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It all starts on the first day of school in class when a gorgeous looking boy walks through the door and catches Scarlett's eye. Scarlett is Noah's Tour guide as they have almost every class together, they instantly become good friends. Noah is a very curious character and Scarlett likes it, he seems so much older than the other boys and really listens, over the weeks they grow closer, so close even that Scarlett confides in a secret that she hasn't told anyone before. She can't remember anything from the age of 4 and below due to a fire.
Noah tries to encourage Scarlett to think back and see if she can remember anything from the fire, but with it being 10 years ago she really is not that bothered until one day she is involved in a car accident and a knock to the head causes her to have flashbacks/dreams involving a little girl. With the feeling she knows this girl she attempts to resurface these repressed memories and discover what happened all those years ago.
This book didn't start off great, it felt juvenile, boring and very insta-lovey and I understand if people gave up on this, but I urge you to read past 20%, because it gets so much better, believe me! Weird shit goes down. My biggest complaint about this book is the repressed memories from 4 years old! Who remembers memories aged 4 and below? seriously? I probably have 1 or two memories and they are pretty lame. This to me didn't sound plausible as Scarlett was stating that she has missed 4 years of memories.....errrr not really, because no one remembers being a baby or 1 or even 2!. As I say the book gets much better and the last two-thirds is pretty good, I won't give too much away but there is a crazy cult involved and a twist.
I liked Noah, he was attentive, inquisitive and handsome young man. He instantly befriends Scarlett and then they develop a relationship with one another. He was not like other teenage boys and respected and fell utterly head over heels in love with Scarlett. As I said earlier he likes to ask a lot of questions about Scarlett and with all the questioning Scarlett's story is told.
Scarlett is a normal 15-year-old girl on the outside, but the inside is a different matter, she is tormented by flashbacks from the accident and believes her parents are lying to her. She has emotions and hormones flying everywhere. One minute she is really happy the next she is crying.
The book is told in dual perspective of Noah and Scarlett.The writing is very easy to read and the premise is good.
<spoiler>If both sets of parents were in the cult and this so said cult is pretty small, surely they would have recognised each other when they met! I am confused by this.*Scratches head*</spoiler>
This was a good read and quite gripping by the end of it. It does have insta-love , secrets and cults too, so if you are interested in any of these things then I recommend you pick it up!.......but remember you need to read past the 20% mark, don't give up.
Overall I gave this 3 out of 5 stars
Noah tries to encourage Scarlett to think back and see if she can remember anything from the fire, but with it being 10 years ago she really is not that bothered until one day she is involved in a car accident and a knock to the head causes her to have flashbacks/dreams involving a little girl. With the feeling she knows this girl she attempts to resurface these repressed memories and discover what happened all those years ago.
This book didn't start off great, it felt juvenile, boring and very insta-lovey and I understand if people gave up on this, but I urge you to read past 20%, because it gets so much better, believe me! Weird shit goes down. My biggest complaint about this book is the repressed memories from 4 years old! Who remembers memories aged 4 and below? seriously? I probably have 1 or two memories and they are pretty lame. This to me didn't sound plausible as Scarlett was stating that she has missed 4 years of memories.....errrr not really, because no one remembers being a baby or 1 or even 2!. As I say the book gets much better and the last two-thirds is pretty good, I won't give too much away but there is a crazy cult involved and a twist.
I liked Noah, he was attentive, inquisitive and handsome young man. He instantly befriends Scarlett and then they develop a relationship with one another. He was not like other teenage boys and respected and fell utterly head over heels in love with Scarlett. As I said earlier he likes to ask a lot of questions about Scarlett and with all the questioning Scarlett's story is told.
Scarlett is a normal 15-year-old girl on the outside, but the inside is a different matter, she is tormented by flashbacks from the accident and believes her parents are lying to her. She has emotions and hormones flying everywhere. One minute she is really happy the next she is crying.
The book is told in dual perspective of Noah and Scarlett.The writing is very easy to read and the premise is good.
<spoiler>If both sets of parents were in the cult and this so said cult is pretty small, surely they would have recognised each other when they met! I am confused by this.*Scratches head*</spoiler>
This was a good read and quite gripping by the end of it. It does have insta-love , secrets and cults too, so if you are interested in any of these things then I recommend you pick it up!.......but remember you need to read past the 20% mark, don't give up.
Overall I gave this 3 out of 5 stars
WHEN golden banded honeybees, so often likened to summer and honey sweetness, become the metaphor of a dystopian version of British Government and the Monarchy, what is one left to think?
Established British playwright Laline Paull’s debut novel, The Bees, represents just that. I may just be reading too much into the buzz, but the Oxford alumni who has had two plays performed at the Royal National Theatre must have some of the country in her subconscious as she writes.
The novel follows the life of worker honeybee Flora 717, born of the lowest class of bee society. In a world where mutation and difference is destroyed on sight, the larger-than-average Flora is saved from destruction by opportunities born from austerity in the hive, where ‘the season is deformed by rain, and the flowers shun’ the bees, so they need every available worker.
The life of the honeybee turns out to be symmetrical of Plato’s Republic and his utopia, where children are told what role they will have in life based on their ‘blood’. Plato divided the bronze craftsman, silver guardians and golden philosophers, and Paull divides bees in their ‘kin’ groups, named after flowers, and are priestesses to police, foragers who can fly outside the hive to the sanitation Flora, the lowest, and are given ‘no flower’. ‘A Flora may not make Wax for she is unclean, nor Propolis for she is clumsy, nor ever may she forage for she has no taste, but only may she serve her hive by cleaning,’ but the talented Flora 717 wants more.
Throughout the novel, Paull shows the same attachment to characters as George R R Martin, author of the Game of Thrones novels; the frequent loss deepens the heartbreak Flora must overcome as she fights to defy her set fate and claim the most illegal of desires. No reader will escape the anguish that concludes each new adventure.
The hive is akin to a cult, with leaders keeping their inferiors in check, with fear, intoxication and just a little hypnosis. The cult is complete with its own religion, mantra and even a parody of the Lord’s Prayer, ‘Hallowed be thy womb’, arguably my favourite part. This made the story really exciting, being on the ‘outside looking in’ as the reader, I wanted to encourage Flora to defy, but felt the fear of going against her sisters (this isn’t a cult bond word, they are all blood sisters, for only ‘the queen may breed’).
Paull’s scriptwriting has nurtured the ability to make the reader visualise her words exactly how she writes them, and that is clear within The Bees. I can see the wax panels that Flora 717 scuttles across as she travels around her hive, I can imagine the wax cribs in the nursery and know the deadly yellow and fine lines of the enemy wasp. In the ‘glass cage’ when Flora discovers the Venus Fly Trap, Paull never mentions the plant by name, but speaks only of their ‘red mouths’ with ‘white filaments’ on each ‘inner lip’, they ‘bore no pollen, the only nectar a viscous slick at the join of the petals’. But for all her beautiful imagery seeping off the pages, The Bees was not a book I have felt submerged in.
Full review on <a href="http://www.natari-himi.com">natari-himi.com</a>;
Established British playwright Laline Paull’s debut novel, The Bees, represents just that. I may just be reading too much into the buzz, but the Oxford alumni who has had two plays performed at the Royal National Theatre must have some of the country in her subconscious as she writes.
The novel follows the life of worker honeybee Flora 717, born of the lowest class of bee society. In a world where mutation and difference is destroyed on sight, the larger-than-average Flora is saved from destruction by opportunities born from austerity in the hive, where ‘the season is deformed by rain, and the flowers shun’ the bees, so they need every available worker.
The life of the honeybee turns out to be symmetrical of Plato’s Republic and his utopia, where children are told what role they will have in life based on their ‘blood’. Plato divided the bronze craftsman, silver guardians and golden philosophers, and Paull divides bees in their ‘kin’ groups, named after flowers, and are priestesses to police, foragers who can fly outside the hive to the sanitation Flora, the lowest, and are given ‘no flower’. ‘A Flora may not make Wax for she is unclean, nor Propolis for she is clumsy, nor ever may she forage for she has no taste, but only may she serve her hive by cleaning,’ but the talented Flora 717 wants more.
Throughout the novel, Paull shows the same attachment to characters as George R R Martin, author of the Game of Thrones novels; the frequent loss deepens the heartbreak Flora must overcome as she fights to defy her set fate and claim the most illegal of desires. No reader will escape the anguish that concludes each new adventure.
The hive is akin to a cult, with leaders keeping their inferiors in check, with fear, intoxication and just a little hypnosis. The cult is complete with its own religion, mantra and even a parody of the Lord’s Prayer, ‘Hallowed be thy womb’, arguably my favourite part. This made the story really exciting, being on the ‘outside looking in’ as the reader, I wanted to encourage Flora to defy, but felt the fear of going against her sisters (this isn’t a cult bond word, they are all blood sisters, for only ‘the queen may breed’).
Paull’s scriptwriting has nurtured the ability to make the reader visualise her words exactly how she writes them, and that is clear within The Bees. I can see the wax panels that Flora 717 scuttles across as she travels around her hive, I can imagine the wax cribs in the nursery and know the deadly yellow and fine lines of the enemy wasp. In the ‘glass cage’ when Flora discovers the Venus Fly Trap, Paull never mentions the plant by name, but speaks only of their ‘red mouths’ with ‘white filaments’ on each ‘inner lip’, they ‘bore no pollen, the only nectar a viscous slick at the join of the petals’. But for all her beautiful imagery seeping off the pages, The Bees was not a book I have felt submerged in.
Full review on <a href="http://www.natari-himi.com">natari-himi.com</a>;
Sarah (7800 KP) rated The Rocky Horror Picture Show (1975) in Movies
Nov 25, 2020
Gloriously kitsch
Film #4 on the 100 Movies Bucket List: The Rocky Horror Picture Show
The Rocky Horror Picture Show is a bonafide cult classic and I doubt there is anyone who would disagree with this. It flopped on first release at the cinema but soon after gained a massive cult following and became a hugely interactive musical experience. For me, I became part of this cult following at university and have attended a fair few parties and shows over the years (in fancy dress of course). However it’s been quite some time since I watched this and seeing it again now makes for a rather interesting watch.
The Rocky Horror Picture Show is a 1975 musical directed by Jim Sharman, spanning a multitude of genres. It follows newly engaged (and rather wholesome) couple Brad (Barry Bostwick) and Janet (Susan Sarandon) as a flat tyre leaves them stranded and they’re left to seek shelter in a nearby castle owned by Dr Frank-N-Furter (Tim Curry).
This film is undoubtedly bats**t crazy. The plot is absolutely bonkers – a group of aliens from the planet Transexual led by a mad scientist in his quest to make the perfect man. It spans so many genres from comic horror to glam-rock musical and everything in between. It’s aim to spoof old school science fiction films is spot on, and there isn’t many films that can pull off cannibalism, murder and erotic sexual experimentation in the same 2 hour run time.
Admittedly there are some aspects of the plot that haven’t quite stood the test of time. 45 years ago the freedom exhibited around gender and sexuality was unlike anything anyone had ever seen and is still a rather wonderful thing to watch. However, there are other sides to this (such as lack of consent) which have become more apparent as society evolves and maybe aren’t quite acceptable now as they were back then. Fortunately this doesn’t spoil the overall feel of the film and it’s still as camp and cheesy and kitsch as it ever was.
One of the reasons for this films success is Richard O Brien’s script and music, and his performance as Riff Raff is pretty creepy and fun too. It’s clever and smart, and the music is top notch. The songs are some of the most catchy I’ve ever heard and they make you forget how crazy the plot is as soon as the music starts. From the legendary Time Warp to the wonderful Meat Loaf cameo on Hot Patootie, to the incredibly moving and inspirational Don’t Dream It, Be It, the songs are hugely memorable.
And then you have Tim Curry as Frank-N-Furter, in an absolute standout performance. He is perfect in Frank (I’ve yet to see anyone do it better) and it’s probably the best role he’s ever had. He looks like he’s having so much fun and steals every scene, you can’t take your eyes off him and that’s not just because he’s in stockings and suspenders. He makes you feel fascinated by Frank, disgusted and then ultimately sorry for him and this is no mean feat. No disrespect to the rest of the cast, but when Curry isn’t on screen the film does suffer ever so slightly.
The Rocky Horror Picture Show is a wacky, campy riot of a musical with a message that is heartwarming and inclusive. It may have aged a little over the years and certain topics don’t scrub up quite as well, but it’s still a hugely entertaining and unique musical experience.
The Rocky Horror Picture Show is a bonafide cult classic and I doubt there is anyone who would disagree with this. It flopped on first release at the cinema but soon after gained a massive cult following and became a hugely interactive musical experience. For me, I became part of this cult following at university and have attended a fair few parties and shows over the years (in fancy dress of course). However it’s been quite some time since I watched this and seeing it again now makes for a rather interesting watch.
The Rocky Horror Picture Show is a 1975 musical directed by Jim Sharman, spanning a multitude of genres. It follows newly engaged (and rather wholesome) couple Brad (Barry Bostwick) and Janet (Susan Sarandon) as a flat tyre leaves them stranded and they’re left to seek shelter in a nearby castle owned by Dr Frank-N-Furter (Tim Curry).
This film is undoubtedly bats**t crazy. The plot is absolutely bonkers – a group of aliens from the planet Transexual led by a mad scientist in his quest to make the perfect man. It spans so many genres from comic horror to glam-rock musical and everything in between. It’s aim to spoof old school science fiction films is spot on, and there isn’t many films that can pull off cannibalism, murder and erotic sexual experimentation in the same 2 hour run time.
Admittedly there are some aspects of the plot that haven’t quite stood the test of time. 45 years ago the freedom exhibited around gender and sexuality was unlike anything anyone had ever seen and is still a rather wonderful thing to watch. However, there are other sides to this (such as lack of consent) which have become more apparent as society evolves and maybe aren’t quite acceptable now as they were back then. Fortunately this doesn’t spoil the overall feel of the film and it’s still as camp and cheesy and kitsch as it ever was.
One of the reasons for this films success is Richard O Brien’s script and music, and his performance as Riff Raff is pretty creepy and fun too. It’s clever and smart, and the music is top notch. The songs are some of the most catchy I’ve ever heard and they make you forget how crazy the plot is as soon as the music starts. From the legendary Time Warp to the wonderful Meat Loaf cameo on Hot Patootie, to the incredibly moving and inspirational Don’t Dream It, Be It, the songs are hugely memorable.
And then you have Tim Curry as Frank-N-Furter, in an absolute standout performance. He is perfect in Frank (I’ve yet to see anyone do it better) and it’s probably the best role he’s ever had. He looks like he’s having so much fun and steals every scene, you can’t take your eyes off him and that’s not just because he’s in stockings and suspenders. He makes you feel fascinated by Frank, disgusted and then ultimately sorry for him and this is no mean feat. No disrespect to the rest of the cast, but when Curry isn’t on screen the film does suffer ever so slightly.
The Rocky Horror Picture Show is a wacky, campy riot of a musical with a message that is heartwarming and inclusive. It may have aged a little over the years and certain topics don’t scrub up quite as well, but it’s still a hugely entertaining and unique musical experience.
Andy K (10823 KP) rated The Wicker Man (1973) in Movies
Sep 14, 2019
Where Is Rowan Morrison?
Trying to get into the "horror mood" this year I thought I would revisit a "cult classic" which I hadn't seen in 20+ years and it is still as haunting as I remember.
Police Sergeant Howie arrives to a small island community in search of a missing girl. His questions are immediately met with shrugs and denials any of the locals know the girl. He then visits the local pub where he quickly begins to surmise the situation is not what it seems and he is not being told the truth. The local barkeep sets him up with a meal and a room while his daughter sings a haunting song along with the rest of the barroom customers.
The next day Howie searches further about the island, questions more locals, visits the schoolhouse where he hears young girls being taught the finer points of the penis, but learns little about the fate of the missing girl. Eventually, he believes the girl has been murdered under suspicious circumstances and goes to visit the matriarch of the area, Lord Summerisle.
He finds out about the pagan beliefs the island dwellers believe as well as the history of Summerisle's ancestors when they first visited the island. He continues to see disturbing happenings around town including young naked girls dancing, singing and jumping through a fire as well as people wearing masks.
Once the "final reveal" has happened, he realizes he has been beguiled all along and the cult has a fate for him already planned out.
In watching some behind the scenes footage, Christopher Lee said this film is one of his personal favorites. He was eager to break out of the same old "Dracula" formula films he had been doing in the 1970s and accepted this part not knowing much about it ahead of time. The part was written for him in mind. Lee longtime film companion, Peter Cushing, was originally supposed to portray Sergeant Howie, but couldn't due to schedule conflicts.
Edward Woodward actually dons the part of Howie in a very interesting way. He makes the audience believe his naivety about his surroundings at the onset and slowly lets you figure things out along with him as the film goes. He actually did not even want to see the "Wicker Man" set until he filmed it so he could be surprised and his terror would be genuine.
This is the part Christopher Lee was born to play. Modern audiences will know him only from Star Wars and Lord of the Rings; however, he was one of the "Masters of the Macabre" in the 1970s and 1980s completing a ton of horror films most of which are cheesy but still worth watching due to their style and his charisma. He was just perfect for this role since you can believe almost anything he says and only watch in disbelief as he marches down the street dancing and singing with the rest of his cult members toward their final ritual.
I'm sure coming from the US, I don't know some of the history and wild popularity this film has had and continues to have in the UK, but it is still one of my favorites.
Police Sergeant Howie arrives to a small island community in search of a missing girl. His questions are immediately met with shrugs and denials any of the locals know the girl. He then visits the local pub where he quickly begins to surmise the situation is not what it seems and he is not being told the truth. The local barkeep sets him up with a meal and a room while his daughter sings a haunting song along with the rest of the barroom customers.
The next day Howie searches further about the island, questions more locals, visits the schoolhouse where he hears young girls being taught the finer points of the penis, but learns little about the fate of the missing girl. Eventually, he believes the girl has been murdered under suspicious circumstances and goes to visit the matriarch of the area, Lord Summerisle.
He finds out about the pagan beliefs the island dwellers believe as well as the history of Summerisle's ancestors when they first visited the island. He continues to see disturbing happenings around town including young naked girls dancing, singing and jumping through a fire as well as people wearing masks.
Once the "final reveal" has happened, he realizes he has been beguiled all along and the cult has a fate for him already planned out.
In watching some behind the scenes footage, Christopher Lee said this film is one of his personal favorites. He was eager to break out of the same old "Dracula" formula films he had been doing in the 1970s and accepted this part not knowing much about it ahead of time. The part was written for him in mind. Lee longtime film companion, Peter Cushing, was originally supposed to portray Sergeant Howie, but couldn't due to schedule conflicts.
Edward Woodward actually dons the part of Howie in a very interesting way. He makes the audience believe his naivety about his surroundings at the onset and slowly lets you figure things out along with him as the film goes. He actually did not even want to see the "Wicker Man" set until he filmed it so he could be surprised and his terror would be genuine.
This is the part Christopher Lee was born to play. Modern audiences will know him only from Star Wars and Lord of the Rings; however, he was one of the "Masters of the Macabre" in the 1970s and 1980s completing a ton of horror films most of which are cheesy but still worth watching due to their style and his charisma. He was just perfect for this role since you can believe almost anything he says and only watch in disbelief as he marches down the street dancing and singing with the rest of his cult members toward their final ritual.
I'm sure coming from the US, I don't know some of the history and wild popularity this film has had and continues to have in the UK, but it is still one of my favorites.
BankofMarquis (1832 KP) rated Bad Times at the El Royale (2018) in Movies
Feb 6, 2019
Check Into the El Royale, You'll Be Glad You Did
BAD TIMES AT THE EL ROYALE is a bloody movie about bloody people doing bloody things at a bloody hotel.
It's also bloody good.
Showing the same original style and panache that I have come to expect from Director/Writer Drew Goddard (THE CABIN IN THE WOODS), BAD TIMES...follows the storytelling device of a Quentin Tarantino flick like PULP FICTION or THE HATEFUL EIGHT in that it follows a seemingly disparate group of people - each with their own story - who's lives intersect.
Goddard's reputation has, obviously, preceded him as on the surface this film looks like a "B" flick filled with gore and violence, but in Goddard's hands - and with some strong acting talent and VERY strong production qualities (the sets, costumes and music help tell the story), this film is elevated to something much more than a "B" flick.
Jeff Bridges (HELL AND HIGH WATER) stars (at least in one storyline) as a mysterious Priest who shows up at the El Royale for some reason - and it's not to change the Bibles in the rooms. He is joined in the lobby at check-in by a lounge singer played by Cynthia Ervino (WIDOWS), vacuum cleaner salesman portrayed by John Hamm (BABY DRIVER) and by a mystery women played by Dakota Johnson (50 SHADES...) - all have secrets to hide and through flashbacks and chance encounters, their stories erupt on each other. And erupt they do when into the mix comes charismatic, mostly shirtless Cult Leader Billy Lee (Chris Hemsworth) and his cult followers.
Goddard orchestrates this group of strong actors well, giving each character/actor moments to shine and play off each other. The dialogue, while not at a Tarantino level, was interesting and intriguing as much as what was NOT said then what WAS said.
But, make no mistake about it, this is an action movie - and action there is. Bodies, bullets and blood start flying as soon as these characters collide at the El Royale and bad times happen, for sure.
But, for me, this was a GOOD TIME AT THE EL ROYALE. If you like Pulp Fiction, Baby Driver, Hell and High Water or John Wick, then you'll like this flick. Check in to the El Royale, you'll be glad you did.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank (ofMarquis)
It's also bloody good.
Showing the same original style and panache that I have come to expect from Director/Writer Drew Goddard (THE CABIN IN THE WOODS), BAD TIMES...follows the storytelling device of a Quentin Tarantino flick like PULP FICTION or THE HATEFUL EIGHT in that it follows a seemingly disparate group of people - each with their own story - who's lives intersect.
Goddard's reputation has, obviously, preceded him as on the surface this film looks like a "B" flick filled with gore and violence, but in Goddard's hands - and with some strong acting talent and VERY strong production qualities (the sets, costumes and music help tell the story), this film is elevated to something much more than a "B" flick.
Jeff Bridges (HELL AND HIGH WATER) stars (at least in one storyline) as a mysterious Priest who shows up at the El Royale for some reason - and it's not to change the Bibles in the rooms. He is joined in the lobby at check-in by a lounge singer played by Cynthia Ervino (WIDOWS), vacuum cleaner salesman portrayed by John Hamm (BABY DRIVER) and by a mystery women played by Dakota Johnson (50 SHADES...) - all have secrets to hide and through flashbacks and chance encounters, their stories erupt on each other. And erupt they do when into the mix comes charismatic, mostly shirtless Cult Leader Billy Lee (Chris Hemsworth) and his cult followers.
Goddard orchestrates this group of strong actors well, giving each character/actor moments to shine and play off each other. The dialogue, while not at a Tarantino level, was interesting and intriguing as much as what was NOT said then what WAS said.
But, make no mistake about it, this is an action movie - and action there is. Bodies, bullets and blood start flying as soon as these characters collide at the El Royale and bad times happen, for sure.
But, for me, this was a GOOD TIME AT THE EL ROYALE. If you like Pulp Fiction, Baby Driver, Hell and High Water or John Wick, then you'll like this flick. Check in to the El Royale, you'll be glad you did.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank (ofMarquis)
Gareth von Kallenbach (980 KP) rated the PC version of Dishonored: Death of the Outsider in Video Games
Jun 19, 2019
The latest game in the Dishonored series: Death of the Outsider is a stand-alone adventure that casts player in the role of Billie Lurk who fans of the series will know as the Captain of the Dreadful Whale.
A series of dark dreams leads her to her former mentor and on the path of a deadly cult that has taken control of several regions of the kingdom.
Using her considerable abilities, Billie uses stealth and brutal combat as well as special powers gained along the way to investigate, infiltrate, and destroy key members of the cult as well as gaining new abilities and weapons along the way.
The game has a” play your way” mode which is great for players like myself who are not as big on stealth and prefer a more combat oriented approach. While this works some of the time, the enemies are clever and numerous and will come at you in waves, so players must set traps, plan strategies and find honor in running away when the game calls for it.
The game also has a few puzzles players will need to solve and there is plenty to explore and loot along the way as well as numerous side quests players can take in the thriving and highly detailed cities.
While the weaponry will be familiar to fans of the series, the clever way that the pistol was incorporated as part of a wrist gauntlet was a nice touch as were the various ammunitions offered such as incendiary and shock bolts.
While not as long as Dishonored 2, there was still plenty of gameplay as I was shocked to see that I had invested over 17 hours of gameplay when I had completed the game as I was so engrossed in the characters and story that time seemed to fly by when I played.
The game offers adjustable difficulty settings which are great as some segments offer a real challenge depending on which type of gameplay approach you use.
The graphics and sounds of the game are in keeping with what you would expect from the prior games in the series and if this is the finale to the series, then it goes out in grand style as Death of the Outsider is an enjoyable adventure for action fans everywhere.
http://sknr.net/2017/09/20/dishonored-death-outsider/
A series of dark dreams leads her to her former mentor and on the path of a deadly cult that has taken control of several regions of the kingdom.
Using her considerable abilities, Billie uses stealth and brutal combat as well as special powers gained along the way to investigate, infiltrate, and destroy key members of the cult as well as gaining new abilities and weapons along the way.
The game has a” play your way” mode which is great for players like myself who are not as big on stealth and prefer a more combat oriented approach. While this works some of the time, the enemies are clever and numerous and will come at you in waves, so players must set traps, plan strategies and find honor in running away when the game calls for it.
The game also has a few puzzles players will need to solve and there is plenty to explore and loot along the way as well as numerous side quests players can take in the thriving and highly detailed cities.
While the weaponry will be familiar to fans of the series, the clever way that the pistol was incorporated as part of a wrist gauntlet was a nice touch as were the various ammunitions offered such as incendiary and shock bolts.
While not as long as Dishonored 2, there was still plenty of gameplay as I was shocked to see that I had invested over 17 hours of gameplay when I had completed the game as I was so engrossed in the characters and story that time seemed to fly by when I played.
The game offers adjustable difficulty settings which are great as some segments offer a real challenge depending on which type of gameplay approach you use.
The graphics and sounds of the game are in keeping with what you would expect from the prior games in the series and if this is the finale to the series, then it goes out in grand style as Death of the Outsider is an enjoyable adventure for action fans everywhere.
http://sknr.net/2017/09/20/dishonored-death-outsider/
You Might Be Smiling Now... by The Just Joans
Album Watch
Cult Scottish miserabilists The Just Joans are delighted to be releasing their first new album in...
rock
Perspective Correct - Fix distortion and skewed pictures with keystone and straighten correction from camera or photo library
Photo & Video and Utilities
App
The easiest way to fix perspective distortion in your photos - Featured on Engadget and Cult of Mac....
21st century remake of the cult post-apocalyptic drama is supposedly based on the novelisation of the 70s show, not the show itself, but one gets the impression this claim is just there as a legal requirement: in the early episodes, at least, this is recognisably the same story.
That said, New Survivors is notably more suburban and less concerned with the realities of post-apocalyptic survival than with making grand statements about family and love through the medium of slightly soapy and soft-centred drama. It's a BBC genre drama from the late 2000s, so the characters are more diverse, everything is rather sentimental, and supplies of subtlety do not appear to have made it through the catastrophe. Still, it's kind of watchable, especially if you can put the original show out of your mind, and in the second series in particular one can discern an interesting subtext suggesting the programme is partly motivated by anger aimed at the culprits of the financial disaster of 2008. Second series concludes on a cliffhanger of sorts, so you can have fun making up your own ending for the story.
That said, New Survivors is notably more suburban and less concerned with the realities of post-apocalyptic survival than with making grand statements about family and love through the medium of slightly soapy and soft-centred drama. It's a BBC genre drama from the late 2000s, so the characters are more diverse, everything is rather sentimental, and supplies of subtlety do not appear to have made it through the catastrophe. Still, it's kind of watchable, especially if you can put the original show out of your mind, and in the second series in particular one can discern an interesting subtext suggesting the programme is partly motivated by anger aimed at the culprits of the financial disaster of 2008. Second series concludes on a cliffhanger of sorts, so you can have fun making up your own ending for the story.
Amanda (1 KP) rated The Meg (2018) in Movies
Jan 2, 2019
Jason Statham (1 more)
A Prehistoric shark
Possibly best shark movie since the arrival of Jaws
Contains spoilers, click to show
There is one thing I absolutely love and that is a shark movie, I have seen just about all that is out there however I was somewhat dubious about this film.
With the initial feeling it was jumping on the back of the cult success of the sharknado franchise, I decided to check out the book before the movie and loved it. I went into this movie still a little unsure but by the end of it, I was hooked. Jason Statham, for me was one of the best things about this movie...how many times can we say that he seen him hit a 70ft Shark with a spear and he was a total scene stealer thought everyone was actually really good (think I might be used to the level of acting in things like Ghost Shark).
I think the meg was a much Moreno enjoyable film than expected however due to being released as a block buster does leave it open to criticism from those who love Jaws...if you haven’t already seen it, I would dear recommend it!
With the initial feeling it was jumping on the back of the cult success of the sharknado franchise, I decided to check out the book before the movie and loved it. I went into this movie still a little unsure but by the end of it, I was hooked. Jason Statham, for me was one of the best things about this movie...how many times can we say that he seen him hit a 70ft Shark with a spear and he was a total scene stealer thought everyone was actually really good (think I might be used to the level of acting in things like Ghost Shark).
I think the meg was a much Moreno enjoyable film than expected however due to being released as a block buster does leave it open to criticism from those who love Jaws...if you haven’t already seen it, I would dear recommend it!