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The In-Laws (2003)
The In-Laws (2003)
2003 | Comedy, Mystery
7
6.0 (3 Ratings)
Movie Rating
The Unlikely Duo
The In-Laws- is a funny entertaing film. Both Micheal Douglas and Albert Brooks are really good in it.

The plot: Dr. Jerry Peyser's (Albert Brooks) daughter, Melissa (Lindsay Sloane), is about to marry Mark Tobias (Ryan Reynolds). Things are going swimmingly until Jerry stumbles across some secret information: Mark's father, Steve (Michael Douglas), is a CIA operative. Fearing that Jerry will compromise his current assignment if he starts blabbing to authorities, Steve dragoons Jerry into assisting with an intercontinental mission that involves a dangerous criminal, Jean-Pierre Thibodoux (David Suchet).

Its a good film.
  
Murder on the Orient Express (2017)
Murder on the Orient Express (2017)
2017 | Drama, Mystery
Surprise ending (2 more)
All-star cast
Heart-wrenching
Poirot's moustache (1 more)
Kenneth Brannagh isn't David Suchet
Intriguing Agatha Christie Adaptation
I was very excited to watch the most recent adaptation of Agatha Christie's Poirot and for very good reason. It was a very well-rounded film filled with humour, intrigue, and devastation. I particularly loved the surprise plot twists so the audience can never really tell (unless extremely clever) who the culprit actually is until revealed by Hercules Poirot himself. The camera angles used were absolutely brilliant and refreshing. The all-star cast was a plus as it was nice to see familiar faces in unexpected roles. The acting, costumes, writing, and set all contributed to making the film have that true Agatha Christie feeling to it. On the downside, I was not a huge fan of Poirot's moustache and found it to be over-the-top and irritating. I also find myself leaning more towards David Suchet's version of Poirot than Kenneth Brannagh's. But, overall, this film was extremely entertaining and had my brain doing somersaults trying to figure out who the culprit was.
  
Murder on the Orient Express (2017)
Murder on the Orient Express (2017)
2017 | Drama, Mystery
It is 1934, and our moustachioed detective has just solved a theft in Jerusalem. He looks forward to resting in Istanbul, but his break is interrupted with the news that he must return to London for a case. It seems like Poirot's luck is in, having just met his friend who is director of the Orient Express.

Once on board Poirot catches the attention of the businessman, Samuel Ratchett. Ratchett has received threatening letters, and wishes to hire the detective as his bodyguard during their journey, but the offer is politely declined.

That night an avalanche derails he train and the passengers are stranded. In the morning Ratchett is found dead, stabbed a dozen times. Poirot and Bouc, the train director, investigate the passengers as repairs begin. Poirot discovers a partially destroyed note connecting Ratchett to the kidnapping of Daisy Armstrong, a child who was abducted from her bedroom and held for ransom. After the ransom was paid, Daisy was found murdered. Ratchett is identified as John Cassetti, Daisy’s kidnapper and murderer.



First off, let me address the elephant in the room... that'll be Kenneth Branagh as Poirot. David Suchet will always be my Poirot, he's perfect. Branagh, for me, has an overacting issue. And that moustache, it's just ridiculous. That's not even taking into account the scene where Poirot is laying in bed and he doesn't have his night-time moustache cosy on. Crazy.

Agatha Christie's tale has definitely been given the Hollywood treatment. It's gone from the quite dark Suchet version, to something quite farcical in comparison. I can understand remaking some things, but when you have such a definitive portrayal of a character why would you recast them?

Having just rewatched the 2010 version I will say that the story line in the movie is probably easier to understand. It's also more suitable for a younger audience.

As a passing comment to everyone who was surprised to hear they were going to do Death On The Nile next... no shit, Poirot! It was dropped in at the end of the film.