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Gareth von Kallenbach (980 KP) rated Sherlock Holmes: A Game of Shadows (2011) in Movies
Aug 7, 2019
Robert Downey, Jr. and Jude Law return once again as Sherlock Holmes and Dr. Watson in “Sherlock Holmes: A Game of Shadows“. In this installment, a series of bombings across Europe has positioned the nations of the world on the brink of war. Holmes is convinced that there is a criminal mastermind behind the numerous, seemingly unrelated events and he believes it is renowned scholar James Moriarty (Jared Harris).
Watson, well-accustomed to Holmes’ eccentric and erratic behavior, is dubious of Holmes claims. Besides, Watson has his upcoming wedding to focus on, and only deigns to spend time with Holmes at the promise of a stag party at an upscale gentlemen’s club. While the bachelor party includes an entertaining Stephen Fry playing Holmes’ brother, Mycroft, Holmes has ulterior motives for taking Watson to this particular club. Early in the film, Holmes had cleverly intercepted a message from Irene Adler (Amy McAdams), that led him to a fortuneteller named Madam Simza Heron (Noomi Rapace), a woman Holmes believes has been targeted for death by Moriarty, who just happens to be working at the gentlemen’s club.
Eventually a meeting with Moriarty is arranged for Holmes. The two intellectuals spar with one another verbally in a civilized manner, with menacing undertones. Holmes isn’t able to convince Moriarty that Watson is no longer a partner in any of his endeavors and, Holmes is forced to take drastic measures to ensure the doctor and his new wife stay out of harm’s way. From Paris to Germany and other European locales, Holmes, Watson, and Simza and her gypsy friends race against time to uncover the diabolical plot that Moriarty has set for their demise in his quest to drive nations to war.
The film is an absolute delight and is a rare sequel that is even better than the previous film in the series. Robert Downey, Jr. and Jude Law have amazing chemistry with one another and their timing is absolutely perfect. The duo deftly mix action and comedy as well as the serious subject matter of the plot line and are utterly captivating and enjoyable to watch every step of the way. Rapace continues to impress in a much softer character than her Lisbeth Salandar role in the “Girl with the Dragon Tattoo” Swedish trilogy. and is poised to become one of Hollywood’s new leading ladies.
Having become familiar with Harris’ work on the series Mad Men, I was delighted to see him expertly portray such a complex character as Moriarty: a gentleman scholar of impeccable upbringing and education who is also a twisted and evil genius. Harris plays Moriarty perfectly and never lets you forget the dark and sinister side of him without ever becoming a campy or cartoony vaudeville villain.
Guy Ritchie returns as director and lets his stars carry the film. The action has been ramped up this time around with some spectacular action sequences but the action never overshadows the character-driven story. The film was well-paced and an absolute thrill ride from beginning to end mixing fantastic action and some great humor for a very winning combination that is not to be missed. I am already looking forward to future outings of Holmes and Watson on the big screen as this was a truly enjoyable experience that shows you how action comedies are supposed to be made.
Watson, well-accustomed to Holmes’ eccentric and erratic behavior, is dubious of Holmes claims. Besides, Watson has his upcoming wedding to focus on, and only deigns to spend time with Holmes at the promise of a stag party at an upscale gentlemen’s club. While the bachelor party includes an entertaining Stephen Fry playing Holmes’ brother, Mycroft, Holmes has ulterior motives for taking Watson to this particular club. Early in the film, Holmes had cleverly intercepted a message from Irene Adler (Amy McAdams), that led him to a fortuneteller named Madam Simza Heron (Noomi Rapace), a woman Holmes believes has been targeted for death by Moriarty, who just happens to be working at the gentlemen’s club.
Eventually a meeting with Moriarty is arranged for Holmes. The two intellectuals spar with one another verbally in a civilized manner, with menacing undertones. Holmes isn’t able to convince Moriarty that Watson is no longer a partner in any of his endeavors and, Holmes is forced to take drastic measures to ensure the doctor and his new wife stay out of harm’s way. From Paris to Germany and other European locales, Holmes, Watson, and Simza and her gypsy friends race against time to uncover the diabolical plot that Moriarty has set for their demise in his quest to drive nations to war.
The film is an absolute delight and is a rare sequel that is even better than the previous film in the series. Robert Downey, Jr. and Jude Law have amazing chemistry with one another and their timing is absolutely perfect. The duo deftly mix action and comedy as well as the serious subject matter of the plot line and are utterly captivating and enjoyable to watch every step of the way. Rapace continues to impress in a much softer character than her Lisbeth Salandar role in the “Girl with the Dragon Tattoo” Swedish trilogy. and is poised to become one of Hollywood’s new leading ladies.
Having become familiar with Harris’ work on the series Mad Men, I was delighted to see him expertly portray such a complex character as Moriarty: a gentleman scholar of impeccable upbringing and education who is also a twisted and evil genius. Harris plays Moriarty perfectly and never lets you forget the dark and sinister side of him without ever becoming a campy or cartoony vaudeville villain.
Guy Ritchie returns as director and lets his stars carry the film. The action has been ramped up this time around with some spectacular action sequences but the action never overshadows the character-driven story. The film was well-paced and an absolute thrill ride from beginning to end mixing fantastic action and some great humor for a very winning combination that is not to be missed. I am already looking forward to future outings of Holmes and Watson on the big screen as this was a truly enjoyable experience that shows you how action comedies are supposed to be made.
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Emma @ The Movies (1786 KP) rated Freaky (2021) in Movies
Apr 24, 2021
More body-switching horror mixed with a bit of comedy. Vince Vaughn was definitely the pull on this for me.
Millie's high school life is derailed when she switches places with a serial killer called The Butcher. She has 24 hours to work out how to switch back or she'll be trapped as a wanted criminal for the rest of her life.
This one... surprised me. I was hoping for an average slasher sort of film, all killer bit of filler, but I actually quite enjoyed the ride on Freaky.
Body swapping isn't a new idea, Big did it, 13 Going On 30, Chucky... sort of. It's a comforting sort of base that gives you room for fun, and in this instance, serial killer and teenage girl was a pretty good combo.
One thing to beware of is that this film is very gory. The beginning starts off as your typical teen horror and moves into the slasher part quite quickly. It's over the top in that ridiculous way that takes away some of the horror factor, and that's how I like these sorts of movies.
When it comes to the acting we get a collection of typical teens, there was nothing that seemed out of place. Solid acting to the expected stereotypes and it absolutely didn't rock the boat.
Vince Vaughn as our menacing murderer was quite terrifying for the moments we saw him in that role. But of course he spent most of the film as Millie. On this point my brain automatically went to the Jack Black comparison in the Jumanji films. His rendition of a teenage girl was great, and Vaughn's was just okay. While both of these roles were over the top, Vaughn's performance was "almost but not quite" and didn't sit right in Freaky.
The flip side of this was Kathryn Newton as Millie. As actual Millie I can't really remember anything about the performance, but as The Butcher there was a definite nutter vibe terminating from her. I'm not sure how they worked on the characters, for Newton the only real guidance was "psycho killer", and I think that left room for a little leeway on this side of the swap.
I was pleased that they took things into consideration during the swap. The struggle of adapting to the bodies was clear and continually there, it wasn't forgotten for the sake of getting on with the story. Millie possessed by The Butcher has a great interaction with another character, and this point is a big focus and heavy on the anxiety to watch because you're caught between a rock and a hard place about what you want the outcome to be.
There is one part of the movie that really weirded me out, I'm sure you'll be able to identify it too so I won't spoil it here. But it didn't feel necessary, it achieved nothing, and felt like it was inserted to get a reaction out of the viewer... exactly as it has here.
Freaky has a good balance between thriller, horror and comedy, and despite the imbalance in the acting/characters I found it to be a great watch. The foreknowledge of the general outcome of a body swap film (because let's face it, we all know how they end) leaves you the time to enjoy the nuttiness of everything else.
Originally posted on: https://emmaatthemovies.blogspot.com/2021/04/freaky-movie-review.html
Millie's high school life is derailed when she switches places with a serial killer called The Butcher. She has 24 hours to work out how to switch back or she'll be trapped as a wanted criminal for the rest of her life.
This one... surprised me. I was hoping for an average slasher sort of film, all killer bit of filler, but I actually quite enjoyed the ride on Freaky.
Body swapping isn't a new idea, Big did it, 13 Going On 30, Chucky... sort of. It's a comforting sort of base that gives you room for fun, and in this instance, serial killer and teenage girl was a pretty good combo.
One thing to beware of is that this film is very gory. The beginning starts off as your typical teen horror and moves into the slasher part quite quickly. It's over the top in that ridiculous way that takes away some of the horror factor, and that's how I like these sorts of movies.
When it comes to the acting we get a collection of typical teens, there was nothing that seemed out of place. Solid acting to the expected stereotypes and it absolutely didn't rock the boat.
Vince Vaughn as our menacing murderer was quite terrifying for the moments we saw him in that role. But of course he spent most of the film as Millie. On this point my brain automatically went to the Jack Black comparison in the Jumanji films. His rendition of a teenage girl was great, and Vaughn's was just okay. While both of these roles were over the top, Vaughn's performance was "almost but not quite" and didn't sit right in Freaky.
The flip side of this was Kathryn Newton as Millie. As actual Millie I can't really remember anything about the performance, but as The Butcher there was a definite nutter vibe terminating from her. I'm not sure how they worked on the characters, for Newton the only real guidance was "psycho killer", and I think that left room for a little leeway on this side of the swap.
I was pleased that they took things into consideration during the swap. The struggle of adapting to the bodies was clear and continually there, it wasn't forgotten for the sake of getting on with the story. Millie possessed by The Butcher has a great interaction with another character, and this point is a big focus and heavy on the anxiety to watch because you're caught between a rock and a hard place about what you want the outcome to be.
There is one part of the movie that really weirded me out, I'm sure you'll be able to identify it too so I won't spoil it here. But it didn't feel necessary, it achieved nothing, and felt like it was inserted to get a reaction out of the viewer... exactly as it has here.
Freaky has a good balance between thriller, horror and comedy, and despite the imbalance in the acting/characters I found it to be a great watch. The foreknowledge of the general outcome of a body swap film (because let's face it, we all know how they end) leaves you the time to enjoy the nuttiness of everything else.
Originally posted on: https://emmaatthemovies.blogspot.com/2021/04/freaky-movie-review.html
BookInspector (124 KP) rated Gallowstree Lane (Collins and Griffiths #3) in Books
Sep 24, 2020
This novel is told from multiple perspectives, and it is very hard to identify the main lead in this book. It is a Sarah Collins and Lizzie Griffiths detective novel, both of them are very strong female detectives, but they don’t have much communication between each other throughout the book, so I don’t really see them as a duo. It is a third book in the Metropolitan series, and I haven’t read the previous books. I found It perfectly understandable as a stand-alone, and the author explains a lot of things from previous books, but I think, to understand Sarah and Lizzie properly, it is better to read the previous books before starting this one.
So, a little about the characters, Lizzie is a single mother, who got pregnant after the affair with a fellow detective, who was married. Lizzie is trying her best to do her job like everybody else, but she is struggling. I really liked that the author analyzed childcare issues in this book, and how difficult is to be a mother, who wants to work and take care of her baby by her self. On the other hand, I have very strong negative emotions about her involvement with a married man in the first place, and that is what made her and Kieran (the married detective) my least favourite characters in this book.
Sarah Collins is a very determined detective, who knows how to get the stuff done. I really liked her as a character, it is visible that she loves the job and is very good at it. Kate London chose the characters very well for this novel. They are diverse, believable and very intriguing. I was very curious to read Ryan’s thoughts, he is a fifteen-year-old drug dealer, who’s friend gets stabbed. I am curious, how much actual truth was in Ryan’s thoughts compared to real life youth who act like “wannabe gangsters”. I can see that the author used her experience at the police very well, the procedures, places, the criminal mind looks very realistically portrayed in this book.
I think this book is more character orientated, the plot is intriguing, but the character’s thoughts and their lives are more absorbing than the plot itself. The plot is quite fast-paced and filled with a lot of findings, and I really enjoyed the whole investigation experience. The author analyses very important topics in this book, such as teenage criminals, knife crime, gangs and their war for territory, prostitution, drug addictions, childcare issues for working single mothers etc.
I really liked the writing style of this book, the whole book feels gloomy and intense, but at the same time, it is a very pleasant read. The setting continuously changes, depending on the character. The chapters have a very decent length and didn’t leave me bored. The ending was quite unexpected but rounded up this book quite well. So, to conclude, this is a very realistic and believable novel about teenage criminals and police work, filled with very amusing characters, and twisty plot. I learned a lot of interesting information and thoroughly enjoyed it. Especially the topics discussed in this novel. I strongly recommend this book to all, but especially to anyone living in London, I hope you will like it as much as I did.
So, a little about the characters, Lizzie is a single mother, who got pregnant after the affair with a fellow detective, who was married. Lizzie is trying her best to do her job like everybody else, but she is struggling. I really liked that the author analyzed childcare issues in this book, and how difficult is to be a mother, who wants to work and take care of her baby by her self. On the other hand, I have very strong negative emotions about her involvement with a married man in the first place, and that is what made her and Kieran (the married detective) my least favourite characters in this book.
Sarah Collins is a very determined detective, who knows how to get the stuff done. I really liked her as a character, it is visible that she loves the job and is very good at it. Kate London chose the characters very well for this novel. They are diverse, believable and very intriguing. I was very curious to read Ryan’s thoughts, he is a fifteen-year-old drug dealer, who’s friend gets stabbed. I am curious, how much actual truth was in Ryan’s thoughts compared to real life youth who act like “wannabe gangsters”. I can see that the author used her experience at the police very well, the procedures, places, the criminal mind looks very realistically portrayed in this book.
I think this book is more character orientated, the plot is intriguing, but the character’s thoughts and their lives are more absorbing than the plot itself. The plot is quite fast-paced and filled with a lot of findings, and I really enjoyed the whole investigation experience. The author analyses very important topics in this book, such as teenage criminals, knife crime, gangs and their war for territory, prostitution, drug addictions, childcare issues for working single mothers etc.
I really liked the writing style of this book, the whole book feels gloomy and intense, but at the same time, it is a very pleasant read. The setting continuously changes, depending on the character. The chapters have a very decent length and didn’t leave me bored. The ending was quite unexpected but rounded up this book quite well. So, to conclude, this is a very realistic and believable novel about teenage criminals and police work, filled with very amusing characters, and twisty plot. I learned a lot of interesting information and thoroughly enjoyed it. Especially the topics discussed in this novel. I strongly recommend this book to all, but especially to anyone living in London, I hope you will like it as much as I did.
Sarah (7800 KP) rated Memento (2000) in Movies
Nov 29, 2020
One of my favourite films
Film #5 on the 100 Movies Bucket List: Memento
I have to admit, I may be a little biased when it comes to Memento. Christopher Nolan is my favourite director and Memento is both one of my favourite films of his and one of my favourite films of all time. For me, this undoubtedly deserves its place on this bucket list.
Memento is a 2000 psychological thriller starring Guy Pearce as Leonard Shelby, a man suffering from anterograde amnesia searching for the person responsible for the death of his wife, using notes and tattoos to organise his thoughts.
One of the most noticeable features of Memento is the fact that half of the narrative is told backwards. The movie begins at the end, focusing on a rather gruesome Polaroid photograph that fades rather than develops and a victim of a shooting coming back to life. The rest of the film jumps backwards a few minutes at a time, each scene ending where the last one started. For a film about memory loss and amnesia, this mechanism of telling the story really helps put us in Leonard’s shoes. It makes you feel as confused as he is. On the original dvd release, there was a hidden feature that allowed you to play the film in chronological order and this just didn’t have the same impact. These reverse scenes are interspersed with black and white flashbacks of Leonard earlier in his wife’s murder investigation and his life as an insurance investigator, which really help with the exposition. These paired together alongside a haunting score make for an intriguing and not your run of the mill murder mystery.
There are some great performances in this that also help increase the intrigue. Carrie-Anne Moss as the apparently helpful Natalie and Joe Pantoliano as the questionable sidekick appear new to Leonard every time they meet yet their loyalties and motives waver for us as the viewers throughout the film. And Guy Pearce manages to portray the frustrated and not as innocent as he first appears Leonard incredibly well, and holds this film on his own for most of the run time. They’re helped by a clever and smart script that flawlessly blends the sinister and rather dark criminal aspects of this with some surprisingly funny lines.
This story starts at the end so you don’t have to worry about how it turns out, but despite this Memento still comes up with a rather cracking twist and denouement. This entire film is about time and memory and how unreliable it is, and the lies we tell ourselves about our own identities. Even during this, what we thought we knew about Leonard as the black and white flashback meets the backwards story, is revealed to be completely unreliable and quite shocking. Without revealing too much, the outcome of this film is both surprising, sinister and rather emotional, and features some of the best dialogue of the entire movie. Leonard’s actions and motives revealed here and the final voiceover as he drives off makes for a hugely satisfying ending.
I first watched Memento in a psychology class at college around 17 years ago. I loved it then and in the years since, it hasn’t lost its appeal. Watching it back now still evokes the same emotion and feelings when the credits roll as it did all those years ago and will always be one of my favourite films, even possibly my all time favourite.
I have to admit, I may be a little biased when it comes to Memento. Christopher Nolan is my favourite director and Memento is both one of my favourite films of his and one of my favourite films of all time. For me, this undoubtedly deserves its place on this bucket list.
Memento is a 2000 psychological thriller starring Guy Pearce as Leonard Shelby, a man suffering from anterograde amnesia searching for the person responsible for the death of his wife, using notes and tattoos to organise his thoughts.
One of the most noticeable features of Memento is the fact that half of the narrative is told backwards. The movie begins at the end, focusing on a rather gruesome Polaroid photograph that fades rather than develops and a victim of a shooting coming back to life. The rest of the film jumps backwards a few minutes at a time, each scene ending where the last one started. For a film about memory loss and amnesia, this mechanism of telling the story really helps put us in Leonard’s shoes. It makes you feel as confused as he is. On the original dvd release, there was a hidden feature that allowed you to play the film in chronological order and this just didn’t have the same impact. These reverse scenes are interspersed with black and white flashbacks of Leonard earlier in his wife’s murder investigation and his life as an insurance investigator, which really help with the exposition. These paired together alongside a haunting score make for an intriguing and not your run of the mill murder mystery.
There are some great performances in this that also help increase the intrigue. Carrie-Anne Moss as the apparently helpful Natalie and Joe Pantoliano as the questionable sidekick appear new to Leonard every time they meet yet their loyalties and motives waver for us as the viewers throughout the film. And Guy Pearce manages to portray the frustrated and not as innocent as he first appears Leonard incredibly well, and holds this film on his own for most of the run time. They’re helped by a clever and smart script that flawlessly blends the sinister and rather dark criminal aspects of this with some surprisingly funny lines.
This story starts at the end so you don’t have to worry about how it turns out, but despite this Memento still comes up with a rather cracking twist and denouement. This entire film is about time and memory and how unreliable it is, and the lies we tell ourselves about our own identities. Even during this, what we thought we knew about Leonard as the black and white flashback meets the backwards story, is revealed to be completely unreliable and quite shocking. Without revealing too much, the outcome of this film is both surprising, sinister and rather emotional, and features some of the best dialogue of the entire movie. Leonard’s actions and motives revealed here and the final voiceover as he drives off makes for a hugely satisfying ending.
I first watched Memento in a psychology class at college around 17 years ago. I loved it then and in the years since, it hasn’t lost its appeal. Watching it back now still evokes the same emotion and feelings when the credits roll as it did all those years ago and will always be one of my favourite films, even possibly my all time favourite.
Sarah (7800 KP) rated Ma Rainey's Black Bottom (2020) in Movies
Jan 30, 2021
Boseman is amazing
Ma Rainey’s Black Bottom is the latest adaptation of the works of August Wilson brought to us by producer Denzel Washington, following on from the 2016 adaptation of Fences that earned Viola Davis a Best Supporting Actress Oscar. Here Washington hands over the directing reins to Tony award winner George C. Wolfe, while Viola Davis returns as the titular Ma Rainey.
Set in 1920s Chicago, the film follows a tense and fractious recording session with Ma Rainey and her backing band, old hands Toledo (Glynn Turman), Cutler (Colman Domingo) and Slow Drag (Michael Potts) alongside ambitious young horn player Levee (Chadwick Boseman). Tensions rise between Ma, Levee and the recording studio management (Jeremy Shamos as Irvin and Jonny Coyne as Sturdyvant) as each attempts to control the recording session and play songs that fit best with their own motives. Contributing to the frictions are Levee’s flirtation with Ma’s girlfriend Dussie Mae (Taylour Paige) and her Ma’s stuttering nephew Sylvester (Dusan Brown) as he attempts to introduce Ma’s signature song, Black Bottom.
Ma Rainey’s Black Bottom undoubtedly looks and sounds good. The cinematography and costumes are perfect and entirely in keeping with the 20s Chicago setting. And the blues music is captivating and beautifully made. To be quite honest I would’ve been quite happy to watch and listen to an entire film solely following the band and their music. However whilst it does look and sound good, it is so obviously a film adapted from a stage play and I’m afraid this isn’t a good thing. There’s a limited number of sets and virtually the entirety of the 90 minute run time is set within two rooms in the recording studio, which makes such a short film feel ridiculously drawn out. This isn’t helped by the huge reliance on very long scripted dialogue and conversational scenes. I can’t deny that the writing is good and is helped by strong performances from everyone involved, but there’s just too much dialogue. This might work on the stage, but on screen it doesn’t quite translate. There’s that much dialogue that the majority of scenes become too heavy and bogged down and sadly almost entirely forgettable. For me a film needs to balance dialogue with actual events and actions, and I’m afraid aside from the final act, nothing much happens here.
Fortunately this is at least boosted by some stellar performances. Viola Davis is brilliant as the spirited Ma Rainey, even if Ma herself as a character is rather unlikeable with some questionable motives for her actions and manners. The star however is the late Chadwick Boseman. While it’s very off putting to see how obviously thin and ill he was filming this, his performance is outstanding. He brings life and fun and heart to every scene he’s in and gives this film a massive boost. Even the drawn out dialogue heavy scenes become enthralling when he’s talking and the emotions on show are spectacular. Despite Viola Davis being the star as Ma, it’s Boseman that carried this film entirely on his shoulders. If he doesn’t win a posthumous Oscar for this, it’d be criminal.
Ma Rainey’s Black Bottom is a shining example of stellar performances, most notably Chadwick Boseman. It’s just a shame that the rest of the film doesn’t quite meet the high standards set by its stars.
Set in 1920s Chicago, the film follows a tense and fractious recording session with Ma Rainey and her backing band, old hands Toledo (Glynn Turman), Cutler (Colman Domingo) and Slow Drag (Michael Potts) alongside ambitious young horn player Levee (Chadwick Boseman). Tensions rise between Ma, Levee and the recording studio management (Jeremy Shamos as Irvin and Jonny Coyne as Sturdyvant) as each attempts to control the recording session and play songs that fit best with their own motives. Contributing to the frictions are Levee’s flirtation with Ma’s girlfriend Dussie Mae (Taylour Paige) and her Ma’s stuttering nephew Sylvester (Dusan Brown) as he attempts to introduce Ma’s signature song, Black Bottom.
Ma Rainey’s Black Bottom undoubtedly looks and sounds good. The cinematography and costumes are perfect and entirely in keeping with the 20s Chicago setting. And the blues music is captivating and beautifully made. To be quite honest I would’ve been quite happy to watch and listen to an entire film solely following the band and their music. However whilst it does look and sound good, it is so obviously a film adapted from a stage play and I’m afraid this isn’t a good thing. There’s a limited number of sets and virtually the entirety of the 90 minute run time is set within two rooms in the recording studio, which makes such a short film feel ridiculously drawn out. This isn’t helped by the huge reliance on very long scripted dialogue and conversational scenes. I can’t deny that the writing is good and is helped by strong performances from everyone involved, but there’s just too much dialogue. This might work on the stage, but on screen it doesn’t quite translate. There’s that much dialogue that the majority of scenes become too heavy and bogged down and sadly almost entirely forgettable. For me a film needs to balance dialogue with actual events and actions, and I’m afraid aside from the final act, nothing much happens here.
Fortunately this is at least boosted by some stellar performances. Viola Davis is brilliant as the spirited Ma Rainey, even if Ma herself as a character is rather unlikeable with some questionable motives for her actions and manners. The star however is the late Chadwick Boseman. While it’s very off putting to see how obviously thin and ill he was filming this, his performance is outstanding. He brings life and fun and heart to every scene he’s in and gives this film a massive boost. Even the drawn out dialogue heavy scenes become enthralling when he’s talking and the emotions on show are spectacular. Despite Viola Davis being the star as Ma, it’s Boseman that carried this film entirely on his shoulders. If he doesn’t win a posthumous Oscar for this, it’d be criminal.
Ma Rainey’s Black Bottom is a shining example of stellar performances, most notably Chadwick Boseman. It’s just a shame that the rest of the film doesn’t quite meet the high standards set by its stars.
Sarah (7800 KP) rated The Untouchables (1987) in Movies
Dec 16, 2020 (Updated Dec 16, 2020)
A little melodramatic
(not) Film #7 on the 100 Movies Bucket List: The Untouchables
As with most of the films on this list, The Untouchables is a film that has garnered a great deal of acclaim over the years, and yet if I’ve ever seen it, I’m ashamed to admit that I don’t remember it.
The Untouchables (1987) was directed by Brian De Palma and stars Kevin Costner as Eliot Ness, a treasury agent who recruits a group of fellow cops and agents to take down mob boss Al Capone (Robert De Niro) in Prohibition-era Chicago, with Ness and his agents soon becoming known as the “untouchables” after refusing large bribes. Sean Connery, Andy Garcia and Charles Martin Smith make up the rest of the Untouchables.
An American gangster film is a dime a dozen, there have been countless over the years and the 1920s and 30s are always featured fairly heavily, no doubt due to the large number of criminal gangs and mobsters around in that era. Personally whilst The Untouchables is a good film, I don’t think there’s a lot in this to make it particularly notable or outstanding above any of the others. It’s engaging and interesting, which it should be considering the subject matter – it is based on a true story after all. The entire production looks great too; the sets, costumes and locations are very well done and definitely look the part.
The issue with The Untouchables is it’s too melodramatic, too over the top and clichéd. This isn’t helped by Ennio Morricone’s score, which feels far too heavy handed, cheesy and out of place for the scenes. Even the open title credits is ridiculously over dramatic. You can definitely tell this film was made in the 80s and I’m afraid that’s not a good thing. There’s also some questionable acting from Kevin Costner, and while admittedly I’ve never been a big fan of his, the script and some of the almost cringeworthy scenes with Ness’s wife don’t help matters. And De Niro’s Capone pops up in scenes that feel rather random and forced during the first hour, and seem completely out of place with the rest of the story.
Despite this, The Untouchables is still fairly enjoyable and this is mostly due to Sean Connery’s Malone, the role that he won his only Oscar for. The Irishman, despite sounding very Scottish, injects some much needed heart, humour and spirit into the film and without him, this would have been a very lacklustre film indeed. Even Connery’s horrific Irish accent is a source of amusement, and without the character having been described as Irish, I would’ve just assumed he was Scottish.
Overall, I found The Untouchables to be a decent and entertaining gangster film as long as you can ignore the melodramatic overtones. But I’m not convinced that it’s anything memorable or above average, and if it even deserves a place on this list.
Update: So after having watched this film and headed to my Bucket List to scratch it off, I realised that the film on this list is actually The Intouchables, a French film from 2012 also known as Untouchable. Oops. So I’m afraid The Untouchables isn’t number 7 ticked off my bucket list after all 😆
As with most of the films on this list, The Untouchables is a film that has garnered a great deal of acclaim over the years, and yet if I’ve ever seen it, I’m ashamed to admit that I don’t remember it.
The Untouchables (1987) was directed by Brian De Palma and stars Kevin Costner as Eliot Ness, a treasury agent who recruits a group of fellow cops and agents to take down mob boss Al Capone (Robert De Niro) in Prohibition-era Chicago, with Ness and his agents soon becoming known as the “untouchables” after refusing large bribes. Sean Connery, Andy Garcia and Charles Martin Smith make up the rest of the Untouchables.
An American gangster film is a dime a dozen, there have been countless over the years and the 1920s and 30s are always featured fairly heavily, no doubt due to the large number of criminal gangs and mobsters around in that era. Personally whilst The Untouchables is a good film, I don’t think there’s a lot in this to make it particularly notable or outstanding above any of the others. It’s engaging and interesting, which it should be considering the subject matter – it is based on a true story after all. The entire production looks great too; the sets, costumes and locations are very well done and definitely look the part.
The issue with The Untouchables is it’s too melodramatic, too over the top and clichéd. This isn’t helped by Ennio Morricone’s score, which feels far too heavy handed, cheesy and out of place for the scenes. Even the open title credits is ridiculously over dramatic. You can definitely tell this film was made in the 80s and I’m afraid that’s not a good thing. There’s also some questionable acting from Kevin Costner, and while admittedly I’ve never been a big fan of his, the script and some of the almost cringeworthy scenes with Ness’s wife don’t help matters. And De Niro’s Capone pops up in scenes that feel rather random and forced during the first hour, and seem completely out of place with the rest of the story.
Despite this, The Untouchables is still fairly enjoyable and this is mostly due to Sean Connery’s Malone, the role that he won his only Oscar for. The Irishman, despite sounding very Scottish, injects some much needed heart, humour and spirit into the film and without him, this would have been a very lacklustre film indeed. Even Connery’s horrific Irish accent is a source of amusement, and without the character having been described as Irish, I would’ve just assumed he was Scottish.
Overall, I found The Untouchables to be a decent and entertaining gangster film as long as you can ignore the melodramatic overtones. But I’m not convinced that it’s anything memorable or above average, and if it even deserves a place on this list.
Update: So after having watched this film and headed to my Bucket List to scratch it off, I realised that the film on this list is actually The Intouchables, a French film from 2012 also known as Untouchable. Oops. So I’m afraid The Untouchables isn’t number 7 ticked off my bucket list after all 😆
Kara Skinner (332 KP) rated Claiming Her Highway in Books
Sep 10, 2019
Contains spoilers, click to show
Genre: Historical
Words: 17,970
Average Goodreads Rating: 3.8/5 stars
My rating: 2/5 stars
Cass runs one of the greatest band of highwaymen around. Despite being a woman, she’s respected by her crew, and every night they return to camp richer than they were and she can enjoy being in the arms of her second-in-command, Will Carpenter. But that all changes when Will accepts a position in the King’s Guard. Cass knows Will wants more than what she can give him. He wants marriage and kids, as well as honest work instead of thieving. But Cass doesn’t know if she can ever give him up.
Claiming Her Highwayman is free on Smashwords.
I found myself underwhelmed by this story. When it starts, Will and Cass are already a couple, and the chemistry between them already feels forced, as well as the heist they’re about to go on. It’s like a bad first draft that hasn’t developed into something greater yet. Cass and Will feel more like paper dolls than people and unfortunately, I never get that attached to them. They just don’t have the chemistry.
It doesn’t help that my suspension of disbelief took a huge beating when Will’s offered a job with the King’s Guard, as the princess’s personal guard. He’s a highwayman! Since when do they let criminals guard princesses? Um, never. Not only that, but he’s still in contact with his old gang, and he’s not even in training to be a soldier! He just is. Apparently the standards for becoming a member of the King’s Guard is really low.
It would make a hell of a lot more sense to me if there was a scarcity of guards for some reason, like the country was at war, and that’s why they’re turning to criminals to keep up with the demand of soldiers. That would flesh out the plot, too. But nope. Apparently we’re supposed to accept that a robber can become a princess’s bodyguard easily after mugging her with his gang of bandits. Oh, and he almost becomes her husband. Because every king wants his little girl to marry a common criminal.
Despite everything wrong with the story, I like Will’s and Cass’s characters. Even though Will only exists to be Cass’s lover, he’s got some pretty charming lines in the story. His need to protect her is incredibly sexy.
Cass’s character is a little more complex. She’s strong and independent, and she knows what she wants in life. She’s the type of girl who would be bored to death in most respectable professions for a woman, instead enjoying being a bandit. But I hated her when Bryce, one of her men, attacked her in her tent. All she did to defend herself was bide her time until she could scream for help
What. The. Fuck.
She’s a damn gang leader and she doesn’t know how to defend herself against one man who gets too handsy? Please. That’s fucking ludicrous, and all of my respect for her is just gone because of that one scene. How the hell did she become a leader in the first place if she needs to scream like a damn damsel whenever she gets attacked? Not cool.
This book really didn’t do much for me. While it’s all right, it’s not that good. The characters aren’t good, and neither is the writing. I suggest you look elsewhere for your historical romance bad boy.
Words: 17,970
Average Goodreads Rating: 3.8/5 stars
My rating: 2/5 stars
Cass runs one of the greatest band of highwaymen around. Despite being a woman, she’s respected by her crew, and every night they return to camp richer than they were and she can enjoy being in the arms of her second-in-command, Will Carpenter. But that all changes when Will accepts a position in the King’s Guard. Cass knows Will wants more than what she can give him. He wants marriage and kids, as well as honest work instead of thieving. But Cass doesn’t know if she can ever give him up.
Claiming Her Highwayman is free on Smashwords.
I found myself underwhelmed by this story. When it starts, Will and Cass are already a couple, and the chemistry between them already feels forced, as well as the heist they’re about to go on. It’s like a bad first draft that hasn’t developed into something greater yet. Cass and Will feel more like paper dolls than people and unfortunately, I never get that attached to them. They just don’t have the chemistry.
It doesn’t help that my suspension of disbelief took a huge beating when Will’s offered a job with the King’s Guard, as the princess’s personal guard. He’s a highwayman! Since when do they let criminals guard princesses? Um, never. Not only that, but he’s still in contact with his old gang, and he’s not even in training to be a soldier! He just is. Apparently the standards for becoming a member of the King’s Guard is really low.
It would make a hell of a lot more sense to me if there was a scarcity of guards for some reason, like the country was at war, and that’s why they’re turning to criminals to keep up with the demand of soldiers. That would flesh out the plot, too. But nope. Apparently we’re supposed to accept that a robber can become a princess’s bodyguard easily after mugging her with his gang of bandits. Oh, and he almost becomes her husband. Because every king wants his little girl to marry a common criminal.
Despite everything wrong with the story, I like Will’s and Cass’s characters. Even though Will only exists to be Cass’s lover, he’s got some pretty charming lines in the story. His need to protect her is incredibly sexy.
Cass’s character is a little more complex. She’s strong and independent, and she knows what she wants in life. She’s the type of girl who would be bored to death in most respectable professions for a woman, instead enjoying being a bandit. But I hated her when Bryce, one of her men, attacked her in her tent. All she did to defend herself was bide her time until she could scream for help
What. The. Fuck.
She’s a damn gang leader and she doesn’t know how to defend herself against one man who gets too handsy? Please. That’s fucking ludicrous, and all of my respect for her is just gone because of that one scene. How the hell did she become a leader in the first place if she needs to scream like a damn damsel whenever she gets attacked? Not cool.
This book really didn’t do much for me. While it’s all right, it’s not that good. The characters aren’t good, and neither is the writing. I suggest you look elsewhere for your historical romance bad boy.
Darren (1599 KP) rated Eternal Code (2019) in Movies
Sep 13, 2019
Characters – Corey is a homeless suicidal war veteran, he keeps to himself and when he gets given money, he spends the money on helping the fellow homeless, being friendly with lonely older men in the park and helping somebody in danger. He will get a chance to use his skills once again to help a teenage girl who is being hunted down by criminals, his skills will help make him deadly to anyone who crosses his path. Oliver is the leader of the project, he wants to continue using it for his own good, which means he will go to the extremes to make sure it gets done. Charlie is one of the criminals that has taken the family members, she along with her team are solely in this for the money. Mark is the husband of Bridget, he tries to advice, even though he will only support her decision. Bridget is the woman that has invented a revolutionary idea, which she doesn’t want used for the wrong thing, her pulling the plug has set about the events including her kidnapping.
Performances – This is a movie that does try to use the biggest names to sale the movie, Scout Taylor-Compton being the biggest name in the film, even though she is mostly just a criminal thug, she doesn’t give us a bad performance, just she isn’t really a main character. Damien Chinappi would be one of the leads in the film as the he does bring us a performance that does fit the action side of the film, where we do feel sympathy for his character. Richard Tyson will always make for a great villain and this is no different. When we look at the rest of the cast, we see solid performances across the board.
Story – The story here follows the events of a kidnapping which takes a turn, when a war veteran looks to help the helpless, while a corrupt businessman looks to complete a project which will change everything as we know it in the world. When it comes to the idea of the kidnapping side of the story, we do get a nice spin on how everything unfolds, making it truly unpredictable with what will happen next. While that is a good thing, it can mean we do meet a couple of too many characters, which doesn’t let other get flushed out enough. We are left with seeing just how dealing with inventions will see people looking for greed, while seeing a war veteran getting another shot to prove himself in combat is nice to see.
Action – The action is restricted, but it does show how the conflicts are meant to be edgy and more in the shadows which is better to watch for the tone.
Settings – The film is set in and around one city which shows how the minds in it would operate, we see how the project would be secretly locked away from the world and see how the criminals will act in the shadows of abandoned locations.
Scene of the Movie – Corey military trained scenes.
That Moment That Annoyed Me – It does feel like we have a few too many characters at time.
Final Thoughts – This is an action thriller that does have a lot of direction you wouldn’t normally see, it does keep us guessing despite having a couple of characters we don’t need to have.
Overall: Action film that goes down different paves.
Performances – This is a movie that does try to use the biggest names to sale the movie, Scout Taylor-Compton being the biggest name in the film, even though she is mostly just a criminal thug, she doesn’t give us a bad performance, just she isn’t really a main character. Damien Chinappi would be one of the leads in the film as the he does bring us a performance that does fit the action side of the film, where we do feel sympathy for his character. Richard Tyson will always make for a great villain and this is no different. When we look at the rest of the cast, we see solid performances across the board.
Story – The story here follows the events of a kidnapping which takes a turn, when a war veteran looks to help the helpless, while a corrupt businessman looks to complete a project which will change everything as we know it in the world. When it comes to the idea of the kidnapping side of the story, we do get a nice spin on how everything unfolds, making it truly unpredictable with what will happen next. While that is a good thing, it can mean we do meet a couple of too many characters, which doesn’t let other get flushed out enough. We are left with seeing just how dealing with inventions will see people looking for greed, while seeing a war veteran getting another shot to prove himself in combat is nice to see.
Action – The action is restricted, but it does show how the conflicts are meant to be edgy and more in the shadows which is better to watch for the tone.
Settings – The film is set in and around one city which shows how the minds in it would operate, we see how the project would be secretly locked away from the world and see how the criminals will act in the shadows of abandoned locations.
Scene of the Movie – Corey military trained scenes.
That Moment That Annoyed Me – It does feel like we have a few too many characters at time.
Final Thoughts – This is an action thriller that does have a lot of direction you wouldn’t normally see, it does keep us guessing despite having a couple of characters we don’t need to have.
Overall: Action film that goes down different paves.