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Perfect OB Wheel

Health & Fitness, Medical and Reference

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App

Simple, fast, yet more thorough than any other pregnancy wheel available for the iPhone, Perfect OB...

For the Love of Sauntress: A Forty-Year Affair

Martin O'Scannall

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Book

"I wonder if you can help me." "Maybe I could, or maybe I couldn't," was the very Welsh reply. "What...

The Organized Mind: Thinking Straight in the Age of Information Overload

Daniel J. Levitin

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Book

Author and neuroscientist Daniel Levitin tackles the problems of twenty-first century information...

Leanne Crabtree (480 KP) rated E.R.A (HayleAnna Rising, #1) in Books

Jan 11, 2021

Contains spoilers, click to show

DNF @ 61% - REVIEW DOES CONTAIN SOME SPOILERS (AND A BIT OF A RANT)

This sounded rather good so I downloaded it but the more I read, the more I disliked it. That sounds bad but when I generally enjoy almost 95% of books I read, I think it's fair. It might be because it was self published and needed a really, really good proof read and edit as the amount of misspellings and simple errors drove me mad.

So this starts with HayleAnna waking up for her first day of training to join E.R.A - America's army of the future - so she can follow in her dads footsteps. She meets the trainers, a group of five, and makes friends with her roomie, AZ, before embarking on her schedule of training throughout the days and weeks so she can help stop the crazy madman who is trying to rule America after the government collapsed a handful of decades ago.

I had a couple of other issues with this book, just simple things I didn't understand.
One: Her name is HayleAnna but everyone calls her Anna. Surely Hayle with it coming first would be her shortened form?
Two: The romance. I didn't buy it. One minute they're sharing looks and winks and then the next they're pretty much dating and getting married?
Three: The continual use of the word "setting" instead of "sitting". "Setting up in the bed..." Maybe it's because I'm British but that made no sense to me. I set an object down but I sit down.
And four: I felt like I missed something in that 61%. She leaves the training completely to go see her mum amid a possible threat, but when her birthday rolls around everyone from the training is there wishing her well, including the instructors who told her she would be kicked from the program if she left? And then she actually gets a place with E.R.A?

WTF?

That was about the point where I gave up with the story. It wasn't making sense to me anymore. None of it was. I didn't buy the romance between the characters, either, and I wasn't a fan of the explained conversations without having it written in full.

It did have a promising storyline and I'm sure if the authors gave it a full proper once over that it has the potential to be a good book but currently I really wasn't feeling it at all.

Kudos

Gareth von Kallenbach (980 KP) rated Get Out (2017) in Movies

Jul 12, 2019

Get Out (2017)

2017 | Horror, Thriller

8.0

(208 Ratings)

Movie Rating

ritten and directed by Jordan Peele, “Get Out” is not so much an actual horror film but more of a dark comedy. The plot is filled with political undertones, spotlighting awkward racial interactions that are shadowed by systemic inequality.
Chris Washington (Daniel Kaluuya) and Rose Armitage (Allison Williams) are a vibrant young couple living in the city. He’s a photographer. Not sure what she does. He’s black. She’s white. After dating for four months, Rose convinces Chris to go on a trip to meet her parents. Chris is apprehensive at first and skeptical about how her parents will react to meeting their daughter’s black boyfriend. Rose laughs that off and everything seems fine as they head to the country.
From this point forward the film starts to build in creepiness. It almost has the feel of an M. Night Shayamalan movie like “The Village.” As the plot develops, the audience knows they are supposed to be suspecting something creepy and sinister hiding behind images of normalcy. So everything begins to take on this feel. Rose’s family lives in a creepily perfect mansion in the country. They have a creepily quiet black groundskeeper and a creepily happy black maid.
Fortunately, two things save this film from becoming a hokey Shyamalan style disappointment. The plot is executed in a comedic fashion and it isn’t completely predictable.
The entire film balances a creepy-funny style. Moments of white people awkwardly trying to appear not-racist also build a suspenseful feeling that something darker is behind the surface.
Rose’s mom Missy (Catherine Keener) specializes in hypnosis. It quickly becomes clear that Missy is using mind control tactics to basically enslave black people. Under her spell, her victims take a psychological fall into a dark abyss and are left in a robotic state. It would have been nice if this aspect of the plot was given more screen time.
The film picks up pace when Rose’s parents host a “family” get together that actually turns out to be essentially a “slave” auction. It almost takes too much time to get to this point in the plot. A few more moments, and it would begin to feel like trudging through a repetitious build up. From here forward, it becomes pretty fast paced as Chris desperately tries to escape a horrific fate.
“Get Out” probably won’t actually scare anyone, but it is highly entertaining in a very dark way.