Search
Search results
Matthew Krueger (10051 KP) rated Riding the Bullet (2004) in Movies
Sep 24, 2019
Roller-Coaster
Riding The Bullet- is a underrated psychological horror thriller film based off of a stephen king novel.
The Plot: Ever since his father passed away, art student Alan Parker (Jonathan Jackson) has been hypnotized by thoughts of death. After his girlfriend, Jessica (Erika Christensen), breaks up with him, Alan attempts suicide but is rescued by his friends. The next day, he learns that his mother (Barbara Hershey) has just had a serious stroke, and he sets out to hitchhike to her hospital. Along the way, he meets a series of strange people, including sinister George Staub (David Arquette), who may be Satan.
Its psychological, horrorfying, thrilling, chilling, spooky, terrorfying and super underrated.
I would highly reccordmend this movie.
The Plot: Ever since his father passed away, art student Alan Parker (Jonathan Jackson) has been hypnotized by thoughts of death. After his girlfriend, Jessica (Erika Christensen), breaks up with him, Alan attempts suicide but is rescued by his friends. The next day, he learns that his mother (Barbara Hershey) has just had a serious stroke, and he sets out to hitchhike to her hospital. Along the way, he meets a series of strange people, including sinister George Staub (David Arquette), who may be Satan.
Its psychological, horrorfying, thrilling, chilling, spooky, terrorfying and super underrated.
I would highly reccordmend this movie.
Darren (1599 KP) rated Eight Legged Freaks (2002) in Movies
Jun 20, 2019
Contains spoilers, click to show
Story: Eight Legged Freaks starts by showing us the Mike Parker (Terra) visiting Joshua the spider expert of the town who has been feeding his spiders enlarged crickets and of course they now escape. One week later when Mike goes to return his mother Sheriff Samantha Parker (Wuhrer) stops the visit because of waste being dumped into the local watering hole.
With this we get to see the rebellious teenage daughter Ashley (Johansson) who is dating bad boy biker Bret (Czuchry) step-son of Mayor Wade (Rippy) who is trying to cover up the fact the town is nearly broke. Chris McCormick (Arquette) a local who returned to town after his father’s death refusing to sell the mine in a deal which could save the town.
When Mike makes it back to Joshua’s he learns of the super-sized spiders that have been released into this small town, the resident must now fight against the spiders that have infested the town.
Thoughts on Eight Legged Freaks
Characters/Performance – Chris McCormick returns to his hometown to claim what is his, the mine, he also needs to make up for the mistakes he has made and this gives him the perfect chance too. Sheriff Parker is a single mother of two trying to keep the local community together and being the former love interest of Chris. Mike is the expert on everything going on playing out as the reminder to all the different spiders attacking styles. Ashley is the bad girl daughter of Samantha who is mostly trying to discover who she is. We have the rest of the town which includes the conspiracy crazed radio host, the greedy mayor the comic relief deputy.
Performance wise, David Arquette is great in this leading role managing the comedy side of everything as well as the action horror when needed. Kari Wuhrer fits the part of sexy sheriff very well too. Both Scott Terra and Scarlett Johansson are good choices too. The rest of the actors all give good performances to fit the films mentality.
Story – Small town gets invaded by giant spiders thanks to cost cutting measures. We do have a reluctantly hero needing to help save the day but otherwise this is everything you need in a creature feature, plenty of potential victims, plenty of creature and plenty of laughs.
Action/Comedy/Horror – The action is all big and plans into the idea of the comedy being used in the creature feature side of the film.
Settings – The small town setting helps with the story telling here because they have no communication with the outside world after the attack starts and not many escape routes of places to hide.
Special Effects – We have a mix of practical and CGI here which all help create the low budget feel behind this film and while moments have dated other parts are all fun.
Final Thoughts – This is by far one of my favourite creature features out there, it is fun, over the top and filled with perfect comic timing, never trying to be serious.
Overall: Purely fun creature feature.
https://moviesreview101.com/2018/10/27/a-z-halloween-horror-eight-legged-freaks-2002/
With this we get to see the rebellious teenage daughter Ashley (Johansson) who is dating bad boy biker Bret (Czuchry) step-son of Mayor Wade (Rippy) who is trying to cover up the fact the town is nearly broke. Chris McCormick (Arquette) a local who returned to town after his father’s death refusing to sell the mine in a deal which could save the town.
When Mike makes it back to Joshua’s he learns of the super-sized spiders that have been released into this small town, the resident must now fight against the spiders that have infested the town.
Thoughts on Eight Legged Freaks
Characters/Performance – Chris McCormick returns to his hometown to claim what is his, the mine, he also needs to make up for the mistakes he has made and this gives him the perfect chance too. Sheriff Parker is a single mother of two trying to keep the local community together and being the former love interest of Chris. Mike is the expert on everything going on playing out as the reminder to all the different spiders attacking styles. Ashley is the bad girl daughter of Samantha who is mostly trying to discover who she is. We have the rest of the town which includes the conspiracy crazed radio host, the greedy mayor the comic relief deputy.
Performance wise, David Arquette is great in this leading role managing the comedy side of everything as well as the action horror when needed. Kari Wuhrer fits the part of sexy sheriff very well too. Both Scott Terra and Scarlett Johansson are good choices too. The rest of the actors all give good performances to fit the films mentality.
Story – Small town gets invaded by giant spiders thanks to cost cutting measures. We do have a reluctantly hero needing to help save the day but otherwise this is everything you need in a creature feature, plenty of potential victims, plenty of creature and plenty of laughs.
Action/Comedy/Horror – The action is all big and plans into the idea of the comedy being used in the creature feature side of the film.
Settings – The small town setting helps with the story telling here because they have no communication with the outside world after the attack starts and not many escape routes of places to hide.
Special Effects – We have a mix of practical and CGI here which all help create the low budget feel behind this film and while moments have dated other parts are all fun.
Final Thoughts – This is by far one of my favourite creature features out there, it is fun, over the top and filled with perfect comic timing, never trying to be serious.
Overall: Purely fun creature feature.
https://moviesreview101.com/2018/10/27/a-z-halloween-horror-eight-legged-freaks-2002/
Ryan Hill (152 KP) rated Spider-Man (2002) in Movies
Jun 30, 2019
" With great power comes great responsibility"
One of the first movies to pave the groundwork for modern superhero flicks, Spider-Man is an incredibly fun & endlessly entertaining action-adventure that brings its web-slinging hero to life on the silver screen in a truly fascinating manner after spending nearly a quarter of a century in development hell and, with its record-breaking box office performance, acts as a precursor to an era when superheroes would dominate the summer box-office.
Based on the Marvel Comics character of the same name, the story of Spider-Man follows Peter Parker; a high-school kid who after being bitten by a radioactive spider at a genetic laboratory begins to develop spider-like abilities and puts his new powers to good use by turning to crimefighting. Meanwhile, Norman Osborn experiments a power-enhancing drug on himself as a desperate attempt to preserve a military contract critical for his company's survival.
Directed by Sam Raimi, Spider-Man has all the ingredients of a summer blockbuster plus it benefits a lot from Raimi's dynamic filmmaking style that doesn't dwell on a single moment for far too long, keeps the story fresh, light-hearted & action-packed for the most part, plus never loses its initially-gained momentum. David Koepp's screenplay is no slouch either for it packs in a compelling plot & few interesting characters and the whole story is cheesy but well humoured.
The technical aspects are all brilliantly executed. Camerawork is excellent for the most part for the chosen angles, swift movements, slow-mo shots & warm colour palette are correctly employed. Editing provides a frenetic pace to its narrative, each moment has a role to play, and its 121 minutes of runtime simply flies by. Visual effects team makes use of both CGI & practical stuntwork and it's amazing just how well it has aged when compared to other effects-laden movies released back then.
Coming to the performances, Spider-Man packs in a very interesting cast in Tobey Maguire, Kirsten Dunst, James Franco, Willem Dafoe, J.K. Simmons & others, and many of them are pretty convincing in their given roles. Maguire does a terrific job under Raimi's supervision, Dafoe plays Norman Osborn with finesse but that Green Goblin suit is extremely off-putting, Simmons is a near-perfect rendition of J. Jonah Jameson from the comics while both Dunst & Franco do a fine job as Mary Jane Watson & Harry Osborn, respectively.
Also worthy of admiration is Danny Elfman's outstanding score that captures just the right tone & feel of your friendly neighbourhood Spider-Man's universe and brims with tracks that seamlessly integrate into the story. On an overall scale, Spider-Man may not seem as impressive today as it did back when it made its debut on the silver screen but it still remains one of the best offerings of its category and delivers a roller-coasted ride that's enjoyable, entertaining & highly satisfying. Spider-Man is a summer popcorn extravaganza right on the money.
Based on the Marvel Comics character of the same name, the story of Spider-Man follows Peter Parker; a high-school kid who after being bitten by a radioactive spider at a genetic laboratory begins to develop spider-like abilities and puts his new powers to good use by turning to crimefighting. Meanwhile, Norman Osborn experiments a power-enhancing drug on himself as a desperate attempt to preserve a military contract critical for his company's survival.
Directed by Sam Raimi, Spider-Man has all the ingredients of a summer blockbuster plus it benefits a lot from Raimi's dynamic filmmaking style that doesn't dwell on a single moment for far too long, keeps the story fresh, light-hearted & action-packed for the most part, plus never loses its initially-gained momentum. David Koepp's screenplay is no slouch either for it packs in a compelling plot & few interesting characters and the whole story is cheesy but well humoured.
The technical aspects are all brilliantly executed. Camerawork is excellent for the most part for the chosen angles, swift movements, slow-mo shots & warm colour palette are correctly employed. Editing provides a frenetic pace to its narrative, each moment has a role to play, and its 121 minutes of runtime simply flies by. Visual effects team makes use of both CGI & practical stuntwork and it's amazing just how well it has aged when compared to other effects-laden movies released back then.
Coming to the performances, Spider-Man packs in a very interesting cast in Tobey Maguire, Kirsten Dunst, James Franco, Willem Dafoe, J.K. Simmons & others, and many of them are pretty convincing in their given roles. Maguire does a terrific job under Raimi's supervision, Dafoe plays Norman Osborn with finesse but that Green Goblin suit is extremely off-putting, Simmons is a near-perfect rendition of J. Jonah Jameson from the comics while both Dunst & Franco do a fine job as Mary Jane Watson & Harry Osborn, respectively.
Also worthy of admiration is Danny Elfman's outstanding score that captures just the right tone & feel of your friendly neighbourhood Spider-Man's universe and brims with tracks that seamlessly integrate into the story. On an overall scale, Spider-Man may not seem as impressive today as it did back when it made its debut on the silver screen but it still remains one of the best offerings of its category and delivers a roller-coasted ride that's enjoyable, entertaining & highly satisfying. Spider-Man is a summer popcorn extravaganza right on the money.
Gareth von Kallenbach (980 KP) rated Baywatch (2017) in Movies
Jul 11, 2019
Mitch Buchannon (Dwayne Johnson) is the head of the elite lifeguards of Baywatch. With over 500 confirmed saves he is a local legend. He and his team keep the beach safe by saving drowning victims and going after the people who threaten the safety of the bay they patrol. His team consists of; Stephanie Holden (Ilfenesh Hadera) the one person who might know the bay as well as Mitch and his second in command, C.J. Parker (Kelly Rohrbach) another veteran lifeguard, recruits Ronnie Greenbaum (Jon Bass) and Summer Quinn (Alexandra Daddario) both out to prove themselves, and the final member is cocky recruit Matt Brody (Zac Efron). When drugs start to wash up on the shores of the bay Mitch and company decide to investigate local business woman Victoria Leeds (Priyanka Chopra). They notice that some odd things seem to be happening around a high end resort she owns. The drugs are wash up right in front of the resort and an unknown fish company begins delivering mysterious blue barrels to the resort. But when a local councilman dies under suspicious circumstances, while wearing the same expensive watch worn by Victoria’s body guards, they decide they must infiltrate Victoria’s club, yacht . They have to come together and get to the bottom of where the drugs are coming from and who is responsible to save they bay they are sworn to protect.
If there was a film that took to the phase “don’t take yourself too seriously” Baywatch would be that film. This Seth Gordon (Horrible Bosses, Identity Thief) directed film embraces the cheesiness of the original Baywatch television series in a big way. The cast pokes fun at every aspect of the television series as well as the personas of the real life actors, specifically Johnson and Efron. Johnson’s character is constantly poking fun at Efron’s character by calling him boy band names, in reference to Efron’s status as a teen heartthrob. Another way the movie makes fun of itself is by calling out the fact the Baywatch team not only have the duties of lifeguards on the beach but also doing criminal investigates, going under cover and chasing criminals. There is an ongoing gag throughout the movie where a local police officer, Sgt. Ellerbee (yahya Abdul-Mateen II), reminds Mitch that he is not a police officer, which does not stop him from survelling suspects and looking at coroner reports. Another aspect that I think was done well was that it does not try to reimagine the universe of Baywatch. Rather it takes all the corny one liners and over the top plots and adds some raunchiness to make it new and fresh.
It maybe went a little too far on the cheesy lines and over-acting at times but I think that was the intent of the film. Many of times I found myself shaking my head at how absurd the story was but in the end it was all done in a fun way and again not taking itself too seriously. The action scenes are good not great. The acting fits the style of the movie, it’s bad but presumably on purpose. The CGI in the movie is hit and miss, most notable the underwater scenes are not the best. The movie is also way raunchier that I expected. Some scenes definitely caught me off guard at how far they went. I wouldn’t go into it expecting any amazing acting or plausible plot lines, because you are likely to be let down. This is not for anyone looking for a witty comedy or is not a fan of excessive foul language and some nudity. If you were a fan of the TV series you will probably enjoy the film, notably the cameos by Pamela Anderson (as Casey Jean Parker) and David Hasselhoff (as the mentor).
If there was a film that took to the phase “don’t take yourself too seriously” Baywatch would be that film. This Seth Gordon (Horrible Bosses, Identity Thief) directed film embraces the cheesiness of the original Baywatch television series in a big way. The cast pokes fun at every aspect of the television series as well as the personas of the real life actors, specifically Johnson and Efron. Johnson’s character is constantly poking fun at Efron’s character by calling him boy band names, in reference to Efron’s status as a teen heartthrob. Another way the movie makes fun of itself is by calling out the fact the Baywatch team not only have the duties of lifeguards on the beach but also doing criminal investigates, going under cover and chasing criminals. There is an ongoing gag throughout the movie where a local police officer, Sgt. Ellerbee (yahya Abdul-Mateen II), reminds Mitch that he is not a police officer, which does not stop him from survelling suspects and looking at coroner reports. Another aspect that I think was done well was that it does not try to reimagine the universe of Baywatch. Rather it takes all the corny one liners and over the top plots and adds some raunchiness to make it new and fresh.
It maybe went a little too far on the cheesy lines and over-acting at times but I think that was the intent of the film. Many of times I found myself shaking my head at how absurd the story was but in the end it was all done in a fun way and again not taking itself too seriously. The action scenes are good not great. The acting fits the style of the movie, it’s bad but presumably on purpose. The CGI in the movie is hit and miss, most notable the underwater scenes are not the best. The movie is also way raunchier that I expected. Some scenes definitely caught me off guard at how far they went. I wouldn’t go into it expecting any amazing acting or plausible plot lines, because you are likely to be let down. This is not for anyone looking for a witty comedy or is not a fan of excessive foul language and some nudity. If you were a fan of the TV series you will probably enjoy the film, notably the cameos by Pamela Anderson (as Casey Jean Parker) and David Hasselhoff (as the mentor).
Gareth von Kallenbach (980 KP) rated The Social Network (2010) in Movies
Aug 8, 2019
It’s hard to find anyone who doesn’t know about Facebook. On any given day, at least 250 million active users log on to Facebook and spend over 700 billion minutes per month updating their status, posting pictures or playing casual games. So dominant is this social network, the name itself is both a brand and a verb. Who would have thought that sharing inanities about what we’re currently thinking, eating, reading, watching with our friends would garner such interest? In the new movie The Social Network, director David Fincher sets out to show how, from the very humblest beginnings, Facebook became the juggernaut that it is today.
In 2003, after a debate and breakup with his girlfriend, fueled by his frustration at his exclusion from the social elite, Harvard undergrad and computer programming genius, Mark Zuckerberg, sits at his computer one night and changes the face of the internet. In just a few hours Zuckerberg, deftly played by Jesse Eisenberg, circumvents the firewalls and security of Harvard and creates a website that allows visitors to rate the ladies of the campus. Within a few hours, the thousands of hits crash the vaunted computer network of the university.
While Harvard staff was not impressed with his efforts, it certainly caught the attention of his fellow students, most notably the Winklevoss brothers, who seek out Zuckerberg with the intention of creating an exclusive website for Harvard students. While seemingly mulling over the proposal of the new site, Zuckerberg rapidly, and obsessively, develops his own. The early version of what would eventually become Facebook soon becomes a campus sensation, much to the dismay of the Winklevoss brothers.
Andrew Garfield plays Zuckerberg’s friend Eduardo Severin who funds Zuckerberg’s efforts. Facebook rapidly became the height of social hipness as its exclusivity widened to more colleges and universities. College students across the country created profiles and quickly spread news of the site simply by word of mouth. Or rather word of email. The success of Facebook soon gains the attention of Sean Parker, played by Justin Timberlake. Parker had risen to prominence as the creator of the popular file sharing site Napster and was eager to become involved with the growing success of Facebook. While Mark is fascinated and inspired by Sean’s slick style, Eduardo isn’t impressed and is highly suspicious of Sean’s motives as well as his shady reputation. As the trailers and posters have touted, you can’t get to 500 million friends without making a few enemies. Jealousy feeds insecurities that feed accusations that eventually lead to lawsuits.
Eisenberg is fantastic as the egotistical, neurotic, and highly intelligent Mark Zuckerberg, but the true breakout performance of the film has to be that of Andrew Garfield, who has been cast to play Spiderman in the next trilogy of the very popular film series. The British actor who was born and raised in Los Angeles has an understated charisma and appears very capable of becoming a leading man. He infuses Eduardo with class and humanism as he tries to be the friend Zuckerberg doesn’t think he needs.
The film is told largely through flashbacks during a deposition hearing between the parties involved in the lawsuits. Director Fincher skillfully allows his characters to drive the film, letting the story unfold in telling scenes, giving the characters ample room to shine without becoming preachy or resorting to grandstanding.
The characters, despite their flaws, do come across as very believable and sympathetic, even though it’s difficult to imagine going from students to inventors of a pop culture phenomenon, to billionaires in just a few short years. Very few corporations that become dominant in their industry do so without critics, challengers, and those that claim they were responsible for whatever success a company gained.
While The Social Network does not overtly place blame, the light it shines on Zuckerberg isn’t altogether flattering. Surprisingly, the film does not go to the extreme with tech talk. It instead focuses on the relationship between the characters and how they handled the drastic and sudden changes in their lives brought on by a simple program called Face Mash, which became the basis for Facebook.
Strong supporting work in the film combined with the great performances of the lead characters makes The Social Network”a very solid and entertaining film that, for my money, is one of the better films of the year.
While it would be easy to jump to judgment and brand many in the film as egotistical rich people who should be grateful for what they have, I remembered that absolute power corrupts absolutely and I wondered just how well any of us in the audience would react if we were ever faced with a similar situation.
In 2003, after a debate and breakup with his girlfriend, fueled by his frustration at his exclusion from the social elite, Harvard undergrad and computer programming genius, Mark Zuckerberg, sits at his computer one night and changes the face of the internet. In just a few hours Zuckerberg, deftly played by Jesse Eisenberg, circumvents the firewalls and security of Harvard and creates a website that allows visitors to rate the ladies of the campus. Within a few hours, the thousands of hits crash the vaunted computer network of the university.
While Harvard staff was not impressed with his efforts, it certainly caught the attention of his fellow students, most notably the Winklevoss brothers, who seek out Zuckerberg with the intention of creating an exclusive website for Harvard students. While seemingly mulling over the proposal of the new site, Zuckerberg rapidly, and obsessively, develops his own. The early version of what would eventually become Facebook soon becomes a campus sensation, much to the dismay of the Winklevoss brothers.
Andrew Garfield plays Zuckerberg’s friend Eduardo Severin who funds Zuckerberg’s efforts. Facebook rapidly became the height of social hipness as its exclusivity widened to more colleges and universities. College students across the country created profiles and quickly spread news of the site simply by word of mouth. Or rather word of email. The success of Facebook soon gains the attention of Sean Parker, played by Justin Timberlake. Parker had risen to prominence as the creator of the popular file sharing site Napster and was eager to become involved with the growing success of Facebook. While Mark is fascinated and inspired by Sean’s slick style, Eduardo isn’t impressed and is highly suspicious of Sean’s motives as well as his shady reputation. As the trailers and posters have touted, you can’t get to 500 million friends without making a few enemies. Jealousy feeds insecurities that feed accusations that eventually lead to lawsuits.
Eisenberg is fantastic as the egotistical, neurotic, and highly intelligent Mark Zuckerberg, but the true breakout performance of the film has to be that of Andrew Garfield, who has been cast to play Spiderman in the next trilogy of the very popular film series. The British actor who was born and raised in Los Angeles has an understated charisma and appears very capable of becoming a leading man. He infuses Eduardo with class and humanism as he tries to be the friend Zuckerberg doesn’t think he needs.
The film is told largely through flashbacks during a deposition hearing between the parties involved in the lawsuits. Director Fincher skillfully allows his characters to drive the film, letting the story unfold in telling scenes, giving the characters ample room to shine without becoming preachy or resorting to grandstanding.
The characters, despite their flaws, do come across as very believable and sympathetic, even though it’s difficult to imagine going from students to inventors of a pop culture phenomenon, to billionaires in just a few short years. Very few corporations that become dominant in their industry do so without critics, challengers, and those that claim they were responsible for whatever success a company gained.
While The Social Network does not overtly place blame, the light it shines on Zuckerberg isn’t altogether flattering. Surprisingly, the film does not go to the extreme with tech talk. It instead focuses on the relationship between the characters and how they handled the drastic and sudden changes in their lives brought on by a simple program called Face Mash, which became the basis for Facebook.
Strong supporting work in the film combined with the great performances of the lead characters makes The Social Network”a very solid and entertaining film that, for my money, is one of the better films of the year.
While it would be easy to jump to judgment and brand many in the film as egotistical rich people who should be grateful for what they have, I remembered that absolute power corrupts absolutely and I wondered just how well any of us in the audience would react if we were ever faced with a similar situation.
Darren (1599 KP) rated Scream 3 (2000) in Movies
Oct 31, 2019
Characters – Sidney is now living off the map, helping women in need of a helping hand, when the killer tracks her down, she comes to help from her hiding where she will come face to face with the true killer. Dewey is now working on the set of the Stab films, he is helping one of the stars of the film understand her character and gets stuck into the investigation this time. Gale isn’t as cut throat as she once was, her career didn’t go as well as it could have, she must put up with the needy actress who is playing her in the film. Detective Mark Kincaid is the cop assigned to try and track down the killer willing to push boundaries to uncover the truth. We get a string of actors that will be playing to the roles of the characters in the franchise, with Jennifer Jolie preparing to be Gale being the highlight of these and if not the whole movie. Our suspect list is long which only adds to the mystery we might be seeing through the film.
Performances – Neve Campbell, Courteney Cox and David Arquette all return and give good performances through the film, they don’t build on what we know from them, Parker Posey however steals the whole movie, every scene she is in we want to see more from her. This film does suffer from having too many actors which does stop giving the stars the time required to truly shine.
Story – The story follows the production of the third ‘Stab’ movie which is from the series of films that are based on the events of the Scream films, that starts getting its own body count from a new killer with connections to Sidney’s mother. This could easily be considered the weakest story of the three so far in the franchise, this is mostly because of the idea of being on the film set with the actors and real people gets overly complicated and takes away from the suspense we previously experience. As for the twists we learn the rules that make things feel like a larger scale operation which even after seeing the previous film do fit together much like what many of the 80s slashers did.
Horror/Mystery – The horror in the film comes from the slasher side of things which are all routine enough and work for the film, with the mystery coming from just who is truly behind the murders.
Settings – Setting the film in Hollywood, mostly in and around a film set makes us relive the moments we have gotten to know through the years and most importantly show us how a film could be getting made.
Special Effects – The effects in the movie continue the style we have seen before, it gives us the blood we need to make look real without being over the top.
Scene of the Movie – The continuing reference to how difficult Scream 2 was to make.
That Moment That Annoyed Me – Some of the supporting characters, mostly the actors don’t get much screen time.
Final Thoughts – This is the third part of one of the greatest horror trilogies, it continues to show us behind the curtain of horror movies with a twist we didn’t know about to keep the story feeling fresh throughout the film.
Overall: This is how to make a trilogy.
Performances – Neve Campbell, Courteney Cox and David Arquette all return and give good performances through the film, they don’t build on what we know from them, Parker Posey however steals the whole movie, every scene she is in we want to see more from her. This film does suffer from having too many actors which does stop giving the stars the time required to truly shine.
Story – The story follows the production of the third ‘Stab’ movie which is from the series of films that are based on the events of the Scream films, that starts getting its own body count from a new killer with connections to Sidney’s mother. This could easily be considered the weakest story of the three so far in the franchise, this is mostly because of the idea of being on the film set with the actors and real people gets overly complicated and takes away from the suspense we previously experience. As for the twists we learn the rules that make things feel like a larger scale operation which even after seeing the previous film do fit together much like what many of the 80s slashers did.
Horror/Mystery – The horror in the film comes from the slasher side of things which are all routine enough and work for the film, with the mystery coming from just who is truly behind the murders.
Settings – Setting the film in Hollywood, mostly in and around a film set makes us relive the moments we have gotten to know through the years and most importantly show us how a film could be getting made.
Special Effects – The effects in the movie continue the style we have seen before, it gives us the blood we need to make look real without being over the top.
Scene of the Movie – The continuing reference to how difficult Scream 2 was to make.
That Moment That Annoyed Me – Some of the supporting characters, mostly the actors don’t get much screen time.
Final Thoughts – This is the third part of one of the greatest horror trilogies, it continues to show us behind the curtain of horror movies with a twist we didn’t know about to keep the story feeling fresh throughout the film.
Overall: This is how to make a trilogy.
Gareth von Kallenbach (980 KP) rated Sex and the City 2 (2010) in Movies
Aug 8, 2019
So what happens after you finally marry Mr. Right (or in this case, Mr. Big)? Carrie (Sarah Jessica Parker) and Big (Chris Noth) have been married for almost 2 years now and are in danger of falling into a tired routine. After eschewing the latest fashions for classic furnishings to make their new flat a home, Carrie no longer laments over her singlehood. Instead she bemoans becoming part of an old, married couple. She bristles at the idea of staying home and eating takeout while her husband just wants to put his feet up on the couch.
Charlotte (Kristin Davis) remains the picture-perfect mother and wife, adding a new baby to her home. One that cries constantly and forces her to hire a nanny. A buxom, Irish nanny named Erin who quickly earns the fitting nickname “Erin Go Bra-less” from Charlotte’s best friends. Watch Charlotte’s cheery smile become brittle and harder to keep in place as the demands of motherhood and doubts the ability of her husband Harry (Evan Handler) to resist temptation become too much to handle.
Miranda (Cynthia Nixon) is reconciled with Steve (David Eigenberg), and is finally a partner at her law firm but it hasn’t brought her the satisfaction she thought it would. She’s stressed and aggravated by a senior partner who demeans her and she starts to question whether being an attorney is worth it anymore.
Samantha (Kim Cattrall) is very much the same bawdy temptress, minus her boy-toy, plus a lot of vitamins to stave off menopausal symptoms. This time around, no major drama sends the ladies off on an exotic trip, just Samantha working her public relations charm on a shiekh with a palatial hotel. Apparently, sometimes girls just need to getaway to Abu-Dhabi. The movie soon becomes an indulgent showcase of excess from a flight in a plane equipped with individual suites, a bar & lounge, to a Maybach and a personal butler for each of the ladies.
Anyone watching SATC2 without the background of the series and the first film will think they entered an alien world of shallow, whiny women who like to wear clashing colors and ridiculous hats. Fans of the series will probably forgive the tired puns and trite storylines to embrace the familiar: four friends in fabulous, outrageous, fashion and comical situations, with an extravagant, lush backdrop.
Screened in a theater where women outnumbered men 3 to 1, many of the laughs were tinged with almost as much horror as delight. I usually enjoy musical numbers in movies, but I fought the urge to cover my eyes when Liza Minelli performed Beyonce’s “Single Ladies” at a wedding early in the movie. The girlfriends’ karaoke rendition of “I Am Woman” was also an uncomfortable moment for all its corniness. But amidst the splashy abundance, there were moments of honest friendship that resonated, unfortunately they’re overshadowed by annoying antics and reckless decisions.
Sure to spark lively debates on friendship, relationships, careers, and questionable fashion, this is still an entertaining film that, if nothing else, would make a great date night movie with your girlfriends. Especially those whose friendships have spanned decades and who can recognize a little bit of themselves in these women. Note to men: if you want to know where the women may be this weekend, the theaters would be a good bet.
Charlotte (Kristin Davis) remains the picture-perfect mother and wife, adding a new baby to her home. One that cries constantly and forces her to hire a nanny. A buxom, Irish nanny named Erin who quickly earns the fitting nickname “Erin Go Bra-less” from Charlotte’s best friends. Watch Charlotte’s cheery smile become brittle and harder to keep in place as the demands of motherhood and doubts the ability of her husband Harry (Evan Handler) to resist temptation become too much to handle.
Miranda (Cynthia Nixon) is reconciled with Steve (David Eigenberg), and is finally a partner at her law firm but it hasn’t brought her the satisfaction she thought it would. She’s stressed and aggravated by a senior partner who demeans her and she starts to question whether being an attorney is worth it anymore.
Samantha (Kim Cattrall) is very much the same bawdy temptress, minus her boy-toy, plus a lot of vitamins to stave off menopausal symptoms. This time around, no major drama sends the ladies off on an exotic trip, just Samantha working her public relations charm on a shiekh with a palatial hotel. Apparently, sometimes girls just need to getaway to Abu-Dhabi. The movie soon becomes an indulgent showcase of excess from a flight in a plane equipped with individual suites, a bar & lounge, to a Maybach and a personal butler for each of the ladies.
Anyone watching SATC2 without the background of the series and the first film will think they entered an alien world of shallow, whiny women who like to wear clashing colors and ridiculous hats. Fans of the series will probably forgive the tired puns and trite storylines to embrace the familiar: four friends in fabulous, outrageous, fashion and comical situations, with an extravagant, lush backdrop.
Screened in a theater where women outnumbered men 3 to 1, many of the laughs were tinged with almost as much horror as delight. I usually enjoy musical numbers in movies, but I fought the urge to cover my eyes when Liza Minelli performed Beyonce’s “Single Ladies” at a wedding early in the movie. The girlfriends’ karaoke rendition of “I Am Woman” was also an uncomfortable moment for all its corniness. But amidst the splashy abundance, there were moments of honest friendship that resonated, unfortunately they’re overshadowed by annoying antics and reckless decisions.
Sure to spark lively debates on friendship, relationships, careers, and questionable fashion, this is still an entertaining film that, if nothing else, would make a great date night movie with your girlfriends. Especially those whose friendships have spanned decades and who can recognize a little bit of themselves in these women. Note to men: if you want to know where the women may be this weekend, the theaters would be a good bet.
Ryan Hill (152 KP) rated Captain America: Civil War (2016) in Movies
May 11, 2019
Chris Evans as Steve Rogers/ Captain America
RDJ as Tony Stark/Iron man
Sebastian Stan as Bucky Barnes
Tom Holland as Peter Parker/Spider-man
Chadwick Boseman as Black panther/Tchalla (1 more)
The Airport fight scene
The climatic three-way battle
Zemo is a fantastic villian brilliantly played by Daniel Bruhl
Feels like a Captain America movie
Giant-Man is awesome,so is Paul Rudd
Mission Report, December 16, 1991
"Captain America: Civil War" is not only the best "Captain America" movie yet, but it may just be at the very top of the Marvel Cinematic Universe, due to it's emotionally satisfying themes. That may seem like extremely high praise, so I will explain why I believe that to be true, as well as why I think this is the most mature Marvel film to this point. Loosely following the events of both "Captain America: The Winter Solider" and "Avengers: Age of Ultron," while still harking back to previous films from this universe, this 13th installment in the ever growing Marvel Cinematic Universe, follows the team on different paths as they are once again pulled together.
Opening the film in the past, audiences will be given a look into the life of the Winter Soldier, as his character will later have the biggest impact on the story at hand. Flash forward to the Avengers. The team is realizing that the events from the past have killed many innocent lives in the process and they must decide whether or not they want to sign the "Sokovia Accords" and be restrained by the government, and only released when called upon. This divides the team stronger than ever before, creating friction as to what the right move truly is. Then arrives the Winter Soldier. Still brainwashed, Bucky causes Steve to go after him (a fugitive), thus sparking the war of family and friendship within the team. This is just the basis. There are many levels to this picture, including the addition of Zemo as the side villain.
This character served a very pivotal role in my opinion and definitely does not deserve the flack he is receiving. Daniel Bruhl is terrific in everything he is in and he only justified that more with this character. Without giving anything away, his character is involved with the heart of the story and is the reason for many actions/motivations. This review has been very dour so far and that is due to the fact that the entire first act of this film is extremely sad, but enjoyably so. Unlike certain unnamed films, this has a very light tone which elevates enough of the somber moments, making for a very balanced film throughout.
The central dynamic/conflict of Steve Rodgers (Captain America), Bucky Barnes (Winter Soldier) and Tony Stark ( Iron man) is what elevates the film for me. These are my three favourite characters and you follow their stories as they weave together and by the end you don't know who's side you are on as they beat each other down in what i'd call the most brutal fight in the mcu. Chris Evans and Robert Downey Jr are fantastic in this film both of them once again improve their performances over the other films but Sebastian Stan steals the movie for me, Bucky Barnes is a tragic character and sebastian sells you on that tragedy and also makes Bucky likeable again whilst not being the winter soldier persona but also not the same Bucky from the first avenger. You sympathize with him even after all of the bad things he did, he was amazing and his arc was my favourite in the movie.
Speaking of the light tone, the addition of "Ant-Man" and "Spider-Man" was absolutely fantastic and needed for this depressing story. It is hard to watch the character having to fight each other, especially when you have come to love them over the last eight years, so it was necessary to include some fun. Paul Rudd is great once again, "fanboying" out just like audiences, and his action sequences are nothing short of crowd-pleasing. That being said, "Spider-Man" is still the standout here. Tom Holland get's a very solid introduction as to who he is, where he has been, and how he got his spider abilities. The chemistry between Peter and Tony was masterful and I could not get enough of it. "Spider-Man" nearly steals the show with his contribution.
Within two scenes of meeting "Black Panther," they are able to establish his past, why he is present, and what his motives are, as far as siding with "Iron Man" goes. No, he does not have a clear side, but that is for specifics that can not be discussed here. Chadwick Boseman is great and his action sequences are terrific. It may seem like this review is overly character-driven, but that is exactly what this film is all about. Developing character in characters you thought you had already known from front to back. The excessive amount of layers in this film work in many more ways than one.
Joe and Anthony Russo have proven why they are the best thing that could have ever been added to this universe, directing this film with ease. Bringing on the directors of "John Wick" (Chad Stahelski and David Leitch) was an incredible idea, as the action sequences throughout this entire film are some of the best you will ever lay eyes on in the Marvel Cinematic Universe. If for some reason you walked out of this film disappointed, I can confidently say that you are crazy to not have been blown away by the action throughout this picture, especially the incredible airport sequence.
"Captain America: Civil War" is first and foremost a Captain America sequel, while simultaneously being a great Avengers sequel. Directed brilliantly, terrifically performed all around, with jaw-dropping action set pieces and a very raw emotional core. "Captain America: Civil War" is a triumph in every sense of the word. Absolutely amazing.
Opening the film in the past, audiences will be given a look into the life of the Winter Soldier, as his character will later have the biggest impact on the story at hand. Flash forward to the Avengers. The team is realizing that the events from the past have killed many innocent lives in the process and they must decide whether or not they want to sign the "Sokovia Accords" and be restrained by the government, and only released when called upon. This divides the team stronger than ever before, creating friction as to what the right move truly is. Then arrives the Winter Soldier. Still brainwashed, Bucky causes Steve to go after him (a fugitive), thus sparking the war of family and friendship within the team. This is just the basis. There are many levels to this picture, including the addition of Zemo as the side villain.
This character served a very pivotal role in my opinion and definitely does not deserve the flack he is receiving. Daniel Bruhl is terrific in everything he is in and he only justified that more with this character. Without giving anything away, his character is involved with the heart of the story and is the reason for many actions/motivations. This review has been very dour so far and that is due to the fact that the entire first act of this film is extremely sad, but enjoyably so. Unlike certain unnamed films, this has a very light tone which elevates enough of the somber moments, making for a very balanced film throughout.
The central dynamic/conflict of Steve Rodgers (Captain America), Bucky Barnes (Winter Soldier) and Tony Stark ( Iron man) is what elevates the film for me. These are my three favourite characters and you follow their stories as they weave together and by the end you don't know who's side you are on as they beat each other down in what i'd call the most brutal fight in the mcu. Chris Evans and Robert Downey Jr are fantastic in this film both of them once again improve their performances over the other films but Sebastian Stan steals the movie for me, Bucky Barnes is a tragic character and sebastian sells you on that tragedy and also makes Bucky likeable again whilst not being the winter soldier persona but also not the same Bucky from the first avenger. You sympathize with him even after all of the bad things he did, he was amazing and his arc was my favourite in the movie.
Speaking of the light tone, the addition of "Ant-Man" and "Spider-Man" was absolutely fantastic and needed for this depressing story. It is hard to watch the character having to fight each other, especially when you have come to love them over the last eight years, so it was necessary to include some fun. Paul Rudd is great once again, "fanboying" out just like audiences, and his action sequences are nothing short of crowd-pleasing. That being said, "Spider-Man" is still the standout here. Tom Holland get's a very solid introduction as to who he is, where he has been, and how he got his spider abilities. The chemistry between Peter and Tony was masterful and I could not get enough of it. "Spider-Man" nearly steals the show with his contribution.
Within two scenes of meeting "Black Panther," they are able to establish his past, why he is present, and what his motives are, as far as siding with "Iron Man" goes. No, he does not have a clear side, but that is for specifics that can not be discussed here. Chadwick Boseman is great and his action sequences are terrific. It may seem like this review is overly character-driven, but that is exactly what this film is all about. Developing character in characters you thought you had already known from front to back. The excessive amount of layers in this film work in many more ways than one.
Joe and Anthony Russo have proven why they are the best thing that could have ever been added to this universe, directing this film with ease. Bringing on the directors of "John Wick" (Chad Stahelski and David Leitch) was an incredible idea, as the action sequences throughout this entire film are some of the best you will ever lay eyes on in the Marvel Cinematic Universe. If for some reason you walked out of this film disappointed, I can confidently say that you are crazy to not have been blown away by the action throughout this picture, especially the incredible airport sequence.
"Captain America: Civil War" is first and foremost a Captain America sequel, while simultaneously being a great Avengers sequel. Directed brilliantly, terrifically performed all around, with jaw-dropping action set pieces and a very raw emotional core. "Captain America: Civil War" is a triumph in every sense of the word. Absolutely amazing.
Chris Sawin (602 KP) rated Avatar (2009) in Movies
Jun 20, 2019
Jake Sully (Sam Worthington) is your typical jarhead from the military other than the fact that he doesn't have the use of his legs, but him being in a wheelchair doesn't seem to slow him down at all. Jake is the type of soldier to shoot first and ask questions later while his twin brother was more of the scientific type, but Jake's life takes an unexpected turn when his brother is killed. Jake is asked to step into his brother's shoes, so to speak, and take his spot in the Avatar project. The project requires him to travel to Pandora, a planet that takes nearly six years to get to, and to try to learn the ways of the natives there, the Na'vi.
Incredible technology has been developed that enables users to transfer their human essence into the body of a Na'vi avatar that they've raised from a DNA injected fetus and transfer back again. Parker Selfridge (Giovanni Ribisi) runs the project currently taking place on Pandora, who is after a resource known as unobtanium that could be the answer to the energy crisis back on Earth. A sacred tree that acts as the Na'vi's central base rests on top of the largest unobtanium deposits in Pandora. When Jake begins being trusted by the Na'vi race, a deal is made that he'll get his legs back if he can somehow convince the Na'vi people to leave. However, Jake begins to realize how spectacular their world really is, that the Na'vi people are more than just "blue monkeys," and begins to feel like his time in the avatar body is more genuine than when he wakes up. He begins to wonder if he's fighting for the wrong side.
The first feature film from director James Cameron (director of the first two Terminator films, Aliens, and Titanic) in 12 years that promised some of the most groundbreaking special effects to ever hit the screen is finally here. This film's ad campaign has been insane with clips and behind the scenes featurettes showing up online left and right while TV spots were nearly on every major channel. Is there any way a film could live up this kind of hype? The short answer is yes.
Avatar starts off rather slowly with the main human characters and the world of Pandora being introduced to us. Then there's the technology on the human side that needs its fair amount of screen time. Needless to say, it takes a good while for things to really get rolling. Character development is never a bad thing to accomplish early on. It makes it that much easier to establish an emotional connection when things get rough later on, which is exactly what this film does. Plus, when the war finally does happen, it's well worth the wait. Although, the emotional connection didn't seem as strong as it should have been or as strong as previous Cameron films. Once things took a turn for the worst, the emotions were there but it just seemed like it should have had a stronger connection given the duration of the film along with the time, effort, and money put into making this film as great as it is.
The special effects are pretty mind blowing. James Cameron has practically given life to this extravagant world and the marvelous creatures that inhabit it. The majority of the film looks realistic even though nearly every scene relies heavily on CGI. A feat not many CGI-heavy films have been able to pull off and none to the extent that this film has. There's a scene where Jake is attacked by a group of viperwolves and another scene where Jake learns to ride a direhorse that look incredibly genuine. To make something like people with blue skin or a horse that has an anteater head with six legs look real is an accomplishment worth being proud of. The technology used in the film by the humans is pulled off so flawlessly that it seems like it could come to fruition in the real world tomorrow.
Sam Worthington continues his trend of exceptional performances, as well. While Zoey Saldana, Sigourney Weaver, Giovanni Ribisi, and Joel David Moore all have their shining moments, Worthington steals the spotlight and rightfully so since he's the lead. His dry humor and struggle to do what's right are one of the most enjoyable factors in watching the film (other than the special effects, of course). Worthington was really the only redeeming factor of Terminator: Salvation and looks to put in another strong performance in next year's Clash of the Titans.
While the film has superb action sequences (the thanator chase and leonopteryx chase were amazing in IMAX), nearly flawless CGI, and strong performances from the cast, the film still had its flaws. The story is probably the weakest aspect of the film. It's pretty thin and predictable, but that is probably the last thing on the minds of most of the moviegoing audience. With South Park mocking the film last month by calling the film, "Dances With Smurfs," and the film being called, "Dances With Wolves in space," nearly all across the net, the similarities of those two comparisons are certainly there. While the Smurf one is a bit of a stretch, Dances With Wolves in space seems almost accurate as a nutshell review. The nearly three hour duration may also be a factor for some while 3D and IMAX versions of the film may be a problem for those who had problems with a film like Cloverfield. Seeing the film in IMAX, going back for future viewings of the film in 3D and 2D seems like a good idea just to compare since the IMAX version didn't feel like the definitive version. Would it have the same effect in digital 3D showings? What about regular showings? Shelling out $15 when you could spend half of that is something to take into consideration when seeing a film that was sold out nearly its entire opening weekend.
James Cameron's Avatar was well worth the wait and certainly lives up to the hype. Its special effects are certainly the best to be featured in any film to date as these vibrant creatures nearly jump to life because of the effects alone. The performances are top notch and the action sequences certainly live up to James Cameron's reputation. Despite all this, the emotional connection between the audience and the characters didn't seem quite as strong as some of the other films this year. Up, Where the Wild Things Are, and even Moon were able to establish a stronger connection. So while the film is exceptional, it isn’t the best film of 2009 which is probably a shock to some.
Incredible technology has been developed that enables users to transfer their human essence into the body of a Na'vi avatar that they've raised from a DNA injected fetus and transfer back again. Parker Selfridge (Giovanni Ribisi) runs the project currently taking place on Pandora, who is after a resource known as unobtanium that could be the answer to the energy crisis back on Earth. A sacred tree that acts as the Na'vi's central base rests on top of the largest unobtanium deposits in Pandora. When Jake begins being trusted by the Na'vi race, a deal is made that he'll get his legs back if he can somehow convince the Na'vi people to leave. However, Jake begins to realize how spectacular their world really is, that the Na'vi people are more than just "blue monkeys," and begins to feel like his time in the avatar body is more genuine than when he wakes up. He begins to wonder if he's fighting for the wrong side.
The first feature film from director James Cameron (director of the first two Terminator films, Aliens, and Titanic) in 12 years that promised some of the most groundbreaking special effects to ever hit the screen is finally here. This film's ad campaign has been insane with clips and behind the scenes featurettes showing up online left and right while TV spots were nearly on every major channel. Is there any way a film could live up this kind of hype? The short answer is yes.
Avatar starts off rather slowly with the main human characters and the world of Pandora being introduced to us. Then there's the technology on the human side that needs its fair amount of screen time. Needless to say, it takes a good while for things to really get rolling. Character development is never a bad thing to accomplish early on. It makes it that much easier to establish an emotional connection when things get rough later on, which is exactly what this film does. Plus, when the war finally does happen, it's well worth the wait. Although, the emotional connection didn't seem as strong as it should have been or as strong as previous Cameron films. Once things took a turn for the worst, the emotions were there but it just seemed like it should have had a stronger connection given the duration of the film along with the time, effort, and money put into making this film as great as it is.
The special effects are pretty mind blowing. James Cameron has practically given life to this extravagant world and the marvelous creatures that inhabit it. The majority of the film looks realistic even though nearly every scene relies heavily on CGI. A feat not many CGI-heavy films have been able to pull off and none to the extent that this film has. There's a scene where Jake is attacked by a group of viperwolves and another scene where Jake learns to ride a direhorse that look incredibly genuine. To make something like people with blue skin or a horse that has an anteater head with six legs look real is an accomplishment worth being proud of. The technology used in the film by the humans is pulled off so flawlessly that it seems like it could come to fruition in the real world tomorrow.
Sam Worthington continues his trend of exceptional performances, as well. While Zoey Saldana, Sigourney Weaver, Giovanni Ribisi, and Joel David Moore all have their shining moments, Worthington steals the spotlight and rightfully so since he's the lead. His dry humor and struggle to do what's right are one of the most enjoyable factors in watching the film (other than the special effects, of course). Worthington was really the only redeeming factor of Terminator: Salvation and looks to put in another strong performance in next year's Clash of the Titans.
While the film has superb action sequences (the thanator chase and leonopteryx chase were amazing in IMAX), nearly flawless CGI, and strong performances from the cast, the film still had its flaws. The story is probably the weakest aspect of the film. It's pretty thin and predictable, but that is probably the last thing on the minds of most of the moviegoing audience. With South Park mocking the film last month by calling the film, "Dances With Smurfs," and the film being called, "Dances With Wolves in space," nearly all across the net, the similarities of those two comparisons are certainly there. While the Smurf one is a bit of a stretch, Dances With Wolves in space seems almost accurate as a nutshell review. The nearly three hour duration may also be a factor for some while 3D and IMAX versions of the film may be a problem for those who had problems with a film like Cloverfield. Seeing the film in IMAX, going back for future viewings of the film in 3D and 2D seems like a good idea just to compare since the IMAX version didn't feel like the definitive version. Would it have the same effect in digital 3D showings? What about regular showings? Shelling out $15 when you could spend half of that is something to take into consideration when seeing a film that was sold out nearly its entire opening weekend.
James Cameron's Avatar was well worth the wait and certainly lives up to the hype. Its special effects are certainly the best to be featured in any film to date as these vibrant creatures nearly jump to life because of the effects alone. The performances are top notch and the action sequences certainly live up to James Cameron's reputation. Despite all this, the emotional connection between the audience and the characters didn't seem quite as strong as some of the other films this year. Up, Where the Wild Things Are, and even Moon were able to establish a stronger connection. So while the film is exceptional, it isn’t the best film of 2009 which is probably a shock to some.