Search
Search results
Gareth von Kallenbach (971 KP) rated Spectre (2015) in Movies
Jun 19, 2019
In the latest cinematic outing for James Bond (Daniel Craig), Director Sam Mendes has crafted a thrilling and deep film which deftly combines the threads of the three previous Craig outings and sets the stage very well for future outings for the series.
In “Spectre” Bond finds himself operating alone when the 007 division is in danger of being shut down due to his latest unsanctioned actions and a change in the political landscape back home.
With the powers that be convinced that surveillance is the way of the future not agents with a license to kill, Bond is racing against time to get the truth behind a mysterious figure named Franz Oberhausen (Christoph Waltz), who is the head of a very mysterious, large, and deadly organization.
From locales ranging from Mexico City, London, Rome, Austria, and North Africa, Bond stalks his target in a deadly game of cat and mouse as his every move seems to have been anticipated by the deadly organization.
Further complicating matters is that Bond is not able to call upon his resources as M (Ralph Fiennes), is unable to do little more than watch due to the pending end of the division and his new superior.
In the trademark style that the series is known for, we have exotic locale, beautiful women, gadgets, fast cars, and thrilling and intense action sequences that combine for a winning formula.
I had been a bit disappointed with Craig’s earlier films as I found them to be a bit muddled and did not find his take on Bond to mesh with the suave agent I had grown up following. That being said, “Skyfall” helped turn things around and with the plot elements of “Spectre” in place; it clearly shows a connection between the earlier films and sets the stage very well for future outings in the series.
Waltz is fantastic as the lead villain as his less than imposing stature is highly deceptive to the danger the man empowers. Audience learn more about the backstory of Bond and how he became the man that his is and Dave Bautista makes a fantastic henchman echoing shades of Odd job and a train sequence from “From Russia With Love”.
In all, thanks to the intense action, great characters and compelling story, “Spectre” is the best of the Craig Bond films and I cannot wait to see what they do next.
http://sknr.net/2015/11/05/spectre/
In “Spectre” Bond finds himself operating alone when the 007 division is in danger of being shut down due to his latest unsanctioned actions and a change in the political landscape back home.
With the powers that be convinced that surveillance is the way of the future not agents with a license to kill, Bond is racing against time to get the truth behind a mysterious figure named Franz Oberhausen (Christoph Waltz), who is the head of a very mysterious, large, and deadly organization.
From locales ranging from Mexico City, London, Rome, Austria, and North Africa, Bond stalks his target in a deadly game of cat and mouse as his every move seems to have been anticipated by the deadly organization.
Further complicating matters is that Bond is not able to call upon his resources as M (Ralph Fiennes), is unable to do little more than watch due to the pending end of the division and his new superior.
In the trademark style that the series is known for, we have exotic locale, beautiful women, gadgets, fast cars, and thrilling and intense action sequences that combine for a winning formula.
I had been a bit disappointed with Craig’s earlier films as I found them to be a bit muddled and did not find his take on Bond to mesh with the suave agent I had grown up following. That being said, “Skyfall” helped turn things around and with the plot elements of “Spectre” in place; it clearly shows a connection between the earlier films and sets the stage very well for future outings in the series.
Waltz is fantastic as the lead villain as his less than imposing stature is highly deceptive to the danger the man empowers. Audience learn more about the backstory of Bond and how he became the man that his is and Dave Bautista makes a fantastic henchman echoing shades of Odd job and a train sequence from “From Russia With Love”.
In all, thanks to the intense action, great characters and compelling story, “Spectre” is the best of the Craig Bond films and I cannot wait to see what they do next.
http://sknr.net/2015/11/05/spectre/
Bob Mann (459 KP) rated Dune (2021) in Movies
Oct 28, 2021
“He’s Not The Messiah – He’s a Very Naughty Boy!”
Certain works of fiction have been labelled with the tag of “unfilmable”, and Frank Herbert’s 1965 novel “Dune” is one of those. It’s full of exposition done as internal monologues – which screams “movie voiceover”. And regular readers will know my hatred of those!
Amazingly, Denis Villeneuve manages to pull off the impossible with his version of Dune (part 1), which I saw last night as part of a Cineworld Unlimited preview event. It’s close to being a movie masterpiece.
Plot Summary:
The desert planet of Arrakis is home to the Freman tribe but is a political battleground since it is the only known source of ‘Spice’: a substance that enables interplanetary travel.
Paul (Timothée Chalamet) is the heir to the throne of the House of Atreides, headed by his father Duke Leto Atreides (Oscar Isaac). His mother (Rebecca Ferguson) is Leto’s concubine and possessed with hereditary gifts: mystical powers that make her part of a sect of galactic ‘witches’ with mystical powers. But the House of Atreides is gaining in power, and the Emperor throws a political spanner into the works by evicting the vicious House of Harkonnen from Arrakis and giving it to Atreides. This puts both Houses on the path of war.
Certification:
US: PG-13. UK: 12A.
Talent:
Starring: Timothée Chalamet, Rebecca Ferguson, Oscar Isaac, Zendaya, Jason Momoa, Stellan Skarsgård, Josh Brolin, Javier Bardem, Dave Bautista, Charlotte Rampling.
Directed by: Denis Villeneuve.
Written by: Jon Spaihts, Denis Villeneuve and Eric Roth. (Based on the novel by Frank Herbert).
“Dune” Review: Positives:
My 5*’s for this one goes for the overall vision, which is grandiose with scenes that stick in the brain. As he demonstrated in “Arrival“, Villeneuve likes to go for huge spacecraft that hang “in the sky in much the same way that bricks don’t”*. And the ships in this vision are just HUGE.
The ensemble cast does a great job, with Chalamet, Isaac and Ferguson being particularly impressive. Stellan Skarsgård (looking like he is about to tell “a very amusing story about a goat”, if you get that movie reference!) looks to have the most gruelling acting job, having to emerge from, and descend into, a bath of black goo!
Much like Villeneuve’s “Blade Runner 2049“, this movie has cinematography that is worthy of framing and sticking on your wall. (Greig Fraser is the man behind the camera here).
Hans Zimmer‘s music is phenomenal. I’m not sure it’s a good ‘sit down and listen to’ sort of soundtrack, but it fits the movie beautifully.
* I used this Douglas Adams quote for my “Arrival” review, and then Mark Kermode used the same quote: I like to think he read my review!
Negatives:
It wasn’t a problem for me, but I expect some will consider the movie to be too much mood and not enough action. I’ve seen some comment that the film was “emotionally empty”: but I really didn’t feel that, and am well-invested in the story ready for “Part 2”.
This is probably faithful to the books, but given all of the advanced spacecraft technology on show, and laser/blaster technology, it seems bonkers that when we get to hand-to-hand combat between the armies that we get into “swords and sandals” territory.
Observation:
There’s nothing new under the Tatooine suns. And so much of this film has you linking the concepts back to “Star Wars”:
“The Force” is now “The Way”
The Jedi are the ‘Ben and Jerry Set’. (Well, that’s what it sounded like to me… and I don’t even like Ice Cream!)
Both films centre on a Messiah-like “chosen one”, foretold by legend
“Spice” also features in “Star Wars” with “spice runners” (as in the Millenium Falcon doing the ‘Kessel Run’)
There’s even a ‘pit of sarlaac’ moment in “Dune”.
Of course, since Frank Herbert wrote “Dune” in 1965, there’s a significant question as to who is plagiarising who here!
Summary Thoughts on “Dune”
At 2 hours 35 minutes, it’s YET ANOTHER long movie: cementing October 2021 as the month of long movies. (I just did a quick tally, and of the six films I’ve seen this month they average 139 minutes in length: and that’s with “Venom: Let There Be Carnage” dragging the average down!)
But this is a movie that MUST be seen on the big screen. It’s a memorable movie experience and highly recommended.
I can’t wait for Villeneuve’s “Part 2”, currently in pre-production.
Amazingly, Denis Villeneuve manages to pull off the impossible with his version of Dune (part 1), which I saw last night as part of a Cineworld Unlimited preview event. It’s close to being a movie masterpiece.
Plot Summary:
The desert planet of Arrakis is home to the Freman tribe but is a political battleground since it is the only known source of ‘Spice’: a substance that enables interplanetary travel.
Paul (Timothée Chalamet) is the heir to the throne of the House of Atreides, headed by his father Duke Leto Atreides (Oscar Isaac). His mother (Rebecca Ferguson) is Leto’s concubine and possessed with hereditary gifts: mystical powers that make her part of a sect of galactic ‘witches’ with mystical powers. But the House of Atreides is gaining in power, and the Emperor throws a political spanner into the works by evicting the vicious House of Harkonnen from Arrakis and giving it to Atreides. This puts both Houses on the path of war.
Certification:
US: PG-13. UK: 12A.
Talent:
Starring: Timothée Chalamet, Rebecca Ferguson, Oscar Isaac, Zendaya, Jason Momoa, Stellan Skarsgård, Josh Brolin, Javier Bardem, Dave Bautista, Charlotte Rampling.
Directed by: Denis Villeneuve.
Written by: Jon Spaihts, Denis Villeneuve and Eric Roth. (Based on the novel by Frank Herbert).
“Dune” Review: Positives:
My 5*’s for this one goes for the overall vision, which is grandiose with scenes that stick in the brain. As he demonstrated in “Arrival“, Villeneuve likes to go for huge spacecraft that hang “in the sky in much the same way that bricks don’t”*. And the ships in this vision are just HUGE.
The ensemble cast does a great job, with Chalamet, Isaac and Ferguson being particularly impressive. Stellan Skarsgård (looking like he is about to tell “a very amusing story about a goat”, if you get that movie reference!) looks to have the most gruelling acting job, having to emerge from, and descend into, a bath of black goo!
Much like Villeneuve’s “Blade Runner 2049“, this movie has cinematography that is worthy of framing and sticking on your wall. (Greig Fraser is the man behind the camera here).
Hans Zimmer‘s music is phenomenal. I’m not sure it’s a good ‘sit down and listen to’ sort of soundtrack, but it fits the movie beautifully.
* I used this Douglas Adams quote for my “Arrival” review, and then Mark Kermode used the same quote: I like to think he read my review!
Negatives:
It wasn’t a problem for me, but I expect some will consider the movie to be too much mood and not enough action. I’ve seen some comment that the film was “emotionally empty”: but I really didn’t feel that, and am well-invested in the story ready for “Part 2”.
This is probably faithful to the books, but given all of the advanced spacecraft technology on show, and laser/blaster technology, it seems bonkers that when we get to hand-to-hand combat between the armies that we get into “swords and sandals” territory.
Observation:
There’s nothing new under the Tatooine suns. And so much of this film has you linking the concepts back to “Star Wars”:
“The Force” is now “The Way”
The Jedi are the ‘Ben and Jerry Set’. (Well, that’s what it sounded like to me… and I don’t even like Ice Cream!)
Both films centre on a Messiah-like “chosen one”, foretold by legend
“Spice” also features in “Star Wars” with “spice runners” (as in the Millenium Falcon doing the ‘Kessel Run’)
There’s even a ‘pit of sarlaac’ moment in “Dune”.
Of course, since Frank Herbert wrote “Dune” in 1965, there’s a significant question as to who is plagiarising who here!
Summary Thoughts on “Dune”
At 2 hours 35 minutes, it’s YET ANOTHER long movie: cementing October 2021 as the month of long movies. (I just did a quick tally, and of the six films I’ve seen this month they average 139 minutes in length: and that’s with “Venom: Let There Be Carnage” dragging the average down!)
But this is a movie that MUST be seen on the big screen. It’s a memorable movie experience and highly recommended.
I can’t wait for Villeneuve’s “Part 2”, currently in pre-production.
Ivana A. | Diary of Difference (1171 KP) rated Carrie in Books
Nov 14, 2018
Full review can be found on my blog - www.diaryofdifference.com
I am probably one of the last people on Earth that hasn’t read a Stephen King book. Carrie is the first book I decided to read. People have been suggesting it to me for a while, and it seemed like a nice short bit of introduction to Stephen’s horror world.
Also, a special thank you to my friend Dave, for constantly recommending Stephen King books to me, until I finally decided to listen to him. He seemed to be right!
Now - Carrie.
A book about a girl that lives with her crazy religious mother in a creepy house. A girl who is being bullied at school all the time. A story about a girl that has the ability to move objects as she wishes. And a prom night, where everything escalates.
Carrie is a sixteen year old girl. And she has been raised by her mother, who is a religious person in a - not healthy way. When Carrie misbehaves, she is sent to a closet to pray for the whole day. Even though Carrie doesn’t share her mother’s beliefs, she can’t really stand up and fight for herself.
The plot gets a grip when Carrie has her first period at the age of sixteen. She thinks she will bleed to death. And all her classmates are laughing at her, because she is stupid. And throw tampons her way. And as I am reading this, I keep thinking - what kind of mother won’t tell her child about menstruation, and puberty, and all the normal teenage phases a kid has to go through while growing up?
This moment, in the school bathroom, is the moment Carrie finds out about her powers.
And a few weeks later, a terrible thing happens.
This is a horror story, but the horror doesn’t lie in what Carrie did, but what led her to do that. Who it is to blame, and why things escalated the way they did.
Stephen King described bullying in its most painful and real way, and the consequences it can lead to. And it does happen, in every school, to a lot of children all over the world each day. A sometimes, most of the times, they are bullied only because they are different, not because they are bad.
This is a story that silently stands up to bullying, and by doing that raises such a strong voice in every corner of the world.
And remember - if you are the bully - think twice before you say things. Words can hurt, and they can result in bad things happening. Think twice about why you say what you say. The classmate of yours might have a talent you don’t know of.
And if you are the bullied child - also remember - you are kind and beautiful, no matter what everyone says. You shouldn’t let people bring you down. And we have all been bullied while growing up. Once you reach a certain age, people stop caring, and you stop caring what people think, and then, finally, you can be comfortable and happy with who you are!
I am probably one of the last people on Earth that hasn’t read a Stephen King book. Carrie is the first book I decided to read. People have been suggesting it to me for a while, and it seemed like a nice short bit of introduction to Stephen’s horror world.
Also, a special thank you to my friend Dave, for constantly recommending Stephen King books to me, until I finally decided to listen to him. He seemed to be right!
Now - Carrie.
A book about a girl that lives with her crazy religious mother in a creepy house. A girl who is being bullied at school all the time. A story about a girl that has the ability to move objects as she wishes. And a prom night, where everything escalates.
Carrie is a sixteen year old girl. And she has been raised by her mother, who is a religious person in a - not healthy way. When Carrie misbehaves, she is sent to a closet to pray for the whole day. Even though Carrie doesn’t share her mother’s beliefs, she can’t really stand up and fight for herself.
The plot gets a grip when Carrie has her first period at the age of sixteen. She thinks she will bleed to death. And all her classmates are laughing at her, because she is stupid. And throw tampons her way. And as I am reading this, I keep thinking - what kind of mother won’t tell her child about menstruation, and puberty, and all the normal teenage phases a kid has to go through while growing up?
This moment, in the school bathroom, is the moment Carrie finds out about her powers.
And a few weeks later, a terrible thing happens.
This is a horror story, but the horror doesn’t lie in what Carrie did, but what led her to do that. Who it is to blame, and why things escalated the way they did.
Stephen King described bullying in its most painful and real way, and the consequences it can lead to. And it does happen, in every school, to a lot of children all over the world each day. A sometimes, most of the times, they are bullied only because they are different, not because they are bad.
This is a story that silently stands up to bullying, and by doing that raises such a strong voice in every corner of the world.
And remember - if you are the bully - think twice before you say things. Words can hurt, and they can result in bad things happening. Think twice about why you say what you say. The classmate of yours might have a talent you don’t know of.
And if you are the bullied child - also remember - you are kind and beautiful, no matter what everyone says. You shouldn’t let people bring you down. And we have all been bullied while growing up. Once you reach a certain age, people stop caring, and you stop caring what people think, and then, finally, you can be comfortable and happy with who you are!
LeftSideCut (3778 KP) rated The Mandalorian - Season 1 in TV
May 5, 2020
A live action series set in the Star Wars universe has been a long time coming and thankfully, it hit almost all the right notes.
The Mandalorian is set after the events of Return of the Jedi, where the empire is all but gone, and the titular hero is going about his business, taking bounty jobs for good pay. It's not too long before it's revealed that remnants of the empire remain intact and one unexpected bounty job sets Mando on a different path entirely.
The plot isn't too heavy on dramatics for the most part, and the 8 episode arc concentrates on small stories - mini adventures that are resolved relatively quickly. It's a lot of fun. The final two episodes set up a larger narrative, that has me excited for season 2.
The Mandalorian himself (Pedro Pascal) is a great lead, and considering his face is covered the entire time, that's high praise. He has a cold, precise exterior, and shows off frequently his capabilities as a warrior (every episode has a pretty awesome action set piece at one point). Underneath it all, his humanity is shown when The Child (commonly know as Baby Yoda) is thrown into his care, drawing paraells with his own childhood.
The Child arguably steals the show at intervals, being offensively cute throughout, and showing hints at force powers here and there.
Other cast members include Cara Dune (Gina Carano), a completely badass ex Imperial Shock Trooper. Her character is another highlight, and I sincerely hope to see her return for season 2.
Greef Karga (Carl freaking Weathers), bounty salesman and sometimes ally of Mando. The three of them (plus The Child) make for a damn fine crew.
Some further Star power is provided by IG-11 (Taika Waititi) and Kuiil (Nick Nolte) and these two characters further flesh out a great cast.
The villains of the piece aren't in your face, but are present enough to lay the seeds for bigger things to come. Earlier on we have The Client (Werner Herzog oozing text book evil empire vibes), and a bit later, Moff Gideon (Giancarlo Esposito), who is menacing enough to make an impact with his little screentime.
I also enjoyed the fleshing out of the Mandalorian religion.
There is some great directing talent in display as well, with episode from the likes of the aforementioned Taika Waititi, Deborah Chow, Dave Filoni, Bryce Dallas Howard, and Rick Famuyiwa. They've all down a great job of bringing this particular Star Wars narrative to life, and I genuinely enjoyed every episode.
Except for episode 6. And thats mainly due to the throwaway characters we get given. (It reminded me of that infamous shitty episode in season 2 of Stranger Things.)
The devotion to using practical effects pays off tremendously, as The Mandalorian frequently looks superb. The CGI used is actually pretty subtle, and the mix of the two works.
All in all, it's a strong first season that personally tops any of the recent trilogy in terms of Star Wars material. Can't wait to see where it goes!
The Mandalorian is set after the events of Return of the Jedi, where the empire is all but gone, and the titular hero is going about his business, taking bounty jobs for good pay. It's not too long before it's revealed that remnants of the empire remain intact and one unexpected bounty job sets Mando on a different path entirely.
The plot isn't too heavy on dramatics for the most part, and the 8 episode arc concentrates on small stories - mini adventures that are resolved relatively quickly. It's a lot of fun. The final two episodes set up a larger narrative, that has me excited for season 2.
The Mandalorian himself (Pedro Pascal) is a great lead, and considering his face is covered the entire time, that's high praise. He has a cold, precise exterior, and shows off frequently his capabilities as a warrior (every episode has a pretty awesome action set piece at one point). Underneath it all, his humanity is shown when The Child (commonly know as Baby Yoda) is thrown into his care, drawing paraells with his own childhood.
The Child arguably steals the show at intervals, being offensively cute throughout, and showing hints at force powers here and there.
Other cast members include Cara Dune (Gina Carano), a completely badass ex Imperial Shock Trooper. Her character is another highlight, and I sincerely hope to see her return for season 2.
Greef Karga (Carl freaking Weathers), bounty salesman and sometimes ally of Mando. The three of them (plus The Child) make for a damn fine crew.
Some further Star power is provided by IG-11 (Taika Waititi) and Kuiil (Nick Nolte) and these two characters further flesh out a great cast.
The villains of the piece aren't in your face, but are present enough to lay the seeds for bigger things to come. Earlier on we have The Client (Werner Herzog oozing text book evil empire vibes), and a bit later, Moff Gideon (Giancarlo Esposito), who is menacing enough to make an impact with his little screentime.
I also enjoyed the fleshing out of the Mandalorian religion.
There is some great directing talent in display as well, with episode from the likes of the aforementioned Taika Waititi, Deborah Chow, Dave Filoni, Bryce Dallas Howard, and Rick Famuyiwa. They've all down a great job of bringing this particular Star Wars narrative to life, and I genuinely enjoyed every episode.
Except for episode 6. And thats mainly due to the throwaway characters we get given. (It reminded me of that infamous shitty episode in season 2 of Stranger Things.)
The devotion to using practical effects pays off tremendously, as The Mandalorian frequently looks superb. The CGI used is actually pretty subtle, and the mix of the two works.
All in all, it's a strong first season that personally tops any of the recent trilogy in terms of Star Wars material. Can't wait to see where it goes!
Chris Sawin (602 KP) rated the PlayStation 4 version of Little Nightmares II in Video Games
Apr 9, 2021
The incredible story. (3 more)
Great visuals and interactions with items both in the foreground and background.
Brilliant score.
Its gameplay and controls are mostly entertaining.
Some puzzles are difficult to solve without cheating. (2 more)
It is ridiculously difficult at times. Expect to die. A lot.
It is longer than the first game, but still feels short.
A Visually Creepy Masterpiece with a few Minor Flaws
Little Nightmares II is a vast improvement over the original game that still has a few flaws that could be ironed out in a sequel. The first game was creepy and a lot of fun, but it felt incredibly short. It was the type of game you bought, played through quickly, and traded in because it didn’t seem to have much replay value. Although I'm just now reading about the DLC for the game and the hidden ending to Little Nightmares II, but I digress.
Little Nightmares II has you playing as Mono, a young boy that wears a paper bag over his head; not unlike Ugly Bob from the Terrance & Phillip In Not Without My Anus on the first episode of the second season of South Park. The game is a lot like Limbo with more color. Mono is thrown into a world of bleak surroundings and even darker outcomes. Thankfully, you have Six from the previous game to assist you. However, Little Nightmares II is only one player which seems like a missed opportunity for this to be a two player game.
The format of each level is pretty similar other than the last one. You typically flee a major boss character that chases you while you search for the key to a locked door. Stealth is involved throughout the game. If you make too much noise, run too fast, or walk into the light from the shadows in view of a boss’s eyesight then you get eaten or killed. You use your surroundings to thwart the boss, which usually involves killing them yourself. The chase element is the same near the end of the game, but you're thrown into more surreal and dreamlike surroundings.
It does seem like you interact more with the background in comparison to the previous game. You can almost always run into the background on any level. It may result in you falling off a cliff, but that kind of exploration ability in a side-scroller is really cool. I played Little Nightmares II on a PS5 despite the game being for PS4. What’s cool is you can feel Mono’s heartbeat through the controller when situations are tense and seeing little dust particles float through the air as you explore is a nice addition.
The highlight of the game is the story. The world Little Nightmares and Little Nightmares II takes place in is so deliciously dreary with what feels like no hope for survival. You root for Mono and Six to stay together as friends, but that outcome seems less and less likely as the game progresses. You also gain powers as Mono later on; the most noteworthy one being able to use televisions as portals. All of the major bosses are fantastically terrifying, as well. You’re chased by a hunter with a shotgun, a teacher with a stretchy neck and an appetite, twitchy mannequins that only move in darkness, viewers obsessed with television, and The Thin Man who kidnaps Six.
The game can be frustrating at times. Not only is it difficult and will result in you dying over and over again, but certain puzzles are almost impossible to solve without looking up how to solve them first.
According to the internet, it seems as though this may be the end of the Little Nightmares franchise since the creators are moving on to something new and will focus less on sequels in the future. It’s unfortunate since Dave Mervik’s writing with the story of the game is so well done and the game as a whole is mostly very fun and entertaining to play while providing legitimate thrills and chills. Tobias Lilja’s musical score is a frightening delight. However, despite Little Nightmare II’s flaws, it’ll be impossible not to be invested in anything Tarsier Studios is involved with in the years to come.
Little Nightmares II has you playing as Mono, a young boy that wears a paper bag over his head; not unlike Ugly Bob from the Terrance & Phillip In Not Without My Anus on the first episode of the second season of South Park. The game is a lot like Limbo with more color. Mono is thrown into a world of bleak surroundings and even darker outcomes. Thankfully, you have Six from the previous game to assist you. However, Little Nightmares II is only one player which seems like a missed opportunity for this to be a two player game.
The format of each level is pretty similar other than the last one. You typically flee a major boss character that chases you while you search for the key to a locked door. Stealth is involved throughout the game. If you make too much noise, run too fast, or walk into the light from the shadows in view of a boss’s eyesight then you get eaten or killed. You use your surroundings to thwart the boss, which usually involves killing them yourself. The chase element is the same near the end of the game, but you're thrown into more surreal and dreamlike surroundings.
It does seem like you interact more with the background in comparison to the previous game. You can almost always run into the background on any level. It may result in you falling off a cliff, but that kind of exploration ability in a side-scroller is really cool. I played Little Nightmares II on a PS5 despite the game being for PS4. What’s cool is you can feel Mono’s heartbeat through the controller when situations are tense and seeing little dust particles float through the air as you explore is a nice addition.
The highlight of the game is the story. The world Little Nightmares and Little Nightmares II takes place in is so deliciously dreary with what feels like no hope for survival. You root for Mono and Six to stay together as friends, but that outcome seems less and less likely as the game progresses. You also gain powers as Mono later on; the most noteworthy one being able to use televisions as portals. All of the major bosses are fantastically terrifying, as well. You’re chased by a hunter with a shotgun, a teacher with a stretchy neck and an appetite, twitchy mannequins that only move in darkness, viewers obsessed with television, and The Thin Man who kidnaps Six.
The game can be frustrating at times. Not only is it difficult and will result in you dying over and over again, but certain puzzles are almost impossible to solve without looking up how to solve them first.
According to the internet, it seems as though this may be the end of the Little Nightmares franchise since the creators are moving on to something new and will focus less on sequels in the future. It’s unfortunate since Dave Mervik’s writing with the story of the game is so well done and the game as a whole is mostly very fun and entertaining to play while providing legitimate thrills and chills. Tobias Lilja’s musical score is a frightening delight. However, despite Little Nightmare II’s flaws, it’ll be impossible not to be invested in anything Tarsier Studios is involved with in the years to come.