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Beckie Shelton (40 KP) rated The One in Books
Feb 8, 2018
This is what I love about reviewing books, it takes you out of your comfort zone and you get to experience author's that perhaps might never cross your radar and what a shame that would be as, The One by John Marrs was one of those gems that I may have passed by, an utterly brilliant captivating phycological thriller which kept me entranced till the final pages.
How to adequately convey this story and do it justice, as it truly is a unique concept. I have read an abundance of fiction over the years and the subject expressed in The One, A Gene that matches you with another individual romantically, a soul mate. is truly a unique idea.
In The One, we have what seems like five different stories all wrapped up in a shared Tale, Five Love matches all separate but also intertwined in a bigger picture. The unique writing style of John Marrs makes this very addictive reading, each chapter focusing on a gene match playing in an enthralling loop that makes you want to keep reading.
we have,
Mandy & Richard
Christopher & Amy
Jade & Kevin
Nick & Sally
Ellie & Tim
Finding the love of your life, the other half of you may seem an amazing and wonderous thing. But in reality, the obstacles this can throw at you if you think on this logically are truly shocking, What if your match is married or old, dead or disabled. He or she could be a criminal when you ponder deeper on this matter all sorts of shockingly crazy scenarios spring to mind.The one explores these situations giving us an insight into what could happen when we ask the question WHAT IF?
In conclusion, this book is a breathtaking phycological thriller that keeps you gripped throughout. I've tried to convey a sense of what The one gives you without giving too much away as this is one of those stories you really need to go in blind to truly appreciate the sheer brilliance of its storyline. Love doesn't always run smoothly, in fact in this tale don't expect the ordinary it abounds with twists and turns that keep you guessing throughout.
I Received a free copy of this e-book from NetGalley in return for a review and this is my own honest opinion.
https://www.beckiebookworm.com/
https://www.facebook.com/beckiebookworm/
How to adequately convey this story and do it justice, as it truly is a unique concept. I have read an abundance of fiction over the years and the subject expressed in The One, A Gene that matches you with another individual romantically, a soul mate. is truly a unique idea.
In The One, we have what seems like five different stories all wrapped up in a shared Tale, Five Love matches all separate but also intertwined in a bigger picture. The unique writing style of John Marrs makes this very addictive reading, each chapter focusing on a gene match playing in an enthralling loop that makes you want to keep reading.
we have,
Mandy & Richard
Christopher & Amy
Jade & Kevin
Nick & Sally
Ellie & Tim
Finding the love of your life, the other half of you may seem an amazing and wonderous thing. But in reality, the obstacles this can throw at you if you think on this logically are truly shocking, What if your match is married or old, dead or disabled. He or she could be a criminal when you ponder deeper on this matter all sorts of shockingly crazy scenarios spring to mind.The one explores these situations giving us an insight into what could happen when we ask the question WHAT IF?
In conclusion, this book is a breathtaking phycological thriller that keeps you gripped throughout. I've tried to convey a sense of what The one gives you without giving too much away as this is one of those stories you really need to go in blind to truly appreciate the sheer brilliance of its storyline. Love doesn't always run smoothly, in fact in this tale don't expect the ordinary it abounds with twists and turns that keep you guessing throughout.
I Received a free copy of this e-book from NetGalley in return for a review and this is my own honest opinion.
https://www.beckiebookworm.com/
https://www.facebook.com/beckiebookworm/
Phillip McSween (751 KP) rated New Jack City (1991) in Movies
Mar 21, 2018
Good Movie
Released in 1991, New Jack City takes place in the late 80's with the perfect vibe to boot. A time during which Kangol hats and "gold ropes" were in and rap needed a hard bass beat to be considered car system-worthy. New Jack is a solid groove of a film that remains timeless even to this day.
While a handful of spots were farfetched, I appreciate the grit and realness of the film as a whole. It's an open awareness into the crack epidemic and how badly it damaged black communities. It's hard watching people destroy the lives of those in their community knowing full well their lives gave them little choice to do much else. In one of my favorite scenes, antagonist Nino Brown (Wesley Snipes) is having a meaningful conversation with an older man. At the heart of the conversation, they talk about how black people haven't gotten far from a societal progression standpoint since Martin Luther King Jr. died. No matter which side of the argument you're on, both had strong points that made you think.
The lead roles were consistently strong throughout. Chris Rock excelled in his role as Pookie, a crackhead trying to get his life together. You come to sympathize with his character hoping for a happy ending, but knowing the fate he is destined for. And you can't mention lead roles without giving Wesley Snipes his proper due as Nino Brown. Nino is smooth, a speaker for the people. His presence oozes with power in the criminal circuit yet the law sees him as just another delinquent. I give Rock the nod, but Snipes is a very close second.
Ice-T plays the role of Appleton, a cop hired to take a bite out of the crack epidemic by taking out one of its largest suppliers: Nino. The film as a whole is not without its faults as it lacks cohesiveness in certain spots. While the main actors are outstanding, the supporting roles are ghastly at best. I could definitely have done without Keisha (Vanessa Williams). If I heard "Rockabye baby" one more time, I'm pretty sure I would have lost it.
Not a classic for me, but still a consistent watch. I give New Jack City a 75.
While a handful of spots were farfetched, I appreciate the grit and realness of the film as a whole. It's an open awareness into the crack epidemic and how badly it damaged black communities. It's hard watching people destroy the lives of those in their community knowing full well their lives gave them little choice to do much else. In one of my favorite scenes, antagonist Nino Brown (Wesley Snipes) is having a meaningful conversation with an older man. At the heart of the conversation, they talk about how black people haven't gotten far from a societal progression standpoint since Martin Luther King Jr. died. No matter which side of the argument you're on, both had strong points that made you think.
The lead roles were consistently strong throughout. Chris Rock excelled in his role as Pookie, a crackhead trying to get his life together. You come to sympathize with his character hoping for a happy ending, but knowing the fate he is destined for. And you can't mention lead roles without giving Wesley Snipes his proper due as Nino Brown. Nino is smooth, a speaker for the people. His presence oozes with power in the criminal circuit yet the law sees him as just another delinquent. I give Rock the nod, but Snipes is a very close second.
Ice-T plays the role of Appleton, a cop hired to take a bite out of the crack epidemic by taking out one of its largest suppliers: Nino. The film as a whole is not without its faults as it lacks cohesiveness in certain spots. While the main actors are outstanding, the supporting roles are ghastly at best. I could definitely have done without Keisha (Vanessa Williams). If I heard "Rockabye baby" one more time, I'm pretty sure I would have lost it.
Not a classic for me, but still a consistent watch. I give New Jack City a 75.
Zuky the BookBum (15 KP) rated We All Begin As Strangers in Books
Mar 15, 2018
When I first saw this on Netgalley, I knew I had to read it. Loosely based on real life events and characters, this intrigued me. This has a mysterious character known as "The Fox" who breaks into peoples homes and watches them. This "Fox" person was real and struck the area I live in. Leighton Buzzard, St Albans, Tring and Dunstable and other surrounding areas were all in fear of this criminal, and in real life, he wasn't a people watcher, he was a serial rapist. My step-dad grew up when The Fox was around so he is always recalling stories about the incidents and when I connected the dots to this book being about that particular "fox" I instantly requested it!
This started off a little slow for me, and I didn't instantly love it, but it takes it's time to grow on you and in the end I adored this. It is a little sombre throughout, but sometimes, that's what makes a book so moving and great to read.
The atmosphere of the small village environment is absolutely spot on. I've lived in a number of small villages myself, and you do find that news travels fast, plus there is a certain distance put between locals and "outsiders". For this novel, the hostile village atmosphere has most certainly been amplified, but you can definitely feel that static-y tension in the air if you have ever lived "village life".
The writing in this novel is lovely. Very descriptive and picturesque. But where Cummings really shines in in her characters. Each one that we follow closely, Deloris, Jim, Brian and Stan, we become attached to, well, I did at least. You feel as though you know them and you get angry along with them, you sympathise for them and you cheer them on.
Even though I predicted the identity of The Fox, among other things, there are small twists in each person's story that surprise you, so I was still in awe during most of the novel.
This book is marvelous. It's sad, moving, witty and beautiful. Definitely try to get yourself a copy of it you love books about trouble in small communities.
<i>Thanks to Netgalley and Orion Publishing Group for giving me the opportunity to read this in exchange for an honest review.</i>
This started off a little slow for me, and I didn't instantly love it, but it takes it's time to grow on you and in the end I adored this. It is a little sombre throughout, but sometimes, that's what makes a book so moving and great to read.
The atmosphere of the small village environment is absolutely spot on. I've lived in a number of small villages myself, and you do find that news travels fast, plus there is a certain distance put between locals and "outsiders". For this novel, the hostile village atmosphere has most certainly been amplified, but you can definitely feel that static-y tension in the air if you have ever lived "village life".
The writing in this novel is lovely. Very descriptive and picturesque. But where Cummings really shines in in her characters. Each one that we follow closely, Deloris, Jim, Brian and Stan, we become attached to, well, I did at least. You feel as though you know them and you get angry along with them, you sympathise for them and you cheer them on.
Even though I predicted the identity of The Fox, among other things, there are small twists in each person's story that surprise you, so I was still in awe during most of the novel.
This book is marvelous. It's sad, moving, witty and beautiful. Definitely try to get yourself a copy of it you love books about trouble in small communities.
<i>Thanks to Netgalley and Orion Publishing Group for giving me the opportunity to read this in exchange for an honest review.</i>
Goddess in the Stacks (553 KP) rated Bonk: The Curious Coupling of Science and Sex in Books
Sep 15, 2018
Hysterically funny (1 more)
Laugh-out-loud footnotes
It's not often a nonfiction book has me laughing out loud, but this one did it. This is the first of Roach's books I've read, but her voice makes me want to read everything she's ever written! Bonk is the story of sexual research - how scientists have made discoveries about a topic that is awkward at best, and taboo or even criminal at worst. Roach takes research seriously, volunteering as a research subject more than once (and convincing her husband to help, in at least one case!) Her wordplay is clever and her footnotes are HILARIOUS - this was a nonfiction book I kept having to pause and read to my husband between snickers.
Even her chapter titles are giggle-inducing - with titles like "The Princess and Her Pea - The Woman Who Moved Her Clitoris, and Other Ruminations on Intercourse Orgasms" and "Re-member Me - Transplants, Implants, and Other Penises Of Last Resort."
Roach writes about some truly awkward sexual encounters in the name of science:
On the bed are a man and a woman. They are making the familiar movements made by millions of other couples on a bed that night, yet they look nothing like those couples. They have EKG wires leading from their thighs and arms, like a pair of lustful marionettes who managed to escape the puppet show and check into a cheap motel. Their mouths are covered by snorkel-type mouthpieces with valves. Trailing from each mouthpiece is a length of flexible tubing that runs through the wall to the room next door, where Bartlett is measuring their breathing rate. To ensure that they don't breathe through their noses, the noses have been "lightly clamped."
Another passage mentions two gymnasts who have sex in an MRI tube. (For science!) I'm impressed these people can perform under these conditions at all!
There's only one passage that squicked me out a little bit - there's a few paragraphs describing a urologist performing surgery on a penis and it's...a little disturbing. That aside, though, this is a delightful book on an uncommon topic. It's an easy read, which I don't say about much nonfiction. It might be awkward to explain why you're snickering over this book, though!
You can find all my reviews at http://goddessinthestacks.com
Even her chapter titles are giggle-inducing - with titles like "The Princess and Her Pea - The Woman Who Moved Her Clitoris, and Other Ruminations on Intercourse Orgasms" and "Re-member Me - Transplants, Implants, and Other Penises Of Last Resort."
Roach writes about some truly awkward sexual encounters in the name of science:
On the bed are a man and a woman. They are making the familiar movements made by millions of other couples on a bed that night, yet they look nothing like those couples. They have EKG wires leading from their thighs and arms, like a pair of lustful marionettes who managed to escape the puppet show and check into a cheap motel. Their mouths are covered by snorkel-type mouthpieces with valves. Trailing from each mouthpiece is a length of flexible tubing that runs through the wall to the room next door, where Bartlett is measuring their breathing rate. To ensure that they don't breathe through their noses, the noses have been "lightly clamped."
Another passage mentions two gymnasts who have sex in an MRI tube. (For science!) I'm impressed these people can perform under these conditions at all!
There's only one passage that squicked me out a little bit - there's a few paragraphs describing a urologist performing surgery on a penis and it's...a little disturbing. That aside, though, this is a delightful book on an uncommon topic. It's an easy read, which I don't say about much nonfiction. It might be awkward to explain why you're snickering over this book, though!
You can find all my reviews at http://goddessinthestacks.com
Phil Leader (619 KP) rated Slow Bullets in Books
Nov 25, 2019
I have been a fan of Alastair Reynolds since I picked up a copy of Revelation Space when it was first published. He is the master of telling stories that span solar systems while still maintaining a human perspective via his characters.
The set up is interesting and simple, at least in summary. A ship carrying soldiers, mostly war criminals of one sort or another, following a ceasefire malfunctions and they are awoken from hibernation much later than they expected. Almost immediately the the rivalries from the war become apparent again and it is up to Scur to put herself in the position of ensuring that they can at least survive without killing each other for a war long since finished.
The story is told from Scur's point of view as she effectively writes her memoir - and confessional - as she comes to the end of her life. Reynolds entwines several threads effortlessly producing some good dramatic moments and plot twists. The changes of direction are not so much surprising as they occur but the direction they go in.
Apart from the expected divisions between the different sides of the army and the civilians on the ship Scur needs to worry about where the advanced civilization that existed before the war has gone, the slow deterioration of the ship, the potential for a religious war and a war criminal which she would very much like to exact revenge upon, all played out in the pressure cooker environment of the ship.
The result is a tight story with plenty of action interspersed with serious considerations about society, justice and religion and how they interplay. Like any of Reynold's work the particular universe this story inhabits - as far as can be discerned this is not related to any other novel or short story - arrives fully formed and with perceptible depth and history, hinting at other stories that might be told elsewhere.
For one of Reynolds' stories there isn't much science and it doesn't stick to physical limits - faster than light travel and communications are both possible but not really explored in detail. But the focus is entirely on the individuals involved with the setting just a backdrop for them to play out the story in front of.
Overall a thoroughly good read and one I would recommend to anyone who likes their science fiction up close and personal.
Rating: Some violent scenes and bad language
The set up is interesting and simple, at least in summary. A ship carrying soldiers, mostly war criminals of one sort or another, following a ceasefire malfunctions and they are awoken from hibernation much later than they expected. Almost immediately the the rivalries from the war become apparent again and it is up to Scur to put herself in the position of ensuring that they can at least survive without killing each other for a war long since finished.
The story is told from Scur's point of view as she effectively writes her memoir - and confessional - as she comes to the end of her life. Reynolds entwines several threads effortlessly producing some good dramatic moments and plot twists. The changes of direction are not so much surprising as they occur but the direction they go in.
Apart from the expected divisions between the different sides of the army and the civilians on the ship Scur needs to worry about where the advanced civilization that existed before the war has gone, the slow deterioration of the ship, the potential for a religious war and a war criminal which she would very much like to exact revenge upon, all played out in the pressure cooker environment of the ship.
The result is a tight story with plenty of action interspersed with serious considerations about society, justice and religion and how they interplay. Like any of Reynold's work the particular universe this story inhabits - as far as can be discerned this is not related to any other novel or short story - arrives fully formed and with perceptible depth and history, hinting at other stories that might be told elsewhere.
For one of Reynolds' stories there isn't much science and it doesn't stick to physical limits - faster than light travel and communications are both possible but not really explored in detail. But the focus is entirely on the individuals involved with the setting just a backdrop for them to play out the story in front of.
Overall a thoroughly good read and one I would recommend to anyone who likes their science fiction up close and personal.
Rating: Some violent scenes and bad language
The Godfather Game
Games and Stickers
App
For the first time ever, The Godfather officially comes to you as a brand new mobile game in an...
Narcoland: The Mexican Drug Lords and Their Godfathers
Roberto Saviano and Anabel Hernandez
Book
Narcoland describes a disastrous 'war on drugs' that has led to more than 80,000 deaths in half a...
LeftSideCut (3776 KP) rated Dredd (2012) in Movies
Jan 25, 2021
I grew up reading 2000AD and like many others, was disappointed in the Stallone effort to bring Judge Dredd to the big screen. Fast forward to 2012, and Dredd shows us that the way forward is a simple one. There's no need to go all out with a Mega City One wide story. The narrative is Dredd assessing Anderson on her first proper day of duty, locked down in a singular Megabuilding. Taking the template of Die Hard and applying it to Judge Dredd characters is wonderfully straightforward, and this movie is more spectacular for it.
We're told all the background we need to know within the first ten minutes before shit hits the fan and allows the rest of the films 80 or so minutes to give us one big set piece, as Dredd and Anderson make their way up the building to get to antagonist and drug peddling criminal, Ma-Ma.
Karl Urban is picture perfect in the titular role. His helmet wisely stays on for the duration, and he manages to keep up Dredd's signature grimace from start to finish, without it looking silly.
Olivia Thirlby is great as Anderson, and provides most of the movies more emotion charged moments that Dredd himself can't. The scene where she makes a vile gangster literally piss himself with her mind-exploring powers is a highlight of badass-ery.
Lena Headey plays the villanous Ma-Ma, and although she doesn't get a huge amount of screentime, she carves a lasting impression on proceedings as a truly nasty piece of work.
The films macguffin like Slow-Mo drug gives director Pete Travis an excuse to pack in some typical slow motion shots, but thankfully doesn't overdo it, and when it's used, provides us with some stylish and colourful action that breaks up the otherwise bleak aesthetic that comes hand in hand with the Mega City setting. This is of course is all complimented with some well done hard R violence which is simply a requirement when dealing with 2000AD material!
I personally feel that Dredd is the Judge Dredd film that we deserve. It ticks all the right boxes and doesn't feel over serious, even though it has next to no humour. Its a damn shame that it didn't earn the desired box office numbers because a sequel would have been just lovely.
We're told all the background we need to know within the first ten minutes before shit hits the fan and allows the rest of the films 80 or so minutes to give us one big set piece, as Dredd and Anderson make their way up the building to get to antagonist and drug peddling criminal, Ma-Ma.
Karl Urban is picture perfect in the titular role. His helmet wisely stays on for the duration, and he manages to keep up Dredd's signature grimace from start to finish, without it looking silly.
Olivia Thirlby is great as Anderson, and provides most of the movies more emotion charged moments that Dredd himself can't. The scene where she makes a vile gangster literally piss himself with her mind-exploring powers is a highlight of badass-ery.
Lena Headey plays the villanous Ma-Ma, and although she doesn't get a huge amount of screentime, she carves a lasting impression on proceedings as a truly nasty piece of work.
The films macguffin like Slow-Mo drug gives director Pete Travis an excuse to pack in some typical slow motion shots, but thankfully doesn't overdo it, and when it's used, provides us with some stylish and colourful action that breaks up the otherwise bleak aesthetic that comes hand in hand with the Mega City setting. This is of course is all complimented with some well done hard R violence which is simply a requirement when dealing with 2000AD material!
I personally feel that Dredd is the Judge Dredd film that we deserve. It ticks all the right boxes and doesn't feel over serious, even though it has next to no humour. Its a damn shame that it didn't earn the desired box office numbers because a sequel would have been just lovely.
Gareth von Kallenbach (980 KP) rated Baby Driver (2017) in Movies
Jul 11, 2019
After falling into debt with a crime boss, Baby (Ansel Elgort), must pay back what he owes by being the getaway driver for brazen daytime heists. The crime boss, Doc (Kevin Spacey), promises Baby that once the next job is done he will be debt free. Baby does the job and heads home feeling finally free and ready to start doing good things with his life. He meets a beautiful waitress, Debora (Lily James), and plans to drive across the country with her. It may be too good to be true. He soon learns that being debt free may not mean that he gets to walk away from the life of crime. Being an exceptional driver has made him indispensable to Doc. Now Baby has a choice between walking away, which Doc has promised to hurt him and those he cares about if he does, or do one more job, and hope he find a way out of the criminal world and onto the road with Debora.
Writer/Director Edgar Wright (Shaun of the Dead, Hot Fuzz) does a masterful job of drawing the audience into the story with the soundtrack in a really fun and original way. From the chase scenes to the mundane task of getting coffee, the music immerses the viewer into Baby’s world. The film starts out with an exciting car chase sequence and keeps moving all the way to the end. All of the chase/driving scenes are really well done, which was expected for a movie with driver in the name, but impressive none the less. The pace of the film was consistent and it flowed all the way to the end. Kevin Spacey, Jamie Foxx, John Hamm, Eliza Gonzalez and the rest of the supporting cast did really well and all brought interesting characters to the film.
I loved the originality of the story and how it was executed. This is definitely a soundtrack I will have to listen to again. There were couple loose ends with some of the characters that didn’t get tied up but that was minimal. It is a fun ride and has a little bit of something for everyone. There is a love story, action, a compelling story, and a mixed in comedy that lightens the mood.
Writer/Director Edgar Wright (Shaun of the Dead, Hot Fuzz) does a masterful job of drawing the audience into the story with the soundtrack in a really fun and original way. From the chase scenes to the mundane task of getting coffee, the music immerses the viewer into Baby’s world. The film starts out with an exciting car chase sequence and keeps moving all the way to the end. All of the chase/driving scenes are really well done, which was expected for a movie with driver in the name, but impressive none the less. The pace of the film was consistent and it flowed all the way to the end. Kevin Spacey, Jamie Foxx, John Hamm, Eliza Gonzalez and the rest of the supporting cast did really well and all brought interesting characters to the film.
I loved the originality of the story and how it was executed. This is definitely a soundtrack I will have to listen to again. There were couple loose ends with some of the characters that didn’t get tied up but that was minimal. It is a fun ride and has a little bit of something for everyone. There is a love story, action, a compelling story, and a mixed in comedy that lightens the mood.
Cruiser Limo Taxi
Games and Entertainment
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As Modern Taxi Driver & Cruise Celebrities Around City In Your Luxury Taxi Limo Driving If you like...