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Gaz Coombes recommended Here Come the Warm Jets by Brian Eno in Music (curated)

 
Here Come the Warm Jets by Brian Eno
Here Come the Warm Jets by Brian Eno
1974 | Rock
9.0 (4 Ratings)
Album Favorite

"When I was about 15, Danny and Mick [Quinn, Supergrass bassist] lived in this row of cottages that was literally 10 metres from my family house. That was our base; we’d get together in Mick’s living room. I feel very lucky to have been in a band at that time because we were still approaching music – playing live, writing and recording – the way they had since the beginning; it was the last little window where there was only two-inch tape recording, just a few A&R men around who would come to gigs and stuff, no internet, mobile phones. It seems weird now! We were in the house getting stoned and playing loads of records, everything from Pink Floyd to Gong, Muppets albums, Zappa and Patti Smith. A big one for us was Brian Eno’s Here Come The Warm Jets – it was one we were really hooked on. For somebody so experimental he had killer melodies and the way he double-tracked his voice is just really cool. The production and instrumentation are kind of understated and hint at lo-fi, but in an honest way. We had a meeting with him in New York in the early 00s about producing us. I don’t think it was anything creative that was the issue, it was a boring calendar thing from what I remember, but it was great to meet him and have a chat."

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BookInspector (124 KP) rated Tin Man in Books

Sep 24, 2020  
Tin Man
Tin Man
Sarah Winman | 2017 | Fiction & Poetry
8
8.2 (5 Ratings)
Book Rating
I would like to begin by saying, that I heard so much about this novel and I didn’t expect this book to be so tiny. It is only around 197 pages, but it has a really powerful punch to throw.

This novel carries a story of two friends, Ellis and Michael. They are the main characters in this book and the whole book was told from their perspectives. I shouldn’t forget Annie as well, even though she is kind of a silent character, she plays an integral part in the essence of this novel. All the characters are exceptionally crafted and incredibly complex. The whole novel got my brain working and imagination just flew free. I loved that author allowed the reader to paint the characters themselves, she allows you to know the story, but at the same time, there are so many details missing and so many questions left unanswered. I am not really sure whether I liked those gaps or not… because everything made so much sense. I found all the characters very likable and their internal relationship very amusing.

The narrative of this book was very confusing to me, it always keeps jumping between present and past, filling this book with romantic, but at the same time heartbreaking stories. I really enjoyed all the twists which author brought in, it made this book even more deeper and unexpected. I really liked the topics Sarah Winman was highlighting in this novel, such as homosexuality, friendship, HIV, family issues, loneliness etc. HIV hasn’t been discussed in the books for a while now, and I am great full for this reminder.

This was my first encounter with Sarah Winman’s writing, but there is no doubt that her writing style is very unique and absolutely masterful. The thing is, even though I admire her writing gift and I strongly believe she should be awarded for it, I am not a very big fan of it. Too many unanswered questions and I was not very satisfied with the closure of this book. Another thing what nagged me was the length of the chapters. Even though the book is not very long, the chapters were pretty long for my liking and it kind of dragged sometimes. So, to conclude, even though there were some things which were not for me, I truly think this book is a must-read, the characters and the plot are absolutely unique and very creative, and the prose is absolutely gorgeous and mentally challenging. Get it, read it, and I hope you will enjoy it! 🙂 (I know it is a confusing review and sometimes sentences contradict themselves, but that how this book made me feel… 🙂 )
  
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Jacqueline Stewart recommended Fieldwork Footage (1928) in Movies (curated)

 
Fieldwork Footage (1928)
Fieldwork Footage (1928)
1928 |
(0 Ratings)
Movie Favorite

"The last one I think might be the most unusual one and this is footage shot by Zora Neale Hurston, who we know as a writer, a novelist, the author of Their Eyes were Watching God (the basis for the eponymous film), which is her best-known work. [She] was also a playwright, short story writer, and screenwriter for a while in her career. Really a Renaissance woman. When she was a student, she was studying anthropology with France Boulez at Columbia, and she was doing her fieldwork as an anthropologist on the kinds of communities that she grew up in, in Florida. In the late 1920s, she had a car and a 16-millimeter camera and she drove down to Alabama and Florida and she shot footage, ethnographic footage, as a part of her research. We featured some of this material on the Pioneers of African-American Cinema box set that I co-curated that was released by Kino. The footage is not narrative and it’s not exactly documentary either, in the sense that she never put together a work that then she was sharing with other people — it was for her research purposes. But she shows men who are logging, for example. My favorite passage of the footage was when she shows children playing games. The can game, and games when they’re in a circle or square and trading off movement and those kinds of things. We can see she’s capturing information that she’s going to use to talk about these cultural practices in her academic writing. It’s also really clear in the attention she pays the children and the attention that she pays to the movements of women, the way that she captures, even in the silent films, the rhythm and the musicality of church service. We can see visually the style that she’s developing that then she folds into her writing practice. We can say, because we know about this work that Zora Neale Hurston seems to be one of the first African-American women filmmakers, and so it gives us a deeper sense of her creative practice and her intellectual practice as well."

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