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The KD Shindig
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The novel opens with the wedding of Kristin Nicol and Darren Maundeville in a small, historic...
Sarah (7798 KP) rated What We Do in the Shadows - Season 2 in TV
Jul 21, 2020
Still going strong
I always worry with tv shows, especially ones that have been brilliant in the past, that subsequent seasons are never going to live up to expectations. However this is not a problem so far for What We Do in the Shadows and this second series is just as brilliant as the first.
To say this show is hilarious would be an understatement. It’s so clever and funny and full of dark off beat humour, I cracked up constantly at every episode. Whilst Taika Waititi was apparently too busy on other projects to resume duties on this season, it was great to see that Jemaine Clement was still very much in charge and you can tell the formula and style of the show hasn’t changed (it’d be a travesty if it ever did). I have to give a shout out this season to Natasia Demetriou as Nadja is now by far my favourite character. Hearing her exasperations and admonitions at Lazlo is so funny and sums up how I feel most of the time! It was also great to see Colin Robinson taking a more prominent role in the group this time round as he’s such a wonderful deadpan character. There are also some wonderful guest stars this season too, they’ve really got some great names playing some hilarious roles (Mark Hamill and Benedict Wong are highlights) and while I didn’t think there was a standout episode for guests like the Vampiric Council in season 1, the guest episodes individually in season 2 were all a very high standard.
I’m never one to advocate dragging tv shows out unnecessarily, but I really think What We Do in the Shadows is an exception. If they can carry on making this show to this excellent standard with the same cast and crew, then they need to make as much as possible. 10 episodes a season just isn’t long enough, watching this is the highlight of my year and I can’t wait to see more.
To say this show is hilarious would be an understatement. It’s so clever and funny and full of dark off beat humour, I cracked up constantly at every episode. Whilst Taika Waititi was apparently too busy on other projects to resume duties on this season, it was great to see that Jemaine Clement was still very much in charge and you can tell the formula and style of the show hasn’t changed (it’d be a travesty if it ever did). I have to give a shout out this season to Natasia Demetriou as Nadja is now by far my favourite character. Hearing her exasperations and admonitions at Lazlo is so funny and sums up how I feel most of the time! It was also great to see Colin Robinson taking a more prominent role in the group this time round as he’s such a wonderful deadpan character. There are also some wonderful guest stars this season too, they’ve really got some great names playing some hilarious roles (Mark Hamill and Benedict Wong are highlights) and while I didn’t think there was a standout episode for guests like the Vampiric Council in season 1, the guest episodes individually in season 2 were all a very high standard.
I’m never one to advocate dragging tv shows out unnecessarily, but I really think What We Do in the Shadows is an exception. If they can carry on making this show to this excellent standard with the same cast and crew, then they need to make as much as possible. 10 episodes a season just isn’t long enough, watching this is the highlight of my year and I can’t wait to see more.
BookInspector (124 KP) rated In Bloom (Sweetpea, #2) in Books
Sep 24, 2020
This time Rhiannon takes us on an exclusive journey through her pregnancy, and it is absolutely hilarious. My inner psycho really missed this foul-mouthed but brutally honest character. (Don’t pretend you don’t have one!) It is so amusing to read about all her actions, pretending and manipulations and at the same time to hear what she is truly thinking about everybody in this book. She is a very original and absorbing character, that is why a single perspective in this book works very well.
This book is a continuation of the previous part, so if you would like to understand what is going on, you have to read Sweetpea first. The author takes us through Rhiannon’s pregnancy and the ugly stuff that pregnancy brings you. Yes, all the vomiting, backache, bloating and non stop eating etc., not the bliss, joy and other unicorn poop. SHE KEEPS IT REAL! 😀 The police are on Rhiannon’s back, and her baby is TRYING to stop her from the murdering, that is why our main character has to take it a bit easier in this book. For this reason, I found it a bit slow in some places, as not many things were happening, but the author threw in some unexpected twists in this story as well.
I really enjoyed C.J. Skuse’s writing style, which is not suitable for young readers, this book is filled with swear words, murders, and everything that you trying to protect your young ones from. 😀 The short chapters made the whole reading experience even more pleasurable. The ending of this novel was very unexpected but I really liked it, and I can not wait for another book in the series.
So, to conclude, if you like books about psychopaths, served with a huge portion of humour, foul language, and dark, but honest thoughts, these series are definitely for you! I hope you will give this book a try and will enjoy as much as I did. 🙂
This book is a continuation of the previous part, so if you would like to understand what is going on, you have to read Sweetpea first. The author takes us through Rhiannon’s pregnancy and the ugly stuff that pregnancy brings you. Yes, all the vomiting, backache, bloating and non stop eating etc., not the bliss, joy and other unicorn poop. SHE KEEPS IT REAL! 😀 The police are on Rhiannon’s back, and her baby is TRYING to stop her from the murdering, that is why our main character has to take it a bit easier in this book. For this reason, I found it a bit slow in some places, as not many things were happening, but the author threw in some unexpected twists in this story as well.
I really enjoyed C.J. Skuse’s writing style, which is not suitable for young readers, this book is filled with swear words, murders, and everything that you trying to protect your young ones from. 😀 The short chapters made the whole reading experience even more pleasurable. The ending of this novel was very unexpected but I really liked it, and I can not wait for another book in the series.
So, to conclude, if you like books about psychopaths, served with a huge portion of humour, foul language, and dark, but honest thoughts, these series are definitely for you! I hope you will give this book a try and will enjoy as much as I did. 🙂
LeftSideCut (3778 KP) rated Leprechaun: Back 2 tha Hood (2003) in Movies
Dec 3, 2020
And so we come to the end of the emotional journey that is Warwick Davis' Leprechaun, and I need pinching because it's actually not half bad. The first Leprechaun Hood movie had some good aspects, but was bogged down by cheap ass production standards. This "sequel" manages to retain what was good about the previous film, looks more professional, and is just an all round better experience.
Lep himself is different - he doesn't do his rhyming schtick from every other entry, and has a darker coloured new costume. It was a bit jarring at first but it grows on you. He comes across colder than before, and the movie as a whole feels much more like a slasher than ever. It also boasts some pretty decent kills, and some solid dark humour!
The lead human cast are once again pretty interesting, as far as slashers go, and much like In the Hood, makes this film engaging to a degree.
It still has trashy dialogue, and some dodgy effects sure, but it's miles ahead than say Leprechaun in Space in terms of quality. It's even starts with a genuinely great animated sequence.
It's also worth noting how low key hilarious it is when Lep is getting roughed up. Honestly, he just gets the shit kicked out of him in this one, over and over again, and keeps getting back up, over and over again. The dude is relentless, and is another reason why this Lep is arguably the best portrayal in the whole series. He actually feels quite threatening, and the climax involves a mother fucking magic fight with a witch. Way to step it up Back 2 tha Hood!
It's obviously not the Citizen Kane of horror, but you could do a lot worse, and this might honestly be my favourite entry in the whole franchise, which I certainly didn't expect going in!
Lep himself is different - he doesn't do his rhyming schtick from every other entry, and has a darker coloured new costume. It was a bit jarring at first but it grows on you. He comes across colder than before, and the movie as a whole feels much more like a slasher than ever. It also boasts some pretty decent kills, and some solid dark humour!
The lead human cast are once again pretty interesting, as far as slashers go, and much like In the Hood, makes this film engaging to a degree.
It still has trashy dialogue, and some dodgy effects sure, but it's miles ahead than say Leprechaun in Space in terms of quality. It's even starts with a genuinely great animated sequence.
It's also worth noting how low key hilarious it is when Lep is getting roughed up. Honestly, he just gets the shit kicked out of him in this one, over and over again, and keeps getting back up, over and over again. The dude is relentless, and is another reason why this Lep is arguably the best portrayal in the whole series. He actually feels quite threatening, and the climax involves a mother fucking magic fight with a witch. Way to step it up Back 2 tha Hood!
It's obviously not the Citizen Kane of horror, but you could do a lot worse, and this might honestly be my favourite entry in the whole franchise, which I certainly didn't expect going in!
Sarah (7798 KP) rated The Umbrella Academy - Season 1 in TV
Aug 1, 2020
Deserving of the hype
The review is a copy of my review of the main series, as the first season is what I based it on!
I have to admit, I was pretty impressed with this show. It's not every day when you watch something that meets all of the hype surrounding it, and I was quite sceptical to begin with.
The show manages to brilliantly blend action, the supernatural and dark humour to form an intriguing and interesting adult plot, with just enough twists to keep you hooked without going too OTT (Lost style). It also has some brilliant fight scenes (with a decent amount of blood and gore) that are paired with a truly killer soundtrack. And it has fortunately gone down the adult route rather than making this suitable for kids like some of the Marvel type shows/films.
The characters too for the most part are witty, deep and well thought out, from the family members to the villains Hazel and Cha-Cha. My favourites are by far Five and Klaus. Robert Sheehan is a great actor, I've loved him since Misfits and he's really perfect for Klaus. And Aidan Gallagher is brilliant as the old man in a child's body Five, there's something very humorous seeing a thirteen year old outsmarting and killing people. He's a true delight whenever he's on screen. My only real issue with the characters is with Vanya. For me I found her very dull to begin with and I thought her entire storyline was a teeny bit predictable. She does pick up and get more interesting towards the end, it's just a shame she puts a downer on the earlier episodes. Luckily the rest of the show more than makes up for it.
I can't begin to say how devastated I was at the end of the final episode. I could've quite happily watched more, so I really hope they renew this for another season.
I have to admit, I was pretty impressed with this show. It's not every day when you watch something that meets all of the hype surrounding it, and I was quite sceptical to begin with.
The show manages to brilliantly blend action, the supernatural and dark humour to form an intriguing and interesting adult plot, with just enough twists to keep you hooked without going too OTT (Lost style). It also has some brilliant fight scenes (with a decent amount of blood and gore) that are paired with a truly killer soundtrack. And it has fortunately gone down the adult route rather than making this suitable for kids like some of the Marvel type shows/films.
The characters too for the most part are witty, deep and well thought out, from the family members to the villains Hazel and Cha-Cha. My favourites are by far Five and Klaus. Robert Sheehan is a great actor, I've loved him since Misfits and he's really perfect for Klaus. And Aidan Gallagher is brilliant as the old man in a child's body Five, there's something very humorous seeing a thirteen year old outsmarting and killing people. He's a true delight whenever he's on screen. My only real issue with the characters is with Vanya. For me I found her very dull to begin with and I thought her entire storyline was a teeny bit predictable. She does pick up and get more interesting towards the end, it's just a shame she puts a downer on the earlier episodes. Luckily the rest of the show more than makes up for it.
I can't begin to say how devastated I was at the end of the final episode. I could've quite happily watched more, so I really hope they renew this for another season.
The Vanishing Half
9.0
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'The Vanishing Half is an utterly mesmerising novel. It seduces with its literary flair, surprises...
New Kid In Town
7.0
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Liv, Jude and Kat are greater than the sum of their parts. Separately they are Brainy, Sporty and...
Merissa (12051 KP) rated Her Avenging Angel (Her Angel: Eternal Warriors #4) in Books
Apr 10, 2023 (Updated Apr 10, 2023)
Nevar has been through hell, quite literally. He has spent what seems like an endless amount of time trying to find ways in which to defeat his master, Asmodeus. He made a mistake though when he tried to exploit Liora as Asmodeus' weakness and ended up nearly killing her. This in turn leads to a series of events which sees him on guard duty, bored and hungry. So he decides to create a portal which takes him to Cloud 9 so that he can eat and drink. While he is there, a dark-haired beauty catches his attention, along with every other male there. Unfortunately, whilst she can understand most languages, she can only speak in one and no else seems able to. Apart from Nevar that is, and Asmodeus when he turns up looking for Nevar.
This story is about growth, friendship and personal responsibility inasmuch as it is a love story. All our males grow upon finding their female and none so much as Nevar. He has quite the learning curve to go through but with Lysia by his side, he is convinced that he can do it. Of course, their path doesn't run smoothly but Nevar finds a family that he never before acknowledged, prepared to help him and fight beside him.
All of our favourites are still here and still as brilliant as ever. Asmodeus and Veiron remain my favourites, especially in one of the last scenes where they are making fun of Nevar (but I won't say more than that so that I don't spoil anything!)
There are some interesting leads made in this story which makes me believe that the following stories in this series will continue with the smexiness, action and humour that makes them so enjoyable. Definitely recommended for all fans of PR.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
July 26, 2016
This story is about growth, friendship and personal responsibility inasmuch as it is a love story. All our males grow upon finding their female and none so much as Nevar. He has quite the learning curve to go through but with Lysia by his side, he is convinced that he can do it. Of course, their path doesn't run smoothly but Nevar finds a family that he never before acknowledged, prepared to help him and fight beside him.
All of our favourites are still here and still as brilliant as ever. Asmodeus and Veiron remain my favourites, especially in one of the last scenes where they are making fun of Nevar (but I won't say more than that so that I don't spoil anything!)
There are some interesting leads made in this story which makes me believe that the following stories in this series will continue with the smexiness, action and humour that makes them so enjoyable. Definitely recommended for all fans of PR.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
July 26, 2016
ClareR (5721 KP) rated The Saint of Lost Things in Books
Apr 12, 2023
The Saint of Lost Things by Tish Delaney was read wonderfully by Bronagh Waugh on the audiobook. Not just the accent - she gave the characters in the book their personalities, bringing them off the page and into my ears!
This isn’t a happy family by any means. Lindy’s Catholic-when-it-suits-him grandfather makes it clear that he only tolerates her. He punishes her for every minor infraction because she is “the wrong child”. He punishes her because she’s illegitimate and female, and what’s more, her mother is no longer alive to take her share of the punishment. Lindy is, of course, responsible for her fathers existence - he’s a gypsy, a tinker and a whole host of other unpleasant names that I could have done without learning. In fact, Lindy is responsible for a great many things that she doesn’t know about.
The writing makes this abusive family seem almost acceptable, and at the same time, shows it up for the horror show that it is. Bronagh Waugh’s narration adds more of a wry, dark humour to what would be a relentlessly sombre story otherwise.
I felt sorry for Auntie Bell, also held in low esteem by her own father and given no option but to look after her niece. To be fair, she’s not very nice about it, and is all too keen to tell Lindy that she was forced to look after her and in doing so, Lindy ruined her life.
Lindy’s life isn’t much better. She tries to have her own life away in London, but ends up returning to the farm and her awful grandfather.
Her life changes forever when the parish priest comes to her with news she never thought she’d have. This news changes everything. And what an earth shattering piece of news it is!!
I really enjoyed this, even though it wasn’t the happiest of books. I found myself thinking about it, even when I wasn’t listening. These are all fascinating characters and brought to life so well by the narrator.
Recommended.
This isn’t a happy family by any means. Lindy’s Catholic-when-it-suits-him grandfather makes it clear that he only tolerates her. He punishes her for every minor infraction because she is “the wrong child”. He punishes her because she’s illegitimate and female, and what’s more, her mother is no longer alive to take her share of the punishment. Lindy is, of course, responsible for her fathers existence - he’s a gypsy, a tinker and a whole host of other unpleasant names that I could have done without learning. In fact, Lindy is responsible for a great many things that she doesn’t know about.
The writing makes this abusive family seem almost acceptable, and at the same time, shows it up for the horror show that it is. Bronagh Waugh’s narration adds more of a wry, dark humour to what would be a relentlessly sombre story otherwise.
I felt sorry for Auntie Bell, also held in low esteem by her own father and given no option but to look after her niece. To be fair, she’s not very nice about it, and is all too keen to tell Lindy that she was forced to look after her and in doing so, Lindy ruined her life.
Lindy’s life isn’t much better. She tries to have her own life away in London, but ends up returning to the farm and her awful grandfather.
Her life changes forever when the parish priest comes to her with news she never thought she’d have. This news changes everything. And what an earth shattering piece of news it is!!
I really enjoyed this, even though it wasn’t the happiest of books. I found myself thinking about it, even when I wasn’t listening. These are all fascinating characters and brought to life so well by the narrator.
Recommended.
Bob Mann (459 KP) rated Cruella (2021) in Movies
Jun 11, 2021
The two Emmas (2 more)
The rest of the ensemble cast
The technical team: cinematography, hair & make-up; costuming
An astonishing attack on the senses as Disney goes to the dark side.
Positives:
- The battle of the Emmas! It's really difficult to say who wins, since both Emma Thompson and Emma Stone give such fabulous performances here. You might think that Thompson steals a scene at one minute, only for Stone to come surfing in on a garbage truck and outdo her! I think it would be a surprise if both were not nominated for Actress and Supporting Actress Oscars for this.
- The supporting cast is also very strong. Paul Walter Hauser picks up the 'comedy villain' role as Horace Badun, and is so entertaining I could just about forgive his 'gor-blimey-guvnor' cockney accent: one that gives Dick Van Dyke a run for his money. Joel Fry - most recognisable to me as the useless roadie from "Yesterday" - plays the straight man in the duo, and does it very well. Mark Strong, cast against type as an evil henchman (#humour) is as good as always. And Kirby Howell-Baptiste and John McCrea round off the strong ensemble cast. But a particular shout-out I think should go to young Tipper Seifert-Cleveland who plays the young Estrella: she's way down the cast list, but I thought she gave a knock-out performance to ground the dramatic opening scenes of the movie.
- Technically, the film is marvellous and surely in line for a slew of technical Oscars next awards season. In fact, I think - even at this early point in the year - you would be a VERY brave person to bet against Cruella picking up the awards for Hair and Makeup (Nadia Stacey), Costume (Jenny Beavan and Tom Davies) and Production Design (Fiona Crombie). It's a stunning technical achievement - a real attack on the senses.
- The cinematography (Nicholas Karakatsanis) is also spectacular. A 'single-take' fly-through of the Liberty store from top to bottom is a tour-de-force, worthy of "1917"-style applause.
- And we should also add to this list a truly banging soundtrack from Nicholas Britell. Many of the tracks chosen - although regular visitors to cinema screen - catch the mood of the movie brilliantly and add to what is a joy-ride of a flick.
- The script is deliciously dark in places for a Disney film. Definitely NOT one for young children. Perhaps - given that it went down some of the roads it did, it could have been made EVEN BLACKER in places. (Did we REALLY need to see the Dalmatians again!) But some of the twists are delightful, especially 'mothageddon' which made me howl with laughter (even though I rather saw a variation of it coming).
Negatives:
- At 134 minutes, I felt the movie was a bit too long. There's a point (at about 100 minutes, where Emma Stone does her "I am Cruella" speech) which felt to me like the perfect end to a (first) film. I was delighted, happy and very content with the movie, thank-you very much. But then we dived back into the third reel. And, don't get me wrong, the ending was really entertaining. But, given that I suspect Disney KNEW that this was likely to be a big hit, I think a shorter film teasing for the sequel would have worked better.
Additional Notes:
- It's 12A certificate for a reason. Although a Disney, this is the dark-side of Disney and is not suitable for younger children.
- Yes, this one has a mid-credit scene - and for once its worth staying for: an introduction to two of the stars of the original cartoon that we haven't met yet, and for a rendition of a well-known tune (a TERRIBLE ear-worm that I've been quietly humming to myself ever since!).
Summary Thoughts on "Cruella": The cinema summer's still young, but it's already had some tricks up its sleeve. First "Nobody" came out of nowhere to delight me. And now, what a surprise! "Cruella" is a blisteringly funny, gloriously colourful and hugely entertaining blockbuster.
You'll know I'm not a fan of these Disney live-action re-imaginings of classic cartoons (although of course this one has previously had the Glenn Close treatment in two previous films in 1996 and 2000). But this is an origin story I really thought I didn't want... but now feel that I was wrong.
I've seen it described as "Devil Wears Prada meets Joker". The Prada analogy is well-deserved. But I'm not sure I agree with the Joker analogy. In Joker, our anti-hero was an everyman (albeit a disturbed one) driven to madness and anarchy by others. In Cruella, it's all inbred and that makes it perhaps even more deliciously dark. The fact that Disney released this - forewarned by a distinctly sombre and stormy castle logo at the start - is a minor miracle, and hopefully signs of more spice and adventure to come.
If you haven't caught it yet, it's highly recommended. As well as being in cinemas, its also available to buy on Disney+ streaming.
(Please check out the full graphical review at One Mann's Movies here - https://bob-the-movie-man.com/2021/06/11/cruella-an-astonishing-attack-on-the-senses-as-disney-goes-to-the-dark-side/. Thanks).
- The battle of the Emmas! It's really difficult to say who wins, since both Emma Thompson and Emma Stone give such fabulous performances here. You might think that Thompson steals a scene at one minute, only for Stone to come surfing in on a garbage truck and outdo her! I think it would be a surprise if both were not nominated for Actress and Supporting Actress Oscars for this.
- The supporting cast is also very strong. Paul Walter Hauser picks up the 'comedy villain' role as Horace Badun, and is so entertaining I could just about forgive his 'gor-blimey-guvnor' cockney accent: one that gives Dick Van Dyke a run for his money. Joel Fry - most recognisable to me as the useless roadie from "Yesterday" - plays the straight man in the duo, and does it very well. Mark Strong, cast against type as an evil henchman (#humour) is as good as always. And Kirby Howell-Baptiste and John McCrea round off the strong ensemble cast. But a particular shout-out I think should go to young Tipper Seifert-Cleveland who plays the young Estrella: she's way down the cast list, but I thought she gave a knock-out performance to ground the dramatic opening scenes of the movie.
- Technically, the film is marvellous and surely in line for a slew of technical Oscars next awards season. In fact, I think - even at this early point in the year - you would be a VERY brave person to bet against Cruella picking up the awards for Hair and Makeup (Nadia Stacey), Costume (Jenny Beavan and Tom Davies) and Production Design (Fiona Crombie). It's a stunning technical achievement - a real attack on the senses.
- The cinematography (Nicholas Karakatsanis) is also spectacular. A 'single-take' fly-through of the Liberty store from top to bottom is a tour-de-force, worthy of "1917"-style applause.
- And we should also add to this list a truly banging soundtrack from Nicholas Britell. Many of the tracks chosen - although regular visitors to cinema screen - catch the mood of the movie brilliantly and add to what is a joy-ride of a flick.
- The script is deliciously dark in places for a Disney film. Definitely NOT one for young children. Perhaps - given that it went down some of the roads it did, it could have been made EVEN BLACKER in places. (Did we REALLY need to see the Dalmatians again!) But some of the twists are delightful, especially 'mothageddon' which made me howl with laughter (even though I rather saw a variation of it coming).
Negatives:
- At 134 minutes, I felt the movie was a bit too long. There's a point (at about 100 minutes, where Emma Stone does her "I am Cruella" speech) which felt to me like the perfect end to a (first) film. I was delighted, happy and very content with the movie, thank-you very much. But then we dived back into the third reel. And, don't get me wrong, the ending was really entertaining. But, given that I suspect Disney KNEW that this was likely to be a big hit, I think a shorter film teasing for the sequel would have worked better.
Additional Notes:
- It's 12A certificate for a reason. Although a Disney, this is the dark-side of Disney and is not suitable for younger children.
- Yes, this one has a mid-credit scene - and for once its worth staying for: an introduction to two of the stars of the original cartoon that we haven't met yet, and for a rendition of a well-known tune (a TERRIBLE ear-worm that I've been quietly humming to myself ever since!).
Summary Thoughts on "Cruella": The cinema summer's still young, but it's already had some tricks up its sleeve. First "Nobody" came out of nowhere to delight me. And now, what a surprise! "Cruella" is a blisteringly funny, gloriously colourful and hugely entertaining blockbuster.
You'll know I'm not a fan of these Disney live-action re-imaginings of classic cartoons (although of course this one has previously had the Glenn Close treatment in two previous films in 1996 and 2000). But this is an origin story I really thought I didn't want... but now feel that I was wrong.
I've seen it described as "Devil Wears Prada meets Joker". The Prada analogy is well-deserved. But I'm not sure I agree with the Joker analogy. In Joker, our anti-hero was an everyman (albeit a disturbed one) driven to madness and anarchy by others. In Cruella, it's all inbred and that makes it perhaps even more deliciously dark. The fact that Disney released this - forewarned by a distinctly sombre and stormy castle logo at the start - is a minor miracle, and hopefully signs of more spice and adventure to come.
If you haven't caught it yet, it's highly recommended. As well as being in cinemas, its also available to buy on Disney+ streaming.
(Please check out the full graphical review at One Mann's Movies here - https://bob-the-movie-man.com/2021/06/11/cruella-an-astonishing-attack-on-the-senses-as-disney-goes-to-the-dark-side/. Thanks).
