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Gareth von Kallenbach (971 KP) rated The Birth of a Nation (2016) in Movies
Jul 15, 2019
America was not born with the landing of the Mayflower. It was not born at Jamestown. It was not born with the Declaration of Independence or Treaty of Paris. It wasn’t born on the battlefields of the Civil War, nor was it born with D.W. Griffith’s Birth of a Nation in 1915. America was born in the fire and spilt blood from the institution of slavery and revolts by slaves seeking to break free. Nat Turner’s revolt was an omen to America signifying that human beings would no longer tolerate being subjugated, dehumanized, brutalized, and degraded without some form of pushback.
Nate Parker’s The Birth of a Nation tells a full story of Nat Turner and does not simply rely on the revolt to convey his message of a call for equality and fighting injustice. It is emblematic of resistance to the many sins this nation has committed. The film and story are a punch to the gut reminding Americans that there is much left unfinished with respect to telling the full story of slavery and American history as a whole. There is much of our past that we must reconcile with no matter how uncomfortable. Parker’s film demonstrates the power film has as historical record and permitting audiences to have a greater idea and picture of the past.
The Birth of A Nation allows audiences to become consumed with the horrors of slavery, but it is not limited to that aspect. It humanizes the slaves and demonstrates cultural aspects and relationships that have often gone ignored or overlooked with previous films. It does not rely on sensationalizing events in order to drive the points home. There is subtlety and honesty in the portrayal of the events and circumstances.
This is a film that will have audiences speechless at the end as the come to terms with their emotions about events as they unfold and coming to terms with what the witnessed onscreen. There is nothing that can prepare audiences for this film. It is a work of art that you cannot help but feel compelled to reflect on what you witnessed.
There are those who will not see the film due to the subject matter. There are others who won’t see it because of the sexual assault allegations against Nate Parker. There are many who won’t see it out of a pure lack of interest. Regardless of your stance, this is a film that needs to be seen. It is essential to telling a more complete story about America.
Nate Parker’s The Birth of a Nation tells a full story of Nat Turner and does not simply rely on the revolt to convey his message of a call for equality and fighting injustice. It is emblematic of resistance to the many sins this nation has committed. The film and story are a punch to the gut reminding Americans that there is much left unfinished with respect to telling the full story of slavery and American history as a whole. There is much of our past that we must reconcile with no matter how uncomfortable. Parker’s film demonstrates the power film has as historical record and permitting audiences to have a greater idea and picture of the past.
The Birth of A Nation allows audiences to become consumed with the horrors of slavery, but it is not limited to that aspect. It humanizes the slaves and demonstrates cultural aspects and relationships that have often gone ignored or overlooked with previous films. It does not rely on sensationalizing events in order to drive the points home. There is subtlety and honesty in the portrayal of the events and circumstances.
This is a film that will have audiences speechless at the end as the come to terms with their emotions about events as they unfold and coming to terms with what the witnessed onscreen. There is nothing that can prepare audiences for this film. It is a work of art that you cannot help but feel compelled to reflect on what you witnessed.
There are those who will not see the film due to the subject matter. There are others who won’t see it because of the sexual assault allegations against Nate Parker. There are many who won’t see it out of a pure lack of interest. Regardless of your stance, this is a film that needs to be seen. It is essential to telling a more complete story about America.
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Gruff Rhys recommended Tacsi i'r Tywyllwch by Geraint Jarman in Music (curated)
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Kirk Bage (1775 KP) rated Glass (2019) in Movies
Mar 3, 2020
This doesn’t need to be a long review; the film itself doesn’t merit a lot of reflection. But, I have set myself the task of recording every piece of cultural media I consume, and there is already a backlog. So, here come a few quickfire bits on things that I found less than impressive. There is some value in identifying why something failed. Especially, as in the case of Glass, when there was an expectation it might be quite exciting.
I am not the biggest M. Night Shyamalan fan, to be honest. I will give you The Sixth Sense and Signs (to an extent), but even those contain some dodgy direction, plotting and unforgivable dialogue that hasn’t weathered the test of time well. 75% of his output is so bad it becomes funny; I mean, The Happening and Lady in the Water – WTF!? And the less said about The Last Airbender the better. My favourite of his works would have to be Unbreakable, from 2000. At least there is a satisfying story arc and the “twist” makes sense. Often with him it is so preposterous or an non-event, it makes you wonder why he bothered.
Sixteen years later, and Split sprung a surprise by being not bad at all, largely thanks to James McAvoy’s performance as a man with multiple personality disorder – a striking, terrifying, turn that showcased his abilities as an actor superbly. So there was some anticipation that bringing those two film worlds together would yield something very interesting and at least fun. So, it is sad to say that, once again, he pretty much botched it.
Don’t get me wrong, it is watchable and entertaining, up to a point – that point being when the story tries to gel all its strands together in a cohesive new twist, and fails utterly to do so. McAvoy is yet again the standout. Here he pushes the split personalities at his command to a brain spinning degree, switching from one to the other effortlessly – I would much rather just have watched him talking and twitching for two hours, to be fair. Bruce Willis has little to do but brood, and Samuel L. Jackson becomes totally laughable as he strains with the script to find any grounding in real character, and descends into cartoon / pantomime villain very quickly, losing all validity carried over from Unbreakable.
It’s a shame, because there is an idea in there somewhere; this just wasn’t it. No doubt, he has left it open for further exploration with these characters, and will in time return to them. I just hope he takes his time to consider the script properly before diving headlong into another disappointment of cliche and bad plotting. I just feel sorry for McAvoy, who deserved much better.
I am not the biggest M. Night Shyamalan fan, to be honest. I will give you The Sixth Sense and Signs (to an extent), but even those contain some dodgy direction, plotting and unforgivable dialogue that hasn’t weathered the test of time well. 75% of his output is so bad it becomes funny; I mean, The Happening and Lady in the Water – WTF!? And the less said about The Last Airbender the better. My favourite of his works would have to be Unbreakable, from 2000. At least there is a satisfying story arc and the “twist” makes sense. Often with him it is so preposterous or an non-event, it makes you wonder why he bothered.
Sixteen years later, and Split sprung a surprise by being not bad at all, largely thanks to James McAvoy’s performance as a man with multiple personality disorder – a striking, terrifying, turn that showcased his abilities as an actor superbly. So there was some anticipation that bringing those two film worlds together would yield something very interesting and at least fun. So, it is sad to say that, once again, he pretty much botched it.
Don’t get me wrong, it is watchable and entertaining, up to a point – that point being when the story tries to gel all its strands together in a cohesive new twist, and fails utterly to do so. McAvoy is yet again the standout. Here he pushes the split personalities at his command to a brain spinning degree, switching from one to the other effortlessly – I would much rather just have watched him talking and twitching for two hours, to be fair. Bruce Willis has little to do but brood, and Samuel L. Jackson becomes totally laughable as he strains with the script to find any grounding in real character, and descends into cartoon / pantomime villain very quickly, losing all validity carried over from Unbreakable.
It’s a shame, because there is an idea in there somewhere; this just wasn’t it. No doubt, he has left it open for further exploration with these characters, and will in time return to them. I just hope he takes his time to consider the script properly before diving headlong into another disappointment of cliche and bad plotting. I just feel sorry for McAvoy, who deserved much better.
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Emeli Sande recommended track Tell Him by Lauryn Hill in The Miseducation of Lauryn Hill by Lauryn Hill in Music (curated)
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BookInspector (124 KP) rated Children of Blood and Bone: Book 1 in Books
Sep 24, 2020
Zelie is a protagonist in this book, but this novel is told from multiple perspectives. I absolutely loved Zelie. I loved her personality, her ambition, and bravery. Her relationship with Amari (princess of Orisha) was very amusing and intriguing to read. I loved their little girly fights. I found Inan (Prince of Orisha) very annoying, but at the same time absolutely absorbing. I really liked reading Inan’s parts in this book, his constant inner fight was a very pleasant way of distraction. Adeyemi chose her characters really well and done an amazing job in developing them. The multiple perspectives allowed the reader to have an insight into different people’s feelings, thoughts and views of the situations, which always gives me more pleasure while reading. All the characters had their individual personalities, which shined through in this book. My least favorite was, of course, the King, he was cruel, idiotic and generally a bastard. 🙂
I adored the narrative of this book. I found it very original, exceptionally written and I think it just sucks you in with all the adventures, journeys, magic and complex relationships. There are so many African cultural nuances, which absolutely mesmerized me, I love learning about different cultures. The setting of this book continuously changes, as the group travels through Orisha, and I really enjoyed the details and the way the author described the places. This novel has so many important topics incorporated, one of them being unnecessary death, and it did leave me upset and sad during those parts. 😦
Tomi Adeyemi is an incredible writer and I loved her writing style in this book. The chapters are a very decent length and the pages just fly by. Every chapter has plenty of action, and my interest was continuously kindled. In this book, the author used different language for the spells, and I would’ve loved the translation for them in the book, I just like to know what things mean. I really loved the way this novel ended, and it still haunts me, I can’t wait for another book!
There are plenty of fabulous things about this novel, that I could write and write, but I will leave it for you to figure out, all I can say, this book is absolutely magical! It has so much to offer! The characters are impeccably crafted and the plot takes you to amazing places and unforgettable adventures, where you can experience courage, love, romance, loss, and deceit. It is an absolute must read and it is a summer read for Jimmy Fallon, so it has to be good, right? 😉 I hope you will get the chance to read it and to enjoy as much as I did 🙂
I adored the narrative of this book. I found it very original, exceptionally written and I think it just sucks you in with all the adventures, journeys, magic and complex relationships. There are so many African cultural nuances, which absolutely mesmerized me, I love learning about different cultures. The setting of this book continuously changes, as the group travels through Orisha, and I really enjoyed the details and the way the author described the places. This novel has so many important topics incorporated, one of them being unnecessary death, and it did leave me upset and sad during those parts. 😦
Tomi Adeyemi is an incredible writer and I loved her writing style in this book. The chapters are a very decent length and the pages just fly by. Every chapter has plenty of action, and my interest was continuously kindled. In this book, the author used different language for the spells, and I would’ve loved the translation for them in the book, I just like to know what things mean. I really loved the way this novel ended, and it still haunts me, I can’t wait for another book!
There are plenty of fabulous things about this novel, that I could write and write, but I will leave it for you to figure out, all I can say, this book is absolutely magical! It has so much to offer! The characters are impeccably crafted and the plot takes you to amazing places and unforgettable adventures, where you can experience courage, love, romance, loss, and deceit. It is an absolute must read and it is a summer read for Jimmy Fallon, so it has to be good, right? 😉 I hope you will get the chance to read it and to enjoy as much as I did 🙂
![40x40](/uploads/profile_image/b26/4fceea14-87e1-4455-b98c-cda626154b26.jpg?m=1549634223)
Gareth von Kallenbach (971 KP) rated The Big Sick (2017) in Movies
Jul 11, 2019
Kumail (Kumail Nanjiani) is a young Pakistani American trying to make it as a stand-up comic. He spends his free time making extra money as an Uber driver and getting set up with Pakistani women by his family, in an attempt to arrange a marriage for him. Then his life changes one night when he meets an American girl named Emily (Zoe Kazan). After hooking up the night they meet they start a whirlwind relationship. But Kumail is hiding this relationship from his family, because they would disown him if they found out, and still meeting with the young women who he could potentially marry. When Emily finds this out she confronts Kumail and they break up. Kumail is depressed but felt he had to choose his family and tradition over his feelings for Emily. Then a while later he gets a frantic call in the middle of the night from one of Emily’s friends asking him to go to the Emergency Room and wait with her. When he arrives doctors are wanting to put Emily into an induced coma. With no one else around Kumail stays with Emily. Emily’s parents (played by Ray Romano and Holly Hunter) show up and know everything that happened between Kumail and Emily. It is uncomfortable but Kumail feel like he needs to stay. He is now struggling with is feelings for Emily and his culture.
The Big Sick is a film telling the real-life story of courtship of Kumail and his real life wife Emily V. Gordon, both of whom wrote screenplay. The Michael Showatler (Hello My Name is Doris) directed film is very funny and smartly paced. There is a good balance of comedy and the serious situations, including dealing with trauma and overcoming cultural differences. The cast is really good, from Hunter and Romano to comedians Aidy Bryant and Kurt Braunohler the supporting roles are really well cast and performed. Zoe Kazan was really good during her time on screen. There were times when I could tell that the dialogue was dubbed over and it was a little distracting, but only a handful of times. I also appreciated the side story of the life of a young comic. It was not a focal point of the movie but it definitely showed how Kumail struggled to become a comic and how life and his family culture sometimes got in the way of his ambition, in both good and bad ways.
Heartwarming and funny this film is original and fun to watch. It was definitely nice to be caught off guard by some really funny moments in the middle of serious situations. It has a run time of 2 hours and 4 minutes with is a little longer than average but really doesn’t feel that long.
The Big Sick is a film telling the real-life story of courtship of Kumail and his real life wife Emily V. Gordon, both of whom wrote screenplay. The Michael Showatler (Hello My Name is Doris) directed film is very funny and smartly paced. There is a good balance of comedy and the serious situations, including dealing with trauma and overcoming cultural differences. The cast is really good, from Hunter and Romano to comedians Aidy Bryant and Kurt Braunohler the supporting roles are really well cast and performed. Zoe Kazan was really good during her time on screen. There were times when I could tell that the dialogue was dubbed over and it was a little distracting, but only a handful of times. I also appreciated the side story of the life of a young comic. It was not a focal point of the movie but it definitely showed how Kumail struggled to become a comic and how life and his family culture sometimes got in the way of his ambition, in both good and bad ways.
Heartwarming and funny this film is original and fun to watch. It was definitely nice to be caught off guard by some really funny moments in the middle of serious situations. It has a run time of 2 hours and 4 minutes with is a little longer than average but really doesn’t feel that long.
![40x40](/uploads/profile_image/b26/4fceea14-87e1-4455-b98c-cda626154b26.jpg?m=1549634223)
Gareth von Kallenbach (971 KP) rated Halloween (2018) in Movies
Jun 19, 2019
“Halloween” has long been considered by many to have been the film that started the “Slasher” subculture. The independent movie became a box office smash and made Michael Myers a cultural icon ever since its debut in 1978.
Although multiple sequels and a reboot followed over the years; they did not match the intensity of the original as they opted for higher body counts and gore versus suspense and story and in many ways became almost a parody of themselves as Michael would cut down cast after cast of teens and anyone else in his way.
The new film takes the approach that none of the films after the first ever happened so instead of Michael stalking Lorrie in a hospital in “Halloween 2”; he was captured and incarcerated in an mental institute for the last forty years where he has remained silent despite his Doctor (Haluk Bilginer) best efforts to get him to speak as he attempts to understand what motivates a person described as pure evil.
The forty years since “The Night He Came Home” has not been kind to Laurie Strode (Jamie Lee Curtis); as since her encounter with Michael: she has become a hard drinking isolationist who suffers from severe Post Traumatic Syndrome. Laurie has become obsessed with guns, weapons, and protection to the point that it has cost her two marriages and even had her only child Karen (Judy Greer) taken from her by the state which has resulted in her having a fractured relationship with her and her granddaughter Allyson (Andi Matichak).
When a pair of journalists attempt to interview Laurie to try to get her to agree to a face to face with Michael; it sets a chain of events into motion which leads to Michael escaping during a prison transfer.
Michael wastes no time in returning home leaving a trail of death in his path and sets him on a collision course with Laurie who has spent the last forty years preparing for his return.
The film is a true sequel to the original as aside from the second film; it is the closest in tone and theme to the original. While it does have more gore and a higher body count in keeping with the modern expectations of a film of this type, writers David Gordon Green and Danny McBride clearly understand the source material and have crafted an extension of the original versus a continuation refurbished. The fact that John Carpenter has returned as an Executive Producer also helps.
The film wisely sets the focus on the characters which makes the horror aspects more compelling as this is not a bunch of anonymous victims we are watching.
A sequel is reportedly in development and I hope this creative team returns as this was a truly worthy sequel to the classic original that was long overdue.
http://sknr.net/2018/10/17/halloween/
Although multiple sequels and a reboot followed over the years; they did not match the intensity of the original as they opted for higher body counts and gore versus suspense and story and in many ways became almost a parody of themselves as Michael would cut down cast after cast of teens and anyone else in his way.
The new film takes the approach that none of the films after the first ever happened so instead of Michael stalking Lorrie in a hospital in “Halloween 2”; he was captured and incarcerated in an mental institute for the last forty years where he has remained silent despite his Doctor (Haluk Bilginer) best efforts to get him to speak as he attempts to understand what motivates a person described as pure evil.
The forty years since “The Night He Came Home” has not been kind to Laurie Strode (Jamie Lee Curtis); as since her encounter with Michael: she has become a hard drinking isolationist who suffers from severe Post Traumatic Syndrome. Laurie has become obsessed with guns, weapons, and protection to the point that it has cost her two marriages and even had her only child Karen (Judy Greer) taken from her by the state which has resulted in her having a fractured relationship with her and her granddaughter Allyson (Andi Matichak).
When a pair of journalists attempt to interview Laurie to try to get her to agree to a face to face with Michael; it sets a chain of events into motion which leads to Michael escaping during a prison transfer.
Michael wastes no time in returning home leaving a trail of death in his path and sets him on a collision course with Laurie who has spent the last forty years preparing for his return.
The film is a true sequel to the original as aside from the second film; it is the closest in tone and theme to the original. While it does have more gore and a higher body count in keeping with the modern expectations of a film of this type, writers David Gordon Green and Danny McBride clearly understand the source material and have crafted an extension of the original versus a continuation refurbished. The fact that John Carpenter has returned as an Executive Producer also helps.
The film wisely sets the focus on the characters which makes the horror aspects more compelling as this is not a bunch of anonymous victims we are watching.
A sequel is reportedly in development and I hope this creative team returns as this was a truly worthy sequel to the classic original that was long overdue.
http://sknr.net/2018/10/17/halloween/
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Britt Daniel recommended Parade by Prince and The Revolution in Music (curated)
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Lyndsey Gollogly (2893 KP) rated Tenacity ( Rise of Iliri book 5) in Books
Feb 1, 2022
Contains spoilers, click to show
❗️❗️❗️ spoiler in last paragraph!‼️‼️
20 of 230
Kindle
Tenacity ( Rise of Iliri book 5)
By Auryn Hadley
WAR, HEARTBREAK, MORE WAR... AND A NEW FRIEND
In the fifth heart-stopping tale of her epic fantasy series The Rise of the Iliri, Auryn Hadley interjects a compelling sci-fi action fantasy with an emotionally charged reverse harem romance, setting the heart-warming experience of everyday community against the heart-wrenching reality of war - and the loss it causes. A jarring emotional roller coaster, Tenacity tells the age-old tale of pure love amidst a struggle between good and evil - but with a heaping dose of the light-hearted, cross-cultural birds and bees. This one has plenty of laughs. And plenty of heartbreak.
Slowly, region by region, the Lieutenant Salryc Luxx and her elite Black Blades are pushing forward and liberating an enslaved nation from the emperor's reign of terror. But the battle's not without consequence.
While scoping out the quiet remains of a fallen town - too quiet, actually - they discover scores of slaughtered families. But they also discover life: a young girl, locked in a cage below a tavern. No one is certain exactly what she is. She has unusual streaks of red, blonde, and white hair, and two different-colored eyes. She's fluent in iliri language, and she's terrified. So terrified that when an officer approaches to unlock her, her fear burns a hole in his armor.
The girl's name is Shaden. She's too young to know what exactly her talents are, or how to control them, but she's powerful. Immediately recognizing Sal as the fabled Kaisae, she trusts only Sal. Meanwhile, as the Black Blades continue their assault on a city thought to be impenetrable, Shaden manages to harness her power to help keep her newfound family of warriors safe. But for Sal's part, Shaden triggers difficult emotional memories of her own enslavement as a girl. And her longing to free anyone she can
With every win, Sal is bombarded by the thanks of those she rescued, and the disdain of those whose families she could not save. She can't sleep, she can't eat ... but she cannot stop fighting, either.
Victory is near. The Emperor is losing. He knows this. He knows Sal's responsible, and he knows exactly how to destroy her - go after those she loves most.
There’s me going a long nicely really enjoying the book and being back with Sal and her guys the Bam!!!! Not only does Balaec get killed in front of her she has to watch the dogs eat him! My heart broke this was a character death I won’t forget in a hurry poor Sal. Poor black blades. This was another brilliant book from a series I absolutely love! I just need to hide this one in the freezer (if you know you know) .
20 of 230
Kindle
Tenacity ( Rise of Iliri book 5)
By Auryn Hadley
WAR, HEARTBREAK, MORE WAR... AND A NEW FRIEND
In the fifth heart-stopping tale of her epic fantasy series The Rise of the Iliri, Auryn Hadley interjects a compelling sci-fi action fantasy with an emotionally charged reverse harem romance, setting the heart-warming experience of everyday community against the heart-wrenching reality of war - and the loss it causes. A jarring emotional roller coaster, Tenacity tells the age-old tale of pure love amidst a struggle between good and evil - but with a heaping dose of the light-hearted, cross-cultural birds and bees. This one has plenty of laughs. And plenty of heartbreak.
Slowly, region by region, the Lieutenant Salryc Luxx and her elite Black Blades are pushing forward and liberating an enslaved nation from the emperor's reign of terror. But the battle's not without consequence.
While scoping out the quiet remains of a fallen town - too quiet, actually - they discover scores of slaughtered families. But they also discover life: a young girl, locked in a cage below a tavern. No one is certain exactly what she is. She has unusual streaks of red, blonde, and white hair, and two different-colored eyes. She's fluent in iliri language, and she's terrified. So terrified that when an officer approaches to unlock her, her fear burns a hole in his armor.
The girl's name is Shaden. She's too young to know what exactly her talents are, or how to control them, but she's powerful. Immediately recognizing Sal as the fabled Kaisae, she trusts only Sal. Meanwhile, as the Black Blades continue their assault on a city thought to be impenetrable, Shaden manages to harness her power to help keep her newfound family of warriors safe. But for Sal's part, Shaden triggers difficult emotional memories of her own enslavement as a girl. And her longing to free anyone she can
With every win, Sal is bombarded by the thanks of those she rescued, and the disdain of those whose families she could not save. She can't sleep, she can't eat ... but she cannot stop fighting, either.
Victory is near. The Emperor is losing. He knows this. He knows Sal's responsible, and he knows exactly how to destroy her - go after those she loves most.
There’s me going a long nicely really enjoying the book and being back with Sal and her guys the Bam!!!! Not only does Balaec get killed in front of her she has to watch the dogs eat him! My heart broke this was a character death I won’t forget in a hurry poor Sal. Poor black blades. This was another brilliant book from a series I absolutely love! I just need to hide this one in the freezer (if you know you know) .
![40x40](/uploads/profile_image/088/215bc917-037f-4e32-a174-e2e0e5c3b088.jpg?m=1522357477)
Eilidh G Clark (177 KP) rated Dirt Road in Books
May 13, 2017
Kelman is an expert in understanding people
Kelman’s new novel Dirt Road is story that takes both characters and reader on a journey right from the outset, but the journey is more than it seems. The novel begins in the West coast of Scotland where we learn that Murdo - a sixteen-year-old boy - and his father Tom are mourning the death of their mother/wife and sister/daughter. Searching for solace, they embark on a journey to Alabama, U.S.A to spend time with Uncle John and Aunt Maureen. For Murdo, family is just a happy memory, a moment in time captured in a photograph, ‘The family was four and not just him and Dad’, whilst for Tom, family is the bond that holds them together. Throughout the journey, Tom strives to guide his son and keep him on ‘the right path’, yet Murdo, as we will learn, has a path of his own to find. Stifled by the fathers influence, the boy has a tendency to stray, thus when they reach Allentown Mississippi, Murdo stumbles upon a family of musicians led by Zydeco performer Queen Monzee-ay. Murdo is as drawn to music as his father is to family, the boy himself is an accomplished accordion player, and when he is offered an opportunity to play a set with Queen Monzee-ay in two weeks’ time, we watch as the road between father and son diverges and choice and risk becomes the key plot in the story.
While this may appear a simple story line, Kelman’s exploration into the fragmented relationship between father and son gives the reader an honest analysis of family and grief. The third person narrator, with bursts of free indirect discourse from Murdo, allows the reader both an internal and external insight into the constraints of family. This parallel leaves the reader feeling uncomfortable, yet with a conflicting heart. This is Kelman’s unique writing style at its best.
Dirt Road is more than a novel of grief and family relationships though; it is a novel of risk, of following new paths with uncertainties, about leaving behind the familiarities and safety of the past and following the heart. It is about deep connections; for Murdo this is through music and the feeling of freedom that he associates with music, whilst for the other characters it is about cultural connections and Scottish ancestry. Kelman’s clever use of parallels shows the reader the intensity of human connections whilst suggesting that change and progression is possible. This great novel will linger in your thoughts for weeks after you put it down, and it brings to mind a poem by Robert Frost, The Road Not Taken
I shall be telling this with a sigh
Somewhere ages and ages hence:
Two roads diverged in a wood, and I—
I took the one less traveled by,
And that has made all the difference.
For the full poem visit (https://www.poetryfoundation.org).
Dirt Road by James Kelman
Canongate Books (14 July 2016)
While this may appear a simple story line, Kelman’s exploration into the fragmented relationship between father and son gives the reader an honest analysis of family and grief. The third person narrator, with bursts of free indirect discourse from Murdo, allows the reader both an internal and external insight into the constraints of family. This parallel leaves the reader feeling uncomfortable, yet with a conflicting heart. This is Kelman’s unique writing style at its best.
Dirt Road is more than a novel of grief and family relationships though; it is a novel of risk, of following new paths with uncertainties, about leaving behind the familiarities and safety of the past and following the heart. It is about deep connections; for Murdo this is through music and the feeling of freedom that he associates with music, whilst for the other characters it is about cultural connections and Scottish ancestry. Kelman’s clever use of parallels shows the reader the intensity of human connections whilst suggesting that change and progression is possible. This great novel will linger in your thoughts for weeks after you put it down, and it brings to mind a poem by Robert Frost, The Road Not Taken
I shall be telling this with a sigh
Somewhere ages and ages hence:
Two roads diverged in a wood, and I—
I took the one less traveled by,
And that has made all the difference.
For the full poem visit (https://www.poetryfoundation.org).
Dirt Road by James Kelman
Canongate Books (14 July 2016)