"Beastie Boys and David Bowie are two of my favorite artists. The David Bowie album I am going to choose is Scary Monsters, which is kind of different. He always reinvented himself and he was doing something in the 1980s with Scary Monsters that nobody was doing. You can kind of hear stuff on that album that a lot of groups are doing now like, 'Aw, yeah I know where you got that from. That’s off that album.' It’s not one of his most popular albums to everybody, but I think it’s my favorite. There was a song on that, ‘Teenage Wildlife,’ and if you don’t like that, we don’t have to associate with each other. If you don’t get that song—it's cool man, I’ll see you around. “‘Teenage Wildlife’ is just epic. It’s like five or six minutes long and it kind of crescendos and builds into this insane vocal of Bowie wailing. I think I would pay $5,000 dollars to see footage of that recording session. I don’t know how he hits the notes that he’s doing and how long he does it but he’s just belting it out. You know he was feeling something when he was doing it. It’s just a cool song."

"As a huge David Bowie fan who was at the last Ziggy Stardust gig – when he said he was quitting, I remember turning round to my friend and saying, “As if!” – this BBC documentary from a couple of years later felt very special. And very new. It’s the document of Bowie in America, and gets you so close. He’s so vulnerable, sniffing – obviously taking cocaine – and looks like an alien; but when talking Alan Yentob through his old tour outfits, he’s still something of a chirpy cockney lad. The film also shows the sharpness and originality of his musical mind, especially when he’s directing his amazing backing singers through their parts. It’s fascinating to see him at work as a musician"

"The next one is a little-known obscure album called Hunky Dory! I grew up listening to David Bowie's songs in the background. I knew he existed and knew his hits and whatnot. I had the same thing with The Beatles. When I was 17 I saw that my dad had Hunky Dory and I realised that I had never really actually listened properly to David Bowie. I thought of him as a pop star – which he is – but he's obviously a lot more than that. I remember putting it on and listening to it in the lounge and actually thinking it was almost too much – it was a collection of songs that were all so good that it was too much to digest. It absolutely blew my mind at how mercurial he was on one record. He wasn't writing songs just about love, but about all these crazy, bizarre ideas. It contained really weirdly strange anthems that weren't like anything I'd heard. I remember really trying to piece together who David Bowie was in his entirety, as opposed to him just being that guy who dresses up like a woman sometimes and was a pop star, and beginning to understand the gravity of how talented he was. I remember listening to the song 'Andy Warhol' over and over and over again and thinking it was the best song I had ever heard in my life and then trying to learn it on guitar. So, it was the moment of realising, ""Oh my god, David Bowie!"" but there is no real point in me explaining why it is such a good album. It's obvious."

"A story about compassion and forgiveness set in a World War II Japanese prison camp, Merry Christmas Mr. Lawrence seems to improve with age and repeated viewings. The screenplay, by Nagisa Oshima and Paul Mayersberg, based on a book by Laurens van der Post, is oblique, brutal, poignant. Tom Conti, David Bowie, and Takeshi Kitano all give first-rate performances, and Ryuichi Sakamoto’s score is heartbreaking. The last five minutes never fail to destroy me"

"… the first time I owned an album of my very own. I didn't pay for it with my pocket money, my sister Clare got given it by a boyfriend and she passed it on to me immediately. The Hipgnosis cover with the black and gold solarisation and the amp - it's a classic record sleeve. It's just a really brilliant album, a bridging album between the Tyrannosaurus Rex years and the full-on commerciality of Fly, and 'Telegram Sam' and 'Hot Love'. There's a great poster of Marc looking supercool in his Maida Vale flat with a mirror in the shape of a guitar, and illustrations of him by George Underwood, who famously went to school with David Bowie and punched him in the eye, causing 'the Bowie eye'."