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Paul Tyrrell (139 KP) rated Salem's Lot in Books
Apr 19, 2020
Maine style Dracula
2nd book from the great man based around vampires. Good story with decent characters and King already has found the ease of a seasoned writer as you are hooked very early on. As usual the book is better than the movie/TV series although that's worth a watch as it has David Soul (70's heart throb from Starsky & Hutch)as one of the leads.
Olivier Assayas recommended Videodrome (1983) in Movies (curated)
Barry Newman (204 KP) rated Cosmopolis (2012) in Movies
Feb 9, 2020
I am normally an admirer of David Cronenberg’s work. His films have always at least been interesting even when they were downright strange..up until now . He really dropped the ball here , there’s no other way to say it but this is one pretentious pile of shit. The plot makes no sense whatsoever and solely consists of a billionaire on his way to get a haircut having random encounters with strangers and spouting a load of philosophical existential musings at the expense of a coherent narrative and dialogue. Robert Pattinson is terrible here as well , blank ,emotionless and unlikeable. Perhaps he didn’t know what was going on either. For me the films worst crime is it’s a David Cronenberg film . It’s beyond disappointing seeing the master of weird and wonderful put his name to something as soul destroyingly boring as this cinematic abortion.
Debbiereadsbook (1053 KP) rated Slow Dances Under An Orange Moon (Colors of Love #4) in Books
Feb 24, 2020
my fav of the series!
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
And just like that, back up to 5 full stars AND it's single point of view!
I LOVED this instalment of these hockey players, I really did.
Kye returns home after retiring from professional hockey with two things on his agenda.
Look after his grandad, Dunny.
And get his man back, David.
First one is fairly easily sorted but the second one? Not so much. David is, even after 20 years, angry with Kye. So angry for leaving him, but more so for not even coming home in all that time, not ONCE. David would have had a long distance relationship, but Kye was still in the closet and did not want to ruin his career. Leaving Davey all that time ago killed Kye, but now he is on a mission to get his man back. Will David as he likes to be called, want him, though?
Kye is very vocal about many things, but the biggest thing he has a say about is his regret for leaving David and not coming home. He needs David to understand, even after all this time, he LOVES David, deep within his soul and he just needs a chance to prove that.
There follows a delightful tale of a man on a mission, a woo-ing mission, to get his man back and Kye does it so beautifully! He can see David giving in, with the little twitches of a smile, the sparkle in his eye, the way he wants to go slow about kills Kye, but he knows he has to play David's game if he really has any sort of chance.
Only Kye has a say, yes, I know, but his voice is strong, and fills in all the gaps that David NOT having a voice leaves. David manages to get his point across, though.
I didn't find it as explicit as a couple of the others, but it's not missed. This is more about the LOVE between these two men, rather than that sex.
Some difficult reading about the poachers and what David, as a wildlife conservation officer finds, but I think that probably is needed, to explain a lot of how David feels about his job and what he has to deal with on a day to day basis.
Also, Dunny, Kye's grandfather, is ailing in body and mind, and that is also difficult reading, but extremely well written and absolutely needed.
Arn pops up, and I loved the little digs to Kye about the other couples in this series, I really did! Made me chuckle, what Arn comes out with! Kye had no clue what he was talking about, though, and it shows that there really is no link between the series bar Arn and the colour theme.
Who's next? No idea, but please, keep these guys coming!
5 full and shiny stars
**same worded review will appear elsehwere**
And just like that, back up to 5 full stars AND it's single point of view!
I LOVED this instalment of these hockey players, I really did.
Kye returns home after retiring from professional hockey with two things on his agenda.
Look after his grandad, Dunny.
And get his man back, David.
First one is fairly easily sorted but the second one? Not so much. David is, even after 20 years, angry with Kye. So angry for leaving him, but more so for not even coming home in all that time, not ONCE. David would have had a long distance relationship, but Kye was still in the closet and did not want to ruin his career. Leaving Davey all that time ago killed Kye, but now he is on a mission to get his man back. Will David as he likes to be called, want him, though?
Kye is very vocal about many things, but the biggest thing he has a say about is his regret for leaving David and not coming home. He needs David to understand, even after all this time, he LOVES David, deep within his soul and he just needs a chance to prove that.
There follows a delightful tale of a man on a mission, a woo-ing mission, to get his man back and Kye does it so beautifully! He can see David giving in, with the little twitches of a smile, the sparkle in his eye, the way he wants to go slow about kills Kye, but he knows he has to play David's game if he really has any sort of chance.
Only Kye has a say, yes, I know, but his voice is strong, and fills in all the gaps that David NOT having a voice leaves. David manages to get his point across, though.
I didn't find it as explicit as a couple of the others, but it's not missed. This is more about the LOVE between these two men, rather than that sex.
Some difficult reading about the poachers and what David, as a wildlife conservation officer finds, but I think that probably is needed, to explain a lot of how David feels about his job and what he has to deal with on a day to day basis.
Also, Dunny, Kye's grandfather, is ailing in body and mind, and that is also difficult reading, but extremely well written and absolutely needed.
Arn pops up, and I loved the little digs to Kye about the other couples in this series, I really did! Made me chuckle, what Arn comes out with! Kye had no clue what he was talking about, though, and it shows that there really is no link between the series bar Arn and the colour theme.
Who's next? No idea, but please, keep these guys coming!
5 full and shiny stars
**same worded review will appear elsehwere**
Jonah Hill recommended Inventing David Geffen (2012) in Movies (curated)
Bob Mann (459 KP) rated Soul (2020) in Movies
Dec 30, 2020
Soul is Pixar at its most cerebral
In the last few days I've seen Pixar's latest animation - "Soul" - described by various reviewers as a cross between "Inside Out", "Coco", "La La Land" and "Whiplash". I'll add to that some older movies with more obvious parallels with the story: 1946's "A Matter of Life and Death" with David Niven; 1941's "Here Comes Mr Jordan" with Robert Montgomery and its 1978 remake - a personal favourite of mine - "Heaven Can Wait" with Warren Beatty. For these all tell the story of someone plucked from the world a tad too early.
In "Soul", Joe (Jamie Foxx) is a talented jazz pianist always dreaming of getting to be a big time session musician. He is stuck though in a worthwhile but unappreciated job as a high school music teacher. But his luck is - temporarily - about to change when an old successful student (nice touch) recommends him to provide backing to the fearsome jazz star Dorothea Williams (Angela Bassett).
Just as things seem to going his way, an open manhole cover has other ideas, and Joe falls to his 'death'. Feeling his soul has exited the world too early, and just before he gets his big shot, Joe's spirit struggles to return to the world with the help of reluctant soul/recruit "22" (Tina Fey).
Pete Docter seems to have done it again with "Soul". The man behind Pixar's hugely successful "Up" and "Inside Out" has the magic touch with these animated classics. He's had more than his share of Oscar success. (Although having gone straight to streaming on Disney+, does it qualify for the Oscars this year? Or have they relaxed the rules?) Assuming it is eligible, you'd be a brave man to bet against "Soul" winning Best Animated Feature this year.
For there are some sequences of this movie that are breathtakingly effective. The fall of Joe from the "stairway to the great beyond" to the pre-life domain (as shown in the trailer) is a masterpiece of graphic design. (And do I detect in there a tribute to the "stargate" in "2001: A Space Odyssey"?) What makes these sequences distinctive is not the afterlife soul's or the "great before" souls, who resemble blue variants of Casper. It's the 'counsellors' of the realms. They are surreally drawn Picasso-style in 2D and - although easy to draw for preschooler's with a crayon - might be a bit of a stretch for them to relate to.
But will the kids get it? I know that my 6-year old grandson enjoyed watching it. But ultimately, this is principally a Pixar film squarely targeted at adults to enjoy. Indeed, the themes of death and afterlife might be disturbing for younger children (as in "Coco"). They will certainly struggle to understand the land of lost souls, where those obsessed with their work or hobbies (metal detecting! LOL!) are almost beyond reach. And surely the message of 'enjoying the everyday here and now' rather than getting too wrapped up in career or life goals will only be relatable to adults.
"Soul" is brim-full with Pixar quirkiness. As per normal, the movie has a lot of detail that will need multiple watches. And I can confirm that the pause button helps! For example, "22" has been an earth-apprentice for so many millennia that he has had just about every mentor who's ever passed through. His 'den' is wallpapered with "Hello, My Name is ...." badges, and a pause at that point reveals mentors as varied as Gandhi, Aretha Franklin, Albert Einstein and Stephen Hawking! And in the end titles, the usual list of babies born during production are "Recent You Seminar graduates"!
The movie also features two of the most distinctive voices from UK television. Graham Norton plays Moonwind: a sign-spinning hippy and lost-soul-sea piratical captain (I've honestly not been taking drugs). And Richard Ayoade, a UK TV regular but familiar to US audiences from his role in "The IT Crowd", plays Counsellor Jerry (well, one of them!). Alice Braga, as another Counsellor Jerry and most recently seen as the doctor in "The New Mutants", is another familiar voice
For once, Michael Giacchino doesn't get the scoring gig. Instead, this went to the "Nine Inch Nails" partnership of Trent Reznor and Atticus Ross. (The soundtrack for "Mank" was their most recent work). The music is perhaps not as immediately accessible as some of the previous Pixar scores. But I think will be a 'grower'.
I have a "but" in my review. I sobbed like a young child during parts of "Up". And similarly, I was a mess as 'Bing Bong' faded away in "Inside Out". And yet here, my tear ducts remained stubbornly unchallenged. Perhaps this is a personal thing, and others were a soggy mess after this movie. But, for me, it simply didn't connect with me at the same raw emotional level that Docter's other work (and indeed other Pixar movies) have done. So, for that reason (only), I'm going to hold off my highest rating.
It's highly recommended since, notwithstanding this, it's a magnificent effort. (At the 11th hour, it made my "Number 7" slot in my Top 10 of 2020). It's also worth noting that it's mildly groundbreaking in being the first Pixar movie with a black leading character.
(For the full graphical review, please check out the full review in One Mann's Movies here - https://bob-the-movie-man.com/2020/12/30/soul-is-pixar-at-its-most-cerebral/).
In "Soul", Joe (Jamie Foxx) is a talented jazz pianist always dreaming of getting to be a big time session musician. He is stuck though in a worthwhile but unappreciated job as a high school music teacher. But his luck is - temporarily - about to change when an old successful student (nice touch) recommends him to provide backing to the fearsome jazz star Dorothea Williams (Angela Bassett).
Just as things seem to going his way, an open manhole cover has other ideas, and Joe falls to his 'death'. Feeling his soul has exited the world too early, and just before he gets his big shot, Joe's spirit struggles to return to the world with the help of reluctant soul/recruit "22" (Tina Fey).
Pete Docter seems to have done it again with "Soul". The man behind Pixar's hugely successful "Up" and "Inside Out" has the magic touch with these animated classics. He's had more than his share of Oscar success. (Although having gone straight to streaming on Disney+, does it qualify for the Oscars this year? Or have they relaxed the rules?) Assuming it is eligible, you'd be a brave man to bet against "Soul" winning Best Animated Feature this year.
For there are some sequences of this movie that are breathtakingly effective. The fall of Joe from the "stairway to the great beyond" to the pre-life domain (as shown in the trailer) is a masterpiece of graphic design. (And do I detect in there a tribute to the "stargate" in "2001: A Space Odyssey"?) What makes these sequences distinctive is not the afterlife soul's or the "great before" souls, who resemble blue variants of Casper. It's the 'counsellors' of the realms. They are surreally drawn Picasso-style in 2D and - although easy to draw for preschooler's with a crayon - might be a bit of a stretch for them to relate to.
But will the kids get it? I know that my 6-year old grandson enjoyed watching it. But ultimately, this is principally a Pixar film squarely targeted at adults to enjoy. Indeed, the themes of death and afterlife might be disturbing for younger children (as in "Coco"). They will certainly struggle to understand the land of lost souls, where those obsessed with their work or hobbies (metal detecting! LOL!) are almost beyond reach. And surely the message of 'enjoying the everyday here and now' rather than getting too wrapped up in career or life goals will only be relatable to adults.
"Soul" is brim-full with Pixar quirkiness. As per normal, the movie has a lot of detail that will need multiple watches. And I can confirm that the pause button helps! For example, "22" has been an earth-apprentice for so many millennia that he has had just about every mentor who's ever passed through. His 'den' is wallpapered with "Hello, My Name is ...." badges, and a pause at that point reveals mentors as varied as Gandhi, Aretha Franklin, Albert Einstein and Stephen Hawking! And in the end titles, the usual list of babies born during production are "Recent You Seminar graduates"!
The movie also features two of the most distinctive voices from UK television. Graham Norton plays Moonwind: a sign-spinning hippy and lost-soul-sea piratical captain (I've honestly not been taking drugs). And Richard Ayoade, a UK TV regular but familiar to US audiences from his role in "The IT Crowd", plays Counsellor Jerry (well, one of them!). Alice Braga, as another Counsellor Jerry and most recently seen as the doctor in "The New Mutants", is another familiar voice
For once, Michael Giacchino doesn't get the scoring gig. Instead, this went to the "Nine Inch Nails" partnership of Trent Reznor and Atticus Ross. (The soundtrack for "Mank" was their most recent work). The music is perhaps not as immediately accessible as some of the previous Pixar scores. But I think will be a 'grower'.
I have a "but" in my review. I sobbed like a young child during parts of "Up". And similarly, I was a mess as 'Bing Bong' faded away in "Inside Out". And yet here, my tear ducts remained stubbornly unchallenged. Perhaps this is a personal thing, and others were a soggy mess after this movie. But, for me, it simply didn't connect with me at the same raw emotional level that Docter's other work (and indeed other Pixar movies) have done. So, for that reason (only), I'm going to hold off my highest rating.
It's highly recommended since, notwithstanding this, it's a magnificent effort. (At the 11th hour, it made my "Number 7" slot in my Top 10 of 2020). It's also worth noting that it's mildly groundbreaking in being the first Pixar movie with a black leading character.
(For the full graphical review, please check out the full review in One Mann's Movies here - https://bob-the-movie-man.com/2020/12/30/soul-is-pixar-at-its-most-cerebral/).
Nick Rhodes recommended Aladdin Sane by David Bowie in Music (curated)
JT (287 KP) rated Brightburn (2019) in Movies
Mar 10, 2020
What if superheroes didn’t arrive on earth with the soul purpose of saving humanity? What if their main intention was to cause pain and suffering? This is the unique premise used in Brightburn to great effect and turns the superhero genre on its head.
Kansas couple Tori (Elizabeth Banks) and Kyle Breyer (David Denman) have been desperately trying to have a child, without success. When a mysterious object lands on their property they discover that all of their prayers have been answered – sound familiar? What begins as the perfect family life starts to unravel in sheer terror as their little bundle of joy turns out to be something far sinister, despite their denial that he might just might be a little misunderstood.
“It’s a boy”
I wasn’t sure what to expect with this one, but I was pleasantly surprised by how well it unfolded. There was a solid amount of tension packed with good levels of gore. The jump scare is a staple part of the horror genre but it can become tiresome if not delivered in the right way. Thankfully in this instance it works and works well.
Post credits deliver more to the story which has the potential to spawn a sequel, although I prefer the idea that this is a one off.
Kansas couple Tori (Elizabeth Banks) and Kyle Breyer (David Denman) have been desperately trying to have a child, without success. When a mysterious object lands on their property they discover that all of their prayers have been answered – sound familiar? What begins as the perfect family life starts to unravel in sheer terror as their little bundle of joy turns out to be something far sinister, despite their denial that he might just might be a little misunderstood.
“It’s a boy”
I wasn’t sure what to expect with this one, but I was pleasantly surprised by how well it unfolded. There was a solid amount of tension packed with good levels of gore. The jump scare is a staple part of the horror genre but it can become tiresome if not delivered in the right way. Thankfully in this instance it works and works well.
Post credits deliver more to the story which has the potential to spawn a sequel, although I prefer the idea that this is a one off.
Lyndsey Gollogly (2893 KP) rated Gods & Monsters ( Book 1) in Books
Feb 12, 2023
16 of 235
Kindle
Gods & Monsters ( Book 1)
By Janie Marie
⭐️⭐️⭐️
Monsters are real, legends are truth—and the man who saves Jane's life is an immortal knight. But it will be her secret past with the Angel of Death that changes everything.
Gods & Monsters - Book One
When the plague of all plagues begins its destruction, it isn't a miracle cure by scientists or even our military that saves us.
No, our saviors are monsters.
Jane appears to be nothing special. In fact, she's a sad sight to behold. Afflicted by the sorrow of her tragic past and failing marriage, the young mother of two is as terrified as every other soul when humanity faces doom. Yet, when hope seems lost, Jane does something even her estranged husband fails to--she fights. And she's not alone.
David and his companions are what our world has dismissed as mere legend. Their duty to the human race brings them across the country, and they all know it is no coincidence when they cross paths with Jane.
As it happens, Jane is special. She's destined to rid the world of darkness.
With monsters from every nightmare seeking her out, a noble immortal knight showing her what love truly feels like, a secret past that even Jane can't remember, and even more powerful beings wagering the fate of her soul, Jane will embark on an epic journey to save her family and the world.
So what will happen when they realize she's the greatest monster of them all?
Gods✔️ monsters ✔️ Arthur and his nights as immortals ✔️ what’s not to love right? Well I’m stuck as I wanted to give it 4 stars but there were a few draw backs for me the main one being it felt rushed in some places and sometimes abit over explained and slightly cheesy! But I absolutely love all the gods and mythology and all at war. All on sides you don’t expect I was enjoying the book then bam Hades and yea I’m a sucker for the God of the underworld!
Warnings: Triggers for abuse, sa, mental health disorders. Heavy violence, horror, strong language, emotional and controversial themes, sex, rape(not praised), will have multiple loves for the heroine.
Kindle
Gods & Monsters ( Book 1)
By Janie Marie
⭐️⭐️⭐️
Monsters are real, legends are truth—and the man who saves Jane's life is an immortal knight. But it will be her secret past with the Angel of Death that changes everything.
Gods & Monsters - Book One
When the plague of all plagues begins its destruction, it isn't a miracle cure by scientists or even our military that saves us.
No, our saviors are monsters.
Jane appears to be nothing special. In fact, she's a sad sight to behold. Afflicted by the sorrow of her tragic past and failing marriage, the young mother of two is as terrified as every other soul when humanity faces doom. Yet, when hope seems lost, Jane does something even her estranged husband fails to--she fights. And she's not alone.
David and his companions are what our world has dismissed as mere legend. Their duty to the human race brings them across the country, and they all know it is no coincidence when they cross paths with Jane.
As it happens, Jane is special. She's destined to rid the world of darkness.
With monsters from every nightmare seeking her out, a noble immortal knight showing her what love truly feels like, a secret past that even Jane can't remember, and even more powerful beings wagering the fate of her soul, Jane will embark on an epic journey to save her family and the world.
So what will happen when they realize she's the greatest monster of them all?
Gods✔️ monsters ✔️ Arthur and his nights as immortals ✔️ what’s not to love right? Well I’m stuck as I wanted to give it 4 stars but there were a few draw backs for me the main one being it felt rushed in some places and sometimes abit over explained and slightly cheesy! But I absolutely love all the gods and mythology and all at war. All on sides you don’t expect I was enjoying the book then bam Hades and yea I’m a sucker for the God of the underworld!
Warnings: Triggers for abuse, sa, mental health disorders. Heavy violence, horror, strong language, emotional and controversial themes, sex, rape(not praised), will have multiple loves for the heroine.
Bong Mines Entertainment (15 KP) rated Ghost - Single by TriOrca in Music
Jun 25, 2019
TriOrca is a cross Atlantic band based in Los Angeles, California. Not too long ago, they released a music video for their “Ghost” single.
“Fallen leaves, it was me that I couldn’t see through the trees. But I been loving someone though and every time when someone goes. Every time I can’t give up the ghost ‘cause the cracks in the floor keep bleeding out.” – lyrics
‘Ghost’ tells an interesting tale of a young woman who waits around for the telephone to ring. Apparently, she wants to receive a call from someone who she desires to be with romantically.
Later, she reveals that the above-mentioned individual might not be thinking about her, and that’s why the phone isn’t ringing. If that’s the case, then in return, she decides to give up his ghost.
‘Ghost’ contains a relatable storyline, ear-welcoming vocals, and groovy instrumentation flavored with neo-soul and contemporary R&B elements.
TriOrca comprises of Phil Simmonds (multi-instrumentalist, producer), David Diaz (drummer, producer) and Whitney Meyer (writer, vocalist).
The bubbly trio is a unique ensemble of creatives who meet at the nexus of artistic intent and musicianship.
Simmonds has toured the world with Jessie J. Not too long ago, Meyer performed a duet with Sam Henshaw at an LA nightclub.
Diaz laid down live drums for Eryn Allen Kane’s forthcoming project while Simmonds played the bass, keys, and worked the boards. Also, while that was happening, Meyer was in another studio, laying down vocals for Empire of the Sun.
“Fallen leaves, it was me that I couldn’t see through the trees. But I been loving someone though and every time when someone goes. Every time I can’t give up the ghost ‘cause the cracks in the floor keep bleeding out.” – lyrics
‘Ghost’ tells an interesting tale of a young woman who waits around for the telephone to ring. Apparently, she wants to receive a call from someone who she desires to be with romantically.
Later, she reveals that the above-mentioned individual might not be thinking about her, and that’s why the phone isn’t ringing. If that’s the case, then in return, she decides to give up his ghost.
‘Ghost’ contains a relatable storyline, ear-welcoming vocals, and groovy instrumentation flavored with neo-soul and contemporary R&B elements.
TriOrca comprises of Phil Simmonds (multi-instrumentalist, producer), David Diaz (drummer, producer) and Whitney Meyer (writer, vocalist).
The bubbly trio is a unique ensemble of creatives who meet at the nexus of artistic intent and musicianship.
Simmonds has toured the world with Jessie J. Not too long ago, Meyer performed a duet with Sam Henshaw at an LA nightclub.
Diaz laid down live drums for Eryn Allen Kane’s forthcoming project while Simmonds played the bass, keys, and worked the boards. Also, while that was happening, Meyer was in another studio, laying down vocals for Empire of the Sun.