Search
Gareth von Kallenbach (965 KP) rated the PlayStation 4 version of LEGO Star Wars: The Force Awakens in Video Games
Jun 19, 2019 (Updated Jun 19, 2019)
Lego and Star Wars have followed up their previous successful collaborations with Lego Star Wars: The Force Awakens and it is a delight to play.
The game combines, humor, action and creativity as it allows gamers to play as several characters from the hit film and also explore adventures set before the events of the film.
Of course being a Lego game this is not a strict rehash of the plot for the film as while many of the locales and events from the film are present, the trademark Lego humor is evident throughout and allows for a fun spin on the story.
With a new Multi-Builds system, players can decide if they want a more challenging build option in game or simply have fun and explore the game at their leisure. This is great for younger gamers as well as older ones looking for more of a challenge.
While locales such as Starkiller Base and Jakku are featured, there are other locales that arise and allow players to fill in some of the plot aspects in the years between “Return of the Jedi” and “The Force Awakens”. One such mission details how Han and Chewbacca were able to secure the deadly Rathtars as well as missions involving Poe Damron, Crimson Corsair, Lor San Tekka and more.
What really makes the game shine aside from the diversity and fun of playing it is hearing several of the stars from the film voicing their Lego characters. Adam Driver, Harrison Ford, Carrie Fisher, Daisy Ridley, John Boyega and several more all contribute to give the game a new level of realism and enjoy ability.
Boasting an impressive lineup of over 200 characters many of whom can be customized and over 80 vehicles would be impressive enough but for $9.99 a DLC program is available that will offer several new characters, vehicles, missions and more.
Graphically the game is very impressive as the detail level of the characters and sets is great fun to behold as is the great sound quality of the game.
This is key as combat modes ranging from Arena battles and space flight are one of the best parts of the game and really look and sound amazing as well as being great fun to play.
The game is ideal for Star Wars or Lego fans and has plenty of stuff to keep gamers of all ages hooked. I cannot wait to see what they developers come up with next as Lego Star Wars: The Force Awakens is not to be missed.
http://sknr.net/2016/07/11/lego-star-wars-force-awakens/
The game combines, humor, action and creativity as it allows gamers to play as several characters from the hit film and also explore adventures set before the events of the film.
Of course being a Lego game this is not a strict rehash of the plot for the film as while many of the locales and events from the film are present, the trademark Lego humor is evident throughout and allows for a fun spin on the story.
With a new Multi-Builds system, players can decide if they want a more challenging build option in game or simply have fun and explore the game at their leisure. This is great for younger gamers as well as older ones looking for more of a challenge.
While locales such as Starkiller Base and Jakku are featured, there are other locales that arise and allow players to fill in some of the plot aspects in the years between “Return of the Jedi” and “The Force Awakens”. One such mission details how Han and Chewbacca were able to secure the deadly Rathtars as well as missions involving Poe Damron, Crimson Corsair, Lor San Tekka and more.
What really makes the game shine aside from the diversity and fun of playing it is hearing several of the stars from the film voicing their Lego characters. Adam Driver, Harrison Ford, Carrie Fisher, Daisy Ridley, John Boyega and several more all contribute to give the game a new level of realism and enjoy ability.
Boasting an impressive lineup of over 200 characters many of whom can be customized and over 80 vehicles would be impressive enough but for $9.99 a DLC program is available that will offer several new characters, vehicles, missions and more.
Graphically the game is very impressive as the detail level of the characters and sets is great fun to behold as is the great sound quality of the game.
This is key as combat modes ranging from Arena battles and space flight are one of the best parts of the game and really look and sound amazing as well as being great fun to play.
The game is ideal for Star Wars or Lego fans and has plenty of stuff to keep gamers of all ages hooked. I cannot wait to see what they developers come up with next as Lego Star Wars: The Force Awakens is not to be missed.
http://sknr.net/2016/07/11/lego-star-wars-force-awakens/
colin... (64 KP) rated Star Wars: Episode IX - The Rise of Skywalker (2019) in Movies
Sep 30, 2020
So, I'd like to preface this review by saying that I never thought i would. Thank you Star Wars fans. My experience while watching Endgame on opening night was one of the most atrocious theater going experiences I have ever had, with every single person yelping like baboons at every single line or character appearance. The Star Wars fans that showed up to almost sell out my theater were super respectful and didn't make a single peep through the runtime, thus making my experience much more enjoyable and giving me a clearer head to rate this film. Therefore, I have made the assertion that Marvel is the lowest common denominator and Star Wars gains a bit of respect in my books!
Now, on to the actual film. Listen, if you love the series, you're gonna love this film. It does enough fan service that it satisfies the craving, yet doesn't let it interfere with the story too much. If you hate what the series has become, you're gonna hate the movie. It's way too convenient how everything works out and there are multiple points where I resisted face palming or aggressively whispering to myself. That being said, as I do on most blockbuster films such as this, I land pretty solidly in the middle.
Listen, this piece has a lot of issues with double and triple twists constricting the narrative and not giving it enough room to breathe. It also implements the music in a worse way than I have observed in a Star Wars film to date and the acting by most of the cast was just average at best to me. I was invested for the first eighty minutes or so, but then I just got uninvested and a tad bored. It felt like we were kinda just being ran around the same circle in a repetitive manner without getting to the point until the last twenty minutes or so.
Yet, there's magic here and it is undeniable. I considered it to be nostalgia and then I realised that I don't have the right to be nostalgic about this property. There's just something about the universe construction that seems masterful, and the performances by Adam Driver and Daisy Ridley kick it into overdrive into getting me to care about a world that I would normally give two shits about. The cinematography is surprisingly well done and cleverly varied to accompany certain emotions or appropriate responses.
Overall, it is an acceptable ending to the franchise that doesn't blow anything out of the water, but instead skids along with a bit of turbulence. Thanks for the ride, Abrams.
Now, on to the actual film. Listen, if you love the series, you're gonna love this film. It does enough fan service that it satisfies the craving, yet doesn't let it interfere with the story too much. If you hate what the series has become, you're gonna hate the movie. It's way too convenient how everything works out and there are multiple points where I resisted face palming or aggressively whispering to myself. That being said, as I do on most blockbuster films such as this, I land pretty solidly in the middle.
Listen, this piece has a lot of issues with double and triple twists constricting the narrative and not giving it enough room to breathe. It also implements the music in a worse way than I have observed in a Star Wars film to date and the acting by most of the cast was just average at best to me. I was invested for the first eighty minutes or so, but then I just got uninvested and a tad bored. It felt like we were kinda just being ran around the same circle in a repetitive manner without getting to the point until the last twenty minutes or so.
Yet, there's magic here and it is undeniable. I considered it to be nostalgia and then I realised that I don't have the right to be nostalgic about this property. There's just something about the universe construction that seems masterful, and the performances by Adam Driver and Daisy Ridley kick it into overdrive into getting me to care about a world that I would normally give two shits about. The cinematography is surprisingly well done and cleverly varied to accompany certain emotions or appropriate responses.
Overall, it is an acceptable ending to the franchise that doesn't blow anything out of the water, but instead skids along with a bit of turbulence. Thanks for the ride, Abrams.
BankofMarquis (1832 KP) rated Star Wars: Episode IX - The Rise of Skywalker (2019) in Movies
Dec 24, 2019
"Satisfying Enough" Conclusion
I am a fan of the STAR WARS films. Ever since I first went to a place A LONG TIME AGO IN A GALAXY FAR, FAR AWAY I have enjoyed the adventures of the ragtag group of rebels taking on the evil Galactic Empire. Like most folks, I was blown away by the first STAR WARS film, LOVED the sequel, THE EMPIRE STRIKES BACK, thought the concluding film in the original trilogy, RETURN OF THE JEDI was "good enough", hated the prequels and have been cautiously optimistic when both THE FORCE AWAKENS and ROGUE ONE were good films. Finally, of course, I was disappointed (like everyone else) with THE LAST JEDI and SOLO. So...I was going to go to THE RISE OF SKYWALKER no matter what anyone else says.
And...I was satisfied.
STAR WARS: THE RISE OF SKYWALKER is an above average, "good enough" conclusion to the Skywalker saga of Star Wars, bringing enough action, energy, adventure and character moments - and character cameos - to satisfy my appetite for all things Star Wars.
Directed by returning Director J.J. Abrams, ROS picks up events after the events of THE LAST JEDI. Rey is training to be a Jedi and Poe, Finn, Leia and Chewie are fighting Kylo Ren and the First Order. The film starts out rapidly - perhaps too rapidly - as multiple events take place with action pieces and fast pacing that does leave you slightly breathless - it also feels just a bit rushed, as if J.J. is trying to pack 10 lbs. of movie into a 5 lb bag. By gosh, he was not going to accused of delivering a film that was not "fast-paced".
The performances of the leads are strong - Daisy Ridley (Rey), Adam Driver (Kylo), John Boyega (Finn) and Oscar Isaac (Poe) all know their characters by now and they are able to play in them well. Joined by the expected CGI and costumed droids and aliens (C3PO, R2D2, BB8 and good ol' Chewie), I was happily entertained to see them all together on screen - along with "veterans" like Lando (Billy Dee Williams) and General (not Princess) Leia (the late Carrie Fisher). The filmmakers put a loving tribute to her in this film that is effective (though I could see where they had to use a body double in places), but it is still well done. And, of course, there are plenty of callbacks and cameos to make any StarWars afficianado happy.
Ultimately, the emotional stakes of the denouement fell a bit short for me (as the "big bad" in this didn't have the emotional heft of Darth Vader), but it was a "good enough" emotional ending buried in an above average "final space battle" to have me leave the film satisfied.
And...that's all you can ask for from the 9th film of a series...enough to keep you "satisfied".
Letter Grade: B+
8 (out of 10) stars and you can take that to the Bank (ofMarquis)
And...I was satisfied.
STAR WARS: THE RISE OF SKYWALKER is an above average, "good enough" conclusion to the Skywalker saga of Star Wars, bringing enough action, energy, adventure and character moments - and character cameos - to satisfy my appetite for all things Star Wars.
Directed by returning Director J.J. Abrams, ROS picks up events after the events of THE LAST JEDI. Rey is training to be a Jedi and Poe, Finn, Leia and Chewie are fighting Kylo Ren and the First Order. The film starts out rapidly - perhaps too rapidly - as multiple events take place with action pieces and fast pacing that does leave you slightly breathless - it also feels just a bit rushed, as if J.J. is trying to pack 10 lbs. of movie into a 5 lb bag. By gosh, he was not going to accused of delivering a film that was not "fast-paced".
The performances of the leads are strong - Daisy Ridley (Rey), Adam Driver (Kylo), John Boyega (Finn) and Oscar Isaac (Poe) all know their characters by now and they are able to play in them well. Joined by the expected CGI and costumed droids and aliens (C3PO, R2D2, BB8 and good ol' Chewie), I was happily entertained to see them all together on screen - along with "veterans" like Lando (Billy Dee Williams) and General (not Princess) Leia (the late Carrie Fisher). The filmmakers put a loving tribute to her in this film that is effective (though I could see where they had to use a body double in places), but it is still well done. And, of course, there are plenty of callbacks and cameos to make any StarWars afficianado happy.
Ultimately, the emotional stakes of the denouement fell a bit short for me (as the "big bad" in this didn't have the emotional heft of Darth Vader), but it was a "good enough" emotional ending buried in an above average "final space battle" to have me leave the film satisfied.
And...that's all you can ask for from the 9th film of a series...enough to keep you "satisfied".
Letter Grade: B+
8 (out of 10) stars and you can take that to the Bank (ofMarquis)
Gareth von Kallenbach (965 KP) rated Star Wars: Episode IX - The Rise of Skywalker (2019) in Movies
Jan 6, 2020
Director JJ Abrams was faced with a daunting task; bringing the 9 part Star Wars main story to a satisfying conclusion and appeasing certain toxic fans who have been very displeased with the last two cinematic outings for the franchise.
Thankfully Abrams has stuck the landing and “Star Wars: The Rise of Skywalker” is an entertaining and satisfying conclusion with enough action and nostalgic moments to spare.
Picking up after the events of the last film; it is learned that threatening radio transmissions are going out across the galaxy in the voice of the late Emperor Palpatine. This deeply concerns Leia (Carrie Fisher) and her remaining Resistance as it combines with The First Order to create a larger possible threat than anyone could deal with.
Kylo Ren (Adam Driver) is also very interested in the source of the signal as he does not want anything to stand in the way of his control of The First Order and will use whatever brutal means at his disposal to increase his power.
Naturally this sets Rey (Daisy Ridley), Finn (John Boyega), and Poe (Oscar Isaac), along with Chewbacca and C3PO on a daring mission to find clues to the source of the transmissions and stop what appears to be a devastating invasion which will make anything the First Order has pale in comparison.
Naturally there are plenty of amazing special effects, twists, turns, and surprises along the way as the film races to an epic confrontation.
The film hits the ground running with plenty of action at the start before settling into a longer narrative setup than some fans might like. Thankfully there are enough points of interest along the way to hold your attention before the action kicks up.
The film combines new and favorite locales and characters to create a satisfying finale to the Skywalker saga as the biggest questions from the new trilogy are answered and the few new ones I have after this will likely be heavily debated by fans or explored in a future book or comic and they are minor questions indeed.
The characters work well with one another and it is difficult to go into specifics without spoiling the film as there are plenty of surprises as I mentioned earlier. Suffice it to say that while it will not usurp the original “Star Wars” or “The Empire Strikes Back” amongst fans; it likely will be considered the most enjoyable of the new trilogy and best since “Rogue One” in the Disney era of the franchise.
The biggest remaining question is what is next for the film series as there have been rumors of a new film in 2022 with a new setting, cast, and possibly timeline. While audiences will have to wait and see what the cinematic future for the franchise is; they can be content with a very enjoyable new film.
4 stars out of 5
Thankfully Abrams has stuck the landing and “Star Wars: The Rise of Skywalker” is an entertaining and satisfying conclusion with enough action and nostalgic moments to spare.
Picking up after the events of the last film; it is learned that threatening radio transmissions are going out across the galaxy in the voice of the late Emperor Palpatine. This deeply concerns Leia (Carrie Fisher) and her remaining Resistance as it combines with The First Order to create a larger possible threat than anyone could deal with.
Kylo Ren (Adam Driver) is also very interested in the source of the signal as he does not want anything to stand in the way of his control of The First Order and will use whatever brutal means at his disposal to increase his power.
Naturally this sets Rey (Daisy Ridley), Finn (John Boyega), and Poe (Oscar Isaac), along with Chewbacca and C3PO on a daring mission to find clues to the source of the transmissions and stop what appears to be a devastating invasion which will make anything the First Order has pale in comparison.
Naturally there are plenty of amazing special effects, twists, turns, and surprises along the way as the film races to an epic confrontation.
The film hits the ground running with plenty of action at the start before settling into a longer narrative setup than some fans might like. Thankfully there are enough points of interest along the way to hold your attention before the action kicks up.
The film combines new and favorite locales and characters to create a satisfying finale to the Skywalker saga as the biggest questions from the new trilogy are answered and the few new ones I have after this will likely be heavily debated by fans or explored in a future book or comic and they are minor questions indeed.
The characters work well with one another and it is difficult to go into specifics without spoiling the film as there are plenty of surprises as I mentioned earlier. Suffice it to say that while it will not usurp the original “Star Wars” or “The Empire Strikes Back” amongst fans; it likely will be considered the most enjoyable of the new trilogy and best since “Rogue One” in the Disney era of the franchise.
The biggest remaining question is what is next for the film series as there have been rumors of a new film in 2022 with a new setting, cast, and possibly timeline. While audiences will have to wait and see what the cinematic future for the franchise is; they can be content with a very enjoyable new film.
4 stars out of 5
Gareth von Kallenbach (965 KP) rated Chaos Walking (2021) in Movies
Mar 3, 2021
Adapting a series of books into a movie is often a daunting task. As anyone who has seen many Stephen King adaptations can attest; plot complexity, characters, and depth are removed in order to condense the story into a two-hour or less run time.
The rise of streaming services has allowed many books to be adapted into series without having to cut much of the adult content in the books which would make it difficult for network television.
As such it makes adaptations such as “Chaos Walking” a delicate undertaking. The film is based on a series of books and stars Tom Holland as Todd; a young ma living on a distant world where there are no women and people can hear and see each other’s thoughts by a process known as “Noise”.
Their rustic colony is run with a firm hand by their Mayor (Mads Mikkelsen); who keeps those around him from seeing his thoughts which gives him a big advantage over those who rule.
When a landing craft from a mothership filled with a new wave of colonists crashes on the planet; Todd is shocked to find that the only survivor is a woman named Viola (Daisy Ridley) whose arrival disrupts the community.
The Mayor wishes to keep her from contacting her ship so they can seize it when it lands to maintain control of his empire as he sees the arrival of new individuals as a threat to his power.
Todd and Viola escape trying to reach a distant colony where she hopes to find a way to warn her ship about the danger the Mayor and his men present and they pursue the duo to keep this from happening.
The film lightly touches on the native race that Todd believes killed all the women of their colony but they are not visited save for a brief appearance. It is clear that the Mayor is hiding something and the reveal of what and why is fairly underwhelming which reduces him and most of his followers as thinly developed stock characters.
There is also the mystery as to why the Mothership does not bother to do any sort of follow up when they did not hear from their lander and like many aspects of the film; require the audience to simply go along with things and not ask too many questions to make things work.
Thankfully the two leads are interesting enough and they hold attention even when the story is slowly moving along with scene after scene of rivers, woods, and a little conversation.
One big issue with the film is the Noise as the visualization of thoughts as well as hearing them mixed in with verbal communication can get very confusing as it is like multiple voices in a crowded room.
Despite the issues, the potential is there and I found myself wondering what was next for the characters and hope that they do adapt future books in the series. While the film on its own does not work as a fully developed story’ as an introduction to the series it does enough to peak the interests for more.
3.5 out of 5
The rise of streaming services has allowed many books to be adapted into series without having to cut much of the adult content in the books which would make it difficult for network television.
As such it makes adaptations such as “Chaos Walking” a delicate undertaking. The film is based on a series of books and stars Tom Holland as Todd; a young ma living on a distant world where there are no women and people can hear and see each other’s thoughts by a process known as “Noise”.
Their rustic colony is run with a firm hand by their Mayor (Mads Mikkelsen); who keeps those around him from seeing his thoughts which gives him a big advantage over those who rule.
When a landing craft from a mothership filled with a new wave of colonists crashes on the planet; Todd is shocked to find that the only survivor is a woman named Viola (Daisy Ridley) whose arrival disrupts the community.
The Mayor wishes to keep her from contacting her ship so they can seize it when it lands to maintain control of his empire as he sees the arrival of new individuals as a threat to his power.
Todd and Viola escape trying to reach a distant colony where she hopes to find a way to warn her ship about the danger the Mayor and his men present and they pursue the duo to keep this from happening.
The film lightly touches on the native race that Todd believes killed all the women of their colony but they are not visited save for a brief appearance. It is clear that the Mayor is hiding something and the reveal of what and why is fairly underwhelming which reduces him and most of his followers as thinly developed stock characters.
There is also the mystery as to why the Mothership does not bother to do any sort of follow up when they did not hear from their lander and like many aspects of the film; require the audience to simply go along with things and not ask too many questions to make things work.
Thankfully the two leads are interesting enough and they hold attention even when the story is slowly moving along with scene after scene of rivers, woods, and a little conversation.
One big issue with the film is the Noise as the visualization of thoughts as well as hearing them mixed in with verbal communication can get very confusing as it is like multiple voices in a crowded room.
Despite the issues, the potential is there and I found myself wondering what was next for the characters and hope that they do adapt future books in the series. While the film on its own does not work as a fully developed story’ as an introduction to the series it does enough to peak the interests for more.
3.5 out of 5
Gareth von Kallenbach (965 KP) rated Murder on the Orient Express (2017) in Movies
Jul 11, 2019
Murder on the Orient Express is a mystery drama directed by, and starring, Kenneth Branagh and is based on the 1934 Agatha Christie novel of the same name. The film brings in a spectacular cast alongside Branagh, including Penelope Cruz, Willem Dafoe, Judi Dench, Johnny Depp, Josh Gad, Michelle Pfeiffer and Daisy Ridley. Also part of the main cast, while not well known, but equally as talented, are Tom Bateman, Derek Jacobi, Leslie Odom Jr. and Lucy Boynton.
For those unfamiliar with the novel, or the 1974 and 2001 adaptations, Murder tells the story of, well… a murder. On a train. It’s really a lot more than that. Branagh portrays Hercule Poirot, a famed Belgian detective who is looking forward to some time off. But during his travels, a most unfortunate thing happens. Two things actually. Someone is murdered aboard the train he is traveling on, the Orient Express (naturally). And the murderer would’ve gotten away free and clear had storm not caused an avalanche, which thanks to a derailed engine, caused the train to become stuck and the body to be discovered. Poirot’s friend, Bouc (Bateman), runs the train and requested that Poirot solve the mystery before the police arrive in fear of someone innocent being accused, and to save himself from a heyday with his father. Can Poirot find out who is the killer between the star-studded cast?
I’ve read the novel. Seen both adaptations. This film blows those earlier adaptations out of the water. There is no contest here. Now clearly, nothing can beat the book. But Murder is about as great a film you can get in the murky land of Hollywood these days. As mentioned, Branagh directed and starred in the film, which he shot on 65 mm. The last time he did this was with Hamlet in 1996. It looked good then, and it looks even better now. With eye-popping visuals throughout the entirety of the film, and a masterful soundtrack that seamlessly blended with the tones and themes of each scene, the film is a modern masterpiece.
It wasn’t without its faults. (Most) every film has them. And there are a lot of people who are upset with Branagh’s portrayal of Poirot, particularly the representation of his eccentric facial hair. I am not one of those people. I believe it, along with other amazing moments, lent a bit of humor to the movie to break up what should otherwise be, and is, a serious whodunit mystery. Also, I felt they changed a few things in the adaptation that didn’t necessarily need to be changed.
I found it hard to sit and write about the film though. Given the nature of a great mystery, I can’t tell you too much about it without risk of giving out crucial details to the plot and outcome. So I will leave you with this, boys, girls, and everything in between and beyond… with a great and talented cast (bravo to Michelle Pfeiffer in particular) who nailed home their characters, to great visuals, and a great score, this movie is definitely one you want to catch.
For those unfamiliar with the novel, or the 1974 and 2001 adaptations, Murder tells the story of, well… a murder. On a train. It’s really a lot more than that. Branagh portrays Hercule Poirot, a famed Belgian detective who is looking forward to some time off. But during his travels, a most unfortunate thing happens. Two things actually. Someone is murdered aboard the train he is traveling on, the Orient Express (naturally). And the murderer would’ve gotten away free and clear had storm not caused an avalanche, which thanks to a derailed engine, caused the train to become stuck and the body to be discovered. Poirot’s friend, Bouc (Bateman), runs the train and requested that Poirot solve the mystery before the police arrive in fear of someone innocent being accused, and to save himself from a heyday with his father. Can Poirot find out who is the killer between the star-studded cast?
I’ve read the novel. Seen both adaptations. This film blows those earlier adaptations out of the water. There is no contest here. Now clearly, nothing can beat the book. But Murder is about as great a film you can get in the murky land of Hollywood these days. As mentioned, Branagh directed and starred in the film, which he shot on 65 mm. The last time he did this was with Hamlet in 1996. It looked good then, and it looks even better now. With eye-popping visuals throughout the entirety of the film, and a masterful soundtrack that seamlessly blended with the tones and themes of each scene, the film is a modern masterpiece.
It wasn’t without its faults. (Most) every film has them. And there are a lot of people who are upset with Branagh’s portrayal of Poirot, particularly the representation of his eccentric facial hair. I am not one of those people. I believe it, along with other amazing moments, lent a bit of humor to the movie to break up what should otherwise be, and is, a serious whodunit mystery. Also, I felt they changed a few things in the adaptation that didn’t necessarily need to be changed.
I found it hard to sit and write about the film though. Given the nature of a great mystery, I can’t tell you too much about it without risk of giving out crucial details to the plot and outcome. So I will leave you with this, boys, girls, and everything in between and beyond… with a great and talented cast (bravo to Michelle Pfeiffer in particular) who nailed home their characters, to great visuals, and a great score, this movie is definitely one you want to catch.
Gareth von Kallenbach (965 KP) rated Star Wars: Episode VII - The Force Awakens (2015) in Movies
Aug 6, 2019
If it’s not one of the most anticipated movies of all time, it is certainly way up there. Star Wars: The Force Awakens is the thing that every Star Wars fanboy, including myself, fears. Will it be as good as the original trilogy, or will Disney and Bad Robot drop a deuce like many believe Lucas did with the prequel trilogy. Well, here is a spoiler free look from someone who has these fears.
Fret not, everyone. Abrams has done a magnificent job of continuing the Skywalker saga in Episode VII. And great news, there are no lens flares, at least none that I noticed. As I mentioned, this is spoiler free, but I will give you an idea of the overall plot.
Episode VII picks up 30 years after the end of Episode VI. The Emperor is dead, and Luke Skywalker (Mark Hamill) began training a new generation of Jedi. But something went wrong and one of his students turned against him and destroyed the school. Blaming himself, Skywalker went into isolation. With Luke out of the picture, risen from the ashes of the Empire, the First Order, led by Supreme Leader Snoke (Andy Serkis), is trying to reclaim the power of the Empire. Knowing that Skywalker is their only threat, they are attempting to find him to eliminate him before he can join the Resistance’s fight against them. Daring Resistance pilot Poe Dameron (Oscar Isaac) is attempting to find a map to Luke’s location, but is quickly interrupted by the First Order. He hides the map on his droid, BB-8, before being captured by the menacing force. And so sets off a chain of events to find Luke Skywalker by the Resistance and the First Order alike.
It’s no secret that many of the main cast is returning, including Han Solo (Harrison Ford), Leia (Carrie Fisher), Chewbacca (Peter Mayhew), See-Threepio (Anthony Daniels), and R2-D2 (Kenny Baker). We also have a slew of new characters such as the aforementioned Poe Dameron, Finn (John Boyega), Rey (Daisy Ridley), Kylo Ren (Adam Driver), Captain Phasma (Gwendoline Christie), General Hux (Domnall Gleeson), and Supreme Leader Snoke. The cast, both returning and new, blended really well together and had a great amount of charisma on the screen. There was the right amount of comedy, drama, and action in this movie, and the interaction between the characters just felt genuine. This movie definitely felt more like the original trilogy than the prequels did.
The soundtrack and effects were amazing. Right in line with what you would expect from a Star Wars movie, but as I mentioned to the studio rep as I was leaving the theater, the film didn’t try to go overboard with everything. So there was no feeling of over production as some felt from the prequels. And with John Williams doing the score again, you know it will have the same sound. He did a great job of blending in little melodies, or snipits of songs, that made reference to the previous movies at just the right moments.
All-in-all, it was a fantastic film that did not leave me disappointed. It shouldn’t leave you disappointed either. Now, it’s not without a few plot holes, and suspension of belief will help, but they are, for me any way, forgivable and I will leave it for you to discover them. At the end of the day, this is definitely the Star Wars film you are looking for. Go see it. See it multiple times. Give Disney and Bad Robot more reason to continue not only with the Skywalker saga, but also the other stories like next year’s Rogue One, young Han Solo and Chewie, or, one can only hope, the story of everyone’s favorite bounty hunter/orphan, Boba Fett.
Fret not, everyone. Abrams has done a magnificent job of continuing the Skywalker saga in Episode VII. And great news, there are no lens flares, at least none that I noticed. As I mentioned, this is spoiler free, but I will give you an idea of the overall plot.
Episode VII picks up 30 years after the end of Episode VI. The Emperor is dead, and Luke Skywalker (Mark Hamill) began training a new generation of Jedi. But something went wrong and one of his students turned against him and destroyed the school. Blaming himself, Skywalker went into isolation. With Luke out of the picture, risen from the ashes of the Empire, the First Order, led by Supreme Leader Snoke (Andy Serkis), is trying to reclaim the power of the Empire. Knowing that Skywalker is their only threat, they are attempting to find him to eliminate him before he can join the Resistance’s fight against them. Daring Resistance pilot Poe Dameron (Oscar Isaac) is attempting to find a map to Luke’s location, but is quickly interrupted by the First Order. He hides the map on his droid, BB-8, before being captured by the menacing force. And so sets off a chain of events to find Luke Skywalker by the Resistance and the First Order alike.
It’s no secret that many of the main cast is returning, including Han Solo (Harrison Ford), Leia (Carrie Fisher), Chewbacca (Peter Mayhew), See-Threepio (Anthony Daniels), and R2-D2 (Kenny Baker). We also have a slew of new characters such as the aforementioned Poe Dameron, Finn (John Boyega), Rey (Daisy Ridley), Kylo Ren (Adam Driver), Captain Phasma (Gwendoline Christie), General Hux (Domnall Gleeson), and Supreme Leader Snoke. The cast, both returning and new, blended really well together and had a great amount of charisma on the screen. There was the right amount of comedy, drama, and action in this movie, and the interaction between the characters just felt genuine. This movie definitely felt more like the original trilogy than the prequels did.
The soundtrack and effects were amazing. Right in line with what you would expect from a Star Wars movie, but as I mentioned to the studio rep as I was leaving the theater, the film didn’t try to go overboard with everything. So there was no feeling of over production as some felt from the prequels. And with John Williams doing the score again, you know it will have the same sound. He did a great job of blending in little melodies, or snipits of songs, that made reference to the previous movies at just the right moments.
All-in-all, it was a fantastic film that did not leave me disappointed. It shouldn’t leave you disappointed either. Now, it’s not without a few plot holes, and suspension of belief will help, but they are, for me any way, forgivable and I will leave it for you to discover them. At the end of the day, this is definitely the Star Wars film you are looking for. Go see it. See it multiple times. Give Disney and Bad Robot more reason to continue not only with the Skywalker saga, but also the other stories like next year’s Rogue One, young Han Solo and Chewie, or, one can only hope, the story of everyone’s favorite bounty hunter/orphan, Boba Fett.
Gareth von Kallenbach (965 KP) rated Star Wars: Episode VIII - The Last Jedi (2017) in Movies
Jun 19, 2019
The eagerly anticipated next chapter in the Star Wars saga; “Star Wars: The Last Jedi” has arrived and it is by far one of the best films in the series and a significant upgrade over “Star Wars: The Force Awakens”. The film picks up where the last film concluded as Rey (Daisy Ridley), has located the long in hiding Luke Skywalker (Mark Hamill), and attempts to recruit him to return to fight the evil First Order and train her in the ways of the Force.
At the same time, the First Order has commenced an assault on the retreating forces of the Resistance and this has caused a rift when key members of the command staff are lost/injured leaving Vice Admiral Holdo (Laura Dern) in charge. Her style does not mesh well with the impulsive Poe Damron (Oscar Isaac), and in a move of desperation, he oversees a mission for Finn (John Boyega), and Rose (Kelley Marie Tran), to make a desperate move to allow the forces to escape the relentless assault and pursuit of the First Order.
For many films, the above scenario would be enough to comprise the bulk of the movie but in the case of The Last Jedi, it is simply part of a much larger and far more intricate storyline that is at times much deeper and darker than one would expect from a Star Wars film.
Rey finds Skywalker a broken and bitter man who is consumed with his past failure regarding his Nephew Kylo Ren (Adam Driver), and wants no part of his former glory and praise believing the best thing for the Universe would be for the Jedi to end.
Ren at the same time is a conflicted mess as he is eager to win the approval of his brutal master Snoke (Andy Serkis), while being drawn to Rey who believes he can be redeemed. It is this conflict as well as the tug of war between Snoke, Ren, and General Hux (Domhnall Gleeson), that shows a much more dynamic and complicated connection between the characters as well as drives home their complexity of their relationships and the situations they find themselves in.
The late Carrie Fisher is captivating as General Leia and her presence lifts the scenes she is in. She portrays Leia with a calm yet feisty and determined edge which shows that she is always in control no matter the situation.
The action in the film comes in waves and when it arrives, it is a wonder to behold as the lavish visuals and complex action sequences are dazzling but unlike the Prequels, never once overwhelm the cast as this is first and foremost a character driven story.
The film does put more of an emphasis on the new characters vs the old, but as this was always the plan, it is nice to see that older characters are not shoved aside or given a token cameo, they are still central to the plot just let the younger cast do more of the heavy lifting, but still get plenty of moments to shine.
Writer/Director Rian Johnson has done a masterful job in crafting a new entry into the series that not only entertains, but gives a deeper and dark look at the universe which makes the film easily one of the best Star Wars films ever made. There are sequences that will delight and surprise fans, and when it was over and I could catch my breath and reflect upon what I had just seen, I found myself saying that I could not have asked for a better sequel as it not only entertained thoroughly, but provided plenty of unexpected moments that makes me all the more anxious to see how the new trilogy concludes in 2019. “Star Wars”: The Last Jedi” is the film that fans have been waiting for as it contains all of the best elements of Star Wars and boldly moves the franchise ahead.
http://sknr.net/2017/12/12/star-wars-last-jedi/
At the same time, the First Order has commenced an assault on the retreating forces of the Resistance and this has caused a rift when key members of the command staff are lost/injured leaving Vice Admiral Holdo (Laura Dern) in charge. Her style does not mesh well with the impulsive Poe Damron (Oscar Isaac), and in a move of desperation, he oversees a mission for Finn (John Boyega), and Rose (Kelley Marie Tran), to make a desperate move to allow the forces to escape the relentless assault and pursuit of the First Order.
For many films, the above scenario would be enough to comprise the bulk of the movie but in the case of The Last Jedi, it is simply part of a much larger and far more intricate storyline that is at times much deeper and darker than one would expect from a Star Wars film.
Rey finds Skywalker a broken and bitter man who is consumed with his past failure regarding his Nephew Kylo Ren (Adam Driver), and wants no part of his former glory and praise believing the best thing for the Universe would be for the Jedi to end.
Ren at the same time is a conflicted mess as he is eager to win the approval of his brutal master Snoke (Andy Serkis), while being drawn to Rey who believes he can be redeemed. It is this conflict as well as the tug of war between Snoke, Ren, and General Hux (Domhnall Gleeson), that shows a much more dynamic and complicated connection between the characters as well as drives home their complexity of their relationships and the situations they find themselves in.
The late Carrie Fisher is captivating as General Leia and her presence lifts the scenes she is in. She portrays Leia with a calm yet feisty and determined edge which shows that she is always in control no matter the situation.
The action in the film comes in waves and when it arrives, it is a wonder to behold as the lavish visuals and complex action sequences are dazzling but unlike the Prequels, never once overwhelm the cast as this is first and foremost a character driven story.
The film does put more of an emphasis on the new characters vs the old, but as this was always the plan, it is nice to see that older characters are not shoved aside or given a token cameo, they are still central to the plot just let the younger cast do more of the heavy lifting, but still get plenty of moments to shine.
Writer/Director Rian Johnson has done a masterful job in crafting a new entry into the series that not only entertains, but gives a deeper and dark look at the universe which makes the film easily one of the best Star Wars films ever made. There are sequences that will delight and surprise fans, and when it was over and I could catch my breath and reflect upon what I had just seen, I found myself saying that I could not have asked for a better sequel as it not only entertained thoroughly, but provided plenty of unexpected moments that makes me all the more anxious to see how the new trilogy concludes in 2019. “Star Wars”: The Last Jedi” is the film that fans have been waiting for as it contains all of the best elements of Star Wars and boldly moves the franchise ahead.
http://sknr.net/2017/12/12/star-wars-last-jedi/
Bob Mann (459 KP) rated Murder on the Orient Express (2017) in Movies
Sep 29, 2021
You’ll never guess who dunnit…
There’s a big problem with Kenneth Branagh’s 2017 filming of the Hercule Poirot-based murder mystery…. and that’s the 1974 Sidney Lumet classic featuring Albert Finney in the starring role. For that film was so memorable – at least, the “who” of the “whodunnit” (no spoilers here) was so memorable – that any remake is likely to be tarnished by that knowledge. If you go into this film blissfully unaware of the plot, you are a lucky man/woman. For this is a classic Agatha Christie yarn.
The irascible, borderline OCD, but undeniably great Belgian detective, Poirot, is dragged around the world by grateful police forces to help solve unsolvable crimes. After solving a case in Jerusalem, Poirot is called back to the UK with his mode of transport being the famous Orient Express. Trapped in the mountains by an avalanche, a murder is committed and with multiple suspects and a plethora of clues it is up to Poirot to solve the case.
Branagh enjoys himself enormously as Poirot, sporting the most distractingly magnificent facial hair since Daniel Day-Lewis in “The Gangs of New York”. The moustache must have had its own trailer and make-up team!
Above all, the film is glorious to look at, featuring a rich and exotic colour palette that is reminiscent of the early colour films of the 40’s. Cinematography was by Haris Zambarloukos (“Mamma Mia” and who also collaborated with Branagh on “Thor) with lots of innovative “ceiling down” shots and artful point-of-view takes that might be annoying to some but which I consider as deserving of Oscar/BAFTA nominations.
The pictures are accompanied by a lush score by Patrick Doyle (who also scored Branagh’s “Thor”). Hats off also to the special effects crew, who made the alpine bridge scenes look decidedly more alpine than where they were actually filmed (on a specially made bridge in the Surrey Hills!).
All these technical elements combine to make the film’s early stages look and feel truly epic.
And the cast… what a cast! Dame Judi Dench (“Victoria and Abdul“); Olivia Coleman (“The Lobster“); Johnny Depp (“Black Mass“); Daisy Ridley (“Star Wars: The Force Awakens“); Penélope Cruz (“Zoolander 2“); Josh Gad (Olaf!); Derek Jacobi (“I, Claudius”); Willem Dafoe (“The Great Wall“) and Michelle Pfeiffer (“mother!“). A real case again of an “oh, it’s you” film again at the cinema – when’s the last time we saw that?
It’s also great to see young Lucy Boynton, so magnificent in last year’s excellent “Sing Street“, getting an A-list role as the twitchy and disturbed countess.
With all these ingredients in the pot, it should be great, right? Unfortunately, in my view, no, not quite. The film’s opening momentum is really not maintained by the screenplay by Michael Green (“Blade Runner 2049“; “Logan“). At heart, it’s a fairly static and “stagey” piece at best, set as it is on the rather claustrophobic train (just three carriages… on the Orient Express… really?). But the tale is made even more static by the train’s derailment in the snow. Branagh and Green try to sex up the action where they can, but there are lengthy passages of fairly repetitive dialogue. One encounter in particular between Branagh and Depp seems to last interminably: you wonder if the problem was that the director wasn’t always looking on to yell “Cut”!
All this leads to the “revelation” of the murderer as being a bit of an anticlimactic “thank heavens for that” rather than the gasping denouement it should have been. (Perhaps this would be different if you didn’t know the twist).
However, these reservations aside, it’s an enjoyable night out at the flicks, although a bit of a disappointment from the level of expectation I had for it. I can’t be too grumpy about it, given it’s a return to good old-fashioned yarn-spinning at the cinema, with great visuals and an epic cast. And that has to be good news.
For sure, Branagh does make for an amusing and engaging Poirot, even if his dialogue did need some ‘tuning in’ to. There was a suggestion at the end of the film that we might be seeing his return in “Death on the Nile” – the most lush and decorous of Peter Ustinov’s outings – which I would certainly welcome. He will have to find another 10 A-list stars though to decorate the boat, which will be a challenge for casting!
The irascible, borderline OCD, but undeniably great Belgian detective, Poirot, is dragged around the world by grateful police forces to help solve unsolvable crimes. After solving a case in Jerusalem, Poirot is called back to the UK with his mode of transport being the famous Orient Express. Trapped in the mountains by an avalanche, a murder is committed and with multiple suspects and a plethora of clues it is up to Poirot to solve the case.
Branagh enjoys himself enormously as Poirot, sporting the most distractingly magnificent facial hair since Daniel Day-Lewis in “The Gangs of New York”. The moustache must have had its own trailer and make-up team!
Above all, the film is glorious to look at, featuring a rich and exotic colour palette that is reminiscent of the early colour films of the 40’s. Cinematography was by Haris Zambarloukos (“Mamma Mia” and who also collaborated with Branagh on “Thor) with lots of innovative “ceiling down” shots and artful point-of-view takes that might be annoying to some but which I consider as deserving of Oscar/BAFTA nominations.
The pictures are accompanied by a lush score by Patrick Doyle (who also scored Branagh’s “Thor”). Hats off also to the special effects crew, who made the alpine bridge scenes look decidedly more alpine than where they were actually filmed (on a specially made bridge in the Surrey Hills!).
All these technical elements combine to make the film’s early stages look and feel truly epic.
And the cast… what a cast! Dame Judi Dench (“Victoria and Abdul“); Olivia Coleman (“The Lobster“); Johnny Depp (“Black Mass“); Daisy Ridley (“Star Wars: The Force Awakens“); Penélope Cruz (“Zoolander 2“); Josh Gad (Olaf!); Derek Jacobi (“I, Claudius”); Willem Dafoe (“The Great Wall“) and Michelle Pfeiffer (“mother!“). A real case again of an “oh, it’s you” film again at the cinema – when’s the last time we saw that?
It’s also great to see young Lucy Boynton, so magnificent in last year’s excellent “Sing Street“, getting an A-list role as the twitchy and disturbed countess.
With all these ingredients in the pot, it should be great, right? Unfortunately, in my view, no, not quite. The film’s opening momentum is really not maintained by the screenplay by Michael Green (“Blade Runner 2049“; “Logan“). At heart, it’s a fairly static and “stagey” piece at best, set as it is on the rather claustrophobic train (just three carriages… on the Orient Express… really?). But the tale is made even more static by the train’s derailment in the snow. Branagh and Green try to sex up the action where they can, but there are lengthy passages of fairly repetitive dialogue. One encounter in particular between Branagh and Depp seems to last interminably: you wonder if the problem was that the director wasn’t always looking on to yell “Cut”!
All this leads to the “revelation” of the murderer as being a bit of an anticlimactic “thank heavens for that” rather than the gasping denouement it should have been. (Perhaps this would be different if you didn’t know the twist).
However, these reservations aside, it’s an enjoyable night out at the flicks, although a bit of a disappointment from the level of expectation I had for it. I can’t be too grumpy about it, given it’s a return to good old-fashioned yarn-spinning at the cinema, with great visuals and an epic cast. And that has to be good news.
For sure, Branagh does make for an amusing and engaging Poirot, even if his dialogue did need some ‘tuning in’ to. There was a suggestion at the end of the film that we might be seeing his return in “Death on the Nile” – the most lush and decorous of Peter Ustinov’s outings – which I would certainly welcome. He will have to find another 10 A-list stars though to decorate the boat, which will be a challenge for casting!
Andy Meakin (5 KP) rated Star Wars: Episode VIII - The Last Jedi (2017) in Movies
Jan 8, 2018
Great visuals let down by meandering story
For those who are unaware, The Jast Jedi is the latest instalment in the core Star Wars series, and picks up from where Force Awakens left off. Rey (played by the decidedly average Daisy Ridley) is on an island with Mark Hamill (playing himself it seems as the mannerisms of the character bore no similarity to the one we saw in Episodes 4, 5 and 6). Chewbacca is also there, but you wouldn’t really tell aside from a few “comedy” moments with the creatures of the island shoehorned in to seemingly ignore the trauma of losing his blood-oath life companion in the last film (Han Solo….keep up people) and instead have him there to just growl at “The Most Annoying and Unnecessary Additions To Film Since Jar Jar”™ from time to time. Whilst there she seeks to recruit Mark to aid Carrie Fisher’s rebellion (again…something not quite right about the character, and another who seems to have gotten over a traumatic murder of a loved one….by a loved one…quite rapidly) and also train her up in the way of the Super-Jedi (seriously, the powers are far beyond anything we have come to know from Jedi before).
Meanwhile Finn wakes up so he can perform comedy pratfalls a lot, Poe has become a one-man-army who could possibly defeat the whole Empire if Carrie would just stop demoting him, and BB8 seems to have more internal mechanical abilities than Cyborg in the DC comics. Remember how much the paring of Rey and Finn worked in the previous film? Yeah, that’s not here. How about Poe and Finn…that bromance? Nope. Okay…what about….ah forget it.
So, on the flip-side Kylo Ren (Adam Driver who I genuinely don’t get the obsession some folk have with) is acting all emo at how Supreme Leader Snoke is seemingly in love with General Hux (Domhall Gleeson, who acts like he’s in a Carry On film). Snoke is no longer a huge hologram, but is now a physical entity in the film, played (rather excellently I must add) by CGI mo-cap legend Andy Serkis. Strange that a CGI character feels more real than any of the rest of the cast, but hey-ho. With his mighty fleet, Snoke leads the battle to wipe the last remnants of the Rebellion….
The film opens with a spectacular space battle, and certainly doesn’t skimp on set-pieces throughout, with land and space being covered in glory. But story wise there isn’t much going on, even though Rian Johnson clearly thinks there is. Not really a spoiler, but when the Rebel fleet are on the run, trying to stay out of reach of the First Order craft, you do wonder why a few of the first order fleet didn’t just jump to a short hyperdrive to pen the Rebels in, rather than just following behind like sheep. That minor niggle is the smallest of the film’s story problems.
The issue seems to be that many moments have been engineered purely to pull the rug out from under the fan-theorists, rather than being included to actually serve the story on offer. None of the reveals are particularly clever, and one moment in particular resonated in the same manner the “Martha!” moment did in Batman v Superman, so poorly presented that it was almost hilarious in the reveal. Shoehorn in a few cameos, and contrived scene set ups and the whole thing feels like it is trying to pack two films into one, and in order to do so decided to cut out all the bits that make sense to make room for ‘action…fights….explosions…and…..’
…PORGS! Damn those things to Hades! Absolutely unnecessary, irritating, and jarring enough when on screen to make you stop actually caring about the action going on. They are used at the most inopportune moments in a poor attempt to generate laughs! I’ve seen people argue that, “Star Wars is for kids, so of course some things would be childish!” A poor excuse, and it’s the same one George Lucas used for Jar Jar Binks. Still feel it’s a good excuse? They are a marketing ploy to sell cuddly merchandise, and they are awful!
It’s not entirely bad, though. As mentioned the action and effects work is stunning, and there are some marvellous visual feasts on offer. The score is, as expected from music maestro John Williams, enchanting, thrilling, and with plenty of echoes of previous themes morphed into the mix. It’s just that, overall, this feels less like part of the Star Wars series, and more like a fan-fiction. It’s a shame as Rian Johnson has a strong pedigree with Brick and Looper, and hearing he has been granted a new trilogy of films of his own design was exciting news. After this, however, all I can say is that I’m glad JJ Abrams is coming back for the final part – maybe the magic will return with him.
Better than the prequels, including Rogue One, but the weaker of the rest, The Last Jedi is overlong for no real reason, and not as sharp as it wants to be. All gloss and style, but with very little substance.
Meanwhile Finn wakes up so he can perform comedy pratfalls a lot, Poe has become a one-man-army who could possibly defeat the whole Empire if Carrie would just stop demoting him, and BB8 seems to have more internal mechanical abilities than Cyborg in the DC comics. Remember how much the paring of Rey and Finn worked in the previous film? Yeah, that’s not here. How about Poe and Finn…that bromance? Nope. Okay…what about….ah forget it.
So, on the flip-side Kylo Ren (Adam Driver who I genuinely don’t get the obsession some folk have with) is acting all emo at how Supreme Leader Snoke is seemingly in love with General Hux (Domhall Gleeson, who acts like he’s in a Carry On film). Snoke is no longer a huge hologram, but is now a physical entity in the film, played (rather excellently I must add) by CGI mo-cap legend Andy Serkis. Strange that a CGI character feels more real than any of the rest of the cast, but hey-ho. With his mighty fleet, Snoke leads the battle to wipe the last remnants of the Rebellion….
The film opens with a spectacular space battle, and certainly doesn’t skimp on set-pieces throughout, with land and space being covered in glory. But story wise there isn’t much going on, even though Rian Johnson clearly thinks there is. Not really a spoiler, but when the Rebel fleet are on the run, trying to stay out of reach of the First Order craft, you do wonder why a few of the first order fleet didn’t just jump to a short hyperdrive to pen the Rebels in, rather than just following behind like sheep. That minor niggle is the smallest of the film’s story problems.
The issue seems to be that many moments have been engineered purely to pull the rug out from under the fan-theorists, rather than being included to actually serve the story on offer. None of the reveals are particularly clever, and one moment in particular resonated in the same manner the “Martha!” moment did in Batman v Superman, so poorly presented that it was almost hilarious in the reveal. Shoehorn in a few cameos, and contrived scene set ups and the whole thing feels like it is trying to pack two films into one, and in order to do so decided to cut out all the bits that make sense to make room for ‘action…fights….explosions…and…..’
…PORGS! Damn those things to Hades! Absolutely unnecessary, irritating, and jarring enough when on screen to make you stop actually caring about the action going on. They are used at the most inopportune moments in a poor attempt to generate laughs! I’ve seen people argue that, “Star Wars is for kids, so of course some things would be childish!” A poor excuse, and it’s the same one George Lucas used for Jar Jar Binks. Still feel it’s a good excuse? They are a marketing ploy to sell cuddly merchandise, and they are awful!
It’s not entirely bad, though. As mentioned the action and effects work is stunning, and there are some marvellous visual feasts on offer. The score is, as expected from music maestro John Williams, enchanting, thrilling, and with plenty of echoes of previous themes morphed into the mix. It’s just that, overall, this feels less like part of the Star Wars series, and more like a fan-fiction. It’s a shame as Rian Johnson has a strong pedigree with Brick and Looper, and hearing he has been granted a new trilogy of films of his own design was exciting news. After this, however, all I can say is that I’m glad JJ Abrams is coming back for the final part – maybe the magic will return with him.
Better than the prequels, including Rogue One, but the weaker of the rest, The Last Jedi is overlong for no real reason, and not as sharp as it wants to be. All gloss and style, but with very little substance.