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Norco '80: The True Story of the Most Spectacular Bank Robbery in American History
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In the spirit of Killers of the Flower Moon and The Onion Field, Norco ’80 is a gripping true...
Mount Mercy
9.0
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From the author of Alaska Wild comes a standalone romantic suspense that will leave you breathless....
![Lost Graves (Boyle & Keneally #2) [Audiobook]](/uploads/profile_image/317/9e668096-6135-4694-b257-30976a5be317.jpg?m=1644157499)
Lost Graves (Boyle & Keneally #2) [Audiobook]
8.0
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The only sound in the forest was the wind through the branches; the only light came from the...
The Shadow of Memory
10.0
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In Connie Berry’s fourth Kate Hamilton mystery, American antiques dealer Kate Hamilton uncovers a...
Lyndsey Gollogly (2893 KP) rated The Silent Patient in Books
Sep 2, 2023
118 of 235
Book
The Silent Patient
By Alex Michaelides
⭐️⭐️⭐️⭐️⭐️
The Silent Patient is a shocking psychological thriller of a woman’s act of violence against her husband—and of the therapist obsessed with uncovering her motive.
Alicia Berenson’s life is seemingly perfect. A famous painter married to an in-demand fashion photographer, she lives in a grand house with big windows overlooking a park in one of London’s most desirable areas. One evening her husband Gabriel returns home late from a fashion shoot, and Alicia shoots him five times in the face, and then never speaks another word.
Alicia’s refusal to talk, or give any kind of explanation, turns a domestic tragedy into something far grander, a mystery that captures the public imagination and casts Alicia into notoriety. The price of her art skyrockets, and she, the silent patient, is hidden away from the tabloids and spotlight at the Grove, a secure forensic unit in North London.
Theo Faber is a criminal psychotherapist who has waited a long time for the opportunity to work with Alicia. His determination to get her to talk and unravel the mystery of why she shot her husband takes him down a twisting path into his own motivations—a search for the truth that threatens to consume him....
This was so so good!! It kept you completely sucked and and that ending was a WTF moment for me I did not see that coming at all! Brilliant!
Book
The Silent Patient
By Alex Michaelides
⭐️⭐️⭐️⭐️⭐️
The Silent Patient is a shocking psychological thriller of a woman’s act of violence against her husband—and of the therapist obsessed with uncovering her motive.
Alicia Berenson’s life is seemingly perfect. A famous painter married to an in-demand fashion photographer, she lives in a grand house with big windows overlooking a park in one of London’s most desirable areas. One evening her husband Gabriel returns home late from a fashion shoot, and Alicia shoots him five times in the face, and then never speaks another word.
Alicia’s refusal to talk, or give any kind of explanation, turns a domestic tragedy into something far grander, a mystery that captures the public imagination and casts Alicia into notoriety. The price of her art skyrockets, and she, the silent patient, is hidden away from the tabloids and spotlight at the Grove, a secure forensic unit in North London.
Theo Faber is a criminal psychotherapist who has waited a long time for the opportunity to work with Alicia. His determination to get her to talk and unravel the mystery of why she shot her husband takes him down a twisting path into his own motivations—a search for the truth that threatens to consume him....
This was so so good!! It kept you completely sucked and and that ending was a WTF moment for me I did not see that coming at all! Brilliant!
Murder on Mistletoe Lane
9.0
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American heiress Stella Kendrick and her husband, British aristocrat Viscount “Lyndy” Lyndhurst,...
Lyndsey Gollogly (2893 KP) rated Recluse in Books
May 11, 2024
92 of 220
Book sirens arc
Recluse
By Gabriel Zavala
⭐️⭐️⭐️⭐️
HE'S WEAVING HIS WEB OF MURDER.
Lukas Retter is a recluse in the correctional city of East Haddam, Connecticut, washing cars and dreaming about taking back control of his life. He has been ever since The Safety First Act redefined criminal justice in America.
Meanwhile, the children of criminals are placed in psychiatric hospitals to be evaluated.
But when Lukas murders Rebecca Waylow, his girlfriend, he leaves her dismembered and strung-up on a web of bloody ropes and wires. And she won't be the last.
As Lukas recalls his sinister past and becomes the new nightmare of his correctional city, he transforms into the serial killer he was destined to become. He'll do whatever it takes to feel control, even if it means stringing a few people up in the process.
This was pretty brutal from start to finish. Not one of these characters have any redeeming qualities. This main character was taken from his home at a young age, accused of killing his father even though he watched his sister do it to then be put into a violent situation by the government.
It’s a tough read but actually really well written especially from such a young author who definitely has a long promising career ahead of him.
I received an advance review copy for free, and I am leaving this review voluntarily.
Book sirens arc
Recluse
By Gabriel Zavala
⭐️⭐️⭐️⭐️
HE'S WEAVING HIS WEB OF MURDER.
Lukas Retter is a recluse in the correctional city of East Haddam, Connecticut, washing cars and dreaming about taking back control of his life. He has been ever since The Safety First Act redefined criminal justice in America.
Meanwhile, the children of criminals are placed in psychiatric hospitals to be evaluated.
But when Lukas murders Rebecca Waylow, his girlfriend, he leaves her dismembered and strung-up on a web of bloody ropes and wires. And she won't be the last.
As Lukas recalls his sinister past and becomes the new nightmare of his correctional city, he transforms into the serial killer he was destined to become. He'll do whatever it takes to feel control, even if it means stringing a few people up in the process.
This was pretty brutal from start to finish. Not one of these characters have any redeeming qualities. This main character was taken from his home at a young age, accused of killing his father even though he watched his sister do it to then be put into a violent situation by the government.
It’s a tough read but actually really well written especially from such a young author who definitely has a long promising career ahead of him.
I received an advance review copy for free, and I am leaving this review voluntarily.
BookblogbyCari (345 KP) rated The Psychopath Test in Books
Sep 11, 2018
This book is remarkably entertaining – I can see why it’s having such a long stint in the bookseller’s shelves! It’s most definitely written for the lay person, and that goes some way to explaining the book’s longevity.
It logs the course of events taken by Jon Ronson as he interviews some people who are deemed crazy, or psychopathic, and some people who diagnose psychological traits. The start of Ronson’s journey is intriguing - it begins when various academics, predominately neuroscientists, are sent mysterious and cryptic packages. They all rush onto online forums trying to figure out what it’s all about. Unfortunately, this section comes to an abrupt and disappointing conclusion (no spoilers).
This all changes in Chapter 2, however. Here, Ronson meets a man, Tony, who claims to have faked mental illness in order to get put into a psychiatric facility rather than a traditional prison. The Scientologists are on his side, and they send Ronson Broadmoor’s file on Tony, but with significant omissions, which shed a whole new light on why Tony should be incarcerated.
Chapter 3 describes how in the 1960’s psychiatrist Elliot Barker, held several nude LSD-induced psychotherapy sessions for psychopaths. In Chapter 4, Ronson goes on a conference to learn about Bob Hare’s psychopath checklist, and by Chapter 5, he’s using it in an interview with a leader of a death squad, Toto Constant. In Chapter 6, he uses it in an interview with Al Dunlan, who apparently enjoyed firing 6.000 people from their jobs.
Following a brief interlude to discuss the media, conspiracy theorists and the second coming, the theme of psychopathy is picked up again in Chapter 9 which looks at criminal profiling, and how it was once used to lure one particular suspect into an unwarranted arrest.
Ronson goes off on another tangent in Chapter 10, which discusses the (very real) problem of an apparent ballooning of mental illness diagnoses. Here he tells the tale of what happened when a 4-year-old girl was given 10 pills a day for “childhood bipolar” disorder.
In Ronson’s concluding chapter, he attends a tribunal for the Tony of Chapter 2, and Tony’s fate is decided (no spoilers). By this point, Tony’s charisma has got Ronson taken in, in spite of Tony showing several psychopathic traits.
My take away from the book is that people will have eccentricities, diagnosis or not, and the way to tell if someone is dangerous, is by their actions. Ronson himself has spotted psychopathic traits in himself, despite being overly anxious and not the slightest bit evil. The book sheds a lot of light, not only on the nature of obtaining a diagnosis, but also on its implications.
Whilst I do recommend the book, this book is most definitely not a thorough analysis of the mental health industry, nor the criminal profiling industry. But for entertainment purposes it gets top marks. If you are looking for a more authoritative book on the mental health industry and diagnosis, I recommend Saving Normal by Allen Frances.
It logs the course of events taken by Jon Ronson as he interviews some people who are deemed crazy, or psychopathic, and some people who diagnose psychological traits. The start of Ronson’s journey is intriguing - it begins when various academics, predominately neuroscientists, are sent mysterious and cryptic packages. They all rush onto online forums trying to figure out what it’s all about. Unfortunately, this section comes to an abrupt and disappointing conclusion (no spoilers).
This all changes in Chapter 2, however. Here, Ronson meets a man, Tony, who claims to have faked mental illness in order to get put into a psychiatric facility rather than a traditional prison. The Scientologists are on his side, and they send Ronson Broadmoor’s file on Tony, but with significant omissions, which shed a whole new light on why Tony should be incarcerated.
Chapter 3 describes how in the 1960’s psychiatrist Elliot Barker, held several nude LSD-induced psychotherapy sessions for psychopaths. In Chapter 4, Ronson goes on a conference to learn about Bob Hare’s psychopath checklist, and by Chapter 5, he’s using it in an interview with a leader of a death squad, Toto Constant. In Chapter 6, he uses it in an interview with Al Dunlan, who apparently enjoyed firing 6.000 people from their jobs.
Following a brief interlude to discuss the media, conspiracy theorists and the second coming, the theme of psychopathy is picked up again in Chapter 9 which looks at criminal profiling, and how it was once used to lure one particular suspect into an unwarranted arrest.
Ronson goes off on another tangent in Chapter 10, which discusses the (very real) problem of an apparent ballooning of mental illness diagnoses. Here he tells the tale of what happened when a 4-year-old girl was given 10 pills a day for “childhood bipolar” disorder.
In Ronson’s concluding chapter, he attends a tribunal for the Tony of Chapter 2, and Tony’s fate is decided (no spoilers). By this point, Tony’s charisma has got Ronson taken in, in spite of Tony showing several psychopathic traits.
My take away from the book is that people will have eccentricities, diagnosis or not, and the way to tell if someone is dangerous, is by their actions. Ronson himself has spotted psychopathic traits in himself, despite being overly anxious and not the slightest bit evil. The book sheds a lot of light, not only on the nature of obtaining a diagnosis, but also on its implications.
Whilst I do recommend the book, this book is most definitely not a thorough analysis of the mental health industry, nor the criminal profiling industry. But for entertainment purposes it gets top marks. If you are looking for a more authoritative book on the mental health industry and diagnosis, I recommend Saving Normal by Allen Frances.
Darren (1599 KP) rated Villain (1971) in Movies
Jul 25, 2019
Story: Villain starts as we see how gangster Vic Dakin (Burton) controls London, he has people that will grass on him to the cops with Inspector Bob Matthews (Davenport) trying to bring down the criminal.
Vic continues to use his business connections to stay ahead of the police, with Wolfe Lissner (McShane) being the latest person the inspectors are turning to try and give up Vic’s secrets.
Thoughts on Villain
Characters – Vic Dakin runs London with his criminal activities, he is feared by most people and if you cross him, you will get hurt if not killed. He has become over confident that he can get away with anything, making him one of the prime targets for everyone involved in law. Wolf Lissner works for Vic, he is one of the youngster members of the crew and the one that the police are trying to use to turn on him, even if he the one person that Vic will always turn to. Bob Matthews is the inspector that has been trying to bring down Vic for years, he has risen up the ranks, got the people in the gang, but never been able to get the conviction. Gerald Draycott is the politician that is being blackmailed to keep the business under wraps for Vic.
Performances – We do have two big names in his film, first Richard Burton that doesn’t get to show the skill he could bring to a film, while a younger Ian McShane shows us that he could be set for a career in this sidekick gangster role. The rest of the cast are doing all they need to without being in anyway stand out through the film.
Story – The story follows a gangster that has the power over London, the police have been hunting him for years, but he always finds a way to get out of trouble. This time they get closer than ever before and could finally take down one of the biggest gangsters in London. When it comes to the gangster genre, we don’t really ever get much different when it comes to where the story goes, this one is based loosely on the Kray brother, but for some reason only one of the twins. It does feel like we have seen everything before, we don’t get drawn into support either side of the battle and end up feeling like it is just another gangster film.
Crime – The crime world we enter shows us just where the criminals operate and just where the police will need to turn to, in any hope of bringing him down.
Settings – The film is mostly set in London which see just how the criminals operate, where they can get away from crime.
Scene of the Movie – The opening scene as we see just how Vic can operate.
That Moment That Annoyed Me – The final shot.
Final Thoughts – This is a typical British gangster film that starts with an intense opening, only to become a drag as the film unfolds.
Overall: British Gangster 101.
Vic continues to use his business connections to stay ahead of the police, with Wolfe Lissner (McShane) being the latest person the inspectors are turning to try and give up Vic’s secrets.
Thoughts on Villain
Characters – Vic Dakin runs London with his criminal activities, he is feared by most people and if you cross him, you will get hurt if not killed. He has become over confident that he can get away with anything, making him one of the prime targets for everyone involved in law. Wolf Lissner works for Vic, he is one of the youngster members of the crew and the one that the police are trying to use to turn on him, even if he the one person that Vic will always turn to. Bob Matthews is the inspector that has been trying to bring down Vic for years, he has risen up the ranks, got the people in the gang, but never been able to get the conviction. Gerald Draycott is the politician that is being blackmailed to keep the business under wraps for Vic.
Performances – We do have two big names in his film, first Richard Burton that doesn’t get to show the skill he could bring to a film, while a younger Ian McShane shows us that he could be set for a career in this sidekick gangster role. The rest of the cast are doing all they need to without being in anyway stand out through the film.
Story – The story follows a gangster that has the power over London, the police have been hunting him for years, but he always finds a way to get out of trouble. This time they get closer than ever before and could finally take down one of the biggest gangsters in London. When it comes to the gangster genre, we don’t really ever get much different when it comes to where the story goes, this one is based loosely on the Kray brother, but for some reason only one of the twins. It does feel like we have seen everything before, we don’t get drawn into support either side of the battle and end up feeling like it is just another gangster film.
Crime – The crime world we enter shows us just where the criminals operate and just where the police will need to turn to, in any hope of bringing him down.
Settings – The film is mostly set in London which see just how the criminals operate, where they can get away from crime.
Scene of the Movie – The opening scene as we see just how Vic can operate.
That Moment That Annoyed Me – The final shot.
Final Thoughts – This is a typical British gangster film that starts with an intense opening, only to become a drag as the film unfolds.
Overall: British Gangster 101.
Gareth von Kallenbach (980 KP) rated Looper (2012) in Movies
Aug 7, 2019
In the world of 2072, it is learned that time travel has been invented and is declared illegal by all the governments of the world. Naturally, the criminal elements of the future embrace the technology. Apparently getting rid of bodies and people in the future is tricky because of innovative tagging and tracking technology.
The criminal bosses of the future send a man named Abe (Jeff Bridges) 30 years into the past to serve the criminals of the future with a new type of hit man called a Looper. In the new film “Looper” Joseph Gordon-Levitt stars as Joe, a Looper who never lets morals get in the way of his job. He is happy to promptly dispatch anyone sent from the future without a second thought.
Joe is well paid for his work, and is happy to enjoy the drugs and women that come with his job. Yet Joe desires to leave it all one day and travel to France. For a Looper to be retired, he is forced to kill a future version of himself, and in doing so, gets a fantastic retirement payout and 30 years to live it up since that is how long it will take for time travel to be invented. Naturally an older version of yourself cannot be sent back to be killed by your younger self for at least 30 years. But the increase in retirements is a bit disconcerting for Joe.
Things change drastically for Joe when his older self (Bruce Willis), appears and manages to escape before he can be killed by his younger self. For a Looper to have his target escape is a serious infraction, and in no time, Joe finds himself not only hunting his older self, but also on the run from his former friends and allies who have made him both older and younger a priority.
At this point in the film, I was hooked, as my mind raced with twists, possibilities, and the promise of the film. Sadly the momentum grinds to a halt in the second half as the older Joe attempts to ally with his younger self to stop a future crime boss while he is a child. This quickly becomes a very blatant “Terminator” rip off as older Joe attempts to locate and kill children who may be the future crime lord while younger Joe is biding his time hiding from his former associates while protecting a young child and his mother from his older self.
It does not take much thought to see where this is going but sadly the remainder of the movie is underwhelming and disappointing as the film recycles scenarios that we have seen many times before in better movies. The second half lacks any real action and climactic finale to give the audience the well-deserved payoff they waited for.
Willis, Bridges, and Gordon-Levitt do solid work but seem to be going through the motions as they never really earn any sympathy from the audience. Much like last year’s “In Time”, “Looper” has a great premise that starts well and then fails to live up to its potential.
The criminal bosses of the future send a man named Abe (Jeff Bridges) 30 years into the past to serve the criminals of the future with a new type of hit man called a Looper. In the new film “Looper” Joseph Gordon-Levitt stars as Joe, a Looper who never lets morals get in the way of his job. He is happy to promptly dispatch anyone sent from the future without a second thought.
Joe is well paid for his work, and is happy to enjoy the drugs and women that come with his job. Yet Joe desires to leave it all one day and travel to France. For a Looper to be retired, he is forced to kill a future version of himself, and in doing so, gets a fantastic retirement payout and 30 years to live it up since that is how long it will take for time travel to be invented. Naturally an older version of yourself cannot be sent back to be killed by your younger self for at least 30 years. But the increase in retirements is a bit disconcerting for Joe.
Things change drastically for Joe when his older self (Bruce Willis), appears and manages to escape before he can be killed by his younger self. For a Looper to have his target escape is a serious infraction, and in no time, Joe finds himself not only hunting his older self, but also on the run from his former friends and allies who have made him both older and younger a priority.
At this point in the film, I was hooked, as my mind raced with twists, possibilities, and the promise of the film. Sadly the momentum grinds to a halt in the second half as the older Joe attempts to ally with his younger self to stop a future crime boss while he is a child. This quickly becomes a very blatant “Terminator” rip off as older Joe attempts to locate and kill children who may be the future crime lord while younger Joe is biding his time hiding from his former associates while protecting a young child and his mother from his older self.
It does not take much thought to see where this is going but sadly the remainder of the movie is underwhelming and disappointing as the film recycles scenarios that we have seen many times before in better movies. The second half lacks any real action and climactic finale to give the audience the well-deserved payoff they waited for.
Willis, Bridges, and Gordon-Levitt do solid work but seem to be going through the motions as they never really earn any sympathy from the audience. Much like last year’s “In Time”, “Looper” has a great premise that starts well and then fails to live up to its potential.