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Bob Mann (459 KP) rated The Death Of Stalin (2017) in Movies
Sep 29, 2021
Death…. Torture…. Child Abuse…. LOL??
Armando Iannucci is most familiar to TV audiences on both sides of the pond for his cutting political satire of the likes of “Veep” and “The Thick of It”, with his only previous foray into directing movies being “In the Loop”: a spin-off of the latter series. Lovers of his work will know that he sails very close to the wind on many occasions, such that watching can be more of a squirm-fest than enjoyment.
Rupert Friend (centre) tries to deliver a eulogy to his father against winged opposition. With (from left to right) Michael Palin, Jeffrey Tambor, Steve Buscemi and Simon Russell Beale.
It should come as no surprise then that his new film – “The Death of Stalin” – follows that same pattern, but transposed into the anarchic and violent world of 1950’s Russia. Based on a French comic strip, the film tells the farcical goings on surrounding the last days of the great dictator in 1953. Stalin keeps distributing his “lists” of undesirables, most of who will meet unpleasant ends before the end of the night. But as Stalin suddenly shuffles off his mortal coil, the race is on among his fellow commissariat members as to who will ultimately succeed him.
Stalin…. Going… but not forgotten.
The constitution dictates that Georgy Malenkov (an excellently vacillating Jeffrey Tambor) secedes but, as a weak man, the job is clearly soon going to become vacant again and spy-chief Lavrentiy Beria (Simon Russell Beale) and Nikita Khrushchev (Steve Buscemi) are jostling for position. (No spoilers, but you’ll never guess who wins!). Colleagues including Molotov (Michael Palin) and Mikoyan (Paul Whitehouse) need to decide who to side with as the machinations around Stalin’s funeral become more and more desperate.
The film starts extremely strongly with the ever-excellent Paddy Considine (“Pride”) playing a Radio Russia producer tasked with recording a classical concert, featuring piano virtuoso Maria Yudina (Olga Kurylenko, “Quantum of Solace”). A definition of paranoia in action!
Great fingering. Olga Kurylenko as Yudina, with more than a hand in the way the evening’s events will unfold.
We then descend into the chaos of Stalin’s Russia, with mass torture and execution colouring the comedy from dark-grey to charcoal-black in turns. There is definitely comedy gold in there: Khrushchev’s translation of his drunken scribblings from the night before (of things that Stalin found funny and – more importantly – things he didn’t) being a high point for me. Stalin’s children Svetlana (Andrea Riseborough, “Nocturnal Animals”) and Vasily (Rupert Friend, “Homeland”) add knockabout humour to offset the darker elements, and army chief Georgy Zhukov (Jason Isaacs, “Harry Potter”) is a riot with a no-nonsense North-of-England accent.
Brass Eye: Jason Isaacs as the army chief from somewhere just north of Wigan.
Production values are universally excellent, with great locations, great sets and a screen populated with enough extras to make the crowd scenes all appear realistic.
Another broad Yorkshire accent: (the almost unknown) Adrian McLoughlin delivers an hysterical speaking voice as Stalin.
The film absolutely held my interest and was thorougly entertaining, but the comedy is just so dark in places it leaves you on edge throughout. The writing is also patchy at times, with some of the lines falling to the ground as heavily as the dispatched Gulag residents.
It’s not going to be for everyone, with significant violence and gruesome scenes, but go along with the black comic theme and this is a film that delivers rewards.
Rupert Friend (centre) tries to deliver a eulogy to his father against winged opposition. With (from left to right) Michael Palin, Jeffrey Tambor, Steve Buscemi and Simon Russell Beale.
It should come as no surprise then that his new film – “The Death of Stalin” – follows that same pattern, but transposed into the anarchic and violent world of 1950’s Russia. Based on a French comic strip, the film tells the farcical goings on surrounding the last days of the great dictator in 1953. Stalin keeps distributing his “lists” of undesirables, most of who will meet unpleasant ends before the end of the night. But as Stalin suddenly shuffles off his mortal coil, the race is on among his fellow commissariat members as to who will ultimately succeed him.
Stalin…. Going… but not forgotten.
The constitution dictates that Georgy Malenkov (an excellently vacillating Jeffrey Tambor) secedes but, as a weak man, the job is clearly soon going to become vacant again and spy-chief Lavrentiy Beria (Simon Russell Beale) and Nikita Khrushchev (Steve Buscemi) are jostling for position. (No spoilers, but you’ll never guess who wins!). Colleagues including Molotov (Michael Palin) and Mikoyan (Paul Whitehouse) need to decide who to side with as the machinations around Stalin’s funeral become more and more desperate.
The film starts extremely strongly with the ever-excellent Paddy Considine (“Pride”) playing a Radio Russia producer tasked with recording a classical concert, featuring piano virtuoso Maria Yudina (Olga Kurylenko, “Quantum of Solace”). A definition of paranoia in action!
Great fingering. Olga Kurylenko as Yudina, with more than a hand in the way the evening’s events will unfold.
We then descend into the chaos of Stalin’s Russia, with mass torture and execution colouring the comedy from dark-grey to charcoal-black in turns. There is definitely comedy gold in there: Khrushchev’s translation of his drunken scribblings from the night before (of things that Stalin found funny and – more importantly – things he didn’t) being a high point for me. Stalin’s children Svetlana (Andrea Riseborough, “Nocturnal Animals”) and Vasily (Rupert Friend, “Homeland”) add knockabout humour to offset the darker elements, and army chief Georgy Zhukov (Jason Isaacs, “Harry Potter”) is a riot with a no-nonsense North-of-England accent.
Brass Eye: Jason Isaacs as the army chief from somewhere just north of Wigan.
Production values are universally excellent, with great locations, great sets and a screen populated with enough extras to make the crowd scenes all appear realistic.
Another broad Yorkshire accent: (the almost unknown) Adrian McLoughlin delivers an hysterical speaking voice as Stalin.
The film absolutely held my interest and was thorougly entertaining, but the comedy is just so dark in places it leaves you on edge throughout. The writing is also patchy at times, with some of the lines falling to the ground as heavily as the dispatched Gulag residents.
It’s not going to be for everyone, with significant violence and gruesome scenes, but go along with the black comic theme and this is a film that delivers rewards.
Charlie Cobra Reviews (1840 KP) rated The Umbrella Academy in TV
Jul 5, 2020
A Gamble That Pays Off - 8/10
The Umbrella Academy is a 2019 dark comedy sci-fi/drama superhero tv show developed by Steve Blackman and Jeremy Slater for Netflix. It's an adaptation of the comic book series created by Gerard Way and Gabriel Ba and published by Dark Horse Comics. The series was produced by Borderline Entertainment, Dark Horse Entertainment, and Universal Cable Productions. Starring Ellen Page, Tom Hopper, David Castaneda, and Kate Walsh.
On October 1st, 1989, 43 women around the world give birth although none of them were pregnant that morning. Eccentric billionaire Sir Reginald Hargreeves (Colman Feore) adopts 7 of the children and turns them into a superhero team called, "The Umbrella Academy. The children are given numbers instead of names and even though 6 of them fight crime, 1 of them, Vanya/#7 (Ellen Page) is kept apart for not having any powers. Present day, the estranged siblings reunite when they learn their father has died. At the funeral, #5 (Aidan Gallagher), which has been missing for over a decade, reappears from the future out of a blue portal and reveals to the others, that the world will end in a matter of days.
This show is stellar. It's a ride that you shouldn't miss. It's good to see a comic book series adaptation that is not from Marvel or DC and you can feel that it's a fresh take and different. I think the writers for the show did a good job on making it very three-dimensional. It's rated TV-14 so it's for teenagers and adults but also for comic book fans and sci-fi fans. That being said it does get pretty weird and far out there, so might not be for everybody but it's definitely better than what the critics are saying. Yes it does have some issues; like the dialogue might not be the best, there being some plot holes possibly, and some complaints of other comic book shows or movies having done that before. But it does have plenty of pluses; the soundtrack is phenomenal, the CGI is on par with that of big-budget movies, and the casting is very good. They were able to pull off the whole dysfunctional family vibe very well. I wanted to give it a point higher but I did understand some of the other points that other critics made about it. I give it a 8/10 but I also give it my "Must See" seal of approval. So if you haven't seen it yet what are you waiting for.
On October 1st, 1989, 43 women around the world give birth although none of them were pregnant that morning. Eccentric billionaire Sir Reginald Hargreeves (Colman Feore) adopts 7 of the children and turns them into a superhero team called, "The Umbrella Academy. The children are given numbers instead of names and even though 6 of them fight crime, 1 of them, Vanya/#7 (Ellen Page) is kept apart for not having any powers. Present day, the estranged siblings reunite when they learn their father has died. At the funeral, #5 (Aidan Gallagher), which has been missing for over a decade, reappears from the future out of a blue portal and reveals to the others, that the world will end in a matter of days.
This show is stellar. It's a ride that you shouldn't miss. It's good to see a comic book series adaptation that is not from Marvel or DC and you can feel that it's a fresh take and different. I think the writers for the show did a good job on making it very three-dimensional. It's rated TV-14 so it's for teenagers and adults but also for comic book fans and sci-fi fans. That being said it does get pretty weird and far out there, so might not be for everybody but it's definitely better than what the critics are saying. Yes it does have some issues; like the dialogue might not be the best, there being some plot holes possibly, and some complaints of other comic book shows or movies having done that before. But it does have plenty of pluses; the soundtrack is phenomenal, the CGI is on par with that of big-budget movies, and the casting is very good. They were able to pull off the whole dysfunctional family vibe very well. I wanted to give it a point higher but I did understand some of the other points that other critics made about it. I give it a 8/10 but I also give it my "Must See" seal of approval. So if you haven't seen it yet what are you waiting for.
The Philosophy of the Coen Brothers
Book
In 2008 No Country for Old Men won the Academy Award for Best Picture, adding to the reputation of...
Darren (1599 KP) rated Thoroughbreds (2017) in Movies
Sep 26, 2019
Characters – Lily comes from one of the rich families in Connecticut, she ha be raised for boarding school away from the rest of the people her age in the neighbourhood, she opens up to her old friend with a troubled past, as she learns about getting a chance to escape this life she isn’t enjoying. Amanda is teenager that has done something horrific, she is struggling in school and sent to be tutored by her old friend to help with her college future, she is emotionally closed off from the world, though pushes Lily into doing the unthinkable. Tim is the local drug dealer that has a reputation of only dealing with minors which sees him be selected by the girls to complete the murder for them. Mark is the stepfather that Lily doesn’t get on with him, he is a control freak making the life of Lily more difficult.
Performances – Olivia Cooke and Anya Taylor-Joy in the leading roles gives us the standout performances in this film, they both show us the struggles they are feeling as we see how their plan starts to unfold. Anton Yelchin in the main supporting role showed us one again why he will be missed too.
Story – The story here follows two upper class teenagers that have very different problems in their lives, they reconnect after years apart learning they could help solve each other problems. This is a heavily conversation lead movie that puts the main two characters through discussions of killing problems in their lives and just how they could get away with it. The big weakness with the film is that it doesn’t address the mental health problems that both the women are going through. This story tries to be quirky in what gets done, only for it to feel anti-climactic.
Comedy/Crime – This must be classed as a dark comedy, because it didn’t seem to make me laugh once, the crime side of the film circles around the idea of what the two girls want to do and how they can get away with it.
Settings – The film is set in the upper-class area of Connecticut, showing how the girls can easily look down on people that they can walk over, this is a big factor for the style of the film.
Scene of the Movie – Don’t drink that.
That Moment That Annoyed Me – We could have looked at the mental health problems going on here more.
Final Thoughts –This is a comedy crime thriller that doesn’t quite hit the marks it was aiming for and ends up just coming off strange.
Overall: Uniquely Styled
Performances – Olivia Cooke and Anya Taylor-Joy in the leading roles gives us the standout performances in this film, they both show us the struggles they are feeling as we see how their plan starts to unfold. Anton Yelchin in the main supporting role showed us one again why he will be missed too.
Story – The story here follows two upper class teenagers that have very different problems in their lives, they reconnect after years apart learning they could help solve each other problems. This is a heavily conversation lead movie that puts the main two characters through discussions of killing problems in their lives and just how they could get away with it. The big weakness with the film is that it doesn’t address the mental health problems that both the women are going through. This story tries to be quirky in what gets done, only for it to feel anti-climactic.
Comedy/Crime – This must be classed as a dark comedy, because it didn’t seem to make me laugh once, the crime side of the film circles around the idea of what the two girls want to do and how they can get away with it.
Settings – The film is set in the upper-class area of Connecticut, showing how the girls can easily look down on people that they can walk over, this is a big factor for the style of the film.
Scene of the Movie – Don’t drink that.
That Moment That Annoyed Me – We could have looked at the mental health problems going on here more.
Final Thoughts –This is a comedy crime thriller that doesn’t quite hit the marks it was aiming for and ends up just coming off strange.
Overall: Uniquely Styled
Awix (3310 KP) rated The World's End (2013) in Movies
May 22, 2018
Predictably smart and funny comedy-SF movie from the makers of Shaun of the Dead and Hot Fuzz; five old friends come back together on an ill-conceived pub crawl and find that revisiting past mistakes is less important than dealing with the alien forces apparently at work in their old home town.
The director claims this is SF in the British tradition of John Wyndham; to me it looks much more like an update (not quite a spoof) of Invasion of the Body Snatchers, set somewhere in the Home Counties. Terrific cast, some very good jokes; also some rather impressive action sequences. Not quite in the same vein as Shaun of the Dead, as this movie has some quite dark emotional threads running through it, with themes of regret and guilt and coming to terms with getting older.
I have to say that while I loved this film, I am of the same generation as the main characters and can fully sympathise with their various situations; younger people of my acquaintance couldn't quite see the point of the film. Almost certainly an age thing - whether your response to the track listing of the soundtrack is 'Wow, non-stop classics!' or 'Eww, dad rock' (or even 'Never heard of any of this') will probably be a good indicator as to whether you'll like the actual movie or not.
The director claims this is SF in the British tradition of John Wyndham; to me it looks much more like an update (not quite a spoof) of Invasion of the Body Snatchers, set somewhere in the Home Counties. Terrific cast, some very good jokes; also some rather impressive action sequences. Not quite in the same vein as Shaun of the Dead, as this movie has some quite dark emotional threads running through it, with themes of regret and guilt and coming to terms with getting older.
I have to say that while I loved this film, I am of the same generation as the main characters and can fully sympathise with their various situations; younger people of my acquaintance couldn't quite see the point of the film. Almost certainly an age thing - whether your response to the track listing of the soundtrack is 'Wow, non-stop classics!' or 'Eww, dad rock' (or even 'Never heard of any of this') will probably be a good indicator as to whether you'll like the actual movie or not.
Scott Tostik (389 KP) rated Yoga Hosers (2016) in Movies
Jan 31, 2018
Not too much to laugh aboot
When I sit down to watch a comedy/horror film, i usually laugh a little at some of the jokes. But being Canadian... I found this movie offensive as hell......
Not really. I found it subpar and slightly stupid.
Kevin Smith is and always will be one of my favorite writer/directors. His earlier films, Clerks, Mallrats and Chasing Amy are right up there with some of my favorite flicks. Amd his attempt at horror, Red State, was a really good try at entering a genre that he doesn't have much business being in.
Don't even get me started on Tusk... What the fuck?!?!
This is kind of a sequel to the aforementioned walrus horror flick. A few characters from Tusk are in it. Including the Colleens, the pair of Zed Convenience store employees, who are now thrust into the main character roles.
The only light in this dark tunnel is Justin Long who plays Yoga Guru, Yogi Bayer... His portrayalof him is pretty awesome... right down to arguing on the phone with a lawyer from Warner Brothers about violating copyright infringement for his name... it's pretty sweet.
Johnny Depp returns to the sequel as Guy Lapointe French Canadian manhunter... and he is horrid...
Didn't think it was possible for that to happen.
So watch at your own risk.
Not really. I found it subpar and slightly stupid.
Kevin Smith is and always will be one of my favorite writer/directors. His earlier films, Clerks, Mallrats and Chasing Amy are right up there with some of my favorite flicks. Amd his attempt at horror, Red State, was a really good try at entering a genre that he doesn't have much business being in.
Don't even get me started on Tusk... What the fuck?!?!
This is kind of a sequel to the aforementioned walrus horror flick. A few characters from Tusk are in it. Including the Colleens, the pair of Zed Convenience store employees, who are now thrust into the main character roles.
The only light in this dark tunnel is Justin Long who plays Yoga Guru, Yogi Bayer... His portrayalof him is pretty awesome... right down to arguing on the phone with a lawyer from Warner Brothers about violating copyright infringement for his name... it's pretty sweet.
Johnny Depp returns to the sequel as Guy Lapointe French Canadian manhunter... and he is horrid...
Didn't think it was possible for that to happen.
So watch at your own risk.
Sarah (7798 KP) rated The Dead Don't Die (2019) in Movies
Jun 15, 2020
The dead should die...
I wanted to like this film so badly, but when I wanted to turn it off less than an hour in, i had to admit it wasn't for me. Although I did at least persevere until the end, even if it wasn't worth it.
I'm all for off beat and dark humour and wit, but I'm afraid for me this film was just too far in the left field. I liked the deadpan aspects and humour and also how it surpassed the fourth wall, the problem was the laughs were still few and far between. I like how this poked fun at today's society and there was a lot of social commentary, it was just so deadpan that a lot of the witty remarks were lost. The plot development too was so slow. The film was virtually over by the time it felt like it was going anywhere, and even when the zombies emerged in full they couldn't breathe any life (ha) into this. Strangely such a stellar cast were wasted too. Tilde Swinton's wacky funeral director was by far the most fun but even she got on my nerves by the end.
I'm all for your non-typical comedy, but sadly this film just wasn't for me. There are some good ideas in this but they feel wasted
I'm all for off beat and dark humour and wit, but I'm afraid for me this film was just too far in the left field. I liked the deadpan aspects and humour and also how it surpassed the fourth wall, the problem was the laughs were still few and far between. I like how this poked fun at today's society and there was a lot of social commentary, it was just so deadpan that a lot of the witty remarks were lost. The plot development too was so slow. The film was virtually over by the time it felt like it was going anywhere, and even when the zombies emerged in full they couldn't breathe any life (ha) into this. Strangely such a stellar cast were wasted too. Tilde Swinton's wacky funeral director was by far the most fun but even she got on my nerves by the end.
I'm all for your non-typical comedy, but sadly this film just wasn't for me. There are some good ideas in this but they feel wasted
LoganCrews (2861 KP) rated The House (2017) in Movies
Sep 19, 2020 (Updated Sep 19, 2020)
Not a better movie than 𝘊𝘢𝘴𝘪𝘯𝘰, but by far a better analogy between crime-soaked gambling and the bloody baseball bat of capitalism - as unintentional as I'm sure the allusion is here. Given how much of a dead horse the target of whitebread suburbia is even well through twenty-five years ago now, I'll give this some freshness points in the way it portrays the quest for fair financial stability in lieu of absurdly-gouged education prices, big banks, etc. by the warping of the upper-middle-class into an entire demographic forced to confront their own morals when they're encouraged into private crime upon the abject failure of their own government by way of goofy dark comedy. Starts off like your routine bland improvy entry into the 'haha raunchy families' trend and progressively becomes more and more doused in blood, blunt trauma, property damage, and general chaos that throws moron policemen, corrupt officeholders, and the inherent violence of America's economic system into the fire in its wake. Plus it's brisk (for fucking once with this genre good Lord) and has a ton of laughs even though I believe it still seems generally uninterested in its own plot in addition to criminally underutilizing both Ferrell and Poehler's talents together as well. The bit with Nick Kroll at the end was fucking gut-bustingly hilarious.
LeftSideCut (3778 KP) rated Dead Set in TV
Aug 18, 2019 (Updated Oct 25, 2019)
Dead Set in short - a six part British drama series, set around a zombie apocalypse, where most of the story takes place in the Big Brother house.
It's also from the mind of Charlie Brooker - the creator of Black Mirror, and the results are pretty good.
The opening episode deals with an eviction night of the British Big Brother series, where everyone involved both on camera and behind the scenes go about their usual business.
As a virus takes hold and chaos quickly ensues, the Big Brother housemates are trapped inside the house - which happens to be pretty secure.
The way that Dead Set is shot is frantic when the action starts. It's nasty and gritty whilst keeping a British dark humour sort of charm without ever going full comedy. In fact, the series is really quite bleak throughout.
The episodes run at 20 minutes each with an extended pilot, clocking in at just over 2 hours and it managed to hold my attention throughout.
Of course, being a Charlie Brooker project, there's an underlying message - as the zombie horde surrounding the house grows and grows, even in death, the public are drawn towards trashy reality shows.
Considering Dead Set is a TV show aired on Channel 4, it's pretty impressive. Well worth checking out for anyone who enjoys horror.
It's also from the mind of Charlie Brooker - the creator of Black Mirror, and the results are pretty good.
The opening episode deals with an eviction night of the British Big Brother series, where everyone involved both on camera and behind the scenes go about their usual business.
As a virus takes hold and chaos quickly ensues, the Big Brother housemates are trapped inside the house - which happens to be pretty secure.
The way that Dead Set is shot is frantic when the action starts. It's nasty and gritty whilst keeping a British dark humour sort of charm without ever going full comedy. In fact, the series is really quite bleak throughout.
The episodes run at 20 minutes each with an extended pilot, clocking in at just over 2 hours and it managed to hold my attention throughout.
Of course, being a Charlie Brooker project, there's an underlying message - as the zombie horde surrounding the house grows and grows, even in death, the public are drawn towards trashy reality shows.
Considering Dead Set is a TV show aired on Channel 4, it's pretty impressive. Well worth checking out for anyone who enjoys horror.
Matthew Krueger (10051 KP) rated Jojo Rabbit (2019) in Movies
Aug 17, 2020
Jojo Rabbit- alot of people told me that their liked this movie. From the trailer it looked reallly good. So when i watched it yesterday, i didnt love it, i liked it kinda. Let me explain...
The subject of Nazis and Hitler is a touchy one to say the least, but it's also a subject that is ripe for satire, and one of the many aspects that stands out here, is how Taika Waititi has managed to craft a film that is absolutely hilarious, but never undermines how horrible this part of history was. So the fact that Taika made Hitler funny was kinda weird, strange and also didnt feel right. But at the same time Taika did a excellent job playing Hitler. Its just strange and out of chacter to see hitler funny. Other than that the movie is good.
The plot: Jojo is a lonely German boy who discovers that his single mother is hiding a Jewish girl in their attic. Aided only by his imaginary friend -- Adolf Hitler -- Jojo must confront his blind nationalism as World War II continues to rage on.
The cast is good, the plot is good, like i said its just strange, wired, out of charcter to see hitler funny. The film never shows the darkside of WWII. So thats good. Jojo Rabbit is a good dark comedy film.
The subject of Nazis and Hitler is a touchy one to say the least, but it's also a subject that is ripe for satire, and one of the many aspects that stands out here, is how Taika Waititi has managed to craft a film that is absolutely hilarious, but never undermines how horrible this part of history was. So the fact that Taika made Hitler funny was kinda weird, strange and also didnt feel right. But at the same time Taika did a excellent job playing Hitler. Its just strange and out of chacter to see hitler funny. Other than that the movie is good.
The plot: Jojo is a lonely German boy who discovers that his single mother is hiding a Jewish girl in their attic. Aided only by his imaginary friend -- Adolf Hitler -- Jojo must confront his blind nationalism as World War II continues to rage on.
The cast is good, the plot is good, like i said its just strange, wired, out of charcter to see hitler funny. The film never shows the darkside of WWII. So thats good. Jojo Rabbit is a good dark comedy film.