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Phil Leader (619 KP) rated Slow Bullets in Books
Nov 25, 2019
I have been a fan of Alastair Reynolds since I picked up a copy of Revelation Space when it was first published. He is the master of telling stories that span solar systems while still maintaining a human perspective via his characters.
The set up is interesting and simple, at least in summary. A ship carrying soldiers, mostly war criminals of one sort or another, following a ceasefire malfunctions and they are awoken from hibernation much later than they expected. Almost immediately the the rivalries from the war become apparent again and it is up to Scur to put herself in the position of ensuring that they can at least survive without killing each other for a war long since finished.
The story is told from Scur's point of view as she effectively writes her memoir - and confessional - as she comes to the end of her life. Reynolds entwines several threads effortlessly producing some good dramatic moments and plot twists. The changes of direction are not so much surprising as they occur but the direction they go in.
Apart from the expected divisions between the different sides of the army and the civilians on the ship Scur needs to worry about where the advanced civilization that existed before the war has gone, the slow deterioration of the ship, the potential for a religious war and a war criminal which she would very much like to exact revenge upon, all played out in the pressure cooker environment of the ship.
The result is a tight story with plenty of action interspersed with serious considerations about society, justice and religion and how they interplay. Like any of Reynold's work the particular universe this story inhabits - as far as can be discerned this is not related to any other novel or short story - arrives fully formed and with perceptible depth and history, hinting at other stories that might be told elsewhere.
For one of Reynolds' stories there isn't much science and it doesn't stick to physical limits - faster than light travel and communications are both possible but not really explored in detail. But the focus is entirely on the individuals involved with the setting just a backdrop for them to play out the story in front of.
Overall a thoroughly good read and one I would recommend to anyone who likes their science fiction up close and personal.
Rating: Some violent scenes and bad language
The set up is interesting and simple, at least in summary. A ship carrying soldiers, mostly war criminals of one sort or another, following a ceasefire malfunctions and they are awoken from hibernation much later than they expected. Almost immediately the the rivalries from the war become apparent again and it is up to Scur to put herself in the position of ensuring that they can at least survive without killing each other for a war long since finished.
The story is told from Scur's point of view as she effectively writes her memoir - and confessional - as she comes to the end of her life. Reynolds entwines several threads effortlessly producing some good dramatic moments and plot twists. The changes of direction are not so much surprising as they occur but the direction they go in.
Apart from the expected divisions between the different sides of the army and the civilians on the ship Scur needs to worry about where the advanced civilization that existed before the war has gone, the slow deterioration of the ship, the potential for a religious war and a war criminal which she would very much like to exact revenge upon, all played out in the pressure cooker environment of the ship.
The result is a tight story with plenty of action interspersed with serious considerations about society, justice and religion and how they interplay. Like any of Reynold's work the particular universe this story inhabits - as far as can be discerned this is not related to any other novel or short story - arrives fully formed and with perceptible depth and history, hinting at other stories that might be told elsewhere.
For one of Reynolds' stories there isn't much science and it doesn't stick to physical limits - faster than light travel and communications are both possible but not really explored in detail. But the focus is entirely on the individuals involved with the setting just a backdrop for them to play out the story in front of.
Overall a thoroughly good read and one I would recommend to anyone who likes their science fiction up close and personal.
Rating: Some violent scenes and bad language
The Godfather Game
Games and Stickers
App
For the first time ever, The Godfather officially comes to you as a brand new mobile game in an...
Narcoland: The Mexican Drug Lords and Their Godfathers
Roberto Saviano and Anabel Hernandez
Book
Narcoland describes a disastrous 'war on drugs' that has led to more than 80,000 deaths in half a...
LeftSideCut (3776 KP) rated Dredd (2012) in Movies
Jan 25, 2021
I grew up reading 2000AD and like many others, was disappointed in the Stallone effort to bring Judge Dredd to the big screen. Fast forward to 2012, and Dredd shows us that the way forward is a simple one. There's no need to go all out with a Mega City One wide story. The narrative is Dredd assessing Anderson on her first proper day of duty, locked down in a singular Megabuilding. Taking the template of Die Hard and applying it to Judge Dredd characters is wonderfully straightforward, and this movie is more spectacular for it.
We're told all the background we need to know within the first ten minutes before shit hits the fan and allows the rest of the films 80 or so minutes to give us one big set piece, as Dredd and Anderson make their way up the building to get to antagonist and drug peddling criminal, Ma-Ma.
Karl Urban is picture perfect in the titular role. His helmet wisely stays on for the duration, and he manages to keep up Dredd's signature grimace from start to finish, without it looking silly.
Olivia Thirlby is great as Anderson, and provides most of the movies more emotion charged moments that Dredd himself can't. The scene where she makes a vile gangster literally piss himself with her mind-exploring powers is a highlight of badass-ery.
Lena Headey plays the villanous Ma-Ma, and although she doesn't get a huge amount of screentime, she carves a lasting impression on proceedings as a truly nasty piece of work.
The films macguffin like Slow-Mo drug gives director Pete Travis an excuse to pack in some typical slow motion shots, but thankfully doesn't overdo it, and when it's used, provides us with some stylish and colourful action that breaks up the otherwise bleak aesthetic that comes hand in hand with the Mega City setting. This is of course is all complimented with some well done hard R violence which is simply a requirement when dealing with 2000AD material!
I personally feel that Dredd is the Judge Dredd film that we deserve. It ticks all the right boxes and doesn't feel over serious, even though it has next to no humour. Its a damn shame that it didn't earn the desired box office numbers because a sequel would have been just lovely.
We're told all the background we need to know within the first ten minutes before shit hits the fan and allows the rest of the films 80 or so minutes to give us one big set piece, as Dredd and Anderson make their way up the building to get to antagonist and drug peddling criminal, Ma-Ma.
Karl Urban is picture perfect in the titular role. His helmet wisely stays on for the duration, and he manages to keep up Dredd's signature grimace from start to finish, without it looking silly.
Olivia Thirlby is great as Anderson, and provides most of the movies more emotion charged moments that Dredd himself can't. The scene where she makes a vile gangster literally piss himself with her mind-exploring powers is a highlight of badass-ery.
Lena Headey plays the villanous Ma-Ma, and although she doesn't get a huge amount of screentime, she carves a lasting impression on proceedings as a truly nasty piece of work.
The films macguffin like Slow-Mo drug gives director Pete Travis an excuse to pack in some typical slow motion shots, but thankfully doesn't overdo it, and when it's used, provides us with some stylish and colourful action that breaks up the otherwise bleak aesthetic that comes hand in hand with the Mega City setting. This is of course is all complimented with some well done hard R violence which is simply a requirement when dealing with 2000AD material!
I personally feel that Dredd is the Judge Dredd film that we deserve. It ticks all the right boxes and doesn't feel over serious, even though it has next to no humour. Its a damn shame that it didn't earn the desired box office numbers because a sequel would have been just lovely.
Gareth von Kallenbach (980 KP) rated Baby Driver (2017) in Movies
Jul 11, 2019
After falling into debt with a crime boss, Baby (Ansel Elgort), must pay back what he owes by being the getaway driver for brazen daytime heists. The crime boss, Doc (Kevin Spacey), promises Baby that once the next job is done he will be debt free. Baby does the job and heads home feeling finally free and ready to start doing good things with his life. He meets a beautiful waitress, Debora (Lily James), and plans to drive across the country with her. It may be too good to be true. He soon learns that being debt free may not mean that he gets to walk away from the life of crime. Being an exceptional driver has made him indispensable to Doc. Now Baby has a choice between walking away, which Doc has promised to hurt him and those he cares about if he does, or do one more job, and hope he find a way out of the criminal world and onto the road with Debora.
Writer/Director Edgar Wright (Shaun of the Dead, Hot Fuzz) does a masterful job of drawing the audience into the story with the soundtrack in a really fun and original way. From the chase scenes to the mundane task of getting coffee, the music immerses the viewer into Baby’s world. The film starts out with an exciting car chase sequence and keeps moving all the way to the end. All of the chase/driving scenes are really well done, which was expected for a movie with driver in the name, but impressive none the less. The pace of the film was consistent and it flowed all the way to the end. Kevin Spacey, Jamie Foxx, John Hamm, Eliza Gonzalez and the rest of the supporting cast did really well and all brought interesting characters to the film.
I loved the originality of the story and how it was executed. This is definitely a soundtrack I will have to listen to again. There were couple loose ends with some of the characters that didn’t get tied up but that was minimal. It is a fun ride and has a little bit of something for everyone. There is a love story, action, a compelling story, and a mixed in comedy that lightens the mood.
Writer/Director Edgar Wright (Shaun of the Dead, Hot Fuzz) does a masterful job of drawing the audience into the story with the soundtrack in a really fun and original way. From the chase scenes to the mundane task of getting coffee, the music immerses the viewer into Baby’s world. The film starts out with an exciting car chase sequence and keeps moving all the way to the end. All of the chase/driving scenes are really well done, which was expected for a movie with driver in the name, but impressive none the less. The pace of the film was consistent and it flowed all the way to the end. Kevin Spacey, Jamie Foxx, John Hamm, Eliza Gonzalez and the rest of the supporting cast did really well and all brought interesting characters to the film.
I loved the originality of the story and how it was executed. This is definitely a soundtrack I will have to listen to again. There were couple loose ends with some of the characters that didn’t get tied up but that was minimal. It is a fun ride and has a little bit of something for everyone. There is a love story, action, a compelling story, and a mixed in comedy that lightens the mood.
Cruiser Limo Taxi
Games and Entertainment
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As Modern Taxi Driver & Cruise Celebrities Around City In Your Luxury Taxi Limo Driving If you like...
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Real City Russian Car Driver 3D is the best simulator of criminal life in the typical Russian city. ...
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The #1 New York Times bestselling author of the Natchez Burning trilogy returns with an electrifying...
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What would you do if your daughter was kidnapped and given only a week to live? Lauren...
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~Wesley~ Yeah, I don’t trust them. Who are they? The family who takes me in after they catch...
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