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The Lonely Londoners
Samuel Selvon and Nasta Susheila
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Both devastating and funny, The Lonely Londoners is an unforgettable account of immigrant experience...
I Didn’t Do It for You: How the World Betrayed a Small African Nation
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One small East African country embodies the battered history of the continent: patronised by...
Gage (Angelbound Offspring #8) by Christina Bauer
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Gage runs the L’Griffe, AKA the dragon shifter mafia on Earth. Since the human realm has no...
Young Adult Fantasy Series
JT (287 KP) rated Joker (2019) in Movies
Mar 10, 2020
This is the film of the year for me. A comic book adaptation like no other. Thought-provoking and difficult to watch it conveys more than just the transformation from abnormal loner to one of the greatest comic villains ever. Joaquin Phoenix’s performance goes some way to matching the psychotic heights of Heath Ledger’s incarnation in The Dark Knight. Ledger was posthumously awarded an Oscar for that performance and I would expect Phoenix to be front and centre when award season comes around.
Arthur Fleck is a clown for hire. Scraping to make ends meet while looking after his ailing mother (Frances Conroy) he has ambitions of making it as a stand-up comedian. Sadly his narcissistic personality and uncontrollable fits of laughter (through no fault of his own) make him a target for society. Gotham City is an unforgiving place and for Arthur, it is a constant struggle of acceptance. He’s belittled and beaten down at every turn and he’s not strong enough to fight back. The bruises on his skeletal frame are a testament to this. He’s an awkward character not least because his quiet personality simmers beneath someone ready to explode – and explode he does.
A comic book adaptation like no other it’s thought-provoking and difficult to watch
But Arthur is sick. That much is clear. Society no longer wants to help. As a result, his social worker explains that the city has cut all funding and the facility and access to his medication he relies on will stop – “All I have are negative thoughts,” he says. When the brutality takes a serious turn he unwittingly becomes a figurehead for Gotham’s society. The clown is a symbol of defiance. Fighting against the rich, of all people Thomas Wayne, who is running for Mayor. Wayne becomes wrapped up in a storyline that brings Arthur together with a familiar young face.
The strong comparisons to Taxi Driver are unavoidable, but there is a definite Scorsese feel to the film. The casting of Robert De Niro as talk show host Murray Franklin is almost a direct nod to King of Comedy in which De Niro stalks and kidnaps his idol to take the spotlight for himself. Here it’s Arthur who lovingly worships Murray. The build up to the clown prince of crime is worth the wait as the transformation builds up to a frenetic and gruesome final act.
One of the biggest takeaways from Joker is its focus on mental illness. Arthur’s battered notebook is not only a journal for his jokes but for his dark thoughts. This is a topic that will hit close to home for many people who might experience similar, with an outward animosity to society.
Arthur Fleck is a clown for hire. Scraping to make ends meet while looking after his ailing mother (Frances Conroy) he has ambitions of making it as a stand-up comedian. Sadly his narcissistic personality and uncontrollable fits of laughter (through no fault of his own) make him a target for society. Gotham City is an unforgiving place and for Arthur, it is a constant struggle of acceptance. He’s belittled and beaten down at every turn and he’s not strong enough to fight back. The bruises on his skeletal frame are a testament to this. He’s an awkward character not least because his quiet personality simmers beneath someone ready to explode – and explode he does.
A comic book adaptation like no other it’s thought-provoking and difficult to watch
But Arthur is sick. That much is clear. Society no longer wants to help. As a result, his social worker explains that the city has cut all funding and the facility and access to his medication he relies on will stop – “All I have are negative thoughts,” he says. When the brutality takes a serious turn he unwittingly becomes a figurehead for Gotham’s society. The clown is a symbol of defiance. Fighting against the rich, of all people Thomas Wayne, who is running for Mayor. Wayne becomes wrapped up in a storyline that brings Arthur together with a familiar young face.
The strong comparisons to Taxi Driver are unavoidable, but there is a definite Scorsese feel to the film. The casting of Robert De Niro as talk show host Murray Franklin is almost a direct nod to King of Comedy in which De Niro stalks and kidnaps his idol to take the spotlight for himself. Here it’s Arthur who lovingly worships Murray. The build up to the clown prince of crime is worth the wait as the transformation builds up to a frenetic and gruesome final act.
One of the biggest takeaways from Joker is its focus on mental illness. Arthur’s battered notebook is not only a journal for his jokes but for his dark thoughts. This is a topic that will hit close to home for many people who might experience similar, with an outward animosity to society.
BankofMarquis (1832 KP) rated The Apartment (1960) in Movies
May 11, 2018
A true classic in every sense of the word
My local cinema does "Secret Movie Night" once a month, you just show up and watch a "classic" of their choosing, you just don't know what it is until it starts.
One of the reasons that I enjoy this is that I end up viewing films that I might not, otherwise, choose to watch. Case in point is the selection for May - the 1960 Oscar winner for Best Picture, THE APARTMENT - a "love story" with some comedy and some dark dramatic moments and themes. A very tricky combination of items that are bundled together, brilliantly, by a master of the craft.
THE APARTMENT tells the story of nebbish office worker C.C. Baxter (Jack Lemmon in an Oscar nominated performance, more on that later) who is talked into lending his apartment to higher-ups in his company so they can carry out extra-marital affairs. When one of the affairs goes wrong, Baxter is forced to "clean up the mess".
Written and Directed by the GREAT Billy WIlder (SOME LIKE IT HOT, SUNSET BOULEVARD), The Apartment is more than a love story, more than a look into the vacuous lives of those anonymous office workers, it is a look into the lives of those who are victims of abuse of power. Wilder, rightfully so, won the Oscar for Best Director and Best Screenplay for this film. The Apartment is strongly written and directed not flinching at the deep subject matter while also balancing things out with moments of comedy and joy, turning what could have been a dour, dark subject into a more joyous exploration of true humanity and love rising through the corruption and abuse of power heaped upon them.
In the lead role of CC Baxter, Lemmon is perfectly cast. Starting as a pure comedic character who is set upon by a world too strong for him, his character slowly turns sharper, deeper, more serious and more real as the film progresses. Lemmon was nominated for the Oscar for his performance - and rightfully so. I had to look up who beat him out for the statue and found out it was Burt Lancaster's powerhouse performance in ELMER GANTRY, so I can't really argue about this (but I digress).
Matching Lemmon beat for beat is Shirley MacLaine, the wronged girl who's "issues" (I'm not going to spoil what happens, if you haven't seen this) are at the heart of this film - and at the heart of Lemmon's character. MacLaine is charming and tragic in this role and she, too, was nominated for an Oscar (for Best Actress losing to Elizabeth Taylor for Butterfield 8). Rounding out the cast was a pre-MY 3 SONS Fred MacMurray (as the Exec who abuses both Lemmon's and MacLaine's characters). He was terrific as this cad, and thought for sure that he would have been nominated for Best Supporting Actor, but that honor went to Jack Kruschen as Lemmon's neighbor in the apartment building where they both lived. I am fine with that but preferred MacMurray's performance. Also showing up are such great character actors as Ray Walston (MY FAVORITE MARTIAN), David Lewis (GENERAL HOSPITAL), Willard Waterman (THE GREAT GILDERSLEEVE) and David White (Larry Tate in BEWITCHED) as other Execs using The Apartment for their purposes.
This is a terrific motion picture and if you haven't seen it (or if you haven't seen it in quite sometime), I highly recommend you check it out (it is shown on the Turner Classic Movie channel on a fairly regular basis). It certainly shows a slice of life during the MAD MEN days that just doesn't exist anymore - and also presents a type of film, and a type of filmmaker, that just doesn't exist today.
Letter Grade: A+
10 (out of 10) stars and you can take that to the Bank (ofMarquis)
One of the reasons that I enjoy this is that I end up viewing films that I might not, otherwise, choose to watch. Case in point is the selection for May - the 1960 Oscar winner for Best Picture, THE APARTMENT - a "love story" with some comedy and some dark dramatic moments and themes. A very tricky combination of items that are bundled together, brilliantly, by a master of the craft.
THE APARTMENT tells the story of nebbish office worker C.C. Baxter (Jack Lemmon in an Oscar nominated performance, more on that later) who is talked into lending his apartment to higher-ups in his company so they can carry out extra-marital affairs. When one of the affairs goes wrong, Baxter is forced to "clean up the mess".
Written and Directed by the GREAT Billy WIlder (SOME LIKE IT HOT, SUNSET BOULEVARD), The Apartment is more than a love story, more than a look into the vacuous lives of those anonymous office workers, it is a look into the lives of those who are victims of abuse of power. Wilder, rightfully so, won the Oscar for Best Director and Best Screenplay for this film. The Apartment is strongly written and directed not flinching at the deep subject matter while also balancing things out with moments of comedy and joy, turning what could have been a dour, dark subject into a more joyous exploration of true humanity and love rising through the corruption and abuse of power heaped upon them.
In the lead role of CC Baxter, Lemmon is perfectly cast. Starting as a pure comedic character who is set upon by a world too strong for him, his character slowly turns sharper, deeper, more serious and more real as the film progresses. Lemmon was nominated for the Oscar for his performance - and rightfully so. I had to look up who beat him out for the statue and found out it was Burt Lancaster's powerhouse performance in ELMER GANTRY, so I can't really argue about this (but I digress).
Matching Lemmon beat for beat is Shirley MacLaine, the wronged girl who's "issues" (I'm not going to spoil what happens, if you haven't seen this) are at the heart of this film - and at the heart of Lemmon's character. MacLaine is charming and tragic in this role and she, too, was nominated for an Oscar (for Best Actress losing to Elizabeth Taylor for Butterfield 8). Rounding out the cast was a pre-MY 3 SONS Fred MacMurray (as the Exec who abuses both Lemmon's and MacLaine's characters). He was terrific as this cad, and thought for sure that he would have been nominated for Best Supporting Actor, but that honor went to Jack Kruschen as Lemmon's neighbor in the apartment building where they both lived. I am fine with that but preferred MacMurray's performance. Also showing up are such great character actors as Ray Walston (MY FAVORITE MARTIAN), David Lewis (GENERAL HOSPITAL), Willard Waterman (THE GREAT GILDERSLEEVE) and David White (Larry Tate in BEWITCHED) as other Execs using The Apartment for their purposes.
This is a terrific motion picture and if you haven't seen it (or if you haven't seen it in quite sometime), I highly recommend you check it out (it is shown on the Turner Classic Movie channel on a fairly regular basis). It certainly shows a slice of life during the MAD MEN days that just doesn't exist anymore - and also presents a type of film, and a type of filmmaker, that just doesn't exist today.
Letter Grade: A+
10 (out of 10) stars and you can take that to the Bank (ofMarquis)
Lucy Buglass (45 KP) rated Crazy Rich Asians (2018) in Movies
Jun 20, 2019
A Rom-Com with Substance
Yes, I know what you’re thinking. This isn’t really the kind of film I’m particularly fond of. Everything about it screams ‘cheesy rom-com’, just look at that poster. But, I’m happy to say I walked away from this film feeling so glad that I had watched it. This is a classic example of not judging a film by its poster or trailer, as it has so much more to offer.
As the title of my review suggests, I mainly loved this film because of the overall narrative. There’s a lot of character development and dark secrets, meaning your interest is constantly held throughout the film. You really start to care about these characters and their lives, and I didn’t feel like anyone was just thrown in there for the sake of it. The dynamics between characters is really well done and realistic, and it’s very easy for you to quickly love or hate them. I was so impressed by the quality of the acting, and how each actor brought their characters to life on screen. I was especially blown away by Michelle Yeoh and Gemma Chan, for very different reasons. I was also happy to see an all-Asian cast in a mainstream film, as we still have a lot to do when it comes to wider representation and films like this are a huge step in the right direction.
I also feel like people could identify with some of the themes, especially this idea of a class divide and feeling unwelcome. It was so eye-opening to see how some people are shunned by families because of their social status, and how important it is for families to protect their name and heritage at all costs. Whilst Crazy Rich Asians shows an extreme version of this type of behaviour, class divides are prevalent across the world so this was a really interesting theme to explore. This theme is one of the reasons why I felt this film had so much substance, as it goes beyond simply being just another rom-com and shows us some serious, real-life issues instead. There are some scenes in Crazy Rich Asians that are far from comedic, and shows us a darker side to life within a wealthy, influential circle. The results are as dark as you’d expect. I don’t want to give any spoilers – experience it for yourself instead.
As for the comedy, it was genuinely laugh-out-loud funny. I am always apprehensive with comedy films as sometimes it can become too ridiculous and slapstick, but Crazy Rich Asians was satirical and smart, with some silly moments thrown in there too. I’m so impressed with how they blended humour with drama this effortlessly. It knows how to balance this without going too far one way, and the result is an incredibly well-rounded and three dimensional film that made me laugh and cry in equal measure. It’s a truly captivating film from start to finish.
Visually, it’s a stunning piece of cinema. You’re greeted with bright colours, gorgeous set design, and you’re transported to a world of luxury and Chinese culture, with these hostile undertones. On the big screen it’s even better, because you get to experience this gorgeous film on a large scale. It’s hard to take your eyes off it. I’m looking forward to revisiting this film in future so I can look for more details the second time around, as I’m sure I missed stuff during my initial viewing!
If this is the future of rom-com, consider me converted. I was so impressed by the overall film and would recommend it to anyone. Please don’t let the title and synopsis put you off, it’s such a smart, funny, heartbreaking film and I urge you to give it a go. You might end up as surprised as me!
https://lucygoestohollywood.com/2018/09/16/a-rom-com-with-substance-my-thoughts-on-crazy-rich-asians/
As the title of my review suggests, I mainly loved this film because of the overall narrative. There’s a lot of character development and dark secrets, meaning your interest is constantly held throughout the film. You really start to care about these characters and their lives, and I didn’t feel like anyone was just thrown in there for the sake of it. The dynamics between characters is really well done and realistic, and it’s very easy for you to quickly love or hate them. I was so impressed by the quality of the acting, and how each actor brought their characters to life on screen. I was especially blown away by Michelle Yeoh and Gemma Chan, for very different reasons. I was also happy to see an all-Asian cast in a mainstream film, as we still have a lot to do when it comes to wider representation and films like this are a huge step in the right direction.
I also feel like people could identify with some of the themes, especially this idea of a class divide and feeling unwelcome. It was so eye-opening to see how some people are shunned by families because of their social status, and how important it is for families to protect their name and heritage at all costs. Whilst Crazy Rich Asians shows an extreme version of this type of behaviour, class divides are prevalent across the world so this was a really interesting theme to explore. This theme is one of the reasons why I felt this film had so much substance, as it goes beyond simply being just another rom-com and shows us some serious, real-life issues instead. There are some scenes in Crazy Rich Asians that are far from comedic, and shows us a darker side to life within a wealthy, influential circle. The results are as dark as you’d expect. I don’t want to give any spoilers – experience it for yourself instead.
As for the comedy, it was genuinely laugh-out-loud funny. I am always apprehensive with comedy films as sometimes it can become too ridiculous and slapstick, but Crazy Rich Asians was satirical and smart, with some silly moments thrown in there too. I’m so impressed with how they blended humour with drama this effortlessly. It knows how to balance this without going too far one way, and the result is an incredibly well-rounded and three dimensional film that made me laugh and cry in equal measure. It’s a truly captivating film from start to finish.
Visually, it’s a stunning piece of cinema. You’re greeted with bright colours, gorgeous set design, and you’re transported to a world of luxury and Chinese culture, with these hostile undertones. On the big screen it’s even better, because you get to experience this gorgeous film on a large scale. It’s hard to take your eyes off it. I’m looking forward to revisiting this film in future so I can look for more details the second time around, as I’m sure I missed stuff during my initial viewing!
If this is the future of rom-com, consider me converted. I was so impressed by the overall film and would recommend it to anyone. Please don’t let the title and synopsis put you off, it’s such a smart, funny, heartbreaking film and I urge you to give it a go. You might end up as surprised as me!
https://lucygoestohollywood.com/2018/09/16/a-rom-com-with-substance-my-thoughts-on-crazy-rich-asians/
Matthew Krueger (10051 KP) rated Gremlins 2: The New Batch (1990) in Movies
Dec 22, 2020
Gremlins Take Over The Big Apple
Gremlins 2: The New Batch- is a good sequel. Its still has its dark humor, comedy, horror and of course many gremlins. And you cant not forgot about Hulk Hogan, yes you read that right Hulk Hogan is in this. And the horror legend and icon Christopher Lee is also in this.
The plot: The magical collectibles store that Gizmo calls home has just been destroyed, and the tiny monster finds his way into a newly erected skyscraper. Billy Peltzer (Zach Galligan) and his bride-to-be, Kate (Phoebe Cates), who have previously dealt with Gremlins run amok, discover that Gizmo and an impish legion of reptilian pals are inhabiting the downtown building. The couple tries to stop the creatures from escaping into New York City, but this new batch of beasts might be uncontrollable.
Like the first film, Gremlins 2: The New Batch is a live-action horror comedy film; however, Dante put effort into taking the sequel in new anarchistic directions. The film is meant to be more cartoon-like and less dark than the original, with slapstick violence, so the film received a PG-13 rating by the Motion Picture Association of America (MPAA). There are also a number of parodies of other films and stories, including Gremlins itself, the Rambo films, The Wizard of Oz, Marathon Man and The Phantom of the Opera.
Along with the main plot, there is animation by Chuck Jones in the film featuring the Looney Tunes characters Bugs Bunny, Daffy Duck and Porky Pig. Jones had actually quit animation before returning to work on Gremlins 2: The New Batch.Dante explained the animation at the beginning of the film was meant to "set the anarchic tone."
The first scene appears at the very beginning of the movie, and features the classic Looney Tunes opening card, causing people to assume it is the short cartoon that usually plays before a movie begins; however, when Bugs appears through the rings on top of the Warner Bros. shield, Daffy interrupts the intro, and steals the shield from Bugs. Daffy attempts to recreate the opening with himself in Bugs' place, but the shield overshoots, causing the entire title card to fall apart. Daffy surrenders the stardom, claiming that since he will not star in the cartoon, they might as well just skip straight to the movie. Bugs is willing to do so, and spins Daffy off screen like a spinning top for the movie title to appear.
The DVD and Blu-ray include a longer version of the cartoon short. In it, Daffy is informed by Bugs that he has been promoted to executive and is subsequently put in charge writing the title of the movie. When Daffy mistakenly writes the title Gremlins 2 as "Gremlin Stew", Bugs corrects the error. Daffy then attempts to rename the film The Return of Super-Daffy Meets Gremlins 2 Part 6: The Movie, but Bugs rejects this for being too long, changing it back to Gremlins 2 (rendered in the font of the official logo). Daffy then quits his new job and Bugs decides to add in the subtitle, saying it looks "a little skimpy". This material was removed from the film because early audiences expected a live-action film and were bewildered by the lengthy animated sequence.
Throughout the film's closing credits, Daffy pops into frame sporadically and spouts off sarcastic comments. The last scene appears after the credits, and again features the Looney Tunes rings. This time, Porky comes out of the rings and tries to say his usual "Th-th-th-that's all, folks!" However, Daffy interrupts again and takes over. After Daffy says the slogan, the back of the Warner Bros. shield, with the words, "Title Animation Written & Directed by Chuck Jones (with Chuck Jones' signature)", smashes him. He peeks his head out to the left side and says, "Fade out," and the segment ends.
Its a good film.
The plot: The magical collectibles store that Gizmo calls home has just been destroyed, and the tiny monster finds his way into a newly erected skyscraper. Billy Peltzer (Zach Galligan) and his bride-to-be, Kate (Phoebe Cates), who have previously dealt with Gremlins run amok, discover that Gizmo and an impish legion of reptilian pals are inhabiting the downtown building. The couple tries to stop the creatures from escaping into New York City, but this new batch of beasts might be uncontrollable.
Like the first film, Gremlins 2: The New Batch is a live-action horror comedy film; however, Dante put effort into taking the sequel in new anarchistic directions. The film is meant to be more cartoon-like and less dark than the original, with slapstick violence, so the film received a PG-13 rating by the Motion Picture Association of America (MPAA). There are also a number of parodies of other films and stories, including Gremlins itself, the Rambo films, The Wizard of Oz, Marathon Man and The Phantom of the Opera.
Along with the main plot, there is animation by Chuck Jones in the film featuring the Looney Tunes characters Bugs Bunny, Daffy Duck and Porky Pig. Jones had actually quit animation before returning to work on Gremlins 2: The New Batch.Dante explained the animation at the beginning of the film was meant to "set the anarchic tone."
The first scene appears at the very beginning of the movie, and features the classic Looney Tunes opening card, causing people to assume it is the short cartoon that usually plays before a movie begins; however, when Bugs appears through the rings on top of the Warner Bros. shield, Daffy interrupts the intro, and steals the shield from Bugs. Daffy attempts to recreate the opening with himself in Bugs' place, but the shield overshoots, causing the entire title card to fall apart. Daffy surrenders the stardom, claiming that since he will not star in the cartoon, they might as well just skip straight to the movie. Bugs is willing to do so, and spins Daffy off screen like a spinning top for the movie title to appear.
The DVD and Blu-ray include a longer version of the cartoon short. In it, Daffy is informed by Bugs that he has been promoted to executive and is subsequently put in charge writing the title of the movie. When Daffy mistakenly writes the title Gremlins 2 as "Gremlin Stew", Bugs corrects the error. Daffy then attempts to rename the film The Return of Super-Daffy Meets Gremlins 2 Part 6: The Movie, but Bugs rejects this for being too long, changing it back to Gremlins 2 (rendered in the font of the official logo). Daffy then quits his new job and Bugs decides to add in the subtitle, saying it looks "a little skimpy". This material was removed from the film because early audiences expected a live-action film and were bewildered by the lengthy animated sequence.
Throughout the film's closing credits, Daffy pops into frame sporadically and spouts off sarcastic comments. The last scene appears after the credits, and again features the Looney Tunes rings. This time, Porky comes out of the rings and tries to say his usual "Th-th-th-that's all, folks!" However, Daffy interrupts again and takes over. After Daffy says the slogan, the back of the Warner Bros. shield, with the words, "Title Animation Written & Directed by Chuck Jones (with Chuck Jones' signature)", smashes him. He peeks his head out to the left side and says, "Fade out," and the segment ends.
Its a good film.
Steve Fearon (84 KP) rated Bad Times at the El Royale (2018) in Movies
Oct 19, 2018
The Cast (1 more)
Especially Jeff Bridges
Overlong (1 more)
Marketing a little misleading
Not Bad (times at the El Royale)
This was a film suggested by my better half, on the basis of the trailer, excellent cast, and her love for Chris Hemsworth, which to be fair is justified, the guy's a looker.
The trailer had made it look like fun whoddunit, with a colourful cast of characters, a great group of actors, and a fairly lighthearted mystery, and this ticked all the right boxes for us, so along we went.
However, this movie gets pretty damn dark, fairly violent and pretty relentless, and at 140 minutes, this is a serious film.
There is a lot of love for Tarantino in "El Royale", with the style reminiscent of some of his work, though with a bit less feel for comedy, and bigger penchant for musical numbers.
It is enjoyable, and is broken up regularly by switching perspectives to show the viewer the backstory of the main characters, so it doesn't necessarily feel as long as its 140 minutes suggest.
However, it does begin to meander at times, and if it wasn't for the god-like charm of Jeff Bridges, the earnest performance of John Hamm or the captivating allure of Chris Hemsworth in particular, these scenes could have become unbearable.
Cynthia Erivo was spectacular as the soulful lounge singer, and she more than held her own against some of hollywood's finest, and I look forward to seeing her in more big movies in future.
The highlight for me (Chris Hemsworth dancing was hers) was without a doubt Jeff Bridges, the guy can just keep me entertained, no matter the script, no matter the setting, he is just a quality guy, and I loved his performance.
This is a solid 6/10 movie for me, entertaining, happy to watch it once, but I doubt I will watch it again.
The trailer had made it look like fun whoddunit, with a colourful cast of characters, a great group of actors, and a fairly lighthearted mystery, and this ticked all the right boxes for us, so along we went.
However, this movie gets pretty damn dark, fairly violent and pretty relentless, and at 140 minutes, this is a serious film.
There is a lot of love for Tarantino in "El Royale", with the style reminiscent of some of his work, though with a bit less feel for comedy, and bigger penchant for musical numbers.
It is enjoyable, and is broken up regularly by switching perspectives to show the viewer the backstory of the main characters, so it doesn't necessarily feel as long as its 140 minutes suggest.
However, it does begin to meander at times, and if it wasn't for the god-like charm of Jeff Bridges, the earnest performance of John Hamm or the captivating allure of Chris Hemsworth in particular, these scenes could have become unbearable.
Cynthia Erivo was spectacular as the soulful lounge singer, and she more than held her own against some of hollywood's finest, and I look forward to seeing her in more big movies in future.
The highlight for me (Chris Hemsworth dancing was hers) was without a doubt Jeff Bridges, the guy can just keep me entertained, no matter the script, no matter the setting, he is just a quality guy, and I loved his performance.
This is a solid 6/10 movie for me, entertaining, happy to watch it once, but I doubt I will watch it again.
Sarah Betts (103 KP) rated Shadow Souls (The Vampire Diaries: The Return, #2) in Books
Dec 30, 2019
This is my review on Amazon.com:
I have to be honest. This book was actually better than The Return: Nightfall (Vampire Diaries). Sadly, this does not prevent it from being a horrible book.
This book was all over the place and the plot was barely coherent.
Here's the deal: Damon was possessed at the behest of Hot Topic rejects, Misao and Shinichi. This led him to tricking Stefan into going into a place called the Dark Dimension. Elena gets over floating like a balloon to team up with Damon to get him back.
Caroline is still possessed and trying to have Matt arrested for assaulting her. I have to say that the parts with Caroline were the only things remotely interesting about the book. Unfortunately the Matt/Caroline?Mrs Flowers scenes were shoved aside in favor of feeble attempts at eroticism with Damon and Elena.
Stefan and Elena bored me. Every time Elena had an out-of-body experience, I grit my teeth at the insipid dialogue and promised my brain Milk Duds to soothe the loss of brain cells.
Bonnie and Meredith? Strictly on the sidelines and BORING. Meredith was one of my favorite characters and now she's been reduced to generic friend. Ugh.
Another thing that bothered me was the unhealthy obsession with the ideas of purity and virginity. Elena is a virgin. Uh, okay and this is a secret WHY?
Also, readers do not need it pounded into their heads how hot Elena is. Seriously, it seemed like every five pages I was subjected to how awesomely and mind-blowingly hot she is. COMPLETELY UNNECESSARY!
Oh, and THE END *deep breath*... This could have been a shocking and heart-wrenching development, but for some reason LJS decided to play it for comedy. This left me feeling overtly hostile to the book and not at all looking forward to the next installation.
The thing is, LJS did better. I expect better of her. Come on! This is the woman who wrote Secret Vampire (Night World)!
I have to be honest. This book was actually better than The Return: Nightfall (Vampire Diaries). Sadly, this does not prevent it from being a horrible book.
This book was all over the place and the plot was barely coherent.
Here's the deal: Damon was possessed at the behest of Hot Topic rejects, Misao and Shinichi. This led him to tricking Stefan into going into a place called the Dark Dimension. Elena gets over floating like a balloon to team up with Damon to get him back.
Caroline is still possessed and trying to have Matt arrested for assaulting her. I have to say that the parts with Caroline were the only things remotely interesting about the book. Unfortunately the Matt/Caroline?Mrs Flowers scenes were shoved aside in favor of feeble attempts at eroticism with Damon and Elena.
Stefan and Elena bored me. Every time Elena had an out-of-body experience, I grit my teeth at the insipid dialogue and promised my brain Milk Duds to soothe the loss of brain cells.
Bonnie and Meredith? Strictly on the sidelines and BORING. Meredith was one of my favorite characters and now she's been reduced to generic friend. Ugh.
Another thing that bothered me was the unhealthy obsession with the ideas of purity and virginity. Elena is a virgin. Uh, okay and this is a secret WHY?
Also, readers do not need it pounded into their heads how hot Elena is. Seriously, it seemed like every five pages I was subjected to how awesomely and mind-blowingly hot she is. COMPLETELY UNNECESSARY!
Oh, and THE END *deep breath*... This could have been a shocking and heart-wrenching development, but for some reason LJS decided to play it for comedy. This left me feeling overtly hostile to the book and not at all looking forward to the next installation.
The thing is, LJS did better. I expect better of her. Come on! This is the woman who wrote Secret Vampire (Night World)!