"This was something of an anomaly in Faith No More’s catalogue, from a film made in the early ‘90s called Judgement Night. The soundtrack was a sort of experiment where they would get bands - white people, essentially - and they would couple them with hip-hop groups and see what happened. This was one of my first introductions to hip-hop to be honest and it wasn’t even ‘proper’ hip-hop, it was bands playing with rapping over the top. “I just thought it was absolutely amazing and I couldn’t get enough of it, this worn-out tape. ‘Another Body Murdered’ was one of the best tracks on it and it ended up introducing me to loads of bands and loads of rappers and this wasn’t like nu-metal, it was mostly edgy rappers. But then there was also a track ‘Fallin’ with Teenage Fanclub featuring De La Soul, things like that. It gave me a really broad introduction via a medium I already understood, which was bands. “But because it was a faceless tape, I didn’t really know who everyone was or who was doing what on each track. I didn’t realise then what cultural lines might have been crossed, because it was all just blurred into one: here’s the guitar, here’s somebody rapping. It didn’t matter to me at all and I think that was a healthy way to discover that sort of music."

"""As I already had Raw Power and knew what The Stooges were about, it was big news that Iggy Pop was putting out his first solo record under his own name. The generation before me who were forming bands - people like Siouxsie and Lydon - had all been Iggy freaks from hearing about him via David Bowie's patronage. As was the case in the 70s, David Bowie was the provider of all the cultural information that moulded the decade. You found out about Burroughs through Bowie, you found out about Kraftwerk through Bowie and it was the same with Iggy Pop. There were rumours in the music press that David Bowie had been working on this record and when it came out it was a big deal. And it was amazing. Nothing sounded like it before and I don't think anything has quite managed to sound like it since. There is so much written about the Berlin period that there is no point in me going on about it, but I think of all the records of that time, this is the one that is most Berlin-like to me. I now know Berlin and have spent time there before it changed, and The Idiot does convey the atmosphere of being on the Berlin streets at 3.30 in the morning having been to various insalubrious establishments and looking for more action. Songs like 'Baby', 'Nightclubbing' and 'Dum Dum Boys' really capture that drunken, woozy, underground European atmosphere. It's a perfect record."""