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Spooks Run Wild (1941)
Spooks Run Wild (1941)
1941 | Comedy, Horror
8
8.0 (1 Ratings)
Movie Rating
The East Side Kids Meet Dracula
Spooks Run Wild- is a funny entertaining horror movie starting the East Side Kids and of course Bela Lugosi as the creepy man/villian.

The plot: The East Side Kids are sent to summer camp, and shortly after arriving they encounter a mysterious man named Nardo (Bela Lugosi). Naturally, the Kids assume Nardo is the "monster killer" they've been warned about. Their theory is strengthened when they see Peewee (David Gorcey), seemingly risen from the dead after getting shot, walking around Nardo's house in a zombie-like trance. The Kids take it upon themselves to capture Nardo before he can kill anyone else.

Like i said its funny entertaining and over a good black and white comedy horror film.
  
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Dave Mustaine recommended Love by Aztec Camera in Music (curated)

 
Love by Aztec Camera
Love by Aztec Camera
1987 | Alternative
(0 Ratings)
Album Favorite

"We were in Paris and MTV was on. I remember I was really sick at the time, and Roddy Frame was singing Deep And Wide And Tall, and he’s just a really great pop songwriter. You can tell the metal guys that have successful, long-lasting careers are usually people that listen to music outside the obvious realm and have influences from outside metal. If we’re just repeating what our peers are doing, we’re not really pushing the envelope. I also own a Scritti Politti single called Wood Beez. It came with a turntable that somebody had left at a house that me and David Ellefson moved into, and I just kind of adopted it. It’s a little bit poppy for me"

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Ali Abbasi recommended Mulholland Drive (2001) in Movies (curated)

 
Mulholland Drive (2001)
Mulholland Drive (2001)
2001 | Documentary, Drama, Mystery

"I was completely unprepared when I saw Mulholland Dr. in a small art-house cinema in Stockholm, and it blew my mind. I came out of the movie and just felt like I needed to talk to people and ask questions, like, did you see what I saw? It was huge for me, and it almost felt like, you can’t mess with people like this and get away with it, somebody should do something about it. Usually when American cinema tries to be surreal or nonlinear or non-narrative, it turns either really pretentious or really Hollywood. But David Lynch, in this film but also in general, is probably the only person I know who has succeeded in making his own version of American surrealism."

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Rian Johnson recommended House of Games (1987) in Movies (curated)

 
House of Games (1987)
House of Games (1987)
1987 | Drama, Mystery
(0 Ratings)
Movie Favorite

"Okay, how about House of Games as kind of the David Mamet representation? You need him in there if you’re gonna talk about con man movies. It’s a movie I love more and more every time I see it. I just think it’s beautifully constructed, and it also really has something on its mind in terms of this kind of dark, sticky psychology of the con and of our human fascination with the con. It’s just a terrific film, and it’s also a lot of fun. I mean, the opening card game scene. That’s got Ricky Jay in it, Joe Mantegna, you know. “I’m from the United States of kiss my a–.” [laughs] It’s one of the all-time great card table scenes in all of cinema, I think."

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Hide and Seek (2005)
Hide and Seek (2005)
2005 | Mystery
4
6.3 (7 Ratings)
Movie Rating
The mind is a deep a complex organ that science still struggles to fully comprehend, despite the countless hours of research and study that have been expended in unlocking the mysteries contained within.

In the new thriller Hide and Seek, audiences are introduced to Dr. David Callaway (Robert De Niro), a Psychologist who is struggling to help his daughter Emile (Dakota Fanning) after the suicide of her mother. David believes that the best option is to move from New York City to a quite area upstate where he can focus on being a father to his daughter, who has become withdrawn despite intense counseling.

Despite opposition from Emily’s therapist and family friend Katherine (Famke Janssen), David and Emily relocate to a scenic and quite location and hour from the city.

At first everything seems to be going well with the move and David meets an attractive young lady named Elizabeth (Elisabeth Shue), who watches over a little girl for another member of her family. Thinking that a friend will snap Emily from her state, David encourages Elizabeth to come to the house.

David is convinced the addition of a friend will encourage Emily to stop talking about an imaginary friend named Charlie who seems to have preoccupied the little girls time. David is convinced that Charlie is a creation of Emily’s psyche that will fade over time especially as she makes friends and copes with the loss of her mother.

Emily instead withdraws even further from people and a series of bizarre and violent events ensue with Emily insisting that Charlie is the reason behind all of them. As David struggles to deal with the ever increasing tension caused by Charlie, he soon becomes caught up in a situation beyond his control.

The setup for the film is good as your mind races with a myriad of possibilities and outcome. Sadly many of my scenarios, and I suspect most of the audience were better and more satisfying then the conclusion of the film. The film quickly degrades into an abundance of absurdities and situations that seem lifted from the Drama 101 textbook as well as a dozen other and better films in the genre.

While the cast does good work with what they have, it is unsatisfying to see talent like Shue and Janssen reduced to minor supporting characters when they could have brought so much more to the film. Worse yet is De Niro seems to be going through the motions as this brilliant and gifted actor is not given any material that will challenge him and let his brilliant method acting shine.

For the first half of the film it is a mostly enjoyable and intriguing film that does hold your attention. However once the so called surprises of the film are revealed and the film moves towards it’s conclusion, you cant help but think that you have been cheated and deserved a much better payoff for sitting through the first hour of the film. Days after seeing it, I am still stunned at how badly the film ended and how such a good premise and talented cast were horribly wasted on a film that had surprisingly no scares or tension as the audience at my press screening sat largely in silence throughout the film.

My advice, save this for a rental as it is at best, a movie of the week quality film.
  
1313: Giant Killer Bees (2010)
1313: Giant Killer Bees (2010)
2010 | Horror, Sci-Fi
3
3.0 (1 Ratings)
Movie Rating
It's fun to laugh at part (0 more)
Horrible acting (2 more)
Weird props (I'll get into it)
Looooooong scenes and establishing shots
So bad it's good?
This is a horrible movie but it's 1 of those movies that are so bad it's actually good? Good is a strong word though, it's funny to pick out scenes to laugh at.

It starts with a scene where a guy gets dropped off by a car and then walks for 15 minutes to a house which goes on and on (could have easily been dropped off at the house) I can tell this movie is going to be exhausting.

The director, David decoteau returns to the same house he uses in every one of his movies. Same furniture, same props. It's almost a running gag now.

The props they use are weird. There is a beehive someone is attending to is just a bunch of office boxes while the guy is wearing what looks like one of those white outfits that painters and forensic scientists wear.

The CGI on the bees is horrible and the acting is terrible. It's easy to laugh at but you find yourself feeling exhausted when they spend 20 minutes showing a guy rubbing his body on a bed (it's like 5 minutes with the same moves repeating) and a 10-15 minute shower scene.

You cringe and you can't wait for it to end but grab some popcorn, get some friends over and just laugh at this because I did have fun watching despite how boring it is. It was mostly all out if confusion tbh lol

I'd still recommend giving it a try just for a laugh. I still don't know the exact plot, I don't know any of the characters names, I don't know what's happening half the time but as long as you laugh, it's worth it.
  
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Darren (1599 KP) rated Within (2016) in Movies

Oct 24, 2019  
Within (2016)
Within (2016)
2016 |
4
4.0 (1 Ratings)
Movie Rating
Characters – John is the father of the house, we know he has been on hard times and this house is all he can afford for his family. He does love both his wife and daughter and is trying to teach his daughter a lesson after her mistakes have led them to this location. Hannah is his daughter of John that has been getting herself in trouble which caused the move, she is grounded and is the first one to notice the strange events around the house. Melanie is the new wife and step-mother to Hannah, she doesn’t do much beyond the normal, which is mostly trying to be the best friend in her time of need. Ray is the creepy neighbour that offers to help change the locks, less we say about him the better.

Performances – When we look at the performances in this film we must be praising Erin Moriarty as she is excellent in her role, the weaknesses come from the parental characters, Michael Vartan and Nadine Velazquez who both don’t seem to do much with their roles in the film.

Story – The story here follows the family that move into a new home only to start seeing strange things happening and we fall in the, ‘creepy person living in the attic’ sub-genre, which is one that I feel is getting tiresome, there is only so much you can do while telling this story and if we are being honest we have seen it done on better levels before. The build up follows the checklist and by the end of the film the story just feels like it is trying to hard to be different, rather than good.

Horror – The horror in the film comes from the idea that someone could be living in your house, it is an easy idea for because being haunted in your own home should be working, though this misses the tension required for the film.

Settings – The film is set entirely inside the one house, which is all we need as this keeps the film contained for the maximum levels of horror, even if they don’t use it well.

Special Effects – The effects for the most part are good with the kills looking extra brutal when they hit.


Scene of the Movie – The first meeting of David.

That Moment That Annoyed Me – We have seen this too much.

Final Thoughts – This is a by the books horror that doesn’t test the audience enough, it has an easy out which doesn’t get used at all, though the killer does look creepy throughout.

 

Overall: Been here seen this.
  
The Personal History of David Copperfield (2019)
The Personal History of David Copperfield (2019)
2019 | Classics, Comedy, Drama
This retelling of Charles Dickens’ David Copperfield takes us from his birth, through his adolescence and adulthood. With the tempo set like a whirling dervish from the moment David (Dev Patel) takes us with him to witness his birth and travel along through his pivotal life moments as he tells his story.

We see his birth where his mother, Clara Copperfield (Morfydd Clark, playing a double role, later as Dora Spenlow) a slight, fantastical woman, and the steadfast housekeeper, Peggotty (Daisy May Cooper) go through the hectic confusion while people mill about, entering and exiting during the process of birth. His Aunt, Betsy (Tilda Swinton) goes about, adding to the calamity insistent that the child of her late brother would be a girl, who would carry her legacy as a Trotwood. Her eccentricity noted immediately as she storms out once learning the child is a boy.

The film progresses, with the same quick tempo, through his brief, idyllic childhood with his mother, then his trip to Yarmouth summering with Peggotty’s family where his imagination begins its bloom in the house that is a boat, by the sea. Once David returns home, he is informed that his mother had married, and his stepfather sends him to London. He is sent to live with Mr. & Mrs. Micawber (Peter Capaldi and Bronagh Gallagher) while he works at the bottle factory.

David’s life goes from famine to feast, bear to bull. However, he has learned resilience through his encounters with people of all classes and situations. As Copperfield makes his way through life, the tempo slows down, and the frenzy subsides.

Yes, it’s a remake, the film is beautifully made, the cast is an incredibly talented international group. Hugh Laurie and Tilda Swinton provide an endearing portrait of eclectic personalities. The film is just a charming and whimsical piece of storytelling.
  
Thanks, Obama: My Hopey Changey White House Years
Thanks, Obama: My Hopey Changey White House Years
David Litt | 2017 | Biography
9
9.0 (1 Ratings)
Book Rating
A book of hopey changey during the Obama years
This funny, poignant look at the White House from the perspective of a speechwriter, humanises those who worked for Obama and the former president himself.

From hilarious anecdotes, where David Litt was literally found with his Hulk pants down on Air Force One, to harrowing experiences watching Obama sing Amazing Grace after the racially-motivated Charleston shooting -it's like a real-life series of West Wing.

His admiration for the ex-chief is rather sweet, turning from full-blown hero worshipping to quiet respect for POTUS as a person as in his own words: "We are not perfect but we have the capacity to be more perfect".

Hence the ending seems bittersweet - Litt was part of Obama's legacy that is being decimated so for him it is personal. He asks "Was Barack Obama a good President?" And without hesitation he agrees that he was.
  
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Doug Nichol recommended Blow-Up (1966) in Movies (curated)

 
Blow-Up (1966)
Blow-Up (1966)
1966 | Drama, Mystery
8.5 (2 Ratings)
Movie Favorite

"Most of my favorite films are those in which the lead character is in every scene of the film. When I was a teenager I saw Blow-Up, The Graduate, and Midnight Cowboy at a revival art-house cinema, and these films had an enormous impact on me. I’ve collected Criterion editions since the laserdisc days, and my favorite from that time was the Midnight Cowboy disc, with John Schlesinger’s commentary. But having two out of the three films available now on Criterion Blu-ray is great. I love the package design and transfer of the Blow-Up disc, and the scene in the park where David Hemmings stalks the couple with his camera really comes to life with the new transfer—it’s maybe my favorite scene in any film ever made. And what can I say about The Graduate except that it’s the one film I never tire of seeing? I love all the extras and screen tests on the disc."

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