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Star Project Chiro, Volume 1
4
4.0 (1 Ratings)
Book Rating
One of the more ridiculous manga that I have read. In retrospect, I probably shouldn't have requested it, but after a break up, what better to read than some bubbly manga to cheer you up? The only reason I gave it such a high rating was the art work, and even of that I have seen better.

The plot was thin and the characters psychotic. Any stereotypical elements that are found in most mangas can be found in this book. Except cross dressing....

I seriously don't know how this manga received such high ratings. Maybe it was because I was raised on Cowboy Bebop, Gundam Wing, and Blue Sub. No. 6 that I expect more out of mangas.
  
Why Girls Love Sailors (1927)
Why Girls Love Sailors (1927)
1927 | Comedy
6
6.0 (1 Ratings)
Movie Rating
So-so Laurel and Hardy movie from the days before Laurel and Hardy even existed as an idea. No sign of the usual characterisations, bowler hats, or tit-for-tat; Stan plays Willie the winkle-fisherman whose sweetheart is abducted by the captain of a ship largely crewed by thugs and scoundrels; Ollie plays the unnamed first mate. Stan's plan involves a surprising amount of cross-dressing.


More of a curiosity than anything else, though I'm not sure I'd go as far as those suggesting this once-lost film would have been better off staying that way. It certainly lends weight to the suggestion that Stan was the more gifted comedian but Ollie was a more versatile actor - he still keeps doing those looks to camera, though. In the end, it's not outrageously bad, but mainly of historical interest.
  
Femme Faux Fatale (Dreamspun Desires #70)
Femme Faux Fatale (Dreamspun Desires #70)
Susan Laine | 2018 | Contemporary, LGBTQ+, Romance
8
9.0 (2 Ratings)
Book Rating
really rather enjoyed this
Independent reviewer for Divine Magazine, I was gifted my copy of this book.

Cain is hired by Ms Astor to find her husband, along with a Rodin statuette. But things don't add up to Cain, and he visits the club she works at to talk to her some more. Lily Lavender is on stage, and she pushes all kinds of buttons that Cain never knew he needed pushing. Riley, the man behind Lily, has a similar reaction to Cain. But Riley is keeping secrets, secrets that have gotten two people killed and Cain needs to know, if they are to get out of this alive.

I really rather enjoyed this!

It's got instant and powerful attraction, it's got steam and passion, it's got a nutty woman, it's got so many levels of secrets! It's deadly too.

Told from both Cain and Riley's point of view, in the third, so we get each and every reaction from both men. Reactions to each other, to the situation around them, to Riley's cross dressing and to Cain very unexpected reaction to that.

Loved Cain's reaction to Riley's cross dressing. It's clear Riley has been treated badly in the past because of that, but Cain is like, AND??? It's part of who Riley is, and Cain just takes it as it is, as Riley is. Cain does, admittedly, rather like Riley in his ladies knickers and stockings, so that helped!

There is a rather long winded conversation between Riley and Cain about pulp fiction and noir films (I think!) bit I got lost with that, mostly because I have no clue what they were talking about, so I glanced over that bit!

I did like the twist as to what was really in the statuettes, and where that led the plot, and just what Ms Astor had, rather that what she THOUGHT she had.

Not quite a one sitting read, but I did stay til after midnight to finish it, when I had a 6am get up!

I've read one other by Ms Laine, I'd like to read some more. She has a way of grabbing you and pulling you in.

4 solid stars

**same worded review will appear elsewhere**
  
The Boy in the Dress
The Boy in the Dress
David Walliams | 2009 | Children, Young Adult (YA)
10
9.8 (4 Ratings)
Book Rating
Humour, sensitive and well written (0 more)
Nothing (0 more)
This is a good well rounded book for young folks
I really enjoyed this book. I was sceptical due to the author already being established and thought perhaps his celebrity status helped him sell book but I'll take my hat of to Walliams. This is an enjoyable little read. The language is simple and I enjoyed how current the book is. The book really demonstrates the difference between black and white and colour (colour being different and standing out from the norm).
Uniform is also a main theme in the book and very obviously gender and social acceptance. Walliams does a good job at showing that sexual preference is not linked to dress and that discrimination is wrong. In this book the child is able to experience how ludicrous gender representation by dress is by dressing the full football team up in ladies clothing, this normalises it.
The intrusive narrator who may be Walliams himself, also gives hints throughout the book about his own desire to cross dress.
Good book.
  
A Darker Shade of Magic
A Darker Shade of Magic
V.E. Schwab, Victoria Schwab | 2015 | Fiction & Poetry
10
9.2 (19 Ratings)
Book Rating
Super engaging and well rounded characters (2 more)
Great world building
Crisp readable writing
Nothing (0 more)
WONDERFUL Fantasy book!
Gotta recommend this one! It was SO GOOD. The writing is clean and addictive, the characters are unique and engaging, the magic is... well... magically magical and unlike most of the generic magic floating around out there.

A cross-dressing pick pocket pirate, a promiscuous prince, a moody magician with a forgotten past,
a pair of twin villains who make the Lannister twins look like snowflakes, and a vicious blood-enslaved magician. How's that for a cast? Side note -- even the bit players in this book are well drawn and stir emotions when they die. Yes. People actually die in this one...I've read several books lately where SOMEONE obviously should have died SOMEWHERE along the journey and no one did. I was SO ready for some "let's get real and kill people so the stakes are high" reading.

Four different versions of London exist on different planes... each magical in varying degrees, all in danger of destruction from a magical artifact that accidentally smuggled between the veils. This is the scene for the grand adventure.

I was really struggling to get over my book hangover after finishing Queen of Nothing and this was like the nectar that healed me. I can't wait to dive into book 2!

Also, Kell is my new fictitious boyfriend. Move over Rhysand from ACOTAR, we're starting a reverse harem.
  
DT
Do This For Me
6
6.0 (1 Ratings)
Book Rating
Can I give a 5 star rating for PART of a book?!? I was ALL-IN from page one of this book. The beginning was so fast, so awesome, with such manic intensity - I was like, this chick is BAD ASS! I TORE through the first quarter of this book. And then... meh. I guess we needed a bit of a breather because the first quarter of this book is one serious wild ride. It got back to it's intense awesomeness almost mid-way through, but then I felt it just got sappy and fizzled.

I need a book about JUST the Raney Moore in the beginning. She is NO JOKE. High-powered attorney Raney Moore has it all. Shes partner at her law form, he husband is a famous bug guy, and shes got twin teenage girls who are the light of her life. She's wealthy, and can have anything she wants. But she already seems to have it all. Or so she thinks. When Raney finds out her life is not as perfect as she thought - in less than a split second she turns into a jilted-wife phsychopath - and goes balls-to-the-wall revenge-mode to destroy the cause of her pain. But may in fact destroy everything good in her life. You don't even see it coming. I was riveted by the endless access she has to everything you can imagine to carry out her plans. Money, researchers, cars, hackers.... you name it. Don't mess with Raney. You cross her and you will be in SERIOUS trouble.

I read a lot of reviews that people didn't like the book because they hated Raney. I think some of the best books are when you have intense feeling for a character. Good OR bad. Raney was a character I couldn't get enough of. There's another almost equally manic scene in the middle where she is in a dressing room, and the crazy, intense Raney (with yet again, resources aplenty) returns and I am once again enthralled with her.

But unfortunately, after about mid-way it just fell flat to me. A lot of the dialogue is hilarious. It's witty, fast and keeps your attention, but the rest of the story just wasn't what I wanted - what I craved. I wanted more Raney. I didn't want her to try to change herself, or be a better person. Eliza Kennedy shouldn't have written the old Raney as such an incredibly intense and off-kilter character because she made me fall for her - but then she took her away! (sad face)

I'd kill for a prequel. To see Raney as she emerges into the person she was in the beginning of this book: her start at the law firm, her rise to Partner. Give me that Raney All. Day. Long.
  
Classic FM Presents... by Alfie Boe
Classic FM Presents... by Alfie Boe
2006 | Classical
(0 Ratings)
Album Favorite

"Last year I arrived in San Diego at the beginning of a tour, where I was playing the Thick As A Brick material. I ambled down to the theatre in the morning having arrived the night before, where the theatre manager said there was a note for me in my dressing room, left behind by Alfie Boe who they’d had a couple of nights before. I recognised Alfie Boe as a hotshot, super popular opera star who played at the Queen’s Jubilee Concert in Hyde Park. They crop up from time to time, these people who cross over from a more insulated music into wider popular culture, and Alfie Boe has certainly done that in the last couple of years with opera music. You might think he’s just another of the usual not-quite-authentic people who just find themselves singing the odd aria at working men’s clubs, and getting a record deal and a ton of money. But Alfie did his apprenticeship by studying at the Royal Academy of Music, worked with the D’Oyly Carte Opera and spent ten years of his life learning his craft. And he was a man born with enormous natural talent. Rather like Lou Gramm he has this very assured level of control – he knows what he can do. I read his note to me, wishing me a good show and leaving me a phone number. So a few weeks later in England I called Alfie and we had a few chats on the phone, and though we haven’t met we were due on two occasions to have lunch, but he had to cancel because of his mother’s illness. But I hope I do get to meet Alfie because I think he’s a very fine singer. I understand that while his desire is not to leave classical music, he wants to demonstrate he’s got the cojones of a Tom Jones or a Robert Plant or whoever - he wants to be a rock and roll singer. Far be it for me to say that might be mistake, you’ve got to give it a go. So Alfie’s branching out into rather middle-of-the-road pop and rock at the moment. As a classical singer, I think he has the gravitas and vocal expertise, perhaps more vocal expertise, than Pavarotti at his relatively young best. If you listen to Alfie’s ‘Nessun Dorma’, I think you’ll hear something that is sung with enormous technical ability, control, authority and with the right amount of gravitas, it has a weight to it that I think is really great. I hope he doesn’t sell himself short in the realm of middle-of-the-road pop music."

Source
  
The Dressmaker (2016)
The Dressmaker (2016)
2016 | Drama
8
8.0 (2 Ratings)
Movie Rating
Characters – Tilly Dunnage is a glamorous woman that has seen the world learning the fashion world, she has returned home for revenge after being forced to leave the town as a child, she helps the women of the town look gorgeous and extra special, while she convinces herself that she isn’t cursed. She knows how to turn heads using her cloths to make this happen. Molly is the mother of Tilly who has been living in isolation for years, she didn’t want her daughter to return, even though she doesn’t start to bond with her after all these years apart. Teddy is a young man in the town, he is one of the few people that looked after Molly while Tilly was away, he soon takes a shine to her, wanting to prove that she didn’t do anything in the first place. Sergeant Farrat is one of the people that is happy to welcome Tilly back to town, he does have his own secret which involves his cross dressing, making him easy to twist when Tilly wants information.

Performances – Kate Winslet is great in this leading role, bring us a character filled with guilt who is just as happy to show a positive confident side to the people in the town. Judy Davis is a scene stealer in this film, being able to get the laughs required to make her the most memorable part of nearly ever scene she is in. Liam Hemsworth is at the best he has ever been, which is great to see him breaking away from the roles that aren’t working for him. Hugo Weaving gets to have a lot of fun in his role too.

Story – The story follows a woman who returns home to get revenge on the people that forced her to leave, only to learn that town has just as many secrets within the walls, that revenge is just about letting them out. We get to see how a town can turn enough heads to make everything seem like nothing is wrong, only for a curse to be waiting to be lifted if it isn’t inside somebody’s mind. We do get a lot of characters being introduced which can make things difficult to keep up with because we get plenty of little factors that do lead up to the personal conflict between the characters. this is a lot more fun of a story than I was expecting even though it is sprinkled with very dark moments.

Comedy – The comedy in the film does come the quirky nature of the events as they unfold, we have plenty of fashion related comical moments as well as small town gossip, which will get laugh along the way.

Settings – The film is set in a small rural Australian town, where everybody does know everybody else, we are filled with gossip and instant reactions to anything that goes on in the town too.


Scene of the Movie – Leaving town.

That Moment That Annoyed Me – Slightly too many characters.

Final Thoughts –This is a quirky dark comedy that is sprinkled by the elements of revenge, which does keep us wondering just what is the endgame of her decision making process.

 

Overall: Dark quirky comedy treat.
  
La La Land (2016)
La La Land (2016)
2016 | Comedy, Drama, Musical
Let me give you the background on this one. Many years ago (when La La Land was due out in the cinemas) ITV2 were showing the new series of Scorpion in their prime time drama spot, this feature was sponsored by something and quite often that's a film. For the season's entire run it was sponsored by... you guessed it... La La Land. Every episode you'd have to see up to 8 clips of the film without any real context about what it was, and worst of all there was very little deviation, you could be seeing the same clip over and over again for 20 or so episodes. I love musicals and I love Emma Stone but this pushed me so far over the edge that I swore I'd never watch it. (The same goes for Moulin Rouge which I also now have to watch) Evidently though I'm a grown ass adult and can't hold petty grudges against films so now I have to watch them... partially so I can make other people watch films they don't want to watch in an underhanded deal on Twitter.

But I digress.

When Mia and Sebastian's lives cross unexpectedly it is impossible to know how much the future will change for both of them. What at first is a wholesome whirlwind of romance begins to fall apart as their careers progress and pull them apart.

At its heart it's a simple romance story for Mia and Sebastian as they build each other up for the lives they want and the perils that that brings, but when you add the extra depth into it all with the music it takes on a whole other dimension. As a spoiler alert for my take on the film, at one point I had to stop and I just wrote in my notes "oh god, why am I crying?!" That wasn't a feeling I had throughout the film though, in fact, straight off the bat I thought I was going to hate the film because of that opening musical number. That number made no impact on me and I was massively concerned, thankfully that didn't hold true for the next number.

On the acting... Emma Stone is glorious and should be in everything... end of review... okay, fine. I loved the way she made Mia come to life, she's fun, got some sass to her and I loved the way she behaved through her auditions. Emma Stone may be my spirit animal, I absolutely love her.

And then there's Ryan Gosling... As an indication of how I feel about him please accept this reenactment of a recent conversation:

    Friend: Did you see they're talking about the new Wolfman movie?
    Me: Oh my god, really?! Yay! It'll be great!
    Friend: Yeah, it's going to have Ryan Gosling in it!
    Me: *crickets chirp and a tumbleweed bounces past*

His acting does nothing for me. It's very much the Brad Pitt style of acting without the humour, he always acts the same way, but... I would genuinely say this is the first of his films I've seen where it felt like he was acting. I genuinely enjoyed him in it, it didn't feel like he was hiding all his emotions in a box in his dressing room. I was so thankful.

The chemistry between the pair was brilliant and that really helped carry me through the film. With lots of musical numbers and elaborate looking sets to deal with I was worried that it might end up looking more like theatre than film, it obviously does have that vibe because that's part of the idea but it flowed incredibly well.

La La Land has a wonderful feel to it with vibrant sets and costumes, it gives a glow of the old school and this works incredibly well with the jazz side of the story. This, however, is part of my main problem with the film.

You've got the golden age vibe with the colours and the music, but the modern creeps in everywhere and I wasn't a fan of this mix. Every time it popped up I noticed it and it made me frown. That being said, I don't know if it would have worked being an entirely modern film but it could easily have gone back in time and lived happily ever after.

Even with me disliking that part of the film's story I really enjoyed watching La La Land. It's stunning visually, the music is (mainly) beautiful and I was incredibly surprised by the acting. The moral of this story is don't let excessive advertising put you off something.

Originally posted on: https://emmaatthemovies.blogspot.com/2020/06/la-la-land-movie-review.html
  
Wonder Woman (2017)
Wonder Woman (2017)
2017 | Action, Fantasy, War
Gal Gadot as Wonder Woman Chris Pine as Steve Trevor No Man's land sequence The score Girl Power F YEAH Steve and Diana's relationship (0 more)
Third act is a little generic Villians aren't as memorable as other DCEU villians (0 more)
"I can save today, you can save the world"
Remember when some trickster claiming to be a former worker from Warner Bros. wrote an open letter saying that Wonder Woman was just another mess of a DC movie, et cetera? I remember how Patty Jenkins responded to that. She tweeted: "Just wait and you'll see".

Honestly, I don't know how anyone could even consider that there was the slightest chance of this movie not being good, and I'm gonna tell you why: this is the very first big female-led superhero movie, in which the title character also happens to be the greatest female superhero in history. If you really think that Patty Jenkins, also the first woman to ever direct a superhero movie of this caliber in a industry where women barely stand any chances to get to direct major blockbusters, would let this movie be anything less than great... You've got another thing coming, mate.

Wonder Woman is a traditional, oldschool superhero movie, but the first essentially feminist one at it, and they couldn't have chosen a better setting to tell this story, or a better character to star in it. The movie's social comments are strong and constantly present, but never forced, because it is only natural: by placing Diana, a princess raised in an island of warrior women, in the middle of the reality of World War I, the absurdities of the feminine role in the world - and so many other human corruptions - automatically come to light. The way Diana reacts to this world raises a great sense of awareness, with a touch of poignant humor to it. There is a very funny subtle arc of her wanting to take out her cloak, but not being able to because her armor is "barely any clothes", hinting not only at society's sexist feminine dressing code - which is still a thing today -, but also gradually adding power to the iconography of Wonder Woman in full costume; this is Wonder Woman's much awaited debut on the big screen in a solo movie, and like Superman and Batman before her, her first appearance needed to be something incredibly striking. Patty knew that, Gal knew that, and they made it happen. Even if we already saw her in BVS, the very first time Wonder Woman walks up in full costume here is undoubtedly one of the most iconic moments in superhero cinema.


Jenkins is extremely devoted to giving Wonder Woman the iconic debut film she deserves, and she nails it - there's quite a bit of remarkable shots and set pieces that let out the same imagetic power as in Donner's Superman, Burton's Batman or even Raimi's Spider-Man, and I must highlight the No Man's Land sequence. It's my favorite part of the movie; Jenkins and Heinberg carefully work on Diana's mindset as she first witness the horrors of human war, not being able to help everyone, horses being hurt so they can move faster, a mother and a child begging for help, and it all leads up to the powerful moment of a woman crossing the land no man could cross - and Heinberg's dialogue doesn't rely on obvious statements such as "fortunately I'm a woman" (I'm looking at you, Batwoman trailer), it simply lets the image strike us, because it is powerful enough by itself, and boy did that cause some serious goosebumps.

Speaking of dialogue... It's so terrific, so well written. The exchanges between Diana and Steve Trevor are very clever and funny, but most of all natural. All the characters are also extremely likable; Allan Heinberg's writing knows that not all of them can be given deep development, but nonetheless he gives them stories, personalities and purposes, and that - plus the charismatic performances - makes them very empathetic. The villains are not as remarkable as in some of the other DCEU films, but they didn't need to be; the movie doesn't require in-depth arcs from its villains. They have a strong presence when they're in scene and a well elaborated lore, and that's everything they need.

Contrary to the Nordic mythology depicted in the MCU, here we are talking about real gods, true deities, not superpowerful aliens that only strike a similar image - and that also brings a few narrative dangers along with it, after all, it was in greek mythological stories that the concept of Deus Ex Machina first appeared. Heinberg's screenplay, though, makes a few clever twists in that mythology to avoid easy solutions, which adds to the storytelling, the world building and the developing of the themes as well. The lore surrounding the God of War Ares, for example, is not a simple Diabolus Ex Machina as "he influences men to war and if you kill him every man goes back to being good and everything's alright", no, it's more narratively complicated and socially engaging than that.

And Gal Gadot... I'm at a loss for words. I'll confess right here that when she was first announced as Wonder Woman, I was one of the few who were very opposed to that casting. I've never been so wrong in my life, and I've never been so happy about it. She really is Wonder Woman. She's so graceful and adorable, but a major badass when she needs to be. The way she moves, the way she curiously looks at things, the way she speaks, and the way she incarnates Diana's evolving from her naive beginnings to the wise warrior... She's not only an icon, she's a true hero. Comparisons to Christopher Reeve's Superman were made for good reasons.

Chris Pine is also great, he walks perfectly in the line between funny and serious, Steve Trevor is a darling character and his chemistry with Gal is on point. Their relationship is very well constructed and becomes highly emotional by the end - there are scenes that filled my heart with joy, and others that made it ache.

The action is exciting and full of originality, and I like how Jenkins uses slow-motion differently than Zack Snyder. I know that Snyder helped her direct some of the action sequences, which is understandable since Jenkins had no experience with this type of movie, but you can tell it's not the same. In the fights themselves, there's this feel of sensibility to how these people react to Diana, and it's slightly different from the typical "regular people react to superhumans among them" trope. The cinematography is very keen on portraying the difference between Themyscira - an island of colors and natural beauty - and "jolly ol' London" - desaturated and smoggy, a scenario in which Diana's colorful armor shines in a most beautiful contrast.

And the soundtrack. Rupert Gregson-Williams made a beautiful score that brings out the best in every scene. It's heroic, very heartfelt, and loyal to the foundations of what makes superhero music so memorable. Gregson-Williams adds new themes to compose Wonder Woman's musical identity, but Hans Zimmer's main theme from BVS still lives, and it plays in some heart-pounding scenes. I love that they're dedicating that much attention to the musical continuity, because amongst Marvel's many qualities, they're doing a lousy job in that area. Wonder Woman's theme is the most catchy superhero theme in a long time, it quickly gained a lot of appreciation and by continuing on using it, Gregson-Williams collaborates to making Wonder Woman the strong cinematic icon she's setting out to be.

The irregular reception of previous DCEU movies also extols the impact of Wonder Woman, as do the distinct styles between the films. One of the DCEU's biggest virtues is that singularity of each film; be it a near disaster movie epic such as Man Of Steel, a complex deconstruction of heroic values such as Batman v Superman, an stylish chaos such as Suicide Squad or a traditional, graceful superhero film such as Wonder Woman, these movies are all in the same universe, and that very fact is an example of its richness. A lot of people will think Wonder Woman is the best DCEU movie of the lot, some will stick to BVS, others to MOS, maybe for some it's Shazam, but that's the fun of it: we can discuss this forever. Each of these movies mean different things to different people, we're way past simply labelling one as "better" and the other as "worse".

Wonder Woman, however, is not simply a movie about a very strong woman. It's an achievement for every woman. There were tons of girls dressed up as Wonder Woman in the theater, and just seeing how ecstatic they were after the movie brought me joy. There were tons of applause. It's a mark. Be that as it may, Wonder Woman will be remembered as the most impactful superhero film of its time. In 1978, Superman showed to the world how a man could fly; in 2017, Wonder Woman showed to the world how a woman can fight.