of the Wizard of Oz with Louis B. Mayer, at a movie set where they film a choreographed birthday party for Judy.
We are shown how terribly manipulative and cruel the studio system was towards the actresses back then. The pills, starvation, demands, and gaslighting had created the person that was Judy.
The movie is about the tragedy that was Judy Garland’s life. However, there are many points of light in her life and we are shown that in the movie. Judy is definitely a film blanketed with the shadows of sadness from her life.
The transition of Zellweger to Judy who explained had a distracting flaw that I struggled with. Ms. Zellweger has a pleasant voice, but she is not Ms. Garland who’s lovely voice with rich timbre is beautifully unique.
Very dramatic film, such a transformative performance by Renee Zellweger.
The ever malleable Renee Zellweger embodies Judy Garland throughout this film. Ms. Garland’s physical affectations are translated to the screen so much that we are transported , convinced that she is Judy. Yet, there are a couple of moments where the mask slips and we see Ms. Zellweger instead .
The film begins with Judy working, doing a show at an event and being paid very much less than she has in the past. She is uninsurable, unreliable and absolutely inconsistent. Her lifelong habits have taken most of who she was and she keeps getting up every time to keep fighting.
She also has custody of her two kids, Lorna and Joe Luft. She does not have a place to call home to provide a stable environment for the children. Their father Sid Luft is challenging custody and Judy has provided enough fodder to have custody of her children revert to their father. Her intent is to be a good mother, as opposed to the parent she had growing up.
Flashbacks are cut in throughout the movie, showing her on the set of the Wizard of Oz with Louis B. Mayer, at a movie set where they film a choreographed birthday party for Judy.
We are shown how terribly manipulative and cruel the studio system was towards the actresses back then. The pills, starvation, demands, and gaslighting had created the person that was Judy.
The movie is about the tragedy that was Judy Garland’s life. However, there are many points of light in her life and we are shown that in the movie. Judy is definitely a film blanketed with the shadows of sadness from her life.
The transition of Zellweger to Judy who explained had a distracting flaw that I struggled with. Ms. Zellweger has a pleasant voice, but she is not Ms. Garland who’s lovely voice with rich timbre is beautifully unique.
Very dramatic film, such a transformative performance by Renee Zellweger.
MelanieTheresa (997 KP) rated Under Currents in Books
Sep 20, 2019 (Updated Sep 23, 2019)
AGAIN. Nora Roberts did it again. She got me.
Definition of undercurrent:
1: a current below the upper currents or surface
2: a hidden opinion, feeling, or tendency often contrary to the one publicly shown<
While Under Currents may not have put me on the edge of my seat as often as some previous Nora Roberts titles (see: Shelter in Place, Come Sundown), it more than made up for that in sheer emotion.
The first part of this book is both brutal and beautiful. The descriptions of the horrific abuse Zane and his sister suffer at the hands of their father can be hard to get through; I found myself tearing up quite a few times, entwining the sorrow with anger that anyone should have to experience any of it, least of all a child. However, there is beauty in how they come out of it.
Thankfully, the horror does lift, and we're treated to a wonderful story, at times simultaneously uplifting and heartbreaking. The character development here is terrific. Each character, down to the most random of townspeople, has a purpose and a backstory, and interacts perfectly with the other characters, building a supportive community with a definite small-town vibe.
The descriptions of landscaping and gardening are so well done I could picture the finished products quite clearly in my head - and man do I want a "water feature" now! (the fact that I do not have a yard in which to do this is completely irrelevant 😁).
Each plot line, whether primary, secondary or tertiary, was well developed and led toward a satisfying resolution - and each contained under currents of its own.
A couple of final thoughts:
*Zane & Darby are #couplegoals.
*I feel like there's always a dog, and I always love the dog. 🐶 Although, hey, Nora: cats are pretty awesome too. 🐱
*Nora Roberts is a master of attention to detail.
*Sad tears? Happy tears? This book will bring them all.
*Can we take a minute to appreciate this gorgeous cover??
Thank you to St. Martin's Press for the ARE!
1: a current below the upper currents or surface
2: a hidden opinion, feeling, or tendency often contrary to the one publicly shown<
While Under Currents may not have put me on the edge of my seat as often as some previous Nora Roberts titles (see: Shelter in Place, Come Sundown), it more than made up for that in sheer emotion.
The first part of this book is both brutal and beautiful. The descriptions of the horrific abuse Zane and his sister suffer at the hands of their father can be hard to get through; I found myself tearing up quite a few times, entwining the sorrow with anger that anyone should have to experience any of it, least of all a child. However, there is beauty in how they come out of it.
Thankfully, the horror does lift, and we're treated to a wonderful story, at times simultaneously uplifting and heartbreaking. The character development here is terrific. Each character, down to the most random of townspeople, has a purpose and a backstory, and interacts perfectly with the other characters, building a supportive community with a definite small-town vibe.
The descriptions of landscaping and gardening are so well done I could picture the finished products quite clearly in my head - and man do I want a "water feature" now! (the fact that I do not have a yard in which to do this is completely irrelevant 😁).
Each plot line, whether primary, secondary or tertiary, was well developed and led toward a satisfying resolution - and each contained under currents of its own.
A couple of final thoughts:
*Zane & Darby are #couplegoals.
*I feel like there's always a dog, and I always love the dog. 🐶 Although, hey, Nora: cats are pretty awesome too. 🐱
*Nora Roberts is a master of attention to detail.
*Sad tears? Happy tears? This book will bring them all.
*Can we take a minute to appreciate this gorgeous cover??
Thank you to St. Martin's Press for the ARE!
Mark @ Carstairs Considers (2065 KP) rated Read It and Weep in Books
Oct 12, 2019
Romance Overshadows Mystery
This fall, Lindsey’s friend Violet La Rue is directing a local theater production of A Midsummer Night’s Dream, and she is encouraging everyone to try out for it. Lindsey is more interested in working behind the scenes on the costumes, but many of her friends land parts in the play. The one non-community member cast is Violet’s friend, Robbie Vine, a celebrated actor. He brings with him his wife and his girlfriend, but he still is immediately smitten with Lindsey, and he starts flirting with her, which does nothing but irritate Sully, Lindsey’s ex. However, Lindsey’s romantic troubles aren’t the biggest issue on the stage. Instead, a series of increasingly more serious accidents seem to be happening in the theater. Is someone out to destroy the production? Is any one person the target? Will Lindsey get to the bottom of things before someone dies?
Since I’m behind on this series, I knew that Lindsey was going to have some serious issues with her love life, and that is the case here. In fact, it feels more like the focus of the book with the mystery being a sub-plot. I’m a guy, so I don’t tend to read romances, and I stir clear of many romantic comedies because they aren’t my thing. The romantic comedy aspect of this book certainly bothered me. While there are some mysterious occurrences, it wasn’t really until the second half when the mystery really got going and even then, is often overshadowed by the romance. There is a good twist to the mystery, however. And I adore the series characters. We get to see a different side of a couple of them and finally spend some time getting to know Violet. On the other hand, the suspects were rather weak. I’ve read enough of author Jenn McKinlay’s books to know this is a blip from an author I usually adore. If you are a fan of her books, you’ll still want to see what happens here. If you are new to her books, you’ll be better served starting with a different book and coming back to this one later. Personally, I am looking forward to visiting Lindsey again soon.
Since I’m behind on this series, I knew that Lindsey was going to have some serious issues with her love life, and that is the case here. In fact, it feels more like the focus of the book with the mystery being a sub-plot. I’m a guy, so I don’t tend to read romances, and I stir clear of many romantic comedies because they aren’t my thing. The romantic comedy aspect of this book certainly bothered me. While there are some mysterious occurrences, it wasn’t really until the second half when the mystery really got going and even then, is often overshadowed by the romance. There is a good twist to the mystery, however. And I adore the series characters. We get to see a different side of a couple of them and finally spend some time getting to know Violet. On the other hand, the suspects were rather weak. I’ve read enough of author Jenn McKinlay’s books to know this is a blip from an author I usually adore. If you are a fan of her books, you’ll still want to see what happens here. If you are new to her books, you’ll be better served starting with a different book and coming back to this one later. Personally, I am looking forward to visiting Lindsey again soon.
Lee (2222 KP) rated Crawl (2019) in Movies
Aug 24, 2019
Florida is preparing itself for the arrival of a category five hurricane. As competitive swimmer Haley Keller (Kaya Scodelario) changes after a session in the pool, she takes a video call from her sister, concerned that she can't get through to their father (Barry Pepper) by phone. Dad still lives in their old hometown, right in the path of the incoming storm, and Haley agrees to go check on him.
As she approaches the town, the authorities try to turn her back as everyone is currently being evacuated from their homes. But Haley slips through via a side road, determined to check on dad, and when she does find him, he's in a spot of trouble - injured and in the crawl space beneath their house. Turns out dad wasn't alone though and a couple of gators, having found their way in with the storm, are preventing Haley and Dad from getting out. As the storm intensifies and the flood waters rise, the father and daughter must outwit the predators and try to escape to safety before they either drown or get eaten.
And that is pretty much it. At just 87 minutes long, Crawl wastes no time in getting to the action and manages to keep the suspense and thrills going right to the very end. The gators are terrifyingly realistic, as are the flood and hurricane effects, and I was just on the edge of my seat throughout.
Apart from the occasional human showing up to provide the gators with something to munch on, Haley and her dad are pretty much the only characters in the movie, with Haley making good use of her swimming skills and proving herself to be a real badass. The family dog is also on hand, getting himself into the odd scrape too. Spoiler alert: the doggy survives, so don't worry.
I absolutely loved this movie. It had me gripped throughout, with a real gut wrenching intensity, and I love it when a movie does that to me. Crawl is definitely in my top 5 movies this year.
As she approaches the town, the authorities try to turn her back as everyone is currently being evacuated from their homes. But Haley slips through via a side road, determined to check on dad, and when she does find him, he's in a spot of trouble - injured and in the crawl space beneath their house. Turns out dad wasn't alone though and a couple of gators, having found their way in with the storm, are preventing Haley and Dad from getting out. As the storm intensifies and the flood waters rise, the father and daughter must outwit the predators and try to escape to safety before they either drown or get eaten.
And that is pretty much it. At just 87 minutes long, Crawl wastes no time in getting to the action and manages to keep the suspense and thrills going right to the very end. The gators are terrifyingly realistic, as are the flood and hurricane effects, and I was just on the edge of my seat throughout.
Apart from the occasional human showing up to provide the gators with something to munch on, Haley and her dad are pretty much the only characters in the movie, with Haley making good use of her swimming skills and proving herself to be a real badass. The family dog is also on hand, getting himself into the odd scrape too. Spoiler alert: the doggy survives, so don't worry.
I absolutely loved this movie. It had me gripped throughout, with a real gut wrenching intensity, and I love it when a movie does that to me. Crawl is definitely in my top 5 movies this year.
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