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Erika (17788 KP) rated Legion - Season 1 in TV
Dec 10, 2017
First things first, Aubrey Plaza was amazing. Then you through in Dan Stevens and Jemaine Clement? I loved it. I haven't really been able to get into Marvel TV properties, aside from Agent Carter. But, I couldn't resist Legion/David Haller. The visuals were psychedelic, and I really dug the aesthetic.
I wish the season was longer, and I really want the second season to air already, after that cliffhanger.
I wish the season was longer, and I really want the second season to air already, after that cliffhanger.
JT (287 KP) rated The Guest (2014) in Movies
Mar 10, 2020
If there was any further indication needed that British leading men make for accomplished villains, this is a prime example. The softly spoken Dan Stevens (Downton Abbey) can now walk shoulder to shoulder with the likes of other talented antagonists such as Mark Strong, Tom Hiddleston and Ben Kingsley.
Director Adam Wingard‘s home invasion horror You’re Next received high acclaim so this was always going to be an exciting follow up. When I caught the trailer not a lot was given away. I like the fact that you’re going in almost blind. It makes for better viewing.
David (Stevens) enters the life of the Peterson family who are still grieving from the loss of their son Caleb who was killed in Iraq. Quickly he becomes an integral part of their lives, always around to help them out of difficult situations or as a shoulder to cry on.
It’s clear there is something more disturbing beneath his chilling blue eyes and it doesn’t take long for us to find out what. The Guest is a tense intriguing thriller that never gives too much away, making it one of its strong points. We all know there is something wrong with David, that much is clear from the shots of him grimly staring into the distance.
He manifests himself as a psychotic guardian angel with ulterior motives that are never revealed until the bodies start to pile up and we get to delve further into his back story. Even then Stevens plays his character with deadpan charm that makes us like him even more.
There are a number of genres all thrown in that ultimately work well alongside each other. A nice dose of action thanks to a backyard shootout is quickly morphed into an 80s slasher horror that echoes Halloween. The soundtrack is slick and pulsating, with comparisons drawn to Drive not just from the score but from Stevens somewhat uncanny resemblance to Ryan Gosling.
It never feels disjointed at any point and while it might wobble a little with the surprise ending (of which you knew was coming) it doesn’t damage the overall integrity if the story.
Director Adam Wingard‘s home invasion horror You’re Next received high acclaim so this was always going to be an exciting follow up. When I caught the trailer not a lot was given away. I like the fact that you’re going in almost blind. It makes for better viewing.
David (Stevens) enters the life of the Peterson family who are still grieving from the loss of their son Caleb who was killed in Iraq. Quickly he becomes an integral part of their lives, always around to help them out of difficult situations or as a shoulder to cry on.
It’s clear there is something more disturbing beneath his chilling blue eyes and it doesn’t take long for us to find out what. The Guest is a tense intriguing thriller that never gives too much away, making it one of its strong points. We all know there is something wrong with David, that much is clear from the shots of him grimly staring into the distance.
He manifests himself as a psychotic guardian angel with ulterior motives that are never revealed until the bodies start to pile up and we get to delve further into his back story. Even then Stevens plays his character with deadpan charm that makes us like him even more.
There are a number of genres all thrown in that ultimately work well alongside each other. A nice dose of action thanks to a backyard shootout is quickly morphed into an 80s slasher horror that echoes Halloween. The soundtrack is slick and pulsating, with comparisons drawn to Drive not just from the score but from Stevens somewhat uncanny resemblance to Ryan Gosling.
It never feels disjointed at any point and while it might wobble a little with the surprise ending (of which you knew was coming) it doesn’t damage the overall integrity if the story.
Anand Wilder recommended Tea for the Tillerman by Cat Stevens in Music (curated)
Lemmiwinkz (13 KP) rated Legion - Season 1 in TV
Jun 27, 2017
Original (4 more)
Surreal
Soundtrack was on point
Aubrey Plaza
Dan Stevens
Mind fuck of a TV Show
I really enjoyed this show. It was everything I had wanted from a TV show involving a character as complex as David Haller.
The set pieces were spectacular and the surreal and weirdness of this show kept you questioning everything about what was going on.
Considering the show ran for 8 episodes in the grand scheme of things not a lot actually happened when you take away all the insanity from Haller's mind, but don't let that detract you from this wonderfully crafted show with links to the Marvel world.
Just sit back and enjoy the unimaginable.
The set pieces were spectacular and the surreal and weirdness of this show kept you questioning everything about what was going on.
Considering the show ran for 8 episodes in the grand scheme of things not a lot actually happened when you take away all the insanity from Haller's mind, but don't let that detract you from this wonderfully crafted show with links to the Marvel world.
Just sit back and enjoy the unimaginable.
Kevin Wilson (179 KP) rated The Guest (2014) in Movies
Jul 23, 2018
Dan Stevens is fantastic (4 more)
Unpredictable right until the end
Great cast, great acting
Good music
Great plot
An unpredictable, suspenseful thriller
This was a suprising find for me. I paid £1 for this on blu ray and I have to say I am very very impressed.
The cast are great throughout but it is obviously Dan Stevens that knocks it out of the park as David. He shows sincerity which soons turns into this intense and sinister performance. He is full of suspense and you are constantly asking what his real story is and what his motives are. He plays this character well showing a lot of manipulation when using the families grief for their son to integrate himself into their lives. The performance of every other actor and actress are elevated that much more opposites his character.
The plot is interesting and 1 of those rare movies full of unpredictability. There are many parts I don't see coming and this goes on until the very end. The music is fantastic and the writing is perfect.
I'd love to see Dan Stevens do more action because the action in this was great and intense. There wasnt too much and I'm ok with that. It worked well with the tone of the movie. I loved seeing these little parts because it showed how dangerous this man really is.
I was a little bit disappointed with the ending because of how quickly it suddenly ended. I wanted more, I wanted to know what happened next but I guess that's the point.
Overall a fantastic movie, well worth a watch. Well paced, every scene felt it was building this suspense.
The cast are great throughout but it is obviously Dan Stevens that knocks it out of the park as David. He shows sincerity which soons turns into this intense and sinister performance. He is full of suspense and you are constantly asking what his real story is and what his motives are. He plays this character well showing a lot of manipulation when using the families grief for their son to integrate himself into their lives. The performance of every other actor and actress are elevated that much more opposites his character.
The plot is interesting and 1 of those rare movies full of unpredictability. There are many parts I don't see coming and this goes on until the very end. The music is fantastic and the writing is perfect.
I'd love to see Dan Stevens do more action because the action in this was great and intense. There wasnt too much and I'm ok with that. It worked well with the tone of the movie. I loved seeing these little parts because it showed how dangerous this man really is.
I was a little bit disappointed with the ending because of how quickly it suddenly ended. I wanted more, I wanted to know what happened next but I guess that's the point.
Overall a fantastic movie, well worth a watch. Well paced, every scene felt it was building this suspense.
LeftSideCut (3778 KP) rated Sorority Babes in the Slimeball Bowl-O-Rama (1988) in Movies
Aug 21, 2020
Sorority Babes in the Slimeball Bowl-O-Rama is without a shadow of a doubt, the kind of flaming garbage that you can't help but kind of like, a perfectly imperfect 80s horror that has just about enough silliness to make it watchable.
This means that the dialogue is balls awful, the effects are laughably cheap, and the films title is obviously miles better than the actual film.
It's directed by David DeCoteau (a phrase that doesn't exactly carry a stamp of excellence) which usually means that you're in for an underwhelming experience that borders on softcore porn, which is an accurate assessment in this case. Sorority Babes also doesn't really have any gore just to put the cherry on top, however, it still has a sort of shitty charm to it.
Despite all it's faults, it does feel like a moment in time, and firmly wedges itself into the pile of 80s horror that I could happily watch again, just for the ridiculous-ness of it all. It also stars genre scream queens Linnea Quigley, Brinke Stevens, and Michelle Bauer which is always a plus. There's a even a small role from George "Buck" Flower and the soundtrack is fucking great (fight me).
This means that the dialogue is balls awful, the effects are laughably cheap, and the films title is obviously miles better than the actual film.
It's directed by David DeCoteau (a phrase that doesn't exactly carry a stamp of excellence) which usually means that you're in for an underwhelming experience that borders on softcore porn, which is an accurate assessment in this case. Sorority Babes also doesn't really have any gore just to put the cherry on top, however, it still has a sort of shitty charm to it.
Despite all it's faults, it does feel like a moment in time, and firmly wedges itself into the pile of 80s horror that I could happily watch again, just for the ridiculous-ness of it all. It also stars genre scream queens Linnea Quigley, Brinke Stevens, and Michelle Bauer which is always a plus. There's a even a small role from George "Buck" Flower and the soundtrack is fucking great (fight me).
Scott Tostik (389 KP) rated The Guest (2014) in Movies
Mar 10, 2018
Solid script (2 more)
Some sweet sweet murder
The best twist fuck ending in a long time
What in the mind fucking hell went on here
Simon Barrett and Adam Wingard are a pair of my favorite writer director teams in the history of mumblecore movies... theu have an I don' give a shit attitude that oozes through each kill in every movie they make. From the demented serial killings in A Horrible Way to Die to the revenge filled destruction of mercenaries and spiteful children in You're Next. And this movie is no different....
I wouldn't exactly call it a horror film by label, but the killing is so over the top bloody and disturbing that I suppose it is horrific.
Dan Stevens portrayal of Army boy David is spot on... emotionless and cold to the view. He renders each murder with a purpose... even those final few near the end. Even though they were brutal and harsh. They explained how sick and twisted he truly is.
Maika Monroe is solid as well. Anna makes you feel pity for all the things sshe is going through. Her personal life is a mess and her family life is no better...
This movie is not what I thought it was going to be. It was better than I expected and I will be watching it again. 9 enthusiastic severed heads out of 10
I wouldn't exactly call it a horror film by label, but the killing is so over the top bloody and disturbing that I suppose it is horrific.
Dan Stevens portrayal of Army boy David is spot on... emotionless and cold to the view. He renders each murder with a purpose... even those final few near the end. Even though they were brutal and harsh. They explained how sick and twisted he truly is.
Maika Monroe is solid as well. Anna makes you feel pity for all the things sshe is going through. Her personal life is a mess and her family life is no better...
This movie is not what I thought it was going to be. It was better than I expected and I will be watching it again. 9 enthusiastic severed heads out of 10
Bob Mann (459 KP) rated Eurovision Song Contest: The Story of Fire Saga (2020) in Movies
Jun 27, 2020
Rachel McAdams and Dan Stevens steal most of the scenes (1 more)
A real feelgood movie that spoofs the unspoofable pretty well
My lovely farce
Will Ferrell's output over the last few years has been decidedly patchy. I have to go back to "Get Hard" to find one of his movies that really got to my funny bone. But this latest Netflix offering hits the spot for me.
We start with the song recently voted the number one Eurovision song of all time by UK viewers: "Waterloo" by Abba. Young Lars Erickssong (LOL) (Alfie Melia) is transfixed watching the 1974 Eurovision winner with his recently bereaved father and local Lothario Erick (Pierce Brosnan). (Mental note to women: never marry Brosnan on screen... he gets through wives faster than you can murder "S.O.S."). Also present are his friends and young Sigrit ("probably not by sister") Ericksdottir (Sophia-Grace Donnelly). Lars vows to one day stand on that stage and make his father and his remote Icelandic fishing village proud.
Now all grown up, Lars (now Will Ferrell) and Sigrit (now Rachel McAdams) are still pursuing their dream of representing Iceland in the upcoming Eurovision Song Contest. They are, of course, dreadful - - so they should fit right in! But their way is blocked by the immensely talented Katiana (Demi Lovato) and all seems hopeless. Will Sigrit's faith in the power of the Elves see them through?
There's an obvious problem here. The Eurovision Song Contest is in itself so bat-s**t bonkers that it is almost impossible to spoof. (If anyone is not on this wavelength, checkout the genuine Russian entry in this year's (cancelled) contest on Youtube). But the team here (writers Will Ferrell and Andrew Steele and director David "The Judge" Dobkin) do a really great job. I'd love to know what a US audience - who I guess will mostly be unfamiliar with Eurovision - make of this. Since Australia are now honorary Europeans in the contest.... wouldn't it be great if there was a Mexican mariachi band attending and a country and western act from the States? (Brits would love the US to be involved.... as spoofed in the film, there's only one country European's hate more than the UK.... be nice to have someone else to join us in the "nul points" club!)
Wherever you may be on the "Ferrell-funny-or-not-ometer", there's one thing I hope we can all agree on here, and that is that Rachel McAdams continues to shine as a comic lead. She was fantastic in "Game Night" - one of my favourite comedies of recent years - and here she is both gorgeous and hilarious. She knocks it out of the park playing the elf-loving Icelandic pixie with the golden voice. (McAdams "sings" but is significantly "helped" in the mix by Swedish pop star Molly Sandén (aka My Marianne)).
Here she even gets to almost reprise her wonderful "YEESSSSS! Oh no, he died!" line from "Game Night".
Almost matching her in the scene-stealing stakes though is Downton's Dan Stevens as Lemtov: a Russian 'Tom Jones'-like contestant singing "Lion of Love" ("Let's get together; I'm a lion lover; And I hunt for love!"). He's DEFINITELY not gay ("There are no gays in Russia") but are his multi-millions enough to turn Sigrit's head?
For those who love their annual Eurovision parties, there are also an impressive array of nice cameos that will delight.
But where the film-makers really score (no pun intended) is making the music so fitting. Some of the tracks make you think "Yeah, if this was the real content, this might have got my vote". Director Dobkin is quoted as saying "It's okay if it's funny, but it has to be really good music. It has to still be great and just kitschy enough to be Eurovision, because that's part of what's fun about Eurovision" (Source: Vulture). Very true. This success is down to the involvement of pop writer/producer Savan Kotecha on the project: the man behind hits by Katy Petty, Ariana Grande and Ellie Goulding.
A comedy needs to make me laugh, and this one really did - numerous times. It's not just the dialogue. Some of the cut-away scenes are priceless and perfectly executed: jumping whales; a collapsing glacier; a small slamming door!
Sure, it borrows from a number of other sources in its plot: most notably THAT episode of "Father Ted" and the rap-battle scenes from "Pitch Perfect". And sure, some of the outRAGEOUS Icelandic accents sometimes swerve into an alarming mix of Indian, Welsh and Caribbean dialects! But above all, this is movie with real heart. The plot is pretty well signposted, but the finale still packs a (surprisingly) hefty emotional punch, and it leaves you with a really nice afterglow.
As we struggle out of Covid lockdown, it may not be a vaccine, but it is a pretty good medicine for the side-effects. Did I love this? Jaja Ding Dong!
(For the full graphical review, please check out One Mann's Movies here - https://bob-the-movie-man.com/2020/06/27/one-manns-movies-film-review-eurovision-song-contest-the-story-of-fire-saga-2020/ ).
We start with the song recently voted the number one Eurovision song of all time by UK viewers: "Waterloo" by Abba. Young Lars Erickssong (LOL) (Alfie Melia) is transfixed watching the 1974 Eurovision winner with his recently bereaved father and local Lothario Erick (Pierce Brosnan). (Mental note to women: never marry Brosnan on screen... he gets through wives faster than you can murder "S.O.S."). Also present are his friends and young Sigrit ("probably not by sister") Ericksdottir (Sophia-Grace Donnelly). Lars vows to one day stand on that stage and make his father and his remote Icelandic fishing village proud.
Now all grown up, Lars (now Will Ferrell) and Sigrit (now Rachel McAdams) are still pursuing their dream of representing Iceland in the upcoming Eurovision Song Contest. They are, of course, dreadful - - so they should fit right in! But their way is blocked by the immensely talented Katiana (Demi Lovato) and all seems hopeless. Will Sigrit's faith in the power of the Elves see them through?
There's an obvious problem here. The Eurovision Song Contest is in itself so bat-s**t bonkers that it is almost impossible to spoof. (If anyone is not on this wavelength, checkout the genuine Russian entry in this year's (cancelled) contest on Youtube). But the team here (writers Will Ferrell and Andrew Steele and director David "The Judge" Dobkin) do a really great job. I'd love to know what a US audience - who I guess will mostly be unfamiliar with Eurovision - make of this. Since Australia are now honorary Europeans in the contest.... wouldn't it be great if there was a Mexican mariachi band attending and a country and western act from the States? (Brits would love the US to be involved.... as spoofed in the film, there's only one country European's hate more than the UK.... be nice to have someone else to join us in the "nul points" club!)
Wherever you may be on the "Ferrell-funny-or-not-ometer", there's one thing I hope we can all agree on here, and that is that Rachel McAdams continues to shine as a comic lead. She was fantastic in "Game Night" - one of my favourite comedies of recent years - and here she is both gorgeous and hilarious. She knocks it out of the park playing the elf-loving Icelandic pixie with the golden voice. (McAdams "sings" but is significantly "helped" in the mix by Swedish pop star Molly Sandén (aka My Marianne)).
Here she even gets to almost reprise her wonderful "YEESSSSS! Oh no, he died!" line from "Game Night".
Almost matching her in the scene-stealing stakes though is Downton's Dan Stevens as Lemtov: a Russian 'Tom Jones'-like contestant singing "Lion of Love" ("Let's get together; I'm a lion lover; And I hunt for love!"). He's DEFINITELY not gay ("There are no gays in Russia") but are his multi-millions enough to turn Sigrit's head?
For those who love their annual Eurovision parties, there are also an impressive array of nice cameos that will delight.
But where the film-makers really score (no pun intended) is making the music so fitting. Some of the tracks make you think "Yeah, if this was the real content, this might have got my vote". Director Dobkin is quoted as saying "It's okay if it's funny, but it has to be really good music. It has to still be great and just kitschy enough to be Eurovision, because that's part of what's fun about Eurovision" (Source: Vulture). Very true. This success is down to the involvement of pop writer/producer Savan Kotecha on the project: the man behind hits by Katy Petty, Ariana Grande and Ellie Goulding.
A comedy needs to make me laugh, and this one really did - numerous times. It's not just the dialogue. Some of the cut-away scenes are priceless and perfectly executed: jumping whales; a collapsing glacier; a small slamming door!
Sure, it borrows from a number of other sources in its plot: most notably THAT episode of "Father Ted" and the rap-battle scenes from "Pitch Perfect". And sure, some of the outRAGEOUS Icelandic accents sometimes swerve into an alarming mix of Indian, Welsh and Caribbean dialects! But above all, this is movie with real heart. The plot is pretty well signposted, but the finale still packs a (surprisingly) hefty emotional punch, and it leaves you with a really nice afterglow.
As we struggle out of Covid lockdown, it may not be a vaccine, but it is a pretty good medicine for the side-effects. Did I love this? Jaja Ding Dong!
(For the full graphical review, please check out One Mann's Movies here - https://bob-the-movie-man.com/2020/06/27/one-manns-movies-film-review-eurovision-song-contest-the-story-of-fire-saga-2020/ ).
Sawyer (231 KP) Dec 11, 2017