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Rob Zombie recommended Young Frankenstein (1974) in Movies (curated)
LeftSideCut (3778 KP) rated Stranger Things - Season 1 in TV
Jul 5, 2019 (Updated Jul 5, 2019)
Welcome to Hawkins
For me, the first season of Stranger Things is perfect, and I really, and truly mean that.
The acting is top notch, the young actors in particular are phenomenal, believable, hugely professional.
Winona Ryder is fantastic as Joyce Byers, a mother losing her mind over the disappearance of her son (or is she). David Harbour is possibly the most likeable TV character in recent history, as Hopper, and then we have a host of supporting characters who all have an individual impact on the overall narrative (Justice for Barb)
There is an impending sense of dread throughout, as the mystery of Wills disappearance is slowly unravelled, as the season flits effortlessly from 80s buddy adventure, to creature feature, to government conspiracy thriller - there are many plates being spun, and none of them fall off.
Some of the more tense scenes will have you on the edge of your seat (R.U.N.)
At times it even reminded of one of my absolute favourite shows ever - Twin Peaks.
The 80s setting is a smart move, shoeing in references to other media left, right and centre, without ever feeling to on the nose, topped off with a very retro low electronic soundtrack, the atmosphere is very well crafted.
All of these positives put together produce an astounding season of television, that is near impossible to watch in bits.
Easy 10/10 for me!
The acting is top notch, the young actors in particular are phenomenal, believable, hugely professional.
Winona Ryder is fantastic as Joyce Byers, a mother losing her mind over the disappearance of her son (or is she). David Harbour is possibly the most likeable TV character in recent history, as Hopper, and then we have a host of supporting characters who all have an individual impact on the overall narrative (Justice for Barb)
There is an impending sense of dread throughout, as the mystery of Wills disappearance is slowly unravelled, as the season flits effortlessly from 80s buddy adventure, to creature feature, to government conspiracy thriller - there are many plates being spun, and none of them fall off.
Some of the more tense scenes will have you on the edge of your seat (R.U.N.)
At times it even reminded of one of my absolute favourite shows ever - Twin Peaks.
The 80s setting is a smart move, shoeing in references to other media left, right and centre, without ever feeling to on the nose, topped off with a very retro low electronic soundtrack, the atmosphere is very well crafted.
All of these positives put together produce an astounding season of television, that is near impossible to watch in bits.
Easy 10/10 for me!
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LeftSideCut (3778 KP) rated Frozen II (2019) in Movies
Dec 7, 2019 (Updated Jan 22, 2020)
Frozen II is a genuinely fantastic sequel that build on the original in every way.
It's feels more mature for a start. It's still a magical, kid friendly, animated adventure for sure, but the film manages to touch upon subjects such as death, loss, depression, how it's ok to feel angry, and all without veering too far away from a family feature.
The more mature tone comes with more mature animation - and it's really something. The animation is pretty much flawless. The contrasting colour pallets - the icy cold blues and white of Arendelle, to the autumnal greens and oranges of the forest - are all pleasing to look at.
I'm not one for musicals, and I wasn't keen on the songs from the original, but the music in Frozen II is way more tolerable. Well written, and sometimes epic, and that Lost in the Woods song is a banger - the fact that Weezer did a recording of it just earns the movie bonus points in my eyes.
The plot is easy to follow, whilst offering a twist here and there, but the overall message is once again, the importance of family, and the importance of writing wrongs from the last. Interestingly, there is no villain in Frozen II. The focus is purely on the good guys trying to make the world a better place for everyone. It's all rather wholesome.
The characters are all great in their own ways, and the creature designs are fantastic.
I have nothing bad to say about Frozen II. It's a damn solid sequel that easily surpasses the first film. Now if you'll excuse me, I'm going to go and listen to Weezer all night.
It's feels more mature for a start. It's still a magical, kid friendly, animated adventure for sure, but the film manages to touch upon subjects such as death, loss, depression, how it's ok to feel angry, and all without veering too far away from a family feature.
The more mature tone comes with more mature animation - and it's really something. The animation is pretty much flawless. The contrasting colour pallets - the icy cold blues and white of Arendelle, to the autumnal greens and oranges of the forest - are all pleasing to look at.
I'm not one for musicals, and I wasn't keen on the songs from the original, but the music in Frozen II is way more tolerable. Well written, and sometimes epic, and that Lost in the Woods song is a banger - the fact that Weezer did a recording of it just earns the movie bonus points in my eyes.
The plot is easy to follow, whilst offering a twist here and there, but the overall message is once again, the importance of family, and the importance of writing wrongs from the last. Interestingly, there is no villain in Frozen II. The focus is purely on the good guys trying to make the world a better place for everyone. It's all rather wholesome.
The characters are all great in their own ways, and the creature designs are fantastic.
I have nothing bad to say about Frozen II. It's a damn solid sequel that easily surpasses the first film. Now if you'll excuse me, I'm going to go and listen to Weezer all night.
Tim McGuire (301 KP) rated Grabbers (2012) in Movies
Mar 3, 2020
Fun Creature Feature
388. Grabbers. Aliens attack Ireland, must be for the women. One night off the coast of Ireland a piece of a meteor comes crashing down into the ocean, and with it, a multi-legged mouth essentially that seems to just eat anything alive that gets in the way, and its making its way to land. Story centers on a small fishing town that's about to be invaded, and the two police taking care of it. As with many stories of small Irish towns, most of the population are drunk, racists, oh wait, it's made by the Irish, so it's ok then. The two officers, O'Shea, an alcoholic, suffering from the past, and Lisa, who is there only temporarily and takes her job seriously... of course. They clash, they flirt, O'Shea gets jealous when investigating the creatures they visit a scientist dude that isn't shy about flirting with Lisa. So after a few attacks, randomly around, they come to the conclusion that they won't attack you if you're intoxicated, tho there is no evidence of this at all, except that the town's biggest drunk has survived, hmm. So the plan is to round up the town folk in the bar, get drunk, and wait for reinforcements. It was an amusing movie, definitely fits into the 'B-Movie' variety. Like I said though, the alcohol thing, only seems to work when the story needed it too, plenty of tipsy people were getting turned into snacks, then again it's not really a movie you have to think all that much about, my bad. Enjoy. Filmbufftim on FB
Tim McGuire (301 KP) rated Cold Skin (2017) in Movies
Apr 20, 2020
Movie Monster Fun
421. Cold Skin. A pretty kick ass creature feature. Strange and bizarre, I loved it. Welcome to a tiny island located in the Antarctic Circle, and today arrives the new Weather Observer, I guess it's exactly as it sounds. He's supposed to be replacing the old Weather Observer, but he's nowhere to be found, so he heads on over to the light house to meet the islands only other inhabitant, Gruner, the light house keeper, he's like 'he went out one night, never saw him again'. No help there, so Friend heads to his new place, oh yea that's how Gruner refers to the Weather Observer. His sets up his cottage to his liking, and then night comes, and with it comes a scratching at the door, a banging at the window, someones on the roof, and a webbed hand reaching under the door! Friend dives into a cellar protecting himself for the night. Once daylight hits, Friend heads over to Gruner's and he fills him in, yea that happens most nights, and he seems to be ok with it, after all he is played by The Punisher, Ray Stevenson! The two come to work together in a very uneasy alliance, after all it turns out Gruner has a roommate, one of the local inhabitants, only this one is female, and they're close... Friend comes to the conclusion of, maybe the creatures are coming for her, Gruner is like, there's the door. So each night, creatures from the deep come and attack the lighthouse for... reasons? Probably not a movie for everyone, however, if you like them on the oddball side check it out!! Filmbufftim on FB.
LeftSideCut (3778 KP) rated The Mist (2007) in Movies
Nov 30, 2020
"It appears we may have a problem of some magnitude."
The Mist is flat out fantastic for a handful of reasons.
Firstly, it has a ridiculously good cast - Thomas Jane, Marcia Gay Harden, Andre Braugher, Tony Jones, Laurie Holden, Jeffrey DeMunn, William Sadler, Alexa Davalos, Sam Witwer...there isn't a weak link at all, and it's a damn good job - The Mist isn't a straight forward creature feature. Although it's does have it's fair share of monster moments, it's main focus is on the dangers of fanatacism, and the delusions of human beings, as a lot of regular Joes who are just scared of the events unfolding, start to blindly follow the words of Mrs. Carmody, someone who is truly unhinged, and truly believes what she preaches - it's a concept all too familiar in today's real world, and Marcia Gay Harden puts in a show stopping performance, and is one the easiest-to-hate horror antagonists ever put to screen.
The titular Mist is realised superbly, and also does a good job at hiding the CGI monsters effectively. What we do get shown is just enough for a decent payoff, and there are some breathtaking shots during the films climax. For the most part though, it's a masterclass in stimulating the audiences imagination, and is scary in what you don't actually see.
And the of course there is THAT ending. If you somehow haven't seen The Mist yet, then go in with as little knowledge as possible, and let that ending just destroy your very soul. Its propels what is a good horror, into an all timer, even if it is a straight up depression simulator.
Really worth a look for any fans of horror, sci-fi, monsters, or Stephen King, and seek out the black and white version for extra satisfaction!
The Mist is flat out fantastic for a handful of reasons.
Firstly, it has a ridiculously good cast - Thomas Jane, Marcia Gay Harden, Andre Braugher, Tony Jones, Laurie Holden, Jeffrey DeMunn, William Sadler, Alexa Davalos, Sam Witwer...there isn't a weak link at all, and it's a damn good job - The Mist isn't a straight forward creature feature. Although it's does have it's fair share of monster moments, it's main focus is on the dangers of fanatacism, and the delusions of human beings, as a lot of regular Joes who are just scared of the events unfolding, start to blindly follow the words of Mrs. Carmody, someone who is truly unhinged, and truly believes what she preaches - it's a concept all too familiar in today's real world, and Marcia Gay Harden puts in a show stopping performance, and is one the easiest-to-hate horror antagonists ever put to screen.
The titular Mist is realised superbly, and also does a good job at hiding the CGI monsters effectively. What we do get shown is just enough for a decent payoff, and there are some breathtaking shots during the films climax. For the most part though, it's a masterclass in stimulating the audiences imagination, and is scary in what you don't actually see.
And the of course there is THAT ending. If you somehow haven't seen The Mist yet, then go in with as little knowledge as possible, and let that ending just destroy your very soul. Its propels what is a good horror, into an all timer, even if it is a straight up depression simulator.
Really worth a look for any fans of horror, sci-fi, monsters, or Stephen King, and seek out the black and white version for extra satisfaction!
Movie Metropolis (309 KP) rated The Meg (2018) in Movies
Jun 10, 2019
Jurassic Shark
Ah the shark attack movie. A genre that has over the years changed itself from impactful horror suspense thriller to cheesy, throwaway popcorn entertainment. Apart from when Steven Spielberg changed cinema forever with his 1975 masterpiece, Jaws, audiences have been given few treats in the decades that followed.
Deep Blue Sea was a tasteful homage to its forbearer, but even that was riddled in cliché and was much more of a brain-numbing creature feature than Jaws was. And then came Sharknado and its raft of dreadfully titled sequels. Look back through cinema history and you’ll see that sharks are big business in Hollywood.
Now, as we enter the final stages of 2018, Jason Statham stars in perhaps the most preposterous shark movie yet, yes, even more preposterous than Sharknado 3: Oh Hell No! But sometimes preposterous can be fun. Is that the case here?
A massive creature attacks a deep-sea submersible, leaving it disabled and trapping the crew at the bottom of the Pacific Ocean. With time running out, rescue diver Jonas Taylor (Statham) must save the crew and the ocean itself from an unimaginable threat – a 75-foot-long prehistoric shark known as the Megalodon.
Jon Turteltaub, who directed delicacies like National Treasure and Cool Runnings takes to The Meg like, well a duck to water. It’s filled with tantalising action sequences and Jason Statham spouting marine biology jargon including a scene in which the Hollywood star is shirtless whilst spouting marine biology jargon. What more could you want?
Quite a bit as it happens. Despite a solid opening act that sets up the dark humour of the film nicely, The Meg is a bit of a bore. Populated by bland characters, uninspiring CGI and plot holes so big they’d make the Marianas trench blush. It’s all a bit of a mess to be honest.
The Meg is one of a new breed of Hollywood blockbusters that has been made to pander to the new Chinese audience and while this has worked well for other high-budget movies like Pacific Rim, it doesn’t work quite as well here. Li Bingbing stars as marine biologist Suyin Zhang and whilst she performs well in her native tongue, her English-spoken scenes are stilted and lack any depth of emotion whatsoever.
In fact, outside of Statham, the rest of the cast are complete non-entities. Rainn Wilson provides some comic relief as a financial investor, but it’s all very B-movie and clearly not in the way it was intended. You see, when you know you have a ridiculous premise, the best thing to do is run with it and create the most insanely bizarre film in existence. Unfortunately, The Meg takes itself far too seriously and this makes it feel much longer than its running time would suggest. They could’ve gotten away with calling it ‘Jason Statham Shark Movie’ as that’ pretty much the premise in a nutshell.
It’s occasionally fun and could have been smashing fun, but in reality, it’s a bit of a damp squib
At a cost just shy of $200million, you’d expect to have Jurassic World: Fallen Kingdom levels of special effects. They actually cost around the same to produce. In truth, The Meg can’t hold a candle to its land-based prehistoric cousin. The CGI is passable at best and really dreadful at worst and this is a real shame. When the main selling point of your film is a 75-foot shark, you really need to get it spot on.
Besides a couple of cool shots, one of which is the featured image for this particular review (see the image at the top of the header banner), the cinematography is absolutely uninspired.
When you have a film that features so much ocean, there are a multitude of amazing things you could achieve with the shot choices. Unfortunately, none of them have been realised here.
Elsewhere, there is something a little more sinister afoot. Sharks already get a seriously bad reputation and this film does nothing to quash that. With many species now unfortunately endangered, films like The Meg could do more harm than good. It portrays all sharks as merciless killers – proficient and deadly. If it did want to be a serious shark attack flick, it should have relied less on goofy comedy and more on raising awareness for the creatures.
We’ve now had three ‘creature feature’ films thus far into 2018. Starting with Rampage earlier in the year, Jurassic World: Fallen Kingdom in June and now The Meg, and whilst each of them brings something unique to the table, The Meg sinks to the bottom of the seafloor. It’s occasionally fun and could have been smashing fun, but in reality, it’s a bit of a damp squib. The Meg is a shark movie without any bite.
https://moviemetropolis.net/2018/08/11/the-meg-review-jurassic-shark/
Deep Blue Sea was a tasteful homage to its forbearer, but even that was riddled in cliché and was much more of a brain-numbing creature feature than Jaws was. And then came Sharknado and its raft of dreadfully titled sequels. Look back through cinema history and you’ll see that sharks are big business in Hollywood.
Now, as we enter the final stages of 2018, Jason Statham stars in perhaps the most preposterous shark movie yet, yes, even more preposterous than Sharknado 3: Oh Hell No! But sometimes preposterous can be fun. Is that the case here?
A massive creature attacks a deep-sea submersible, leaving it disabled and trapping the crew at the bottom of the Pacific Ocean. With time running out, rescue diver Jonas Taylor (Statham) must save the crew and the ocean itself from an unimaginable threat – a 75-foot-long prehistoric shark known as the Megalodon.
Jon Turteltaub, who directed delicacies like National Treasure and Cool Runnings takes to The Meg like, well a duck to water. It’s filled with tantalising action sequences and Jason Statham spouting marine biology jargon including a scene in which the Hollywood star is shirtless whilst spouting marine biology jargon. What more could you want?
Quite a bit as it happens. Despite a solid opening act that sets up the dark humour of the film nicely, The Meg is a bit of a bore. Populated by bland characters, uninspiring CGI and plot holes so big they’d make the Marianas trench blush. It’s all a bit of a mess to be honest.
The Meg is one of a new breed of Hollywood blockbusters that has been made to pander to the new Chinese audience and while this has worked well for other high-budget movies like Pacific Rim, it doesn’t work quite as well here. Li Bingbing stars as marine biologist Suyin Zhang and whilst she performs well in her native tongue, her English-spoken scenes are stilted and lack any depth of emotion whatsoever.
In fact, outside of Statham, the rest of the cast are complete non-entities. Rainn Wilson provides some comic relief as a financial investor, but it’s all very B-movie and clearly not in the way it was intended. You see, when you know you have a ridiculous premise, the best thing to do is run with it and create the most insanely bizarre film in existence. Unfortunately, The Meg takes itself far too seriously and this makes it feel much longer than its running time would suggest. They could’ve gotten away with calling it ‘Jason Statham Shark Movie’ as that’ pretty much the premise in a nutshell.
It’s occasionally fun and could have been smashing fun, but in reality, it’s a bit of a damp squib
At a cost just shy of $200million, you’d expect to have Jurassic World: Fallen Kingdom levels of special effects. They actually cost around the same to produce. In truth, The Meg can’t hold a candle to its land-based prehistoric cousin. The CGI is passable at best and really dreadful at worst and this is a real shame. When the main selling point of your film is a 75-foot shark, you really need to get it spot on.
Besides a couple of cool shots, one of which is the featured image for this particular review (see the image at the top of the header banner), the cinematography is absolutely uninspired.
When you have a film that features so much ocean, there are a multitude of amazing things you could achieve with the shot choices. Unfortunately, none of them have been realised here.
Elsewhere, there is something a little more sinister afoot. Sharks already get a seriously bad reputation and this film does nothing to quash that. With many species now unfortunately endangered, films like The Meg could do more harm than good. It portrays all sharks as merciless killers – proficient and deadly. If it did want to be a serious shark attack flick, it should have relied less on goofy comedy and more on raising awareness for the creatures.
We’ve now had three ‘creature feature’ films thus far into 2018. Starting with Rampage earlier in the year, Jurassic World: Fallen Kingdom in June and now The Meg, and whilst each of them brings something unique to the table, The Meg sinks to the bottom of the seafloor. It’s occasionally fun and could have been smashing fun, but in reality, it’s a bit of a damp squib. The Meg is a shark movie without any bite.
https://moviemetropolis.net/2018/08/11/the-meg-review-jurassic-shark/
Story – The Box is a very interesting horror, it poses a question that would leave the audience much like Susan wondering what changed everything in her family’s life, it has a shock moment, while the rest is filled with the psychological side of horror. The Birthday Party plays out more like a dark comedy that a horror, it does work very well watching how hard the it is to cover up a death. Don’t Fall does seem to be the weakest of the stories here, mostly because it is way too short, it seems to take us to the location, hit night and everything happens and it is over way too quickly. Her Only Living Son does play out a lot like ‘We Need to Talk About Kevin’ only having a supernatural side to the outcome, it is one that could easily be a longer film too. Overall the stories are different enough, we have little sparks for each sub-genre of horror too which only means if you didn’t like one, you can skip to the next with ease.
Horror – The horror in the film gives us something different in each little story, we have psychological, dark humour, creature feature and satanic, which will give the audience something to enjoy between them.
Settings – The film does use each setting to make us feel like we are in different stories with Happy Birthday using the environment the best through the film.
Special Effects – The effects are strong when needed, we don’t turn to them very often which is nice for a horror film at times.
Scene of the Movie – Dinner with a difference.
That Moment That Annoyed Me – Don’t Fall feels too short.
Final Thoughts – This is a nice little horror anthology which highlights the female film makers in the genre, each story will have something for each type of horror fan to enjoy.
Overall: Horror Anthology 101
Horror – The horror in the film gives us something different in each little story, we have psychological, dark humour, creature feature and satanic, which will give the audience something to enjoy between them.
Settings – The film does use each setting to make us feel like we are in different stories with Happy Birthday using the environment the best through the film.
Special Effects – The effects are strong when needed, we don’t turn to them very often which is nice for a horror film at times.
Scene of the Movie – Dinner with a difference.
That Moment That Annoyed Me – Don’t Fall feels too short.
Final Thoughts – This is a nice little horror anthology which highlights the female film makers in the genre, each story will have something for each type of horror fan to enjoy.
Overall: Horror Anthology 101
Darren (1599 KP) rated Pod (2015) in Movies
Oct 14, 2019
Characters – Lyla is the loose cannon sibling, she enjoys a drink and a party and is tired of her big brother trying to protect her, once we hit the cabin though she is generic woman in trouble screaming a lot. Ed is the doctor and big brother of the siblings. He wants the family together to help on edge sibling and stays calm through the film through each decision going on. Martin is the former soldier that has returned a different man, he has been in and out of hospitals and now living alone his paranoia can only grow.
Performances – The performances in this film are focused on the three main actors, if we are being honest none of them set the world alight here, with Lauren Ashley Carter being completely over the top with her reactions, Dean Cates being very bland with his actions and Brian Morvant never hitting the marks of a true crazy person.
Story – The story here feels like it should be focusing on the relationship between the siblings, as we have the two left to decide whether their brother is insane or there is something happening in the cabin, the balance is shown early on but then soon just becomes a creature feature which fails to deliver because of the abrupt style of anything happening. There was a large part of potential here, but the bickering doesn’t make you care and the conspiracy theory all becomes something we have seen.
Horror/Mystery – The horror in the film comes in the final 15 minutes and never draws us into being scared and like the mystery side of the film just doesn’t become the important side of things like it should do.
Settings – Most of the film is set in the cabin which does plan into the isolation and paranoid idea.
Special Effects – The effects are used well and only when needed with most being practical dealing with creating the pod.
Scene of the Movie – What is in the basement.
That Moment That Annoyed Me – We didn’t explore the different life styles of the two siblings.
Final Thoughts – This is a lacklustre horror mystery movie that doesn’t use its strengths well enough through the film.
Overall: Lacklustre Horror Movie.
Performances – The performances in this film are focused on the three main actors, if we are being honest none of them set the world alight here, with Lauren Ashley Carter being completely over the top with her reactions, Dean Cates being very bland with his actions and Brian Morvant never hitting the marks of a true crazy person.
Story – The story here feels like it should be focusing on the relationship between the siblings, as we have the two left to decide whether their brother is insane or there is something happening in the cabin, the balance is shown early on but then soon just becomes a creature feature which fails to deliver because of the abrupt style of anything happening. There was a large part of potential here, but the bickering doesn’t make you care and the conspiracy theory all becomes something we have seen.
Horror/Mystery – The horror in the film comes in the final 15 minutes and never draws us into being scared and like the mystery side of the film just doesn’t become the important side of things like it should do.
Settings – Most of the film is set in the cabin which does plan into the isolation and paranoid idea.
Special Effects – The effects are used well and only when needed with most being practical dealing with creating the pod.
Scene of the Movie – What is in the basement.
That Moment That Annoyed Me – We didn’t explore the different life styles of the two siblings.
Final Thoughts – This is a lacklustre horror mystery movie that doesn’t use its strengths well enough through the film.
Overall: Lacklustre Horror Movie.