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1917 (2020)
1917 (2020)
2020 | Drama, War
1917 is a remarkable film through and through, and I can't praise it enough.
The cast, the cinematography, the set pieces, the music score are all outstanding.

The plot revolves around Lance Corporals Schofield (George McKay) and Blake (Dean-Charles Chapman) embarking on a seemingly impossible mission across no man's land in Northern France, deep into enemy territory to deliver a message to a fellow regiment, with the aim of preventing them from walking into a trap and potentially losing 1600 soldiers.
The two lead actors are fantastic, portraying two soldiers leaning on each other to achieve their goal.
The journey that takes place is tough and harrowing at times. There's a point about half way through the movie where the pace just doesn't slow down once. It's extremely intense, and bolstered infinitely by the shooting style.

The film is shot in a way that gives the viewer the impression of a one take movie. It's edited together so well that it appears seamless, and allows for some truly breathtaking moments, and never lets you break away from events unfolding. It caught my attention immediately and never lost it for one second.
This method allows for a very stylish looking experience, but it's a kind of style that never detracts or takes away from the horror of war. It's a perfect combination, ensuring that scenes of action feel relentless, whilst sadder moments are suitably poignant and perfectly executed. The emotional beats in 1917 are something else and took me by surprise. I have no shame in saying that I was fighting back tears a couple of times.

By the times the credits rolled, I was just sat in stunned silence, something that has only happened to me a few times before when it comes to movies.
1917 is pretty much perfect. A great war film, a great drama, and en effective exploration of what friendship and duty really mean.
Make the time to watch it if you haven't already!
  
Inmate #1: The Rise of Danny Trejo (2020)
Inmate #1: The Rise of Danny Trejo (2020)
2020 | Documentary
8
8.5 (2 Ratings)
Movie Rating
Danny Trejo is a man with the most terrifying voice I've ever heard, but after watching this, I just really really really want to be his friend.
I remember being completely drawn in by his silent character in Desperado, and then shortly after, recognising him in From Dusk Till Dawn. He's a guy who always manages to cut an intriguing and intimidating figure whatever movie he has been in.
His backstory has become just as famous, his incarceration at San Quentin in particular being pretty common knowledge.
This documentary really dives into his life story, starting with his childhood years, through his time in multie prisons, and then through his acting career and life as a changed man, and a genuinely good person. Watching Trejo speak about his life is just wonderful. The details he recalls are hugely interesting and the way he speaks about everyone he has come across through his life is respectful. He acknowledges that his life these days is a good one, and he can look back on his tougher years and find the humour in some of the shit that he endured.

All of the guests on this documentary, from fellow actors like Donal Logue and Michelle Rodriguez, to director Robert Rodriguez, to fellow inmates, to family members, all speak of him with a lot of warmth.
While Inmate #1 (a reference to some of his early acting credits) does indeed chronicle all of his misdemeanors, his difficult upbringing, his criminal life, it also shines a light on all of the good he has done since leaving prison in 1969. The amount of work he has done for his community is tremendous, and he still gives talks and lectures today, trying to help people who need it. It's an important balance in the way the narrative is told and reveals Trejo to be a pretty down to earth guy.

Its a super interesting story that's worth checking out. Long Live Dany Trejo.
  
Captain Marvel (2019)
Captain Marvel (2019)
2019 | Action, Adventure
Chemistry between Brie Larson and Samuel L. Jackson (1 more)
As always, END CREDITS SEQUENCE
Rocky first half hour (0 more)
A Marvel-ous "Buddy Cop" film
For those of you who read my reviews regularly know, I am a fan of the films produced in the MARVEL CINEMATIC UNIVERSE. There has been a bit of a hiatus in these films (the last one was ANT MAN AND THE WASP last July) so it was with some excitement that I headed to the multiplex to check out the latest installment in this film franchise.

And...after an opening that paid tribute to the late, great Stan Lee, I settled in for what, I hoped would be a fun time at the movies. I started to become a little concerned in the first half hour of this film as it jumbled things around, trying to tell an origin story of a person who has no memory of where she came from while Jude Law was "man-splaining" the new worlds and the new people that the audience needs to know about it. I was becoming concerned that this film was going to become a "hot mess".

And then came Samuel L. Jackson.

Mr. Jackson is a MOVIE STAR and his presence in this film instantly catapulted it to another level. The star power, energy and pacing of the film improved and (if I am honest with myself) the performance of Brie Larson as Carol Danvers/Captain Marvel improved as well. The film stopped being an "alien Super Hero" film and it become a "buddy cop film" along the lines of LETHAL WEAPON, 48 HOURS and (my personal favorite) MIDNIGHT RUN.

The chemistry between Jackson and Larson is undeniable and they play off of each other very well, bantering and bouncing lines back and forth while chasing - and being chased - by the bad guys. This dynamic raised the level of this film from a "middle of the road" SuperHero film to a fun action/comedy that is in the upper third of the Marvel Cinematic Universe.

Aside from Jackson, Larson (eventually) is terrifically cast as the titular character. She has a difficult balancing act to fulfill in the first 1/2 hour of the film, since her character has no memories, she also was in danger of having no personality. I've heard the word "bland" thrown around to characterize her performance, but I wouldn't quite go there (especially once Jackson shows up and her character's memories start to return). This is a well rounded, fierce performance and I don't think we've really seen the "best" that this character - or Larson's portrayal - has to offer.

Jude Law, Annette Benning(!) Lashana Lynch and Clark Gregg are all "fine" in supporting roles, but they pale in comparison to Larson/Jackson. Only Ben Mendehlson was able to "up" his performance to match these two, so when Jackson/Larson/Mendehlson were on the screen together, things crackled. Oh...and I would be remiss if I didn't mention one of the best feline performances in film in quite some time - GOOSE, the cat (yes, named after the character in TOP GUN). The less I say about this character the better - but it was really fun. The only disappointment for me was the usage of Gemma Chan (CRAZY, RICH ASIANS) as Minn-Erva. She just didn't have much to do, probably because at the time of filming Chan was not much of a "name". I know here character is crucial to some Captain Marvel storylines in the comics, so I am hoping they bring her back and use her more in the future.

But...as for this film...it is a fun romp, with good action and a truly memorable pairing of Jackson/Larson - one that does not disappoint. Stay, of course, for the TWO end credits scene - the first one sets up AVENGERS: ENDGAME and the last one is...

Letter Grade A-

8 (out of 10) stars and you can take that to the Bank(OfMarquis)