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Only When I Laugh: My Autobiography
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Known for his intelligent and often surreal humour, Paul Merton's weekly appearances on BBC1's Have...
Neon's Nerd Nexus (360 KP) rated First Man (2018) in Movies
May 13, 2019
Hotter than the sun
#firstman is tense, awe inspiring, #breathtaking & a visually splendor continuing #damienchazelle streak of mind blowing films. I won't pretend I know a lot about the #moonlanding & the #spacerace because I don't so I will be giving my opinion here on the film itself not its historical accuracy. Where First Man really succeeds it its visuals & sound design, there are times when you would actually believe some scenes were archive footage it looks that authentic. Grain covers the screen giving the film an #oldfashioned feel but at the same time the film feels light years ahead & current too. Sound is crisp & punchy with the desolate & intimidating silence of #space to the screeches, roars & rattles heard from inside the space capsule, its scary stuff really putting you in the boots of the astronauts. There's some damn right insane cinematography here too with stand outs being a pov crash & the moon landing its self which is such a #beautiful & impact full scene my entire screening held their breath & cheered just like watching the real thing. #ryangosling is so good here as #neilarmstrong he's a troubled man dealing with loss, #family commitment, dedication to his mission & his own personal #demons. Ryan doesnt say much but his face shows all the pain, tiredness, loneliness, how smart he is & his #passion constantly. The effects the mission has on his & his family's #mental state is explored greatly & #clairefoy is also mesmerising as his worried wife showing the effects from here side too. We all know the basic story of the #moon landing yet Damien makes it a fresh, tense, deep & exciting in a film so full of wonder & exploration into the unknown that as we watch the camera dance around space its dazzling & almost dreamy especially with its #gorgeous almost #lalaland esque score. There's also so much #nostalgia here with scenes reminiscent of #alien, 2001 a space odyssey, #retro #scifi films & even old #musicals. Everyone needs to see this film & see it big. Its award worthy thats for sure. #stevenspielberg #fridaythe13th #fridayfeeling #odeon #odeonlimitless #filmbuff #filmcritic
Phil Leader (619 KP) rated Stop the World in Books
Nov 26, 2019
17 year old Jody appears to have everything. She is popular in school, a beauty queen, engaged to the most eligable boy in town and living in a close family unit with her parents. But after she is paralysed in a car crash, and the finger of blame is pointed at her, she loses everything.
This book then is her story from that fateful moment and how she rebuilds her life, not as it was before but into something new and better. On the way she must fight through every emotional and physical low and push herself further than she thought possible in both mind and body. A modern allegory, this shows that no matter what set backs life throws at you, there is always a light if you know where to look.
Jody as the narrator of her own tale is a great character, her thoughts even at the bleakest moments are always worth attention and Sherry Mayes does an excellent job of portraying her struggle. Jody comes to recognise her own flaws as well as those of the people around her and learns to cope with them. The result is an extremely positive and uplifting novel.
The other characters are also terrific - her parents are well drawn, with their own demons that she has been blind to for 17 years. Particularly strong and amusing is her physiotherapist who is extremely blunt and no-nonsense and never fails to provoke a smile in both Jody and the reader.
The story ticks along at a great pace but always taking the time to focus on how Jody's actions affect those around her (and vice versa) and her thoughts as she struggles with events.
This book is for anyone who wants to read something that is in turns inspiring, emotional, gritty, heartwarming and funny. This is quite simply one of the best books I have ever read
This book then is her story from that fateful moment and how she rebuilds her life, not as it was before but into something new and better. On the way she must fight through every emotional and physical low and push herself further than she thought possible in both mind and body. A modern allegory, this shows that no matter what set backs life throws at you, there is always a light if you know where to look.
Jody as the narrator of her own tale is a great character, her thoughts even at the bleakest moments are always worth attention and Sherry Mayes does an excellent job of portraying her struggle. Jody comes to recognise her own flaws as well as those of the people around her and learns to cope with them. The result is an extremely positive and uplifting novel.
The other characters are also terrific - her parents are well drawn, with their own demons that she has been blind to for 17 years. Particularly strong and amusing is her physiotherapist who is extremely blunt and no-nonsense and never fails to provoke a smile in both Jody and the reader.
The story ticks along at a great pace but always taking the time to focus on how Jody's actions affect those around her (and vice versa) and her thoughts as she struggles with events.
This book is for anyone who wants to read something that is in turns inspiring, emotional, gritty, heartwarming and funny. This is quite simply one of the best books I have ever read
Snake Robot Transformation Pro
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Play this robot snake game and feel like a real snake to hunt on the streets of the big city in this...
FINAL FANTASY TACTICS: THE WAR OF THE LIONS
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!!!IMPORTANT!!! Please note the following regarding the latest update: [iCloud Save Data...
Lee (2222 KP) rated Bird Box (2018) in Movies
Dec 26, 2018
It's easy to draw comparisons between Bird Box and one of this years biggest hits, A Quiet Place. As Malorie (Sandra Bullock), guides two young children towards a boat, all three of them blindfolded and terrified of the consequences should they remove them, the similarities with the post apocalyptic themes of A Quiet Place are clear. In that movie, you couldn't make a sound for fear of drawing the attentions of the ominous killers, while in this one you're unable to use your eyes to look at the world around you.
But Bird Box does what AQP didn't, by going back in time 5 years to see how the apocalypse all came about. A pregnant Malorie is visiting the hospital for a scan, along with sister Jessica (Sarah Paulson), while news reports detail events unfolding throughout the world. Something is causing thousands of people to suddenly commit suicide, and it has found its way to American shores. As Malorie and Jessica leave the hospital, everything around them descends into panic, chaos and destruction. Cars crash, people throw themselves in front of oncoming cars and thousands of others are running to escape from who knows what. As her sister meets an untimely death, the heavily pregnant Malorie is helped into a nearby house where a large number of people have already found refuge.
We manage to catch our breath for a short while, while the survivors piece together what has happened, offering their theories. As one of them explains - "Humanity has been judged and we've been found wanting. They go by different names. You got world religion and mythology that's full of mentions of demons or spirit creatures. People who’ve seen these creatures almost always describe their encounter as with an entity who takes on the form of your worst fears, your deepest sadness or your greatest loss. It’s not bullshit. It’s real talk, it’s facts."
Life continues in the house for a while, with all the windows covered to prevent anyone from seeing something that might lead to their death. There's a tense trip to the supermarket for supplies, driving a car with blacked out windows and only a satnav to guide them, along with various dramas between the group. Every so often, we rejoin the future timeline, as Malorie and the children (referred to only as boy and girl) make their way along the river.
Bird Box is more of a slow burn than A Quiet Place, and we never actually see what is responsible for causing the suicides either, but I still found much to enjoy with it. And as we become fully immersed in the present timeline, following the blindfolded journey, things build to a tense and satisfying climax.
But Bird Box does what AQP didn't, by going back in time 5 years to see how the apocalypse all came about. A pregnant Malorie is visiting the hospital for a scan, along with sister Jessica (Sarah Paulson), while news reports detail events unfolding throughout the world. Something is causing thousands of people to suddenly commit suicide, and it has found its way to American shores. As Malorie and Jessica leave the hospital, everything around them descends into panic, chaos and destruction. Cars crash, people throw themselves in front of oncoming cars and thousands of others are running to escape from who knows what. As her sister meets an untimely death, the heavily pregnant Malorie is helped into a nearby house where a large number of people have already found refuge.
We manage to catch our breath for a short while, while the survivors piece together what has happened, offering their theories. As one of them explains - "Humanity has been judged and we've been found wanting. They go by different names. You got world religion and mythology that's full of mentions of demons or spirit creatures. People who’ve seen these creatures almost always describe their encounter as with an entity who takes on the form of your worst fears, your deepest sadness or your greatest loss. It’s not bullshit. It’s real talk, it’s facts."
Life continues in the house for a while, with all the windows covered to prevent anyone from seeing something that might lead to their death. There's a tense trip to the supermarket for supplies, driving a car with blacked out windows and only a satnav to guide them, along with various dramas between the group. Every so often, we rejoin the future timeline, as Malorie and the children (referred to only as boy and girl) make their way along the river.
Bird Box is more of a slow burn than A Quiet Place, and we never actually see what is responsible for causing the suicides either, but I still found much to enjoy with it. And as we become fully immersed in the present timeline, following the blindfolded journey, things build to a tense and satisfying climax.
Bob Mann (459 KP) rated Life Itself (2018) in Movies
Sep 28, 2021
Love Actually with all the saccharine squeezed out.
Not the documentary of the same name from 2014 about the critic Rogert Ebert. This is an Amazon Studios/Sky Cinema Original Film (trying to follow where Netflix is boldly going), and as such it only had a very limited release in UK cinemas which I managed to miss.
The plot.
This is an anthology film in the style of “Crash” or – actually, “Love Actually” – featuring a series of inter-linked stories. We start with a depressed Will (Oscar Isaac) flashing back to his apparently idyllic life with pregnant wife Abby (Olivia Wilde). Apparantly? Well, perhaps the narrator is unreliable. So what actually happened? Where is Abby now? Where is his child?
Mid-film we switch into a Spanish-language section, set in Spain, featuring an ambitious olive-picker Javier González (Sergio Peris-Mencheta), his sweetheart Isabel (Laia Costa) and his employer Mr. Saccione (Antonio Banderas).
(“What the F!”, you are saying to yourself at this point, “How is this all related?”).
To say any more would provide spoilers: but, confused as you may be, it’s a journey worth sticking with.
Messing with time and your mind.
The film plays fast and loose with chronology and we zap backwards and forwards through the story which can be unsettling. It’s a film that keeps you on your toes, and you need to listen to director/writer Dan Fogelman‘s dialogue as there are clues as to where you are going next. It’s certainly not the ‘sit-back-and-relax’ “rom-com” that I mistakenly sold it to my wife as for our evening viewing!
A star of the film is the editor Julie Monroe (“Midnight Special“). There are some significant twists in the film, some of which are well signposted; others very much not so!
The turns
Has Oscar Isaac done a bad film? (I’m sure some haters of the latest Star Wars episodes might have an answer!). Here he has to execute an enormous range and he just about pulls it off. Olivia Wilde is also convincing as Abby.
In the Spanish section, Antonio Banderas is as impressive as you expect, and Laia Costa – an actress not previously known to me – is initially good as the young love interest, but I thought she was rather over-extended in the later scenes in her story.
Elsewhere, the rising star Olivia Cooke again impresses as a troubled teen; Annette Bening is a psychologist; “Homeland”‘s Mandy Patinkin plays Will’s father; and an f-ing and blinding Samuel L Jackson even appears at the start of the film (a blink and you’d miss it line of dialogue explains the context).
Good?
I wasn’t expecting to, but I really enjoyed this one. I’ve read some completely eviscerating reviews of the movie, but I’ve not sure where those were coming from. I found it a non-standard journey requiring a level of intelligence to appreciate the nuances of the script. My guess would be that many of the naysayers on IMDB never made it past the Spanish interlude. Others will not have liked the coincidence in the final reel (no spoilers). I do appreciate that it needs a suspension of belief. But this is a movie about the random coincidences of life. I remember running into a work colleague on the backstreets of Lone Pine in California, 5,271 miles away from where we both worked. Coincidences DO happen.
I’m not a fan of this whole new “almost straight to streaming” approach: I wish I could have seen this one on the big screen. But my view would be that it’s well worth catching if you have access to Amazon or Sky services (Sky or Now TV in the UK).
The plot.
This is an anthology film in the style of “Crash” or – actually, “Love Actually” – featuring a series of inter-linked stories. We start with a depressed Will (Oscar Isaac) flashing back to his apparently idyllic life with pregnant wife Abby (Olivia Wilde). Apparantly? Well, perhaps the narrator is unreliable. So what actually happened? Where is Abby now? Where is his child?
Mid-film we switch into a Spanish-language section, set in Spain, featuring an ambitious olive-picker Javier González (Sergio Peris-Mencheta), his sweetheart Isabel (Laia Costa) and his employer Mr. Saccione (Antonio Banderas).
(“What the F!”, you are saying to yourself at this point, “How is this all related?”).
To say any more would provide spoilers: but, confused as you may be, it’s a journey worth sticking with.
Messing with time and your mind.
The film plays fast and loose with chronology and we zap backwards and forwards through the story which can be unsettling. It’s a film that keeps you on your toes, and you need to listen to director/writer Dan Fogelman‘s dialogue as there are clues as to where you are going next. It’s certainly not the ‘sit-back-and-relax’ “rom-com” that I mistakenly sold it to my wife as for our evening viewing!
A star of the film is the editor Julie Monroe (“Midnight Special“). There are some significant twists in the film, some of which are well signposted; others very much not so!
The turns
Has Oscar Isaac done a bad film? (I’m sure some haters of the latest Star Wars episodes might have an answer!). Here he has to execute an enormous range and he just about pulls it off. Olivia Wilde is also convincing as Abby.
In the Spanish section, Antonio Banderas is as impressive as you expect, and Laia Costa – an actress not previously known to me – is initially good as the young love interest, but I thought she was rather over-extended in the later scenes in her story.
Elsewhere, the rising star Olivia Cooke again impresses as a troubled teen; Annette Bening is a psychologist; “Homeland”‘s Mandy Patinkin plays Will’s father; and an f-ing and blinding Samuel L Jackson even appears at the start of the film (a blink and you’d miss it line of dialogue explains the context).
Good?
I wasn’t expecting to, but I really enjoyed this one. I’ve read some completely eviscerating reviews of the movie, but I’ve not sure where those were coming from. I found it a non-standard journey requiring a level of intelligence to appreciate the nuances of the script. My guess would be that many of the naysayers on IMDB never made it past the Spanish interlude. Others will not have liked the coincidence in the final reel (no spoilers). I do appreciate that it needs a suspension of belief. But this is a movie about the random coincidences of life. I remember running into a work colleague on the backstreets of Lone Pine in California, 5,271 miles away from where we both worked. Coincidences DO happen.
I’m not a fan of this whole new “almost straight to streaming” approach: I wish I could have seen this one on the big screen. But my view would be that it’s well worth catching if you have access to Amazon or Sky services (Sky or Now TV in the UK).
Saved (Breaking Free #1)
9.0
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An Omegaverse Story He didn’t want an alpha to save him, but fate had other ideas… Braun...
Contemporary M_M Mpreg Omegaverse
Bookapotamus (289 KP) rated I Am Still Alive in Books
Jul 9, 2018
Crazy Story of Survival
Every time I read a book like this I realize how very dead I would be if I ever got lost in the woods! Put me up in the wilderness of Canada or Alaska and throw me in complete darkness and snow - and forget it - I MIGHT last 5 minutes.
Jess is alone. Her mother dies in a car crash, severely injuring here and now she's got no-one. She's only 16, and is in turn, forced to go live with her estranged father who she hasn't seen in about 12 years. Dad is a homesteader, and off-the-grid, he hates the government, and is living off the land. They are out in the middle of nowhere in the rough Canada wilderness, and this life she's dumped into, is a harsh shocking reality. But then something goes horribly bad. Her father is dead. And Jess is alone. Cue me freaking out!
We read through journal entries Jess writes about her life with her mom - before. Her brief time with her dad - before. And then we reach - after. Where Jess has no-one but a loyal dog-wolf hybrid, named Bo, and her own sheer willpower. Will she survive the winter in Canada? How will she eat, stay warm, and even just survive walking through the wilderness when her body is still hurting and broken. And who killed her father?
This was an easy breezy read that had me sucked in front start to finish. The writing is really good and I enjoyed the suspense and found myself rooting for Jess (and Bo!) to survive. A really good book.
Jess is alone. Her mother dies in a car crash, severely injuring here and now she's got no-one. She's only 16, and is in turn, forced to go live with her estranged father who she hasn't seen in about 12 years. Dad is a homesteader, and off-the-grid, he hates the government, and is living off the land. They are out in the middle of nowhere in the rough Canada wilderness, and this life she's dumped into, is a harsh shocking reality. But then something goes horribly bad. Her father is dead. And Jess is alone. Cue me freaking out!
We read through journal entries Jess writes about her life with her mom - before. Her brief time with her dad - before. And then we reach - after. Where Jess has no-one but a loyal dog-wolf hybrid, named Bo, and her own sheer willpower. Will she survive the winter in Canada? How will she eat, stay warm, and even just survive walking through the wilderness when her body is still hurting and broken. And who killed her father?
This was an easy breezy read that had me sucked in front start to finish. The writing is really good and I enjoyed the suspense and found myself rooting for Jess (and Bo!) to survive. A really good book.
TL
The Little Book of Professional Investing
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Valuation is the key to smart investing this book shows you how The Little Book of Investing Like...