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Pan Book 6: The Alliance of Tribes
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#1 Best Seller in App Store Kids and Books in 42+ countries Featured “Best New Apps" &...
Cultural Science: A Natural History of Stories, Demes, Knowledge and Innovation
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Cultural Science introduces a new way of thinking about culture. Adopting an evolutionary and...
The Innovation Tools Handbook: Organizational and Operational Tools, Methods, and Techniques That Every Innovator Must Know: Vol.1
H. James Harrington and Frank Voehl
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In today's fast-moving, high-technology environment, the focus on quality has given way to a focus...
BookInspector (124 KP) rated If I Die Before I Wake in Books
Sep 24, 2020
It has a very interesting blurb, and I was expecting a really suspenseful thriller, but it didn’t really impress me.
The main character of this book is Alex, climbing enthusiast who gets paralyzed after climbing accident (or maybe an attempted murder…) He doesn’t remember how the incident happened, and he hears snippets of it and other information with every new visitor. What left me shook and baffled was the situation he was in. His brain was fully functioning but the body didn’t whatsoever. All his inconveniences, cramps, feelings were very painful to read about and really scary, to be honest. You can’t even scratch your itching nose, it is a mental torture! :S
The characters used in this book were not very interesting to me. I did like reading Alex’s story, but I was missing personality and character in other participants of this journey. The whole book was told from Alex’s perspective, and I would have liked to read other people’s perspectives as well. I don’t think other characters were fully utilized in this novel.
I liked that Koch used little snippets of new information in every chapter to kindle the interest to continue, but I didn’t feel tension while reading, and I think it needed some better twists. The dilemma of “To live or to die?”, raised in this book was really difficult and got me thinking, what I would like in such case.
The writing style of this novel was really creative, pleasant and easy to read. The chapters were pretty short and filled with some interesting details of not only Alex’s present but also with memories of his past and his dead mother. All this combination made this book quite an amusing book. After all the suffering and pain, the ending didn’t leave me satisfied as well…:( So to conclude, this novel was really an emotionally difficult journey for me, filled with pain, suffering and helplessness, where you have to choose between death and living. There were some interesting parts which I enjoyed, but it didn’t really work for me. I do hope you will give this book a chance and see for yourself, whether you like it or not. Enjoy 🙂
The main character of this book is Alex, climbing enthusiast who gets paralyzed after climbing accident (or maybe an attempted murder…) He doesn’t remember how the incident happened, and he hears snippets of it and other information with every new visitor. What left me shook and baffled was the situation he was in. His brain was fully functioning but the body didn’t whatsoever. All his inconveniences, cramps, feelings were very painful to read about and really scary, to be honest. You can’t even scratch your itching nose, it is a mental torture! :S
The characters used in this book were not very interesting to me. I did like reading Alex’s story, but I was missing personality and character in other participants of this journey. The whole book was told from Alex’s perspective, and I would have liked to read other people’s perspectives as well. I don’t think other characters were fully utilized in this novel.
I liked that Koch used little snippets of new information in every chapter to kindle the interest to continue, but I didn’t feel tension while reading, and I think it needed some better twists. The dilemma of “To live or to die?”, raised in this book was really difficult and got me thinking, what I would like in such case.
The writing style of this novel was really creative, pleasant and easy to read. The chapters were pretty short and filled with some interesting details of not only Alex’s present but also with memories of his past and his dead mother. All this combination made this book quite an amusing book. After all the suffering and pain, the ending didn’t leave me satisfied as well…:( So to conclude, this novel was really an emotionally difficult journey for me, filled with pain, suffering and helplessness, where you have to choose between death and living. There were some interesting parts which I enjoyed, but it didn’t really work for me. I do hope you will give this book a chance and see for yourself, whether you like it or not. Enjoy 🙂
Metamorphoses of Light: Lightning, Rainbows and the Northern Lights, A Spiritual-Scientific Study
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Pumpkin Spice and Chill (Boyfriend Café #2)
8.0
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Albert Accidents don't happen to me. I eliminate random chance with surgical precision, whether...
Contemporary MM Romance
Baby games for 2 -4 year olds·
Education and Games
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***** Parents‘ Choice Awards’ winner ***** Developed by an award-winning education studios,...
Movie Metropolis (309 KP) rated You're Next (2013) in Movies
Jun 11, 2019
Finding a good horror film has been a little like a prompt train over the last few years, they are few and far between. However, 2013 has produced more than its fair share of movies within the genre, with the excellent The Purge, released earlier this year; Insidious 2, which is in cinemas this autumn and of course, the subject of this review; You’re Next. But can this modern horror film deliver the thrills and spills of those of yesteryear?
Relative newcomer Adam Wingard directs this rather formulaic home invasion film with some nice creative touches and a rousing score, borrowing heavily from other similar films like the dire When a Stranger Calls, the excellent The Strangers and the downright ridiculous Black Christmas.
However, what sets You’re Next apart from the pack is in its comic timing. Rather than going for full shock value, the film delivers a comedic edge which is welcome in breaking up the bludgeoning and stabbing, which there is a huge amount of.
The plot is simple, a family gathers at their parents’ large manor house to celebrate an anniversary, only to be taunted and butchered by a group of masked killers intent on ruining the party. There are the usual horror clichés of people being watched from outside, people being crept up on from behind and the gem that is thinking there is someone there and realising it’s just a member of the family, but Wingard keeps it feeling fresh and new throughout.
The acting is generally terrible, as is the case with many horror films, but because the movie never takes itself too seriously, the performances add to the overall effect rather than become an annoyance. One stand-out characterisation is Sharni Vinson as Erin, a larger than life Australian who really comes into her own in the battle between the ever decreasing family and the constant onslaught of the masked murderers.
Whilst not scaling the heights of last year’s Cabin in the Woods, You’re Next really helps show that there is life in a genre which has been inundated with cheap knock-offs, countless sequels and pointless remakes.
It is daft, unoriginal and full of lifeless characters, but as a slice of truly terrifying horror and a piece of laugh out loud dark comedy, it succeeds and is highly recommended.
Relative newcomer Adam Wingard directs this rather formulaic home invasion film with some nice creative touches and a rousing score, borrowing heavily from other similar films like the dire When a Stranger Calls, the excellent The Strangers and the downright ridiculous Black Christmas.
However, what sets You’re Next apart from the pack is in its comic timing. Rather than going for full shock value, the film delivers a comedic edge which is welcome in breaking up the bludgeoning and stabbing, which there is a huge amount of.
The plot is simple, a family gathers at their parents’ large manor house to celebrate an anniversary, only to be taunted and butchered by a group of masked killers intent on ruining the party. There are the usual horror clichés of people being watched from outside, people being crept up on from behind and the gem that is thinking there is someone there and realising it’s just a member of the family, but Wingard keeps it feeling fresh and new throughout.
The acting is generally terrible, as is the case with many horror films, but because the movie never takes itself too seriously, the performances add to the overall effect rather than become an annoyance. One stand-out characterisation is Sharni Vinson as Erin, a larger than life Australian who really comes into her own in the battle between the ever decreasing family and the constant onslaught of the masked murderers.
Whilst not scaling the heights of last year’s Cabin in the Woods, You’re Next really helps show that there is life in a genre which has been inundated with cheap knock-offs, countless sequels and pointless remakes.
It is daft, unoriginal and full of lifeless characters, but as a slice of truly terrifying horror and a piece of laugh out loud dark comedy, it succeeds and is highly recommended.
BankofMarquis (1832 KP) rated Zombieland: Double Tap (2019) in Movies
Nov 1, 2019
I ended up enjoying this film
I really enjoyed the 2009 Horror/Comedy ZOMBIELAND - a truly unique and original film that blends the trendy (at the time) Zombie genre with really smart comedy populated by some truly charismatic comedic performers and a GREAT surprise cameo.
So...I greeted the news that there would be a sequel - 10 years later - with a shrug. Why would they want to revisit this tired (at this time) genre with performers that have (for the most part) gone on to "bigger and better" things (including a few Oscar nominations and 1 Oscar win). But...I enjoyed the first, so I figured I'd check it out. And...for the first 20 minutes or so of this film, I sat there with my arms folded across my chest thinking "they are just trying too hard to replicate the first film". And then an interesting thing happened...
I chuckled to myself. Then I chuckled some more, and then I started laughing out loud and at about the 1 hour mark, I realized, "I'm really enjoying myself".
Credit, I think, has to go the charm, charisma and chemistry between the 4 returning leads - Emma Stone, Jesse Eisenberg, Abigail Breslin and Woody Harrelson. It was like running into 4 old friends and old, comfortable, patterns re-emerge (kind of liking eating comfort food). These are ably assisted by good, fun turns by the likes of Rosario Dawson, Luke Wilson and Thomas Middleditch. Special mention has to be made of Zoey Deutsch's turn as blonde air-head, Madison. This could have easily been a one-note, annoyance. but she brings something more to role that makes her endearing, not cloying.
The original creative team - Director Ruben Fleischer and Writers Rhett Reese and Paul Wernick - are back as well, so the style and humor are similar to the first film - not really bringing much new to the proceedings, but not just "getting a paycheck" either.
This film is "nothing new", but I enjoyed it anyway - so if you liked the first Zombieland, you'll like this one as well. ONE NOTE - there is a "credits scene" as well as a "button scene" at the end of the credits that are MUST WATCH. So stick around for those, you'll be glad you did.
Letter Grade: B+
7 1/2 (out of 10) stars and you can take that to the Bank(ofMarquis)
So...I greeted the news that there would be a sequel - 10 years later - with a shrug. Why would they want to revisit this tired (at this time) genre with performers that have (for the most part) gone on to "bigger and better" things (including a few Oscar nominations and 1 Oscar win). But...I enjoyed the first, so I figured I'd check it out. And...for the first 20 minutes or so of this film, I sat there with my arms folded across my chest thinking "they are just trying too hard to replicate the first film". And then an interesting thing happened...
I chuckled to myself. Then I chuckled some more, and then I started laughing out loud and at about the 1 hour mark, I realized, "I'm really enjoying myself".
Credit, I think, has to go the charm, charisma and chemistry between the 4 returning leads - Emma Stone, Jesse Eisenberg, Abigail Breslin and Woody Harrelson. It was like running into 4 old friends and old, comfortable, patterns re-emerge (kind of liking eating comfort food). These are ably assisted by good, fun turns by the likes of Rosario Dawson, Luke Wilson and Thomas Middleditch. Special mention has to be made of Zoey Deutsch's turn as blonde air-head, Madison. This could have easily been a one-note, annoyance. but she brings something more to role that makes her endearing, not cloying.
The original creative team - Director Ruben Fleischer and Writers Rhett Reese and Paul Wernick - are back as well, so the style and humor are similar to the first film - not really bringing much new to the proceedings, but not just "getting a paycheck" either.
This film is "nothing new", but I enjoyed it anyway - so if you liked the first Zombieland, you'll like this one as well. ONE NOTE - there is a "credits scene" as well as a "button scene" at the end of the credits that are MUST WATCH. So stick around for those, you'll be glad you did.
Letter Grade: B+
7 1/2 (out of 10) stars and you can take that to the Bank(ofMarquis)
Neon's Nerd Nexus (360 KP) rated Terminator: Dark Fate (2019) in Movies
Oct 23, 2019 (Updated Oct 23, 2019)
Dull Fate
Terminator Dark Fate only isnt the worst film in the Terminator franschise but only because Genisys exists. Dark Fate is basically a reskin of Terminator 2 but minus everything that made that movie one of the greatest films of all time. Dark Fates main problem is its just dull and after the opening nothing intresting, unique, creative or thrilling happenes leaving the movie with almost no redeeming features and nothing that sets it apart from the other terrible sequels. Dark Fate seems to think pure nostalgia alone will make an entertaining movie and while it certainly can do Dark Fate doesnt understand how nostalgia works even coming across like its mocking the very film it ows its existance too. Plot wise its increadibly generic/unintresting, characters are one dimentional/unlikable, acting is stale and lacks drama, dialog is painful and every interaction only serves as exposition explaining every single part of the very basic plot repeatedly just so even the most brain dead of viewer understands whats happened or what is about to happen. Worst of all it doesnt feel like a Terminator film, wheres the grit, the dark atmosphere, the horror, the tension, the realistic humour, the high stakes, the menacing and relentlessly intimidating bad guy, the memorable action set pieces, the complicated story, character depth, quotable dialog and most importantly the soul because this movie has none. Linda Hamilton is back but shes wasted and doesnt even feel like the same person with the film thinking what made her such an iconic character was just her gratuitios swearing. Arnie is great but feels pushed to the side serving to be nothing more than a joke/nostalgia piece. Cgi is bad/texturless and animation is cheap looking, infact there are some cgi moments so bad its almost like they didnt have time to finish them off. Action has a few ok sequences but they lack tension, weight and a high stake plot to fully find them exciting. If you are a Terminator fan to save dissapointment I would just forget everything after T2 exists because this just like the others is souless hollow mess. An utter shambles of a film, I wish I could send myself back to stop the past me from seeing it.