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Zach Smith (62 KP) rated Doctor Sleep (2019) in Movies
Jan 27, 2020
Interesting spin
Contains spoilers, click to show
The movie takes place several decades after "The Shining", Danny is still haunted by the events from the hotel and is even hunted by the evil that was there. He has found a way to trap the "evil spirits". He makes use of his "shining" and it becomes a great story, however the main protagonist is a group of people that have the same special power as Danny and even more, but they've also learned how to suck the power from young children and this results in what I don't think needs to be in cinema. This world is evil enough as it is and to watch a child be cut and stabbed to death slowly while a group kneels over him inhaling his essence is revolting, I almost left the theater over it.
0/10 snore factor, cant sleep through this one!
0/10 snore factor, cant sleep through this one!
Sacha Gervasi recommended Chinatown (1974) in Movies (curated)
Dean (6921 KP) rated Doctor Sleep (2019) in Movies
Oct 31, 2019
Shine on
So I recently watched The Shining again to prepare for this. I've not read the book so can't compare it to that. It's mainly set some 30 years after the events of The Shining with Danny now a grown man and struggling in life. He finally finds a calling and seems to settle in a small town where he can use his Shine in a positive way. He discovers a new child with a great power and also of a group who want to hunt her down exploit her power.
For a long film it did whizz by as the story was very interesting. It's a different type of horror film to the original. Although it's still dark and disturbing in its content. We learn more about those with this power and the evil group who hunt down those with the power. It's good to see the overlook hotel again but in some ways this film didn't really need visit the old location. I guess it does give it more of a connection to the original. Although a couple of scenes there really would have been better cut out.
Overall it's a very interesting, entertaining film that might not be scary as such. It is very dark and menacing. A great expansion on the Shining universe.
For a long film it did whizz by as the story was very interesting. It's a different type of horror film to the original. Although it's still dark and disturbing in its content. We learn more about those with this power and the evil group who hunt down those with the power. It's good to see the overlook hotel again but in some ways this film didn't really need visit the old location. I guess it does give it more of a connection to the original. Although a couple of scenes there really would have been better cut out.
Overall it's a very interesting, entertaining film that might not be scary as such. It is very dark and menacing. A great expansion on the Shining universe.
Matthew Krueger (10051 KP) rated The Corruptor (1998) in Movies
Jan 8, 2021 (Updated Jan 8, 2021)
Double Cross
The Corruptor- is a really good movie. Its a very underrated action packed drama film. Both Mark Walhberg and Chow Yun-Fat are both great.
The plot: Martial arts expert Detective Nick Chen (Chow Yun-Fat) teams up with his colleague Danny Wallace (Mark Wahlberg) to keep several gangs in New York City's Chinatown from annihilating each other. They must contend not only with the increasingly power-hungry gangsters, but also with the temptation of bribery and corruption as the bad guys divide and conquer the police forces. In what's beginning to seem like a losing battle, Chen and Wallace struggle to establish law and prevent more bloodshed.
If you havent seen this film than go watch it. Cause its really good.
The plot: Martial arts expert Detective Nick Chen (Chow Yun-Fat) teams up with his colleague Danny Wallace (Mark Wahlberg) to keep several gangs in New York City's Chinatown from annihilating each other. They must contend not only with the increasingly power-hungry gangsters, but also with the temptation of bribery and corruption as the bad guys divide and conquer the police forces. In what's beginning to seem like a losing battle, Chen and Wallace struggle to establish law and prevent more bloodshed.
If you havent seen this film than go watch it. Cause its really good.
Bong Mines Entertainment (15 KP) rated Bad - Single by Shy Keller in Music
Jun 18, 2019
Sky Keller is a singer-songwriter based in Los Angeles, California. Not too long ago, she released an attractive pop tune, entitled, “Bad”, produced by Danny Garibay.
“‘Bad’ is a song about loose ends. It’s about dealing with the power trips and struggles of attainable love when you want what’s not good for you.”
‘Bad’ tells an interesting tale of a young woman who is in a troubled relationship with her significant other.
Apparently, she feels uncomfortable because of his uncertainty about their status as a couple, and that makes her nervous.
Also, she feels guilty for having to wait this long to find out that he’s such an indecisive person.
‘Bad’ contains a relatable storyline, ear-welcoming vocals, and robust instrumentation flavored with an electro-pop aroma.
https://www.bongminesentertainment.com/sky-keller-bad/
“‘Bad’ is a song about loose ends. It’s about dealing with the power trips and struggles of attainable love when you want what’s not good for you.”
‘Bad’ tells an interesting tale of a young woman who is in a troubled relationship with her significant other.
Apparently, she feels uncomfortable because of his uncertainty about their status as a couple, and that makes her nervous.
Also, she feels guilty for having to wait this long to find out that he’s such an indecisive person.
‘Bad’ contains a relatable storyline, ear-welcoming vocals, and robust instrumentation flavored with an electro-pop aroma.
https://www.bongminesentertainment.com/sky-keller-bad/
Matthew Krueger (10051 KP) rated The Jewel of the Nile (1985) in Movies
Apr 10, 2021
Eat Rock!
The Jewel of the Nile- is a good film, the cast is back, the action, the romance, the adventure, the drama and the stone. Its now a jewel.
The plot: Novelist Joan Wilder (Kathleen Turner) is living with adventurer boyfriend Jack Colton (Michael Douglas) on his yacht. But she leaves when Omar (Spiros Focas), the head of a North African nation, asks her to visit his country and write about him. Jack intends to go on a pleasure cruise to Greece, but when he learns that Joan is a pawn in Omar's quest to polish his image and gain greater power, he partners with continent-hopping criminal Ralph (Danny DeVito) in a quest to free her.
The first one is better, but this one is good.
The plot: Novelist Joan Wilder (Kathleen Turner) is living with adventurer boyfriend Jack Colton (Michael Douglas) on his yacht. But she leaves when Omar (Spiros Focas), the head of a North African nation, asks her to visit his country and write about him. Jack intends to go on a pleasure cruise to Greece, but when he learns that Joan is a pawn in Omar's quest to polish his image and gain greater power, he partners with continent-hopping criminal Ralph (Danny DeVito) in a quest to free her.
The first one is better, but this one is good.
LeftSideCut (3778 KP) rated Spider-Man (2002) in Movies
Sep 19, 2020
The first major blockbuster Spider-Man movie hasn't aged particularly well, but it's overflowing with charm and a great cast.
Watching this as an adult is still as much fun as it was back in 2002 (when I was a fresh faced 13 year old). Tobey Maguire, Willem Defoe, James Franco, Kirsten Dunst, Cliff Robertson, Rosemary Harris, J.K. Simmons - all of them are really well cast and bring their comic book counterparts to life in a way that captured the imaginations of comic fans everywhere, all backed up by a fantastic score by Danny Elfman.
It's faults are few, but mainly in line with the first X-Men film - it's just doesn't quite stand up compared to comic films today and suffers from sub standard CGI and an early 2000s time stamp - I must say though - I have a special kind of love for the borderline Power Rangers villain costume that Green Goblin gets to wear...
Spider-Man is an important milestone in bringing comic books to the big screen, and will surely be enjoyed for years to come.
Watching this as an adult is still as much fun as it was back in 2002 (when I was a fresh faced 13 year old). Tobey Maguire, Willem Defoe, James Franco, Kirsten Dunst, Cliff Robertson, Rosemary Harris, J.K. Simmons - all of them are really well cast and bring their comic book counterparts to life in a way that captured the imaginations of comic fans everywhere, all backed up by a fantastic score by Danny Elfman.
It's faults are few, but mainly in line with the first X-Men film - it's just doesn't quite stand up compared to comic films today and suffers from sub standard CGI and an early 2000s time stamp - I must say though - I have a special kind of love for the borderline Power Rangers villain costume that Green Goblin gets to wear...
Spider-Man is an important milestone in bringing comic books to the big screen, and will surely be enjoyed for years to come.
Ryan Hill (152 KP) rated Spider-Man (2002) in Movies
Jun 30, 2019
" With great power comes great responsibility"
One of the first movies to pave the groundwork for modern superhero flicks, Spider-Man is an incredibly fun & endlessly entertaining action-adventure that brings its web-slinging hero to life on the silver screen in a truly fascinating manner after spending nearly a quarter of a century in development hell and, with its record-breaking box office performance, acts as a precursor to an era when superheroes would dominate the summer box-office.
Based on the Marvel Comics character of the same name, the story of Spider-Man follows Peter Parker; a high-school kid who after being bitten by a radioactive spider at a genetic laboratory begins to develop spider-like abilities and puts his new powers to good use by turning to crimefighting. Meanwhile, Norman Osborn experiments a power-enhancing drug on himself as a desperate attempt to preserve a military contract critical for his company's survival.
Directed by Sam Raimi, Spider-Man has all the ingredients of a summer blockbuster plus it benefits a lot from Raimi's dynamic filmmaking style that doesn't dwell on a single moment for far too long, keeps the story fresh, light-hearted & action-packed for the most part, plus never loses its initially-gained momentum. David Koepp's screenplay is no slouch either for it packs in a compelling plot & few interesting characters and the whole story is cheesy but well humoured.
The technical aspects are all brilliantly executed. Camerawork is excellent for the most part for the chosen angles, swift movements, slow-mo shots & warm colour palette are correctly employed. Editing provides a frenetic pace to its narrative, each moment has a role to play, and its 121 minutes of runtime simply flies by. Visual effects team makes use of both CGI & practical stuntwork and it's amazing just how well it has aged when compared to other effects-laden movies released back then.
Coming to the performances, Spider-Man packs in a very interesting cast in Tobey Maguire, Kirsten Dunst, James Franco, Willem Dafoe, J.K. Simmons & others, and many of them are pretty convincing in their given roles. Maguire does a terrific job under Raimi's supervision, Dafoe plays Norman Osborn with finesse but that Green Goblin suit is extremely off-putting, Simmons is a near-perfect rendition of J. Jonah Jameson from the comics while both Dunst & Franco do a fine job as Mary Jane Watson & Harry Osborn, respectively.
Also worthy of admiration is Danny Elfman's outstanding score that captures just the right tone & feel of your friendly neighbourhood Spider-Man's universe and brims with tracks that seamlessly integrate into the story. On an overall scale, Spider-Man may not seem as impressive today as it did back when it made its debut on the silver screen but it still remains one of the best offerings of its category and delivers a roller-coasted ride that's enjoyable, entertaining & highly satisfying. Spider-Man is a summer popcorn extravaganza right on the money.
Based on the Marvel Comics character of the same name, the story of Spider-Man follows Peter Parker; a high-school kid who after being bitten by a radioactive spider at a genetic laboratory begins to develop spider-like abilities and puts his new powers to good use by turning to crimefighting. Meanwhile, Norman Osborn experiments a power-enhancing drug on himself as a desperate attempt to preserve a military contract critical for his company's survival.
Directed by Sam Raimi, Spider-Man has all the ingredients of a summer blockbuster plus it benefits a lot from Raimi's dynamic filmmaking style that doesn't dwell on a single moment for far too long, keeps the story fresh, light-hearted & action-packed for the most part, plus never loses its initially-gained momentum. David Koepp's screenplay is no slouch either for it packs in a compelling plot & few interesting characters and the whole story is cheesy but well humoured.
The technical aspects are all brilliantly executed. Camerawork is excellent for the most part for the chosen angles, swift movements, slow-mo shots & warm colour palette are correctly employed. Editing provides a frenetic pace to its narrative, each moment has a role to play, and its 121 minutes of runtime simply flies by. Visual effects team makes use of both CGI & practical stuntwork and it's amazing just how well it has aged when compared to other effects-laden movies released back then.
Coming to the performances, Spider-Man packs in a very interesting cast in Tobey Maguire, Kirsten Dunst, James Franco, Willem Dafoe, J.K. Simmons & others, and many of them are pretty convincing in their given roles. Maguire does a terrific job under Raimi's supervision, Dafoe plays Norman Osborn with finesse but that Green Goblin suit is extremely off-putting, Simmons is a near-perfect rendition of J. Jonah Jameson from the comics while both Dunst & Franco do a fine job as Mary Jane Watson & Harry Osborn, respectively.
Also worthy of admiration is Danny Elfman's outstanding score that captures just the right tone & feel of your friendly neighbourhood Spider-Man's universe and brims with tracks that seamlessly integrate into the story. On an overall scale, Spider-Man may not seem as impressive today as it did back when it made its debut on the silver screen but it still remains one of the best offerings of its category and delivers a roller-coasted ride that's enjoyable, entertaining & highly satisfying. Spider-Man is a summer popcorn extravaganza right on the money.
Gareth von Kallenbach (971 KP) rated Dumbo (2019) in Movies
Jun 19, 2019
Disney has continued their trend of live-action remakes of their animated classics with “Dumbo”. The film follows the same premise as the 1941 classic in that a baby elephant with giant ears is born into a travelling circus. Like in the animated film he is separated from his mother and soon becomes an unlikely circus act when it is discovered that his giant ears give him the power of flight.
In the new version we are introduced to Holt Farrier (Colin Farrell); who returns from WWI injured and dealing with the fact that his wife has died and he must raise their two children alone. Further complicating matters is the fact that Circus owner Max Medici (Danny DeVito), has sold the prized horses Holt used in his act in an effort to keep his struggling circus alive.
What has become a tragedy soon becomes a boon when wealthy industrialist V.A. Vandevere (<ichael Keaton) offers to make Max a partner and take him and his troup on at his fabled entertainment park with Dumbo as his featured star.
It is at this point where the film takes some wild deviations and becomes very linear with paper thin characters and an emphasis on effects over story.
Director Tim Burton has once again crafted a film filled with lavish visuals as his take on the entertainment park and circus is amazing; but it as usual comes at a cost. Like most of Burton’s works, the visuals are the star and key element and the development of characters and story are often given little more than lip service.
The same is true fro this film as we learn noting about the motivation of the characters and the villains play out as stock baddies without even a nod as to why they are so inclined to tehir action.s They are being evil just for the sake of being evil. The same can be said for the other characters as we are given very little reasons to care for them. There is a nice subplot with Eva Green but it is never fully developed and the worst part is that the title star almost becomes an afterthought in the final acts so we can be given scene after scene of lavinsh park visuals.
The film may be a bit to dark and intense at times for younger viewers and those who remember the original may have a hard time with this take of the film. It entertains at times but could have been so much better.
http://sknr.net/2019/03/26/dumbo/
In the new version we are introduced to Holt Farrier (Colin Farrell); who returns from WWI injured and dealing with the fact that his wife has died and he must raise their two children alone. Further complicating matters is the fact that Circus owner Max Medici (Danny DeVito), has sold the prized horses Holt used in his act in an effort to keep his struggling circus alive.
What has become a tragedy soon becomes a boon when wealthy industrialist V.A. Vandevere (<ichael Keaton) offers to make Max a partner and take him and his troup on at his fabled entertainment park with Dumbo as his featured star.
It is at this point where the film takes some wild deviations and becomes very linear with paper thin characters and an emphasis on effects over story.
Director Tim Burton has once again crafted a film filled with lavish visuals as his take on the entertainment park and circus is amazing; but it as usual comes at a cost. Like most of Burton’s works, the visuals are the star and key element and the development of characters and story are often given little more than lip service.
The same is true fro this film as we learn noting about the motivation of the characters and the villains play out as stock baddies without even a nod as to why they are so inclined to tehir action.s They are being evil just for the sake of being evil. The same can be said for the other characters as we are given very little reasons to care for them. There is a nice subplot with Eva Green but it is never fully developed and the worst part is that the title star almost becomes an afterthought in the final acts so we can be given scene after scene of lavinsh park visuals.
The film may be a bit to dark and intense at times for younger viewers and those who remember the original may have a hard time with this take of the film. It entertains at times but could have been so much better.
http://sknr.net/2019/03/26/dumbo/
Gareth von Kallenbach (971 KP) rated Rock the Kasbah (2016) in Movies
Aug 6, 2019
Music is a language that transcends race, gender, age, and nationality. It is timeless. It is transformative. Music has the power to shape and redefine culture. In Rock the Kasbah, Bill Murray plays Richie Lanz, a washed up Rock manager who seeks to bring one of his acts to Afghanistan as part of the USO tour. Within the first day of arrival, his plans are unraveled as his singer (Zooey Deschanel) panics and runs off with his money and passport in order to return back to America.
After meeting a myriad of characters (Bruce Willis, Kate Hudson. Danny McBride) in Kabul, he is presented with a new opportunity to introduce the world to a true talent. He discovers a young Pashtun girl with an amazing voice who dreams of being able to compete on “Afghan Star,” a musical competition show similar to “American Idol.” Cultural norms forbid her from singing and participating in the competition which demonstrate the complexity of Afghan culture, history, and politics. Understanding the threat to himself and Salima (Leem Lubany), Richie arranges for her to appear on the show, defying traditions and customs.
The film itself is a decent adaptation of the real story captured in the documentary Afghan Star which examines the life of Setara who must go into hiding because of her appearance in the competition. Rock the Kasbah has moments of genuine humor which fully utilizes Bill Murray’s true talents. Unfortunately, there are points where the plot and the storyline does not seem to fit together seamlessly. One great aspect of the film is its use of music to demonstrate the reach that it has across cultural lines. The love of music and artistic expression which had been severely restricted during the years of Taliban rule and Mujahedeen influence survived and is emblematic of how the people and the culture is much more complex and relatable than many would assume. This film goes beyond a story of a young singer trying to express herself and a manager trying to reclaim the glory of years ago. It is about the culture, history, and political framework of Afghanistan and the Afghan people.
It promotes them in a more positive light without relegating them to being a monolithic culture and people. It provides more insight into the circumstances that many of the people both in the cities and the tribal regions deal with. Audiences will be satisfied Rock the Kasbah as it is a musical and comedic showcase. They may even find themselves singing “Wild World” long after the credits roll.
After meeting a myriad of characters (Bruce Willis, Kate Hudson. Danny McBride) in Kabul, he is presented with a new opportunity to introduce the world to a true talent. He discovers a young Pashtun girl with an amazing voice who dreams of being able to compete on “Afghan Star,” a musical competition show similar to “American Idol.” Cultural norms forbid her from singing and participating in the competition which demonstrate the complexity of Afghan culture, history, and politics. Understanding the threat to himself and Salima (Leem Lubany), Richie arranges for her to appear on the show, defying traditions and customs.
The film itself is a decent adaptation of the real story captured in the documentary Afghan Star which examines the life of Setara who must go into hiding because of her appearance in the competition. Rock the Kasbah has moments of genuine humor which fully utilizes Bill Murray’s true talents. Unfortunately, there are points where the plot and the storyline does not seem to fit together seamlessly. One great aspect of the film is its use of music to demonstrate the reach that it has across cultural lines. The love of music and artistic expression which had been severely restricted during the years of Taliban rule and Mujahedeen influence survived and is emblematic of how the people and the culture is much more complex and relatable than many would assume. This film goes beyond a story of a young singer trying to express herself and a manager trying to reclaim the glory of years ago. It is about the culture, history, and political framework of Afghanistan and the Afghan people.
It promotes them in a more positive light without relegating them to being a monolithic culture and people. It provides more insight into the circumstances that many of the people both in the cities and the tribal regions deal with. Audiences will be satisfied Rock the Kasbah as it is a musical and comedic showcase. They may even find themselves singing “Wild World” long after the credits roll.