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Slumdog Millionaire (2008)
8.0
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As 18-year-old Jamal Malik (Dev Patel) answers questions on the Indian version of "Who Wants to Be a...
Steve Jobs (2015)
8.3
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With public anticipation running high, Apple Inc. co-founders Steve Jobs (Michael Fassbender) and...
Daniel Boyd (1066 KP) rated 28 Days Later (2002) in Movies
Nov 27, 2017
Majority of performances are great (2 more)
Solid direction from Boyle
Decent SFX for its era
Scary Good
Re-watched this recently and it's just as visceral and as brilliant as it was fifteen years ago. Danny Boyle is one hell of a filmmaker and this is one of the best zombie movies ever made.
It's a unique take on a now tired genre, with just as much fleshed out characterisation as there is brutality and gore. There's a few edge of your seat moments towards the movie's climax and the movie feels like a journey with all of the ups and downs that you would expect in a zombie chase movie across England.
Cillian Murphy, Brendan Gleeson, Naomi Harris and Christopher Eccleston are all great in the movie and the only weak link in the cast is the actress playing Hannah, but that can be forgiven as the rest of the cast around her are so good.
Brilliant direction, really good SFX for its time and definitely worth a watch if you have never seen it.
It's a unique take on a now tired genre, with just as much fleshed out characterisation as there is brutality and gore. There's a few edge of your seat moments towards the movie's climax and the movie feels like a journey with all of the ups and downs that you would expect in a zombie chase movie across England.
Cillian Murphy, Brendan Gleeson, Naomi Harris and Christopher Eccleston are all great in the movie and the only weak link in the cast is the actress playing Hannah, but that can be forgiven as the rest of the cast around her are so good.
Brilliant direction, really good SFX for its time and definitely worth a watch if you have never seen it.
T2 Trainspotting
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Now a major film directed by Danny Boyle reuniting the cast of Trainspotting. Years on from...
Barry Newman (204 KP) rated Trance (2013) in Movies
Feb 1, 2020
Danny Boyle is a director who rarely disappoints me even with weaker material his unique visual style makes for entertaining viewing. For me this was one of his better recent efforts and the story here is compelling with twists and turns galore (some plausible and some perhaps not so plausible) as we slowly unravel multiple plot lines connected with hypnosis and a botched art heist. The film is well paced and visually very impressive and kept me suitably hooked. The performances are also strong with James McAvoy and Vincent Cassel being the standouts but if the films plot leaves you scratching your head just a bit too much then there is always an eyebrow raising turn from Rosario Dawson that will certainly leave you with fond memories of the film.
JT (287 KP) rated Trance (2013) in Movies
Mar 10, 2020
"Amnesia is bollocks.” That’s the thought of one of four crooks tasked with trying to discover the whereabouts of a Goya painting worth £25,000,000 from the memory of James McAvoy‘s character Simon.
Simon, an art auctioneer has a problem, well he has a few in Danny Boyle’s latest mind bending heist thriller, Trance. He’s addicted to gambling and in return for wiping his debts clear he agrees to help steel the Goya painting from an auction house for Franck (Vincent Cassel) and his criminal entourage.
In an aggressive and highly charged opening sequence, which sees Simon describe various methods in which paintings have been stolen before from the smash and grab of the old school era to the more high tech, the heist is well under way.
Simon is in the thick of the action as Franck and his accomplices take charge, and as Franck is making off with the painting he’s challenged by Simon who receives a knock to the head rendering his memory practically useless.
After staggering about through all the chaos he ends up in hospital having his brain drilled and drained and any short term memory with it.
With methods of torture clearly not working the gang turn their attention to another, hypnotherapy, and seek help from Elizabeth (Rosario Dawson) who attempts to guide Simon through hypnosis in an attempt to find out exactly where he left the painting.
And so begins a journey of discovery, deceit, greed and lust as everything is not what it seems and loyalties will be tested to the fullest.
Simon’s hypnotic journey takes him through the idyllic French countryside, to a church filled with stolen paintings to the slick London underworld as he tries in vein to piece together his broken memory, but what unfolds is not what he or any of us are probably expecting.
Simon, Franck and Elizabeth are all pretty interwoven as characters, it’s almost hard to work out who is playing each other off against the other, whose dream we’re in and at what level. You’ll find that you care about all three of them in a different way when something more is revealed about them.
The remaining trio of Franck’s gang are probably around for far too long than they need to be, but are removed for the final heart pounding third act, which accompanied by a brilliant soundtrack really intensifies the finale.
Trance is written by John Hodge and he’s reunited with Danny Boyle again having previously worked together on such films as Shallow Grave and Trainspotting, where at the crux of it all they too are heist films in a different guise.
Trance is well shot, Danny Boyle is in his element directing a dark, disturbing and at times a head scratching film, I’ve not had this much fun from a Boyle film since Shallow Grave.
Simon, an art auctioneer has a problem, well he has a few in Danny Boyle’s latest mind bending heist thriller, Trance. He’s addicted to gambling and in return for wiping his debts clear he agrees to help steel the Goya painting from an auction house for Franck (Vincent Cassel) and his criminal entourage.
In an aggressive and highly charged opening sequence, which sees Simon describe various methods in which paintings have been stolen before from the smash and grab of the old school era to the more high tech, the heist is well under way.
Simon is in the thick of the action as Franck and his accomplices take charge, and as Franck is making off with the painting he’s challenged by Simon who receives a knock to the head rendering his memory practically useless.
After staggering about through all the chaos he ends up in hospital having his brain drilled and drained and any short term memory with it.
With methods of torture clearly not working the gang turn their attention to another, hypnotherapy, and seek help from Elizabeth (Rosario Dawson) who attempts to guide Simon through hypnosis in an attempt to find out exactly where he left the painting.
And so begins a journey of discovery, deceit, greed and lust as everything is not what it seems and loyalties will be tested to the fullest.
Simon’s hypnotic journey takes him through the idyllic French countryside, to a church filled with stolen paintings to the slick London underworld as he tries in vein to piece together his broken memory, but what unfolds is not what he or any of us are probably expecting.
Simon, Franck and Elizabeth are all pretty interwoven as characters, it’s almost hard to work out who is playing each other off against the other, whose dream we’re in and at what level. You’ll find that you care about all three of them in a different way when something more is revealed about them.
The remaining trio of Franck’s gang are probably around for far too long than they need to be, but are removed for the final heart pounding third act, which accompanied by a brilliant soundtrack really intensifies the finale.
Trance is written by John Hodge and he’s reunited with Danny Boyle again having previously worked together on such films as Shallow Grave and Trainspotting, where at the crux of it all they too are heist films in a different guise.
Trance is well shot, Danny Boyle is in his element directing a dark, disturbing and at times a head scratching film, I’ve not had this much fun from a Boyle film since Shallow Grave.
Chris Sawin (602 KP) rated 127 Hours (2010) in Movies
Jun 23, 2019
127 Hours is based on the true story of Aron Ralston, a mountain climber who was trapped under a rock for five days only to amputate his own arm to survive. Directed by Danny Boyle (Slumdog Millionaire, 28 Days Later) and starring James Franco (Pineapple Express, Spider-Man), 127 Hours sucker punches you with its ability to be both absorbing and compelling.
The first thing to notice about 127 Hours is that it contains excellent editing. The opening credits illustrate this to a certain extent, but the best example comes at the peak of Aron's struggle once he's trapped and fighting for his life. His delusions begin overlapping with his memories as the screen is divided into three separate vertical segments representing how desperate and how dangerously close Aron has come to the brink of insanity.
127 Hours looks spectacular, as well. The desert is a mostly dry and bleak place that no one would want to visit, but it's shown in a light here that makes it makes it look both appealing and beautiful in a way that almost makes you forget that it lacks civilization. The film does an incredible job of making you feel like you're right there in these crevices with Aron without giving the overbearing sensation of claustrophobia. Captivating cinematography makes even the most simple things like a dripping faucet and air bubbles settling in a water bottle appear like more of a spectacle than they really are.
James Franco is also quite impressive. He is the only one on-screen for the majority of the film and has no one to play off of but himself. Events of his life flashing before his eyes and the decisions he should've but didn't make, Scooby Doo hallucinations, and premonitions of the future on top of his uphill battle to survive aren't only incredibly engaging but arguably some of the best scenes in the film.
127 Hours is enthralling, incredibly powerful, and easily one of the best films of the year. James Franco delivers what is quite possibly his strongest and most intriguing performance to date while Danny Boyle adds another visually brilliant and superbly written film to his repertoire that is a potential award winner.
The first thing to notice about 127 Hours is that it contains excellent editing. The opening credits illustrate this to a certain extent, but the best example comes at the peak of Aron's struggle once he's trapped and fighting for his life. His delusions begin overlapping with his memories as the screen is divided into three separate vertical segments representing how desperate and how dangerously close Aron has come to the brink of insanity.
127 Hours looks spectacular, as well. The desert is a mostly dry and bleak place that no one would want to visit, but it's shown in a light here that makes it makes it look both appealing and beautiful in a way that almost makes you forget that it lacks civilization. The film does an incredible job of making you feel like you're right there in these crevices with Aron without giving the overbearing sensation of claustrophobia. Captivating cinematography makes even the most simple things like a dripping faucet and air bubbles settling in a water bottle appear like more of a spectacle than they really are.
James Franco is also quite impressive. He is the only one on-screen for the majority of the film and has no one to play off of but himself. Events of his life flashing before his eyes and the decisions he should've but didn't make, Scooby Doo hallucinations, and premonitions of the future on top of his uphill battle to survive aren't only incredibly engaging but arguably some of the best scenes in the film.
127 Hours is enthralling, incredibly powerful, and easily one of the best films of the year. James Franco delivers what is quite possibly his strongest and most intriguing performance to date while Danny Boyle adds another visually brilliant and superbly written film to his repertoire that is a potential award winner.
Directory of World Cinema: Britain 2
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The first volume of the Directory of World Cinema: Britain provided an overview of British cinema...
Tilt-a-Whirl: John Ceepak, Book 1
8.0
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There isn't much fun in the sun when a billionaire real-estate tycoon is found murdered on the...
crime fiction
RəX Regent (349 KP) rated 127 Hours (2010) in Movies
Feb 25, 2019
Probably the best that it could have been...
Contains spoilers, click to show
Danny Boyle is a director with an eye for the modern. visceral styles, sharp editing and the belief that the combination of both will draw the audience into the action, emotion and mood of the situation at hand. There's no doubt that the stunning true story of adventurer Aron Ralston's accident resulting in his right arm becoming trapped under a rock in the middle of nowhere, required a special director and a style as described above.
Did he pull it off? It's a though sell, 90 minutes of a man and rock but I think it was done about as well as it could have been. The story is interesting and told with a sense of humour and a philosophical attitude appropriate for the subject matter, but it all boils down to the moment when he performs his DIY surgery, a plot point that may well sell the film to most people, as it sold news papers back in 2003.
Overall, well told, very well acted by James Franco as Ralston and along with Boyle's signature direction and jukebox soundtrack, whilst not blowing my skirt up, it made my wife cry, myself cringe and was as well conveyed as this story of a man trapped quite literally between as rock and hard place, ever could have been.
Did he pull it off? It's a though sell, 90 minutes of a man and rock but I think it was done about as well as it could have been. The story is interesting and told with a sense of humour and a philosophical attitude appropriate for the subject matter, but it all boils down to the moment when he performs his DIY surgery, a plot point that may well sell the film to most people, as it sold news papers back in 2003.
Overall, well told, very well acted by James Franco as Ralston and along with Boyle's signature direction and jukebox soundtrack, whilst not blowing my skirt up, it made my wife cry, myself cringe and was as well conveyed as this story of a man trapped quite literally between as rock and hard place, ever could have been.