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Phillip McSween (751 KP) rated St. Vincent (2014) in Movies
May 13, 2018
Another Murray Classic
When a single mother moves into a new neighborhood and gets overwhelmed with her taxing job, she relies on her crude, foul-mouthed neighbor Vincent (Bill Murray) to watch over her kid while she's gone.
Acting: 10
Beginning: 6
Characters: 10
Cinematography/Visuals: 7
Conflict: 9
Vincent basically creates conflict everywhere he goes. Between his actions, decisions, and mouth, something is always getting him into trouble with those around him. It's hard to watch at times, funny during other times. His life is crumbling, but he brings most of it on himself. Throw in Maggie's (Melissa McCarthy) custody battle for her son and the film gives you more than enough conflict to drive the story.
Genre: 9
St. Vincent hails itself as a comedy. It's certainly going to make you laugh, but it succeeds in how dark and truthful it can be at times. I love that the film never cuts corners with Vincent's character. His life is cringeworthy and sad, yet the audience is still given avenues to laughter.
Memorability: 8
Once again, Murray manages to make a film memorable with his character alone. He doesn't care about the people he hurts or at least that's what he would have you believe. His destructive attitude oftentimes results in a finished product that will either make you shake your head or bust out laughing. I enjoyed watching the relationship develop between him and Oliver (Jaeden Lieberher). They were made for each other yet neither one of them realize it at first. The film as a whole makes you contemplate what constitutes being a good person versus a bad person.
Pace: 10
Plot: 10
Even as Vincent's life tailspins out of control, he manages to touch the lives of those around them in ways they never imagined. He is a ball of chaos, but in the heart of that chaos, the plot shows the semblance of a good man. Again, it's ugly but real at the same time. And that's what makes it beautiful.
Resolution: 10
Overall: 89
If nothing else, St. Vincent shows us that sometimes the funniest things are those mired in reality. Another Murray classic.
Acting: 10
Beginning: 6
Characters: 10
Cinematography/Visuals: 7
Conflict: 9
Vincent basically creates conflict everywhere he goes. Between his actions, decisions, and mouth, something is always getting him into trouble with those around him. It's hard to watch at times, funny during other times. His life is crumbling, but he brings most of it on himself. Throw in Maggie's (Melissa McCarthy) custody battle for her son and the film gives you more than enough conflict to drive the story.
Genre: 9
St. Vincent hails itself as a comedy. It's certainly going to make you laugh, but it succeeds in how dark and truthful it can be at times. I love that the film never cuts corners with Vincent's character. His life is cringeworthy and sad, yet the audience is still given avenues to laughter.
Memorability: 8
Once again, Murray manages to make a film memorable with his character alone. He doesn't care about the people he hurts or at least that's what he would have you believe. His destructive attitude oftentimes results in a finished product that will either make you shake your head or bust out laughing. I enjoyed watching the relationship develop between him and Oliver (Jaeden Lieberher). They were made for each other yet neither one of them realize it at first. The film as a whole makes you contemplate what constitutes being a good person versus a bad person.
Pace: 10
Plot: 10
Even as Vincent's life tailspins out of control, he manages to touch the lives of those around them in ways they never imagined. He is a ball of chaos, but in the heart of that chaos, the plot shows the semblance of a good man. Again, it's ugly but real at the same time. And that's what makes it beautiful.
Resolution: 10
Overall: 89
If nothing else, St. Vincent shows us that sometimes the funniest things are those mired in reality. Another Murray classic.
Sensitivemuse (246 KP) rated The Conqueror's Shadow in Books
Apr 26, 2019
Anti heroes join this great plot
I haven’t read a good fantasy in such a long time! And this one was excellent! It’s fun to see a bunch of misfit anti heroes come together to try and save the world because not only did they leave on bad terms back then in the day, Corvis actually had the galls to come back to ask them for favors (we all had that one friend didn’t we?)
Each of the characters have their distinct quirk and personality. Also they’re not afraid to tell Corvis how it is (and he surprisingly takes it...which makes them a more fun bunch to read) I can’t really say I have a favorite although I admit I was disappointed in Khanda towards the last half of the book. He definitely had the best and more fun personality to read on but he just *had* to do it didn’t he? (you’ll see when you finish the book)
The plot had a steady pace and it was good. I was actually surprised as to who the Serpent really was as you’d think it was obvious. It was a good surprise and the action in the last third of the book was massive with lots of action. Although it gets pretty dark at times and Corvis isn’t a hero per se (more like a terrorizing horrible despot who decimates towns and villages to his liking) it has black comedy elements in it and overall because of this provides a ‘lightness’ to the story. It helps that the cast of characters have witty retorts and comebacks which also provides a few laughs here and there.
The world building and setting is pretty much your standard fantasy setting that is portrayed in most novels of the genre out there. Nevertheless it doesn’t take away from the novel and still provides a good foundation for it.
A plot rich with a variety of characters, good light banter, and some action is what makes up this book in a nutshell. I definitely recommend it as it was an enjoyable read.
Each of the characters have their distinct quirk and personality. Also they’re not afraid to tell Corvis how it is (and he surprisingly takes it...which makes them a more fun bunch to read) I can’t really say I have a favorite although I admit I was disappointed in Khanda towards the last half of the book. He definitely had the best and more fun personality to read on but he just *had* to do it didn’t he? (you’ll see when you finish the book)
The plot had a steady pace and it was good. I was actually surprised as to who the Serpent really was as you’d think it was obvious. It was a good surprise and the action in the last third of the book was massive with lots of action. Although it gets pretty dark at times and Corvis isn’t a hero per se (more like a terrorizing horrible despot who decimates towns and villages to his liking) it has black comedy elements in it and overall because of this provides a ‘lightness’ to the story. It helps that the cast of characters have witty retorts and comebacks which also provides a few laughs here and there.
The world building and setting is pretty much your standard fantasy setting that is portrayed in most novels of the genre out there. Nevertheless it doesn’t take away from the novel and still provides a good foundation for it.
A plot rich with a variety of characters, good light banter, and some action is what makes up this book in a nutshell. I definitely recommend it as it was an enjoyable read.
Neon's Nerd Nexus (360 KP) rated Us (2019) in Movies
May 13, 2019
A stab in the dark
#usmovie is a powerful, #political & psychological #horror that has so many strong messages to convay that it constantly intimates & frightens the viewer in ways that most mainstream horror films simply can't comprehend. ?THIS #REVIEW MAY CONTAIN SPOILERS? #jordanpeele manages to do it again this time around & while not quite to the quality of #getout #us manages to shine with its impressive direction & nerve shattering soundtrack. To start i want to talk about the messages that I think came across to me while viewing Us. For most of its runtime you could be fooled into thinking Peele has made a simple but very decent #80s #nostalgia/home invasion/#slasher movie but once we hit the final act it almost tests you to see how much of the finer details you been paying attention to by hitting you with the overall message its been trying to convey. This world is falling apart at the seems & we are the ones responsible, we create imaginary #borders, distance/alienate ourselves from one another day by day, weve stoped comunicating, #loving trusting in one another & we gradually grow our hatred & fuel our #social awkwardness with technology. Its highly #depressing stuff & when it finally sinks in this is whats at the movies core & how it relates so well to the world today the burden of it ways heavy as you leave the cinema. Cutting ties with one another is a strong theme here as well as how lack of comunication, childhood trauma & inner #demons can become toxic/contagious & lead to the destruction of a family. Acting is simply phenomenal with #LupitaNyongo giving a performance so nerve shattering yet so humble that she deserves an award for sure. Its not a flawless movie however as does have flaws, its a little drawn out at times & when the film feels the need to talk you through & explain itself i found it a little tedious but that being said it accomplishes a perfect balance of #comedy, horror & seriousness with a spine tingling score & #gorgeous cinematography making it well worth experiencing. #odeon #odeonlimitless #filmbuff #filmcritic #friyay #weekend #scary #black #gore #trump #america #usa
Neon's Nerd Nexus (360 KP) rated Venom (2018) in Movies
May 13, 2019
We arnt Venom
#venom is this years biggest flop. Inconsistent, #boring, generic & makes even #spiderman 3 look good in comparison. What wound me up most is the characters/the acting, every single person in this film underreacts not only to situations but to each others presence too. There's simply no #emotion towards anyone or anything, #sadness, shock, #horror & #panic all feel missing from everyone giving each of them a hollow & cartoonish feel. Characters also lack #motivation for any of their actions making a good chunk of them completely disposable. Tone wise its a mess with the sparce #horrific/#dark scenes edge taken away instantly because they are followed by such a #childish/out of place slapstick #comedy vibe. Infact Venoms tone felt more like watching #Jumanji rather than a 15 certificate #film with most of its runtime feeling like an over simplified dumbed down #family film. There's so many inconsistencies too like relationships going from hostile to fine with no explanation, characters figuring things out first time without having found evidence, people appear out of seemingly nowhere on multiple occasions & nobody ever notices any of the #death/destruction being caused around the city. Its all so obvious that it feels like either huge chunks of the film is either missing or someone was really bad at editing & keeping consistency. Action is poor, forgettable, generic & anticlimactic & the cgi #feels cheap, #lazy & unimaginative like a straight to dvd #movie. Plot is borderline offensive its that basic with so many early visual cues to whats going to happen that its really #inteligence insulting at times. #tomhardy is great as always & really seems like he's giving it his all but the bad writing & awful script kill what #charm & likability his character has completely & the interaction between him & Venom lacks punch & believability too. #Upgrade proved this year that you dont need a big budget to make a great film about losing control of yourself & yet Venom with all its backing doesnt even come close to doing anything right. Last years #life would of made a far better venom movie than this. #wednesdaywisdom #filmcritic #stanlee #mcu #comic #marvel
Neon's Nerd Nexus (360 KP) rated The Incredibles 2 (2018) in Movies
May 14, 2019
Super
#pixar #disney #incredibles2 is an exceptional #sequel with a much more mature tone & flawless #animation. After doing a double bill of the incredibles films today in #4k I found myself awe of the technical achievement on show. This #film is stunning & I mean visual #perfection, particle effects are complex & mesmerising, #eyes house tiny red veins, faces blush & cloths contain intricate stitching too with character animation also being fluid & #natural. Subject matter is dark this time around & deals with extremely #adult themes, parents might want to think twice before taking kids to see this one as id say almost 80% of the film is a heavily dialog driven #drama. I wont lie at times its incredibly intense, heavy going & hard work but its also always fascinating & higly rewarding housing many very real world/mature themes with great complexity & depth. With things getting very serious the film does break things up every now & again with just enough huge scale top notch memorable action set pieces & slick comedy to let your brain rest briefly (however I found most #Kids in my screening were getting restless & bored by then so parents may want to think twice before taking the #family). Themes of death, jealousy, trust, lies, parent roll reversal, balancing home #life & family with work, teaching kids to be themselves while also making sure they obey the law & fit in, as well as metaphors about technology enslaving us all & how superhero films are only pushed on us to distract us from real world problems & belief someone else will solve all our problems for us (this is not only refreshing but expertly handled & over flowing with intelligence giving the #film a more human, realistic & relevant tone). Voice work is simply top notch with #bobodenkirk being the most interesting & going the extra mile. Score & #sound design are also on point & at times I swear I thought #jackjack was a #kid in my screening running around behind me. The last 20mins felt a tad rushed but with such likeable & well fleshed out characters & a more mature story #incredibles 2 might just be the most intelligent & #fun #superhero film or the year. #odeon #odeonlimitless #beautiful #hero #super
Neon's Nerd Nexus (360 KP) rated Hereditary (2018) in Movies
May 14, 2019
Its all in the family
#Hereditary is a strange/uncomfortable visual bombardment & for a directorial debut its almost stunningly perfect too.For those of you looking for jump scares, a scary #nun or a haunted doll you may want to avoid Hereditary as this is a different kind of horror film & its all the better for it. Sitting comfortably in between #thewitch & #itcomesatnight this is a multi layered film about loss, grieving, mental heath & loneliness & how they slowly bring about the destruction of a #family. Shot flawlessly the film sinks its teeth into your nerves instantly with #beautiful slow camera pans & rotations mixed with eerie lingering shots & overlapping scene fades. It really is a work of #art visually & every location feels like a character its self. Sound design is perfect too with great use of silence to build dread/tension, a fantastic & beautifuly somber score & great use of clicking, chopping, cracking & snapping sounds that constantly keep you feeling #anxious & on edge. Acting is also flawless with #ToniCollette absolutely knocking it out of the park as Annie a character Toni plays so well you cant help but get lost in the intricacy of her personality. While containing horror elements Hereditary plays out more along the lines of a #psychological drama with a plot so multi layered, intricate & intelligent multiple viewings will be necessary to fully understand all of what its truly about & what it really has to say (that's not to say its an easy watch however, at times the film created a tension & atmosphere so unpleasant & unnerving this accompanied by some startling & #dark imagery I found myself feeling very uncomfortable at times). My only gripe stopping it being a 10 is the strange comedy surrounding some scenes which I found immersion breaking (this may be intentional but for me it didnt work). Hereditary really is something special/unique & although not for everyone its certainly destined to win an award or become a #cultclassic. With a fresh take on its subject matter & truly #disturbing imagery this is a must for film #fans. #odeon #odeonlimitless #horror #scary #gore #terror #anxiety #mentalhealthawareness #mentalhealth #filmcritic #filmbuff #filmreview
Gareth von Kallenbach (980 KP) rated Life of the Party (2018) in Movies
Jul 8, 2019
Deanna (Melissa McCarthy) has spent the past 21 years being a dedicated wife and mother. Her and her husband Dan (Matt Walsh) have delivered their only daughter, Maddie (Molly Gordon) to their alma mater for her Senior year at college. As Deanna and Dan leave to what she thinks is their romantic trip to Italy, Dan breaks the information that 1. He wants a divorce and 2. He has been seeing Marcie (Julie Bowen) for a while and is in love with her. In a tailspin, Deanna retreats to her parents Mike and Sandy (Stephen Root and Jacki Weaver, respectively)feeling upended and lost.
While recovering from the emotional bomb, her best friend Christine (Maya Rudolph as that BFF who says all things unedited and is SO VERY Ride or Die) helps to pull her (and the audience) out of the dark depths with the best drunk racquetball sideline ever. The chemistry between McCarthy and Rudolph feels like two naturals riffing off with each other. Their interchanges throughout the film had me snort-laughing throughout.
Deanna decides that since she did not graduate with her degree due to motherhood and Dan, it’s an opportunity to finish and pursue her dream of being an archaeologist. Dee registers and lets her daughter know of the huge changes happening. Dee can come off as a Pollyanna to a degree, but it is her can do, positive attitude that eventually helps her ride out the rollercoaster for her senior year.
Once she is entrenched in the school year, her daughter’s friends bring her into their circle and forces her to life the college life instead of only studying all the time. She meets the very handsome Jack ( Luke Benward) a much younger man, teaching him the finer arts of canoodling of a more experienced kind.
The film is cleverly written and produced by McCarthy and Ben Falcone (her husband) at the helm directing this movie. Melissa, is brilliant at giving us wonderfully unexpected physical comedy with fantastic comic timing. The cast, have given us an enjoyable movie that is a heartily, welcomed respite.
Life of the Party is a fun Girls Night Out.
While recovering from the emotional bomb, her best friend Christine (Maya Rudolph as that BFF who says all things unedited and is SO VERY Ride or Die) helps to pull her (and the audience) out of the dark depths with the best drunk racquetball sideline ever. The chemistry between McCarthy and Rudolph feels like two naturals riffing off with each other. Their interchanges throughout the film had me snort-laughing throughout.
Deanna decides that since she did not graduate with her degree due to motherhood and Dan, it’s an opportunity to finish and pursue her dream of being an archaeologist. Dee registers and lets her daughter know of the huge changes happening. Dee can come off as a Pollyanna to a degree, but it is her can do, positive attitude that eventually helps her ride out the rollercoaster for her senior year.
Once she is entrenched in the school year, her daughter’s friends bring her into their circle and forces her to life the college life instead of only studying all the time. She meets the very handsome Jack ( Luke Benward) a much younger man, teaching him the finer arts of canoodling of a more experienced kind.
The film is cleverly written and produced by McCarthy and Ben Falcone (her husband) at the helm directing this movie. Melissa, is brilliant at giving us wonderfully unexpected physical comedy with fantastic comic timing. The cast, have given us an enjoyable movie that is a heartily, welcomed respite.
Life of the Party is a fun Girls Night Out.
Movie Metropolis (309 KP) rated Venom (2018) in Movies
Jun 10, 2019
Do you like time travel
“It feels like a movie born from a different era.” That is the thought that immediately flooded my brain upon leaving the cinema after watching Venom. Now, that’s not necessarily a bad thing of course. Hundreds of amazing films have been born well before superhero films became the successful genre they are today.
Nevertheless, in Venom’s case, what we have is a film that struggles to create a consistent tone throughout its rather succinct running time. But is the film still a success for Sony?
Journalist Eddie Brock (Tom Hardy) is trying to take down Carlton Drake (Riz Ahmed), the notorious and brilliant founder of the Life Foundation. While investigating one of Drake’s experiments, Eddie’s body merges with the alien Venom – leaving him with superhuman strength and power. Twisted, dark and fuelled by rage, Venom tries to control the new and dangerous abilities that Eddie finds so intoxicating.
Director of the absolutely brilliant, Zombieland and its upcoming sequel, Ruben Fleischer seems like the perfect choice to helm a solo movie for Peter Parker’s arch nemesis, but the result is muddled – speckled with excellent moments that are lowered by frequently jarring editing techniques and a brawl for identity. Whether that’s down to studio interference or just a misunderstanding of the source material is up for debate.
Let’s start with the best bit: the cast. Venom’s cast is of such a high quality, it really needs reeling off to be believed. We’ve got Tom Hardy, Michelle Williams and Riz Ahmed all in lead parts. Hardy is his ever-charming self in a role that is vastly different from his portrayal of Bane in The Dark Knight Rises. His ‘bromance’ with Venom is by far the standout of the entire film with witty dialogue and amusing physical comedy. In particular, one scene set in an lobster restaurant had the audience in stitches.
Unfortunately, Michelle Williams, one of our most talented actresses is wasted in a thankless role as Brock’s girlfriend, Annie. She’s supposed to be a lawyer, but apart from a few lines of dialogue explaining that fact, she’s completely by-the-numbers WAG. Riz Ahmed suffers a similar fate. His Carlton Drake is so pantomime villain-esque, you half expect him to start twirling a moustache.
Then there’s the film itself. The special effects rarely rise above adequate and the cartoonish CGI used to create Venom himself is frankly, quite poor. You’re never under the illusion that the symbiote could be real, it just looks far too machine generated. With a budget of $100million, this is wholly unacceptable. It’s also noisy and pretty ugly to look at, constantly murky with a muddy colour palate that tries desperately to be edgy and cool – it fails.
Venom feels totally and unequivocally outdated and from a different age
The plot is typical origins story which is to be expected, but there’s very little to thrill or surprise and the first hour is poorly paced. It’s not until we see Venom in his full form that things get out of the gate and Venom finds its footing.
Part buddy-comedy, part superhero flick and part body horror, Venom struggles to maintain a consistent identity. Much like the titular antihero, the film feels like a parasite, latching onto different genres until it finally finds one that fits its needs.
This is a real shame as there are moments of brilliance here. The dialogue between Venom and Brock is great and while the story isn’t anything out of the ordinary, an origins plot for an antihero rather than a traditional superhero is an inspired choice. The lack of Tom Holland’s Peter Parker really doesn’t matter too much, though I can’t help but be disappointed that these two may never meet on film.
Finally, the bizarre decision to aim for a PG-13 rating in the US has inexplicably landed it with a 15 certification here in the UK. 15 rating superhero films include Deadpool and its sequel, Logan and Watchmen. If you’re hoping for gore to the standard of those, you’ll be very dissatisfied. Despite all his head-chomping glory, Venom doesn’t even have a hint of the red stuff.
In the end, despite its best efforts, Venom just comes out very ‘meh’. In a world populated by standout superhero movies like Captain America: Civil War, Spider-Man: Homecoming and Thor: Ragnarok, Venom feels totally and unequivocally outdated and from a different age. Thankfully, it’s not Catwoman levels of bad, maybe X-Men: The Last Stand levels of average.
https://moviemetropolis.net/2018/10/04/venom-review-do-you-like-time-travel/
Nevertheless, in Venom’s case, what we have is a film that struggles to create a consistent tone throughout its rather succinct running time. But is the film still a success for Sony?
Journalist Eddie Brock (Tom Hardy) is trying to take down Carlton Drake (Riz Ahmed), the notorious and brilliant founder of the Life Foundation. While investigating one of Drake’s experiments, Eddie’s body merges with the alien Venom – leaving him with superhuman strength and power. Twisted, dark and fuelled by rage, Venom tries to control the new and dangerous abilities that Eddie finds so intoxicating.
Director of the absolutely brilliant, Zombieland and its upcoming sequel, Ruben Fleischer seems like the perfect choice to helm a solo movie for Peter Parker’s arch nemesis, but the result is muddled – speckled with excellent moments that are lowered by frequently jarring editing techniques and a brawl for identity. Whether that’s down to studio interference or just a misunderstanding of the source material is up for debate.
Let’s start with the best bit: the cast. Venom’s cast is of such a high quality, it really needs reeling off to be believed. We’ve got Tom Hardy, Michelle Williams and Riz Ahmed all in lead parts. Hardy is his ever-charming self in a role that is vastly different from his portrayal of Bane in The Dark Knight Rises. His ‘bromance’ with Venom is by far the standout of the entire film with witty dialogue and amusing physical comedy. In particular, one scene set in an lobster restaurant had the audience in stitches.
Unfortunately, Michelle Williams, one of our most talented actresses is wasted in a thankless role as Brock’s girlfriend, Annie. She’s supposed to be a lawyer, but apart from a few lines of dialogue explaining that fact, she’s completely by-the-numbers WAG. Riz Ahmed suffers a similar fate. His Carlton Drake is so pantomime villain-esque, you half expect him to start twirling a moustache.
Then there’s the film itself. The special effects rarely rise above adequate and the cartoonish CGI used to create Venom himself is frankly, quite poor. You’re never under the illusion that the symbiote could be real, it just looks far too machine generated. With a budget of $100million, this is wholly unacceptable. It’s also noisy and pretty ugly to look at, constantly murky with a muddy colour palate that tries desperately to be edgy and cool – it fails.
Venom feels totally and unequivocally outdated and from a different age
The plot is typical origins story which is to be expected, but there’s very little to thrill or surprise and the first hour is poorly paced. It’s not until we see Venom in his full form that things get out of the gate and Venom finds its footing.
Part buddy-comedy, part superhero flick and part body horror, Venom struggles to maintain a consistent identity. Much like the titular antihero, the film feels like a parasite, latching onto different genres until it finally finds one that fits its needs.
This is a real shame as there are moments of brilliance here. The dialogue between Venom and Brock is great and while the story isn’t anything out of the ordinary, an origins plot for an antihero rather than a traditional superhero is an inspired choice. The lack of Tom Holland’s Peter Parker really doesn’t matter too much, though I can’t help but be disappointed that these two may never meet on film.
Finally, the bizarre decision to aim for a PG-13 rating in the US has inexplicably landed it with a 15 certification here in the UK. 15 rating superhero films include Deadpool and its sequel, Logan and Watchmen. If you’re hoping for gore to the standard of those, you’ll be very dissatisfied. Despite all his head-chomping glory, Venom doesn’t even have a hint of the red stuff.
In the end, despite its best efforts, Venom just comes out very ‘meh’. In a world populated by standout superhero movies like Captain America: Civil War, Spider-Man: Homecoming and Thor: Ragnarok, Venom feels totally and unequivocally outdated and from a different age. Thankfully, it’s not Catwoman levels of bad, maybe X-Men: The Last Stand levels of average.
https://moviemetropolis.net/2018/10/04/venom-review-do-you-like-time-travel/
Charlie Cobra Reviews (1840 KP) rated Doom Patrol in TV
Jul 4, 2020
Not Your Average Superhero Show - 7/10
Doom Patrol Is a 2019 action/sci-fi, comedy/drama superhero TV series based on the DC comic created by writers Arnold Drake and Bob Haney and artist Bruno Premiani. It was developed by Jeremy Carver, and produced by DC Entertainment and Warner Bros. Television for DC Universe. Doom Patrol is a spin-off of Titans, a superhero TV series also on DC Universe. Starring Brendan Fraser, Timothy Dalton, Alan Tudyk, Matt Bomer and April Bowlby.
Doom Patrol picks up after the events of Titans, and finds the titular heroes in the town of Cloverton, Ohio. However they are a long, long way from being anything resembling heroes. The group consisting of Robotman/Clifford "Cliff" Steele (Brendan Fraser), Negative-man/Larry Trainor (Matt Bomer), Elasti-woman/Rita Farr (April Bowlby) and Crazy Jane/Kay (Diane Guerrero) are taken in by Chief/Dr. Niles Caulder (Timothy Dalton).
They each have suffered horrible accidents that have left them scarred or disfigured but also imbued them with superpowers. They have come together in Doom Manor under the guidance of Dr. Caulder to try and overcome their own demons. However when the good Dr. leaves the manor, a quick venture into the town for the team has far-reaching consequences. An enemy called Mr. Nobody (Alan Tudyk) comes to exact revenge and takes the doctor and everyone in the town with him. Luckily they are left with a possible new member and old friend of the doctor, who has come to check on the town and him, Cyborg (Jovian Wade) from Titans.
This show is really weird and definitely not for everyone. I didn't have the opportunity to watch the Titans show before this, so I don't know how much it affects it in anyway or if it's in the same vein. I also never read the Doom Patrol comics. It didn't seem to me like there was a clear plot at first but the writers are definitely going for a unique and captivating way of grabbing the audience. It's also rated TV-MA and it feels like they're kind of going for that Deadpool audience and a dark humor comedy feel. That being said it's not terrible, it really grows on you. To me the first episode was kind of hit or miss but by the second episode it really pulls you in. The characters motivations and backgrounds are very unique and emotionally appealing. The general atmosphere of the show was kind of all over the place; I mean it's a little bit drama, a little bit action, sometimes slightly horror and kind of gory and a superhero element on top of all all of it, plus sci-fi.
There is a pretty exclusively entertaining character, the narrator/villain Mr. nobody who is played by Alan Tudyk. He is very funny and charismatic and isn't afraid to break the fourth wall, right away in the beginning of the first episode. I guess it's a pretty good show but not for everyone, I would give it a 7/10.
Doom Patrol picks up after the events of Titans, and finds the titular heroes in the town of Cloverton, Ohio. However they are a long, long way from being anything resembling heroes. The group consisting of Robotman/Clifford "Cliff" Steele (Brendan Fraser), Negative-man/Larry Trainor (Matt Bomer), Elasti-woman/Rita Farr (April Bowlby) and Crazy Jane/Kay (Diane Guerrero) are taken in by Chief/Dr. Niles Caulder (Timothy Dalton).
They each have suffered horrible accidents that have left them scarred or disfigured but also imbued them with superpowers. They have come together in Doom Manor under the guidance of Dr. Caulder to try and overcome their own demons. However when the good Dr. leaves the manor, a quick venture into the town for the team has far-reaching consequences. An enemy called Mr. Nobody (Alan Tudyk) comes to exact revenge and takes the doctor and everyone in the town with him. Luckily they are left with a possible new member and old friend of the doctor, who has come to check on the town and him, Cyborg (Jovian Wade) from Titans.
This show is really weird and definitely not for everyone. I didn't have the opportunity to watch the Titans show before this, so I don't know how much it affects it in anyway or if it's in the same vein. I also never read the Doom Patrol comics. It didn't seem to me like there was a clear plot at first but the writers are definitely going for a unique and captivating way of grabbing the audience. It's also rated TV-MA and it feels like they're kind of going for that Deadpool audience and a dark humor comedy feel. That being said it's not terrible, it really grows on you. To me the first episode was kind of hit or miss but by the second episode it really pulls you in. The characters motivations and backgrounds are very unique and emotionally appealing. The general atmosphere of the show was kind of all over the place; I mean it's a little bit drama, a little bit action, sometimes slightly horror and kind of gory and a superhero element on top of all all of it, plus sci-fi.
There is a pretty exclusively entertaining character, the narrator/villain Mr. nobody who is played by Alan Tudyk. He is very funny and charismatic and isn't afraid to break the fourth wall, right away in the beginning of the first episode. I guess it's a pretty good show but not for everyone, I would give it a 7/10.
Movie Metropolis (309 KP) rated You're Next (2013) in Movies
Jun 11, 2019
Finding a good horror film has been a little like a prompt train over the last few years, they are few and far between. However, 2013 has produced more than its fair share of movies within the genre, with the excellent The Purge, released earlier this year; Insidious 2, which is in cinemas this autumn and of course, the subject of this review; You’re Next. But can this modern horror film deliver the thrills and spills of those of yesteryear?
Relative newcomer Adam Wingard directs this rather formulaic home invasion film with some nice creative touches and a rousing score, borrowing heavily from other similar films like the dire When a Stranger Calls, the excellent The Strangers and the downright ridiculous Black Christmas.
However, what sets You’re Next apart from the pack is in its comic timing. Rather than going for full shock value, the film delivers a comedic edge which is welcome in breaking up the bludgeoning and stabbing, which there is a huge amount of.
The plot is simple, a family gathers at their parents’ large manor house to celebrate an anniversary, only to be taunted and butchered by a group of masked killers intent on ruining the party. There are the usual horror clichés of people being watched from outside, people being crept up on from behind and the gem that is thinking there is someone there and realising it’s just a member of the family, but Wingard keeps it feeling fresh and new throughout.
The acting is generally terrible, as is the case with many horror films, but because the movie never takes itself too seriously, the performances add to the overall effect rather than become an annoyance. One stand-out characterisation is Sharni Vinson as Erin, a larger than life Australian who really comes into her own in the battle between the ever decreasing family and the constant onslaught of the masked murderers.
Whilst not scaling the heights of last year’s Cabin in the Woods, You’re Next really helps show that there is life in a genre which has been inundated with cheap knock-offs, countless sequels and pointless remakes.
It is daft, unoriginal and full of lifeless characters, but as a slice of truly terrifying horror and a piece of laugh out loud dark comedy, it succeeds and is highly recommended.
Relative newcomer Adam Wingard directs this rather formulaic home invasion film with some nice creative touches and a rousing score, borrowing heavily from other similar films like the dire When a Stranger Calls, the excellent The Strangers and the downright ridiculous Black Christmas.
However, what sets You’re Next apart from the pack is in its comic timing. Rather than going for full shock value, the film delivers a comedic edge which is welcome in breaking up the bludgeoning and stabbing, which there is a huge amount of.
The plot is simple, a family gathers at their parents’ large manor house to celebrate an anniversary, only to be taunted and butchered by a group of masked killers intent on ruining the party. There are the usual horror clichés of people being watched from outside, people being crept up on from behind and the gem that is thinking there is someone there and realising it’s just a member of the family, but Wingard keeps it feeling fresh and new throughout.
The acting is generally terrible, as is the case with many horror films, but because the movie never takes itself too seriously, the performances add to the overall effect rather than become an annoyance. One stand-out characterisation is Sharni Vinson as Erin, a larger than life Australian who really comes into her own in the battle between the ever decreasing family and the constant onslaught of the masked murderers.
Whilst not scaling the heights of last year’s Cabin in the Woods, You’re Next really helps show that there is life in a genre which has been inundated with cheap knock-offs, countless sequels and pointless remakes.
It is daft, unoriginal and full of lifeless characters, but as a slice of truly terrifying horror and a piece of laugh out loud dark comedy, it succeeds and is highly recommended.