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LeftSideCut (3778 KP) rated FIRESTARTER (2022) in Movies
May 25, 2022
I have a soft spot for the original Firestarter. It's not perfect by any means but it possesses a certain brand of charm. This new version from Blumhouse sucks all of that charm out and then some. The annoying thing is, it's not the worst thing I've ever sat through, but I genuinely don't think I've ever been so fucking bored watching a movie in my life. Every fibre of the finished product is just bland and forgettable, to the point that I had mostly purged it from my mind with minimal effort by the time I got home from the cinema. Kudos to Ryan Kiera Armstrong for doing the best she can with what she was given, and the soundtrack from John and Cody Carpenter, and Daniel A. Davies goes pretty hard, but it's not enough to save this flaming pile of miserable wank.
Daniel Boyd (1066 KP) rated Black Panther (2018) in Movies
Mar 5, 2018 (Updated Mar 5, 2018)
Cool For Cats
Marvel's latest hotly anticipated superhero epic Black Panther, has arrived. Chadwick Boseman stars as the titular hero and gives a subdued, collected performance, which I didn't expect. The first time that we saw this character was in Civil War and while I understand he was on a revenge quest in that movie, he conveyed an sense of energy that is isn't present in Black Panther. I don't think that this was Chadwick Boseman's decision, but is instead based on what Ryan Coogler's vision of who Black Panther should be.
There are a lot of stand out performances in the film though Michael B Jordan, who is a Coogler movie staple at this point, brings us the best Marvel villain so far, or at the very least, the most believable motivation for doing villainous things that we have seen so far in the MCU. The rest of the cast bring their A game too, including Danai Guira, Lupita Nyong’o, Andy Serkis, Daniel Kaluuya, Forest Whittaker, Martin Freeman and Sterling K Brown.
The costume design and sets where fantastic to look at, but some of the character CGI looked a but too bouncy and unrealistic. I also felt like the movie dragged a bit in the second act. While the soundtrack started off great and added to the excitement of certain scenes in the movie's first act, by around halfway through the movie, I was sick of hearing African drums and chanting.
Overall though, this is a pretty great entry into the MCU and although it isn't Marvel's best ever, it is also definitely not their worst.
There are a lot of stand out performances in the film though Michael B Jordan, who is a Coogler movie staple at this point, brings us the best Marvel villain so far, or at the very least, the most believable motivation for doing villainous things that we have seen so far in the MCU. The rest of the cast bring their A game too, including Danai Guira, Lupita Nyong’o, Andy Serkis, Daniel Kaluuya, Forest Whittaker, Martin Freeman and Sterling K Brown.
The costume design and sets where fantastic to look at, but some of the character CGI looked a but too bouncy and unrealistic. I also felt like the movie dragged a bit in the second act. While the soundtrack started off great and added to the excitement of certain scenes in the movie's first act, by around halfway through the movie, I was sick of hearing African drums and chanting.
Overall though, this is a pretty great entry into the MCU and although it isn't Marvel's best ever, it is also definitely not their worst.
LeftSideCut (3778 KP) rated Black Panther (2018) in Movies
May 19, 2019 (Updated Jun 8, 2019)
A by the numbers origin story, with some great performances that elevate
Black Panther was introduced into the MCU during Civil War, with little time for much backstory. And Ryan Cooglers efforts to illustrate said back story works for the most part.
This film is filled to the brim with vibrant colours, and an extremely likable cast.
Chadwick Boseman, Letitia Wright, Danai Gurira (literally throwing wigs at one point), Daniel Kaluuya, and Lulita Nyong'o are all great, and really paint a picture of the tribal togetherness that is Wakanda.
The two villains are where the cast really shines however, and of course, mainly Michael B. Jordan.
Here we have a layered Marvel villain, someone who you can truly sympathise with, whose backstory is fleshed out enough to almost side with him. Almost.
Jordan does a great job of bringing Killmonger to life.
Similar props to Andy Serkis. After a tiny roll in Age of Ultron, he gets a chance here to play Klaue like and absolute psychopath, and it's clear just how much fun he has in to roll.
A few negatives.... The way that Klaue's story arc is concluded is hugely unsatisfying.
The CGI is dodgy in parts, especially during then climatic battle.
The last battle itself is fun for the most part, but the fight between Black Panther and Killmonger falls into the age old MCU trope of 'the-hero-fighting-an-evil-version-of-themselves-in-a-similar-oufit' (see Iron Man, Iron Man 2, Ant-Man for reference)
Martin Freeman's character seems and largely unnecessary addition here, but it's always fun to see characters from other MCU movies.
All in all, Black Panther can be bland in places, but it's done the important part of finally establishing Wakanda in the MCU, and I for one am looking forward to what other stories will occur there (fingers crossed for a Sub-Mariner story line in a sequel!)
This film is filled to the brim with vibrant colours, and an extremely likable cast.
Chadwick Boseman, Letitia Wright, Danai Gurira (literally throwing wigs at one point), Daniel Kaluuya, and Lulita Nyong'o are all great, and really paint a picture of the tribal togetherness that is Wakanda.
The two villains are where the cast really shines however, and of course, mainly Michael B. Jordan.
Here we have a layered Marvel villain, someone who you can truly sympathise with, whose backstory is fleshed out enough to almost side with him. Almost.
Jordan does a great job of bringing Killmonger to life.
Similar props to Andy Serkis. After a tiny roll in Age of Ultron, he gets a chance here to play Klaue like and absolute psychopath, and it's clear just how much fun he has in to roll.
A few negatives.... The way that Klaue's story arc is concluded is hugely unsatisfying.
The CGI is dodgy in parts, especially during then climatic battle.
The last battle itself is fun for the most part, but the fight between Black Panther and Killmonger falls into the age old MCU trope of 'the-hero-fighting-an-evil-version-of-themselves-in-a-similar-oufit' (see Iron Man, Iron Man 2, Ant-Man for reference)
Martin Freeman's character seems and largely unnecessary addition here, but it's always fun to see characters from other MCU movies.
All in all, Black Panther can be bland in places, but it's done the important part of finally establishing Wakanda in the MCU, and I for one am looking forward to what other stories will occur there (fingers crossed for a Sub-Mariner story line in a sequel!)
Jessica - Where the Book Ends (15 KP) rated Loving Mr. Daniels in Books
Jan 30, 2019
This book was mentioned several times in the blogging community, and I finally decided to check it out and see what all the fuss was about. I���d never read anything by Brittainy Cherry before, and the book sounded promising. Then I went on Goodreads and saw the slew of 5 star reviews (many were from my friends). As soon as payday rolled around I sat on my couch with my list of books to one click, and Loving Mr. Daniels was on the top of my list. I was determined to have this book. So, I bought it, and I couldn���t wait to start it. That day on my first break at work I started in on page 1 ���Absorbed in a stream of murky thoughts������ ooo this sounds promising already. Fifteen minutes later I had devoured the prologue and most of chapter 1, and I was trying to keep myself from crying. Sigh. From that point on sitting at my desk and trying to focus on my work was impossible. I kept looking at my kindle and I could hear it calling to me. ���Jessica���Jessica, you know you want to read me.��� I fought the good fight, but lunch hit and I was out of my seat scurrying to the break room hoping to get 45 minutes alone. I wanted to be alone with these amazing characters and pages.
The story of Ashlyn and Daniel was so fresh, which is exactly what I needed. Lately it seems like all the contemporary romance, new adult romance, and even the erotica books are all the same, and I was demanding something fresh. This was that story! Yes, it is a boy meets girl, woos her with Shakespeare inspired music, falls for her, and finds out she���s his student���WHAT?!?! Immediately, I thought of Pretty Little Liars, which I LOVE! Aria and Ezra���s story started like this���minus the Shakespeare band. This story has a twist to it, and I loved it. I loved that the author didn���t leave us hanging.
The characters in this book were phenomenally written. I felt like I knew them. I felt like the loss of a sister and a dear friend was changing me the same way it did Ashlyn. I laughed with her, I cried with her, and I regained faith in mankind with her. I loved that she had that one person for her that completely changed her world. Loving Mr. Daniels turned her world on its axis and changed her views on everything she held true.
<p><b>���I was convinced that everyone in the world had a form of weirdness to them. And the cool thing, at least I hoped so, was the idea that there was someone out there just as quirky as you were. The idea of finding your other weirdo was so attractive to me.���</b></p>
Ashlyn and Daniel are written in such a way that you feel like they are two people cut from the same mold. Ashlyn is young and hurting, torn apart by the death of her twin sister. She���s trying to move on, but is suddenly ripped out of her world and forced to live with her absentee father and his new family. Daniel is an English teacher and he is reeling from the recent death of both of his parents. Neither one knows how to move on and move past it, but together they forge ahead in this strange new world.
Hailey, Ryan, and Gabby are amazing supporting characters. Hailey and Ryan are brother and sister and they are the children of Ashlyn���s father���s new family. When they all first meet Ashlyn doesn���t like this dynamic duo. She doesn���t hate them but doesn���t really know what to think. As the book goes on there is a wonderful bond that forms between these three characters pulling them closer together, and has them sharing secrets with each other they never thought possible. Gabby is Ashlyn���s twin sister who loses her battle to leukemia at the opening of the book. She isn���t present in the physical sense, but she very much has a presence in this book. Each of the characters gets a chance to know Gabby in their own way.
<p><b>���You���re the reason people believe in tomorrow. You���re the voice that scares the shadows away. You���re the love that makes me breathe. So for the next few seconds, I���m going to be selfish. I���m going to say things that I don���t want you to listen to���Don���t go. Stay with me forever. Please, Ashlyn. Let me be your everything. Make me your golden. Don���t go.���</b></p>
If you���re a romance junkie like me, love Pretty Little Liars, or even a fan of P.S. I love you, than I implore you to go out and buy this book. If there is one book you read this summer, make it this one. Let yourself get swept up in this brilliantly beautiful love story. Spend time with these astoundingly well written characters and remember what first love feels like.
I give this book not just 5 stars, but all of the stars in the sky. Brittainy Cherry deserves every one of them. It���s been a long time since a book has stayed with me the way this one has. Loving Mr. Daniels will be my absolute favorite book of 2014 and possibly ever, I guarantee it. I���ve got a book hangover that's going to take me months to recover from.
The story of Ashlyn and Daniel was so fresh, which is exactly what I needed. Lately it seems like all the contemporary romance, new adult romance, and even the erotica books are all the same, and I was demanding something fresh. This was that story! Yes, it is a boy meets girl, woos her with Shakespeare inspired music, falls for her, and finds out she���s his student���WHAT?!?! Immediately, I thought of Pretty Little Liars, which I LOVE! Aria and Ezra���s story started like this���minus the Shakespeare band. This story has a twist to it, and I loved it. I loved that the author didn���t leave us hanging.
The characters in this book were phenomenally written. I felt like I knew them. I felt like the loss of a sister and a dear friend was changing me the same way it did Ashlyn. I laughed with her, I cried with her, and I regained faith in mankind with her. I loved that she had that one person for her that completely changed her world. Loving Mr. Daniels turned her world on its axis and changed her views on everything she held true.
<p><b>���I was convinced that everyone in the world had a form of weirdness to them. And the cool thing, at least I hoped so, was the idea that there was someone out there just as quirky as you were. The idea of finding your other weirdo was so attractive to me.���</b></p>
Ashlyn and Daniel are written in such a way that you feel like they are two people cut from the same mold. Ashlyn is young and hurting, torn apart by the death of her twin sister. She���s trying to move on, but is suddenly ripped out of her world and forced to live with her absentee father and his new family. Daniel is an English teacher and he is reeling from the recent death of both of his parents. Neither one knows how to move on and move past it, but together they forge ahead in this strange new world.
Hailey, Ryan, and Gabby are amazing supporting characters. Hailey and Ryan are brother and sister and they are the children of Ashlyn���s father���s new family. When they all first meet Ashlyn doesn���t like this dynamic duo. She doesn���t hate them but doesn���t really know what to think. As the book goes on there is a wonderful bond that forms between these three characters pulling them closer together, and has them sharing secrets with each other they never thought possible. Gabby is Ashlyn���s twin sister who loses her battle to leukemia at the opening of the book. She isn���t present in the physical sense, but she very much has a presence in this book. Each of the characters gets a chance to know Gabby in their own way.
<p><b>���You���re the reason people believe in tomorrow. You���re the voice that scares the shadows away. You���re the love that makes me breathe. So for the next few seconds, I���m going to be selfish. I���m going to say things that I don���t want you to listen to���Don���t go. Stay with me forever. Please, Ashlyn. Let me be your everything. Make me your golden. Don���t go.���</b></p>
If you���re a romance junkie like me, love Pretty Little Liars, or even a fan of P.S. I love you, than I implore you to go out and buy this book. If there is one book you read this summer, make it this one. Let yourself get swept up in this brilliantly beautiful love story. Spend time with these astoundingly well written characters and remember what first love feels like.
I give this book not just 5 stars, but all of the stars in the sky. Brittainy Cherry deserves every one of them. It���s been a long time since a book has stayed with me the way this one has. Loving Mr. Daniels will be my absolute favorite book of 2014 and possibly ever, I guarantee it. I���ve got a book hangover that's going to take me months to recover from.
Gareth von Kallenbach (965 KP) rated Big Hero 6 (2014) in Movies
Jun 19, 2019
Mixing Anime with the cutting edge animation that Disney is famous for, “Big Hero 6” is the latest offering from the studio legendary for animated classics.
The film is sent in a near-future San Francisco which is now known as San Fransokyo and follows a boy genius named Hiro (Ryan Potter) who along with his older brother Tadashi (Daniel Henney) lives with his Aunt after being orphaned.
Hiro is very good at designing fighting robots and despite it being illegal; he has managed to earn himself some nice money winning fights on the underground circuit.
His brother wants him to do better and takes him to his college, and encourages him to enroll and follow him and his friends in helping build a better tomorrow.
Hiro opts to enter a technology showcase and blows away the competition which ensures him a place in the school and working with his brother and his team.
At the moment of his greatest triumph, tragedy strikes and Hiro finds himself in deep depression and unwilling to enter school and complete his education. When a freak discovery leads Hiro to learn that his invention has been stolen by a mysterious figure in a Kabuki mask, Hiro must use his knowledge along with Baymax (Scott Adsit), a medical robot designed by his brother to save the day.
Hiro is not without help as aside from complex fighting and flight tools and armor added to Baymax, Hiro enlists and equips his brother’s friends to form an elite fighting unit.
As the team gets closer to the mystery the danger grows, and Hiro must grow beyond his years to do what is right and learn some hard life lessons in the process.
The film is a bit slow to start and parents will want to note the PG rating as it may be a bit dark and intense for younger viewers.
Old viewers may get a bit impatient with the setup but after the first 45 minutes the film gets down to great characters and action which are the selling points of the film.
It was very clear to me that Disney was aiming the film mainly to the Asian markets and to fans of anime but I found the characters growing on me as it went along and I really enjoyed the 3D animation which was wonderful to behold.
In the end it was a pleasant enough introduction to what I hope is the first of many films in the series. Eagle eyed viewers will want to look carefully for a Stan Lee cameo as it is one to enjoy as is this charming new franchise film from Disney.
http://sknr.net/2014/11/07/big-hero-6/
The film is sent in a near-future San Francisco which is now known as San Fransokyo and follows a boy genius named Hiro (Ryan Potter) who along with his older brother Tadashi (Daniel Henney) lives with his Aunt after being orphaned.
Hiro is very good at designing fighting robots and despite it being illegal; he has managed to earn himself some nice money winning fights on the underground circuit.
His brother wants him to do better and takes him to his college, and encourages him to enroll and follow him and his friends in helping build a better tomorrow.
Hiro opts to enter a technology showcase and blows away the competition which ensures him a place in the school and working with his brother and his team.
At the moment of his greatest triumph, tragedy strikes and Hiro finds himself in deep depression and unwilling to enter school and complete his education. When a freak discovery leads Hiro to learn that his invention has been stolen by a mysterious figure in a Kabuki mask, Hiro must use his knowledge along with Baymax (Scott Adsit), a medical robot designed by his brother to save the day.
Hiro is not without help as aside from complex fighting and flight tools and armor added to Baymax, Hiro enlists and equips his brother’s friends to form an elite fighting unit.
As the team gets closer to the mystery the danger grows, and Hiro must grow beyond his years to do what is right and learn some hard life lessons in the process.
The film is a bit slow to start and parents will want to note the PG rating as it may be a bit dark and intense for younger viewers.
Old viewers may get a bit impatient with the setup but after the first 45 minutes the film gets down to great characters and action which are the selling points of the film.
It was very clear to me that Disney was aiming the film mainly to the Asian markets and to fans of anime but I found the characters growing on me as it went along and I really enjoyed the 3D animation which was wonderful to behold.
In the end it was a pleasant enough introduction to what I hope is the first of many films in the series. Eagle eyed viewers will want to look carefully for a Stan Lee cameo as it is one to enjoy as is this charming new franchise film from Disney.
http://sknr.net/2014/11/07/big-hero-6/
Gareth von Kallenbach (965 KP) rated X-Men Origins - Wolverine (2009) in Movies
Aug 14, 2019
The 2009 summer movie season has arrived with the releases of “X-Men Origins: Wolverine”, which once again stars Hugh Jackman in the role of the razor clawed Wolverine.
The film follows the characters origins in the mid 1800’s and how circumstances forced a young Logan to leave his home and spend the years hiding who he was.
With the only link to his past, a fellow mutant named Victor (Liev Schrieber), Logan and Victor ride out the years side by side taking part in wars ranging from The Civil War to Vietnam all the while trying as best as they can to hide their true nature.
When Victor starts to enjoy killing too much, and Logan tries to intercede, the duo find themselves the subject of unwanted attention in the guise of an officer named William Styker (William Houston), who recruits the duo to be part of a special team.
Victor and Logan find themselves part of a team of special powered operatives which includes the marksman Agent Zero (Daniel Henney), the Blade twirling Deadpool (Ryan Reynolds), The Blob (Kevin Durand), Bolt (Dominic Monaghan), and more. When an operation goes too far, Logan turns his back on the team for a peaceful life as a lumberjack and lives for years in peace with a woman named Kayla (Lynn Collins) very much in love.
Try as Logan may to escape his past, he is unable to when Stryker arrives and tells him that someone is hunting down the former team. Logan ignores the warning and is devastated when Victor is revealed to be behind the killings and strikes a devastating blow to Logan.
With nowhere to go, Logan agrees to Stryker’s plan and undergoes an experiment which infuses his body with the indestructible Adamantium but soon finds himself again on the run when he is betrayed and learns the true nature of Stryker’s plans.
In a race against time, Logan must find the mysterious Island where Stryker has captured several mutants for his experiments and exact his revenge.
The new film was plagued by rumors of issues, which were heightened by reported reshoots and script changes, but thankfully manages to pull together to be an enjoyable summer film. Some may say the film took a bit to get up to the action sequences, but thanks to the great play between Jackman and Schrieber, the film keeps your attention.
There are some solid action sequences in the film and Jackman does not disappoint as we gain insights into the mercurial nature of Wolverine, and how various aspects of his character such as his memory loss came to be.
I would have liked to have seen more action in the film as the main action scenes were a bit to restrained and infrequent for my liking. When I go to a summer movie, I expect to be blown away by the action, and with this one, I had a sense of being underwhelmed by the films action sequences, even the climactic battle.
This is not to say the film is bad, simply that it lacks the needed gear to shift the film into overdrive. I did enjoy Jackman’s performance and it was great seeing the new characters in the film especially Gambit. Fans with sharp eyes will note many characters pop up in cameos and there are some real surprise visits in the film. In the end, “X-Men Origins: Wolverine” is better than the last X-Men film and should prove enough life in the series for future projects.
The film follows the characters origins in the mid 1800’s and how circumstances forced a young Logan to leave his home and spend the years hiding who he was.
With the only link to his past, a fellow mutant named Victor (Liev Schrieber), Logan and Victor ride out the years side by side taking part in wars ranging from The Civil War to Vietnam all the while trying as best as they can to hide their true nature.
When Victor starts to enjoy killing too much, and Logan tries to intercede, the duo find themselves the subject of unwanted attention in the guise of an officer named William Styker (William Houston), who recruits the duo to be part of a special team.
Victor and Logan find themselves part of a team of special powered operatives which includes the marksman Agent Zero (Daniel Henney), the Blade twirling Deadpool (Ryan Reynolds), The Blob (Kevin Durand), Bolt (Dominic Monaghan), and more. When an operation goes too far, Logan turns his back on the team for a peaceful life as a lumberjack and lives for years in peace with a woman named Kayla (Lynn Collins) very much in love.
Try as Logan may to escape his past, he is unable to when Stryker arrives and tells him that someone is hunting down the former team. Logan ignores the warning and is devastated when Victor is revealed to be behind the killings and strikes a devastating blow to Logan.
With nowhere to go, Logan agrees to Stryker’s plan and undergoes an experiment which infuses his body with the indestructible Adamantium but soon finds himself again on the run when he is betrayed and learns the true nature of Stryker’s plans.
In a race against time, Logan must find the mysterious Island where Stryker has captured several mutants for his experiments and exact his revenge.
The new film was plagued by rumors of issues, which were heightened by reported reshoots and script changes, but thankfully manages to pull together to be an enjoyable summer film. Some may say the film took a bit to get up to the action sequences, but thanks to the great play between Jackman and Schrieber, the film keeps your attention.
There are some solid action sequences in the film and Jackman does not disappoint as we gain insights into the mercurial nature of Wolverine, and how various aspects of his character such as his memory loss came to be.
I would have liked to have seen more action in the film as the main action scenes were a bit to restrained and infrequent for my liking. When I go to a summer movie, I expect to be blown away by the action, and with this one, I had a sense of being underwhelmed by the films action sequences, even the climactic battle.
This is not to say the film is bad, simply that it lacks the needed gear to shift the film into overdrive. I did enjoy Jackman’s performance and it was great seeing the new characters in the film especially Gambit. Fans with sharp eyes will note many characters pop up in cameos and there are some real surprise visits in the film. In the end, “X-Men Origins: Wolverine” is better than the last X-Men film and should prove enough life in the series for future projects.
Bob Mann (459 KP) rated The Roads Not Taken (2020) in Movies
Sep 15, 2020
Javier Bardem and Elle Fanning act their socks off (1 more)
Robbie Ryan cinematography is Oscar worthy
Pain and not a lot of Glory.
If you like your movies action packed you are going to dislike this movie. If you like light and uplifting stories you are going to positively loathe this one! For everyone else, "The Roads Not Taken" is a very thought-provoking piece of film-making from writer/director Sally Potter that I have a lot of respect for. Even more so, since I learned that the film is based on the director's time caring for her now deceased brother Nic, diagnosed with early onset dementia in 2010.
It's not a promising premise. "The Roads Not Taken" concerns a New Yorker with dementia being taking to the dentist and the opticians. Gripped yet? Nope... didn't think so. But stay with me here.
Elle Fanning plays Molly, daughter of the almost catatonic Leo (Javier Bardem) who is receiving a lot of support to stay in his own home. As his daughter assists him on his trip to his medical appointments, he is only about 10% 'there'. Glassy-eyed and almost incomprehensible, his utterances are often taken to refer to his present experiences. But actually, he's 90% somewhere else, revisiting two key episodes in his past life and reacting in the real world to what's happening in his dreams.
As he relives 'the roads not taken' we can piece together the elements of a life that's lived and - perhaps - lay out some elements that might have contributed to his mental decline in later life.
Before we plunge into the doom and gloom of the story, there was one moment of levity for me in the opening titles. I commented in my review of "The Farewell" that the company 'dog-tags' at the start of the film reminded me of a famous Family Guy comic moment. But this is kindergarten level compared to this movie. I assume Sally Potter must have tapped her complete phone contacts list to raise the funding for this one! Since I counted FOURTEEN different production companies referenced! Is this a record?
As you enter later life, it's common for many of us to suffer a significant source of stress. Sometimes - if you're lucky - four sources of stress. The reason? You stop worrying about your kids as much and start worrying about your aged parents and in-laws. Like heating up a frog in water, it's often imperceptible how much stress you are actually carrying with that until the last of the relatives 'shuffles off this mortal coil'. Within the grief, there's also a source of guilty relief in there somewhere. Such is the maelstrom that young Molly is in - with knobs on - given the disability of Leo. As a professional in her 20's, she is also having the juggle this responsibility with progressing her career.
It's a bit early in this turbulent year to talk of Oscar nominations. But for me, there are three standout performances in this movie:
1) Javier Bardem: what an acting masterclass! As with Daniel Day-Lewis's win in 1990 for "My Left Foot", the Academy loves a disability-based performance. I haven't seen much Oscar-buzz about this performance, but I'd personally throw his hat into the ring, for at least my long-list;
2) Elle Fanning: this young lady has been in movies since the age of 2, but rose to stardom with "Super 8". She's building a formidable filmography behind her. Here she matches Bardem shot-for-shot in the acting stakes: a caring daughter being emotionally torn apart; always needing to be in two places at the same time (as nicely positioned by the cryptic ending). A first Oscar-nomination perhaps?
3) Robbie Ryan: with an Oscar-nom previously for "The Favourite", could another one follow for this? For this is a beautiful film to look at, despite its downbeat story. There are some drop-dead gorgeous shots. One in particular is where a sun-lit Fanning has a "Marilyn Monroe subway skirt moment" at a window (with her hair being blown, I should add). Glorious. And all of the Mexican/Greek scenes (all Spain I believe) are deliciously lit and coloured.
"The Roads Not Taken" is an intelligent watch for sure, and reminiscent to me of Almodovar's "Pain and Glory": another artist's life lived again in flashback. If anything, this one is more unstructured in setting out a box of jigsaw pieces that you need to piece together through the unreliable narrator's random memories. ("Ooh, look - here's a bit with Laura Linney on it... ah, that goes there"; "So that's who Selma Hayek is"; etc.) But, as with a jigsaw, staying the course and putting the last pieces in is a very satisfying experience.
There's also a really feelgood scene in a taxi rank that restores your faith in the underlying goodness of people.... and a rant by a "Trump-voter" that gives you quite the opposite view!
Where I found some frustration was in the lack of backstory for Molly. She seems to be painted rather two-dimensionally. Yes - young with job, but of her personal life we see nothing. Adding another dimension (a young family for example) would have added yet another set of stresses to the mix. Leo's flashbacks are also focused on just two time periods. More wide-ranging reminiscences might have broadened the drama.
But I personally found "The Roads Not Taken" intensely moving. I'm not sure I could say I "enjoyed" it, but it is a worthy watch and has left me with thought-provoking images to chew on.
(For the full graphical review, please check out the One Mann's Movies here https://bob-the-movie-man.com/2020/09/15/the-roads-not-taken-2020-pain-and-very-little-glory/.)
It's not a promising premise. "The Roads Not Taken" concerns a New Yorker with dementia being taking to the dentist and the opticians. Gripped yet? Nope... didn't think so. But stay with me here.
Elle Fanning plays Molly, daughter of the almost catatonic Leo (Javier Bardem) who is receiving a lot of support to stay in his own home. As his daughter assists him on his trip to his medical appointments, he is only about 10% 'there'. Glassy-eyed and almost incomprehensible, his utterances are often taken to refer to his present experiences. But actually, he's 90% somewhere else, revisiting two key episodes in his past life and reacting in the real world to what's happening in his dreams.
As he relives 'the roads not taken' we can piece together the elements of a life that's lived and - perhaps - lay out some elements that might have contributed to his mental decline in later life.
Before we plunge into the doom and gloom of the story, there was one moment of levity for me in the opening titles. I commented in my review of "The Farewell" that the company 'dog-tags' at the start of the film reminded me of a famous Family Guy comic moment. But this is kindergarten level compared to this movie. I assume Sally Potter must have tapped her complete phone contacts list to raise the funding for this one! Since I counted FOURTEEN different production companies referenced! Is this a record?
As you enter later life, it's common for many of us to suffer a significant source of stress. Sometimes - if you're lucky - four sources of stress. The reason? You stop worrying about your kids as much and start worrying about your aged parents and in-laws. Like heating up a frog in water, it's often imperceptible how much stress you are actually carrying with that until the last of the relatives 'shuffles off this mortal coil'. Within the grief, there's also a source of guilty relief in there somewhere. Such is the maelstrom that young Molly is in - with knobs on - given the disability of Leo. As a professional in her 20's, she is also having the juggle this responsibility with progressing her career.
It's a bit early in this turbulent year to talk of Oscar nominations. But for me, there are three standout performances in this movie:
1) Javier Bardem: what an acting masterclass! As with Daniel Day-Lewis's win in 1990 for "My Left Foot", the Academy loves a disability-based performance. I haven't seen much Oscar-buzz about this performance, but I'd personally throw his hat into the ring, for at least my long-list;
2) Elle Fanning: this young lady has been in movies since the age of 2, but rose to stardom with "Super 8". She's building a formidable filmography behind her. Here she matches Bardem shot-for-shot in the acting stakes: a caring daughter being emotionally torn apart; always needing to be in two places at the same time (as nicely positioned by the cryptic ending). A first Oscar-nomination perhaps?
3) Robbie Ryan: with an Oscar-nom previously for "The Favourite", could another one follow for this? For this is a beautiful film to look at, despite its downbeat story. There are some drop-dead gorgeous shots. One in particular is where a sun-lit Fanning has a "Marilyn Monroe subway skirt moment" at a window (with her hair being blown, I should add). Glorious. And all of the Mexican/Greek scenes (all Spain I believe) are deliciously lit and coloured.
"The Roads Not Taken" is an intelligent watch for sure, and reminiscent to me of Almodovar's "Pain and Glory": another artist's life lived again in flashback. If anything, this one is more unstructured in setting out a box of jigsaw pieces that you need to piece together through the unreliable narrator's random memories. ("Ooh, look - here's a bit with Laura Linney on it... ah, that goes there"; "So that's who Selma Hayek is"; etc.) But, as with a jigsaw, staying the course and putting the last pieces in is a very satisfying experience.
There's also a really feelgood scene in a taxi rank that restores your faith in the underlying goodness of people.... and a rant by a "Trump-voter" that gives you quite the opposite view!
Where I found some frustration was in the lack of backstory for Molly. She seems to be painted rather two-dimensionally. Yes - young with job, but of her personal life we see nothing. Adding another dimension (a young family for example) would have added yet another set of stresses to the mix. Leo's flashbacks are also focused on just two time periods. More wide-ranging reminiscences might have broadened the drama.
But I personally found "The Roads Not Taken" intensely moving. I'm not sure I could say I "enjoyed" it, but it is a worthy watch and has left me with thought-provoking images to chew on.
(For the full graphical review, please check out the One Mann's Movies here https://bob-the-movie-man.com/2020/09/15/the-roads-not-taken-2020-pain-and-very-little-glory/.)
BankofMarquis (1832 KP) rated Black Panther (2018) in Movies
Feb 19, 2018
Inwardly focused SuperHero film mostly works.
THE BLACK PANTHER is the first entry in the Marvel Cinematic Universe that relies - predominantly - on characters (and actors) of color to carry it. Of the main characters, only 2 are Caucasian, the rest of the cast (including almost all of the supporting cast and the extras) - AND the Director are people of color. This has, rightfully so, created a "buzz" about the significance of this. It is a watershed moment for SuperHero films (much like last year's WONDER WOMAN was a watershed for a female led SuperHero film). But the question remains - is it a good film?
The answer: Good Enough.
Diving deeper into the character/hero T'Challa/Black Panther (Chadwick Boseman) who was first introduced in CAPTAIN AMERICA: CIVIL WAR. In this film, we learn more about the backstory of this man/character as well as the world in which he lives and the burdens he bears. It also, interestingly enough, pretty much ignores the rest of the Marvel Cinematic Universe for much of it's 2 hour 14 minute timeline. It mostly concerns itself with interior issues in the hidden kingdom of Wakanda and I think this tactic is a welcome relief from the giant, CGI-laden, characters-heavy Marvel films of recent memory.
Director/Writer Ryan Coogler (CREED/FRUITVALE STATION) decides to focus the attention of this film inward, rather than outward and we are rewarded with a rich, Shakespearean family drama that works because of it's simplicity.
Much of the effectiveness is due to the charismatic cast that has been drawn to this picture because of the significance of it as well as the richness of the characters they inhabit. Bozeman is regal and strong in the title role - no hint of the suffering, "I don't want this" SuperHero angst so often seen in these types of film. Academy Award winner Lupito Nyong'o joins in just as strong and independently as Nakia a "Spy" and erstwhile romantic foil for T'Challa - though Coogler is wise to avoid the "will they/won't they" cliche as well as eliminates, entirely, the "damsel in distress" subplot that would have been so tempting.
Helping these two out are a veritable "who's who" of actors of color - Angela Bassett, Forrest Whitaker, current Best Actor nominee Daniel Kaluuya and Sterling K. Brown - all turn out for fun (albeit brief) turns where each one of them gets a chance to show what they can do. Special notice should be made to Danai Gurira (TV's kick-ass Michonne in THE WALKING DEAD) as Okoye - T'Challa's chief general and bodyguard who must choose duty over honor (or does she) and, especially, Letitia Wright as T'Challa's younger, wise-cracking sister - who also happens to be the "Q" of this film. She jumped off the screen and shone brightly (but not so bright as to wash things out) in every scene she was in.
And...of course...there is Coogler favorite Michael B. Jordan (he's been in all of Coogler's major motion picture) as the villain of the piece - Erik Killmonger (the name says it all). Jordan does a nice job of bringing 3 dimensions to a character that was written a little too 2 dimension-ally, if you ask me. This character could have just been an "angry young man" cliche, but with Jordan, he becomes something much, much more.
This being a Marvel SuperHero film, the Special Effects are terrific, showing a highly secretive, highly technolized Wakanda that is hidden beneath the surface.
Is it a perfect film? Well...no. This is, in essence, a "family drama" with some hi-tech action scenes and the obligatory "two armies fighting" finale, and while the acting is good enough to hold interest throughout, I would have liked to have seen a little more action thrown in.
But...ignoring the rest of the Marvel Cinematic Universe was a good move - as was casting such strong, believable and likeable film actors.
Letter Grade: A-
8 (out of 10) stars and you can take that to the Bank(ofMarquis)
The answer: Good Enough.
Diving deeper into the character/hero T'Challa/Black Panther (Chadwick Boseman) who was first introduced in CAPTAIN AMERICA: CIVIL WAR. In this film, we learn more about the backstory of this man/character as well as the world in which he lives and the burdens he bears. It also, interestingly enough, pretty much ignores the rest of the Marvel Cinematic Universe for much of it's 2 hour 14 minute timeline. It mostly concerns itself with interior issues in the hidden kingdom of Wakanda and I think this tactic is a welcome relief from the giant, CGI-laden, characters-heavy Marvel films of recent memory.
Director/Writer Ryan Coogler (CREED/FRUITVALE STATION) decides to focus the attention of this film inward, rather than outward and we are rewarded with a rich, Shakespearean family drama that works because of it's simplicity.
Much of the effectiveness is due to the charismatic cast that has been drawn to this picture because of the significance of it as well as the richness of the characters they inhabit. Bozeman is regal and strong in the title role - no hint of the suffering, "I don't want this" SuperHero angst so often seen in these types of film. Academy Award winner Lupito Nyong'o joins in just as strong and independently as Nakia a "Spy" and erstwhile romantic foil for T'Challa - though Coogler is wise to avoid the "will they/won't they" cliche as well as eliminates, entirely, the "damsel in distress" subplot that would have been so tempting.
Helping these two out are a veritable "who's who" of actors of color - Angela Bassett, Forrest Whitaker, current Best Actor nominee Daniel Kaluuya and Sterling K. Brown - all turn out for fun (albeit brief) turns where each one of them gets a chance to show what they can do. Special notice should be made to Danai Gurira (TV's kick-ass Michonne in THE WALKING DEAD) as Okoye - T'Challa's chief general and bodyguard who must choose duty over honor (or does she) and, especially, Letitia Wright as T'Challa's younger, wise-cracking sister - who also happens to be the "Q" of this film. She jumped off the screen and shone brightly (but not so bright as to wash things out) in every scene she was in.
And...of course...there is Coogler favorite Michael B. Jordan (he's been in all of Coogler's major motion picture) as the villain of the piece - Erik Killmonger (the name says it all). Jordan does a nice job of bringing 3 dimensions to a character that was written a little too 2 dimension-ally, if you ask me. This character could have just been an "angry young man" cliche, but with Jordan, he becomes something much, much more.
This being a Marvel SuperHero film, the Special Effects are terrific, showing a highly secretive, highly technolized Wakanda that is hidden beneath the surface.
Is it a perfect film? Well...no. This is, in essence, a "family drama" with some hi-tech action scenes and the obligatory "two armies fighting" finale, and while the acting is good enough to hold interest throughout, I would have liked to have seen a little more action thrown in.
But...ignoring the rest of the Marvel Cinematic Universe was a good move - as was casting such strong, believable and likeable film actors.
Letter Grade: A-
8 (out of 10) stars and you can take that to the Bank(ofMarquis)
Lyndsey Gollogly (2893 KP) rated Masters of Horror: A Horror Anthology in Books
Jun 26, 2020
112 of 200
Kindle
Masters of Horror: A Horror anthology
Presented by Matt Shaw
Collection of authors
Masters of Horror A selection of some of the finest horror writers of today were invited by Matt Shaw to bring him their twisted tales for this anthology. A book put together with the sole purpose of reminding readers what the horror genre is really about. Each author was told they could write about any subject matter they wanted so long as it was set in a world of horror. The only rule they had: No Paranormal Romance. Vampires do not sparkle, werewolves do not date, Witches do not scour Tinder for Virgins and ghosts do not declare their undying love whilst tidying the apartment... This is horror... Featuring work from: Introduction- Matt Shaw Brian Lumley - The Cyprus Shell Ramsey Campbell- Again Sam West- Survival J R Park - Mary Peter McKeirnon- Doll Face Andrew Freudenberg- A Taste of Mercy Mason Sabre - Chocolate Shaun Hutson- The Contract Anton Palmer- Dead-Eyed Dick Wrath James White- Beast Mode Shane McKenzie- Dewey Davenport Tonia Brown - Zolem Graeme Reynolds- The Pit Adam L.G. Nevill- Hippocampus Gary McMahon- You Can Go Now Ryan Harding - Down There Matt Shaw - Letter From Hell Matt Hickman- Eye For An Eye Daniel Marc Chant - Three Black Dogs Amy Cross- Checkout Kit Power- Loco Parentis Adam Millard - In The Family Guy N. Smith - The Priest Hole Jaime Johnesee- Just Breathe Craig Saunders- Raintown Sam Michael Bray - The End Is Where You’ll Find It Jeff Strand- Don’t Make Fun Of The Haunted House Mark Cassell - Trust Issues Paul Flewitt- The Silent Invader Clare Riley Whitfield- The Clay Man Jim Goforth- Animus Brian Lumley - The Deep-Sea Conch Chris Hall- Afterword
A few comments on the ones I enjoyed the most!
1. The Cyprus shell by Brain Lumley
This is a letter to a friend explaining his recent early departure from a dinner party. He explains his awful experience and aversion to oysters! Got to say I loved it and it captured so much in a short letter!
2. Again by Ramsey Campbell
This is a strange little story about a hiker discovering a strange old woman keeping her almost dead husband tied to a bed. It was a little strange.
4. Mary by J R Park
Ooo this was good religious symbols and lots of murder and blood!!
5 Doll Face by Peter McKeirnon
This was creepy as f**k there are no limits to what a father would do for his little girl!
6. A taste of Mercy by Andrew Freudenburg
Brilliant so sad and yet so gross! You felt every word of the woe the trenches brought these men!
7 chocolate by Mason Sabre
Ok so I will be keeping a close eye on my kids and their imaginary friends needing chocolate haha loved it!
8 The Contract by Shaun Hutson
Well this taught us one thing is certain killing death would be a very silly thing to do!!
9 Dead-eyed Dick by Anton Palmer
This had me in tears laughing and must be every mans worst nightmare! I’m definitely getting my husband to read it! Brilliant!!
11 Hippocampus by Adam L.G. Nevill
Nevill is one of my favourite authors he has a way of taking you every step of the journey with every book he writes. This one did not disappoint I walked the length of that vessel
With him! I know have some pretty gruesome scenes in my head.
12 you can go now. By Gary McMahon
Totally heartbreaking in some way and utterly creepy in others! Also an eye opener to mental illness which I took from it!
13 letter from hell by Matt Shaw
Reading this made me sick to my stomach being a mum I think it’s my worst nightmare! I can just imagine how those mothers felt when their children never came home! Totally gut wrenching!!
14 Eye for an eye by Matt Hickman
Brilliant! Gruesome and totally what you’d expect from the afterlife of a murderer!
16 Loco Parentis by Kit Power
About a man rounding up a pedophile ring and breaking some bones but in a strange twist he turns it on the reader lol very good!!
I absolutely loved most of these stories I think there is something in there for every Horror fan I’ve also found a few more authors!
Kindle
Masters of Horror: A Horror anthology
Presented by Matt Shaw
Collection of authors
Masters of Horror A selection of some of the finest horror writers of today were invited by Matt Shaw to bring him their twisted tales for this anthology. A book put together with the sole purpose of reminding readers what the horror genre is really about. Each author was told they could write about any subject matter they wanted so long as it was set in a world of horror. The only rule they had: No Paranormal Romance. Vampires do not sparkle, werewolves do not date, Witches do not scour Tinder for Virgins and ghosts do not declare their undying love whilst tidying the apartment... This is horror... Featuring work from: Introduction- Matt Shaw Brian Lumley - The Cyprus Shell Ramsey Campbell- Again Sam West- Survival J R Park - Mary Peter McKeirnon- Doll Face Andrew Freudenberg- A Taste of Mercy Mason Sabre - Chocolate Shaun Hutson- The Contract Anton Palmer- Dead-Eyed Dick Wrath James White- Beast Mode Shane McKenzie- Dewey Davenport Tonia Brown - Zolem Graeme Reynolds- The Pit Adam L.G. Nevill- Hippocampus Gary McMahon- You Can Go Now Ryan Harding - Down There Matt Shaw - Letter From Hell Matt Hickman- Eye For An Eye Daniel Marc Chant - Three Black Dogs Amy Cross- Checkout Kit Power- Loco Parentis Adam Millard - In The Family Guy N. Smith - The Priest Hole Jaime Johnesee- Just Breathe Craig Saunders- Raintown Sam Michael Bray - The End Is Where You’ll Find It Jeff Strand- Don’t Make Fun Of The Haunted House Mark Cassell - Trust Issues Paul Flewitt- The Silent Invader Clare Riley Whitfield- The Clay Man Jim Goforth- Animus Brian Lumley - The Deep-Sea Conch Chris Hall- Afterword
A few comments on the ones I enjoyed the most!
1. The Cyprus shell by Brain Lumley
This is a letter to a friend explaining his recent early departure from a dinner party. He explains his awful experience and aversion to oysters! Got to say I loved it and it captured so much in a short letter!
2. Again by Ramsey Campbell
This is a strange little story about a hiker discovering a strange old woman keeping her almost dead husband tied to a bed. It was a little strange.
4. Mary by J R Park
Ooo this was good religious symbols and lots of murder and blood!!
5 Doll Face by Peter McKeirnon
This was creepy as f**k there are no limits to what a father would do for his little girl!
6. A taste of Mercy by Andrew Freudenburg
Brilliant so sad and yet so gross! You felt every word of the woe the trenches brought these men!
7 chocolate by Mason Sabre
Ok so I will be keeping a close eye on my kids and their imaginary friends needing chocolate haha loved it!
8 The Contract by Shaun Hutson
Well this taught us one thing is certain killing death would be a very silly thing to do!!
9 Dead-eyed Dick by Anton Palmer
This had me in tears laughing and must be every mans worst nightmare! I’m definitely getting my husband to read it! Brilliant!!
11 Hippocampus by Adam L.G. Nevill
Nevill is one of my favourite authors he has a way of taking you every step of the journey with every book he writes. This one did not disappoint I walked the length of that vessel
With him! I know have some pretty gruesome scenes in my head.
12 you can go now. By Gary McMahon
Totally heartbreaking in some way and utterly creepy in others! Also an eye opener to mental illness which I took from it!
13 letter from hell by Matt Shaw
Reading this made me sick to my stomach being a mum I think it’s my worst nightmare! I can just imagine how those mothers felt when their children never came home! Totally gut wrenching!!
14 Eye for an eye by Matt Hickman
Brilliant! Gruesome and totally what you’d expect from the afterlife of a murderer!
16 Loco Parentis by Kit Power
About a man rounding up a pedophile ring and breaking some bones but in a strange twist he turns it on the reader lol very good!!
I absolutely loved most of these stories I think there is something in there for every Horror fan I’ve also found a few more authors!
Bob Mann (459 KP) rated Black Panther (2018) in Movies
Sep 29, 2021
Black Ops.
There was a joke on the internet the other day that made me laugh and laugh. Virtually the only white people in “Black Panther” are the Hobbit/LOTR stars Martin Freeman and Andy Serkis…. they are the Tolkein white guys! It’s actually getting to feel quite isolating as an ‘average white guy’ at the movies! After a plethora of #SheDo films about empowered women, now comes the first black-centred Marvel film… stuffed full of powerful women too!
The setting is the hidden African kingdom of Wakanda, where due to an abundance of a an all-powerful mineral called McGuffinite… so, sorry, Vibranium… the leaders have made their city a technological marvel and developed all sorts of ad tech to help the people keep their goats well and weave their baskets better (there are a few odd scenes in this film!). T’Challa (Chadwick Boseman) succeeds his father T’Chaka (John Kani) to become the king and adopt the role of The Black Panther, being bestowed superhero powers by drinking a glass of Ribena.
But it emerges that T’Chaka has a dark secret in the form of Eric Killmonger (Michael B Jordan, “Creed“) who is determined to muscle in on the king-stuff. ‘It never rains but it pours’, and the whole of Wakanda’s secrets are in danger of being exposed by the antics of the vicious South African mercenary Ulysses Klaue (Andy Serkis, “War For The Planet Of The Apes“), trying to get his hands on vibranium to sell on to CIA operative Everett Ross (Martin Freeman, “The Hobbit: The Battle of the Five Armies“, “The World’s End“).
After “Thor: Ragnarok“, this is back to the more seriously-played end of the superhero spectrum: there are a few jokes but it’s not overtly played for comedy. Holding the film together are some sterling performances from the ensemble cast with Michael B Jordan very good as the villain of the piece. Adding to the significant black girl power in the film are Angela Bassett (“London Has Fallen“) as the queen mother; Danai Gurira (“Wonder Woman“) as the leader of the Dora Milaje: the all-female king’s guard; and Lupita Nyong’o (“12 Years a Slave“, “Star Wars: The Force Awakens“) as the spy and love interest Nakia. But the star performance for me, and one I found absolutely spot-on as a role model for young people, was Letitia Wright (“The Commuter“) as Shuri, the king’s chief scientist. She is absolutely radiant, adding beauty, rude gestures and energy to every scene she is in.
Man of the moment Daniel Kaluuya (“Get Out“) also adds to his movie-cred as a conflicted courtier.
On the white side of the shop Andy Serkis has enormous fun as Klaue and I really wanted to see more of his character than I did. Martin Freeman feels rather lightweight and under-used, and I couldn’t quite get past his dodgy American accent.
In terms of storyline, the film is a hotch-potch of plots from multiple other films, with “The Lion King” featuring strongly (but almost in reverse!). But that’s no crime, when the Shakespearean-style narrative is good, and interpolating the strongly emotional story into the Marvel universe works well.
Where I felt a little uncomfortable is the element of racism – that is, racism *against* white people – reflected in the story. If there was a movie plot centred (basically) on the topic of whites killing blacks and taking control of every black-controlled country in the world (yes, I know, I’m British and we have historically been there!) then there would be justified uproar, and the film would be shunned.
In the technical department, I had real problems with some of the effects employed. Starting with a dodgy ‘aircraft’ shadow, things nose-dive with an astonishingly poor waterfall scene with Forest Whitaker (“Rogue One“, “Arrival“) as Zuri, green-screened against some Disneyworld cascades and hundreds of cut and pasted tribesmen randomly inserted onto the cliffs. Almost matching that is a studio-set scene in a jungle clearing, where if feels they could hardly have bothered to take the plants out of their pots. Think “Daktari” quality (kids, ask your parents/grandparents).
But overall, the film, directed by Ryan Coogler (“Creed“), is a high-energy and uniquely different take on Marvel that absolutely pays off. And it is without doubt an important movie in moving the black agenda forward into properly mainstream cinema.
The setting is the hidden African kingdom of Wakanda, where due to an abundance of a an all-powerful mineral called McGuffinite… so, sorry, Vibranium… the leaders have made their city a technological marvel and developed all sorts of ad tech to help the people keep their goats well and weave their baskets better (there are a few odd scenes in this film!). T’Challa (Chadwick Boseman) succeeds his father T’Chaka (John Kani) to become the king and adopt the role of The Black Panther, being bestowed superhero powers by drinking a glass of Ribena.
But it emerges that T’Chaka has a dark secret in the form of Eric Killmonger (Michael B Jordan, “Creed“) who is determined to muscle in on the king-stuff. ‘It never rains but it pours’, and the whole of Wakanda’s secrets are in danger of being exposed by the antics of the vicious South African mercenary Ulysses Klaue (Andy Serkis, “War For The Planet Of The Apes“), trying to get his hands on vibranium to sell on to CIA operative Everett Ross (Martin Freeman, “The Hobbit: The Battle of the Five Armies“, “The World’s End“).
After “Thor: Ragnarok“, this is back to the more seriously-played end of the superhero spectrum: there are a few jokes but it’s not overtly played for comedy. Holding the film together are some sterling performances from the ensemble cast with Michael B Jordan very good as the villain of the piece. Adding to the significant black girl power in the film are Angela Bassett (“London Has Fallen“) as the queen mother; Danai Gurira (“Wonder Woman“) as the leader of the Dora Milaje: the all-female king’s guard; and Lupita Nyong’o (“12 Years a Slave“, “Star Wars: The Force Awakens“) as the spy and love interest Nakia. But the star performance for me, and one I found absolutely spot-on as a role model for young people, was Letitia Wright (“The Commuter“) as Shuri, the king’s chief scientist. She is absolutely radiant, adding beauty, rude gestures and energy to every scene she is in.
Man of the moment Daniel Kaluuya (“Get Out“) also adds to his movie-cred as a conflicted courtier.
On the white side of the shop Andy Serkis has enormous fun as Klaue and I really wanted to see more of his character than I did. Martin Freeman feels rather lightweight and under-used, and I couldn’t quite get past his dodgy American accent.
In terms of storyline, the film is a hotch-potch of plots from multiple other films, with “The Lion King” featuring strongly (but almost in reverse!). But that’s no crime, when the Shakespearean-style narrative is good, and interpolating the strongly emotional story into the Marvel universe works well.
Where I felt a little uncomfortable is the element of racism – that is, racism *against* white people – reflected in the story. If there was a movie plot centred (basically) on the topic of whites killing blacks and taking control of every black-controlled country in the world (yes, I know, I’m British and we have historically been there!) then there would be justified uproar, and the film would be shunned.
In the technical department, I had real problems with some of the effects employed. Starting with a dodgy ‘aircraft’ shadow, things nose-dive with an astonishingly poor waterfall scene with Forest Whitaker (“Rogue One“, “Arrival“) as Zuri, green-screened against some Disneyworld cascades and hundreds of cut and pasted tribesmen randomly inserted onto the cliffs. Almost matching that is a studio-set scene in a jungle clearing, where if feels they could hardly have bothered to take the plants out of their pots. Think “Daktari” quality (kids, ask your parents/grandparents).
But overall, the film, directed by Ryan Coogler (“Creed“), is a high-energy and uniquely different take on Marvel that absolutely pays off. And it is without doubt an important movie in moving the black agenda forward into properly mainstream cinema.