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Bill Hader recommended George Washington (2000) in Movies (curated)
Barry Levinson recommended Oliver Twist (1948) in Movies (curated)
Bostonian916 (449 KP) rated Beckman (2020) in Movies
Sep 29, 2020
David A.R. White and William Baldwin both give good portrayals in this interesting take on vengeance.
Kind of felt like a cross between Taken and John Wick, on a budget. I completely understand that not all movies have astronomical budgets. Considering what this film had to work with, they accomplished quite a lot. Definitely worth giving it a go.
Kind of felt like a cross between Taken and John Wick, on a budget. I completely understand that not all movies have astronomical budgets. Considering what this film had to work with, they accomplished quite a lot. Definitely worth giving it a go.
SummerLGrant (185 KP) rated Marvel's Jessica Jones - Season 1 in TV
Aug 10, 2017
Fantastic writing (2 more)
Brilliant acting
Krysten Ritter and David Tennant
Another brilliant Marvel TV series
Jessica Jones follows Daredevil as another Netflix original about a non-mainstream Marvel superhero. It also follows the same path that brings out the dark and gritty side of the Marvel universe. Not everything is black and white here, there's a lot of grey area and as a result the series poses a lot of questions you wouldn't get in the films.
Krysten Ritter is brilliant as Jones and is supported by a brilliant cast that includes David Tennant as the increasingly disturbing Kilgrave.
Krysten Ritter is brilliant as Jones and is supported by a brilliant cast that includes David Tennant as the increasingly disturbing Kilgrave.
The Chocolate Lady (94 KP) rated Green in Books
Oct 7, 2020
Set in 1992 in Boston, this coming-of-age story attempts to tackle the issues of class and race as from the viewpoint of David Greenfeld, one of the few white kids entering King Middle School. There David meets Marlon, a quite boy living in public housing down the block from David’s house, and somehow, they become unlikely friends. Together they’re hoping to get out of King and into the prestigious Latin school, which could pave their way to getting into college, maybe even Harvard. You can read more about this coming-of-age story in my review here.
https://tcl-bookreviews.com/2018/01/06/owning-your-team-colors/
https://tcl-bookreviews.com/2018/01/06/owning-your-team-colors/
Joel Schumacher recommended Apocalypse Now (1979) in Movies (curated)
Matthew Krueger (10051 KP) rated Spooks Run Wild (1941) in Movies
Jun 17, 2020
The East Side Kids Meet Dracula
Spooks Run Wild- is a funny entertaining horror movie starting the East Side Kids and of course Bela Lugosi as the creepy man/villian.
The plot: The East Side Kids are sent to summer camp, and shortly after arriving they encounter a mysterious man named Nardo (Bela Lugosi). Naturally, the Kids assume Nardo is the "monster killer" they've been warned about. Their theory is strengthened when they see Peewee (David Gorcey), seemingly risen from the dead after getting shot, walking around Nardo's house in a zombie-like trance. The Kids take it upon themselves to capture Nardo before he can kill anyone else.
Like i said its funny entertaining and over a good black and white comedy horror film.
The plot: The East Side Kids are sent to summer camp, and shortly after arriving they encounter a mysterious man named Nardo (Bela Lugosi). Naturally, the Kids assume Nardo is the "monster killer" they've been warned about. Their theory is strengthened when they see Peewee (David Gorcey), seemingly risen from the dead after getting shot, walking around Nardo's house in a zombie-like trance. The Kids take it upon themselves to capture Nardo before he can kill anyone else.
Like i said its funny entertaining and over a good black and white comedy horror film.
Hazel (1853 KP) rated Killers of the Flower Moon: The Osage Murder and the Birth of the FBI in Books
Dec 7, 2018
<I>I received this book for free through Goodreads First Reads.</I>
It is well known that throughout history, facts have been omitted from history books. Written accounts of events ostensibly make important figures and countries appear to be in the right, whereas reality reveals otherwise. One such exclusion is the fate of the Native Americans inhabiting the southern states at the beginning of the 1900s. Children are brought up to believe the stories that “Red Indians” are bad and the cowboys are good, but this was unlikely the case. David Grann has researched into a particular period of Native American history that most people may never have heard of.<I> Killers of the Flower Moon</I> reveals the horrors innocent people faced at the hands of perfidious criminals.
The majority of the book is written as a third person narrative, recounting the lives of some of the members of the Osage Indian Nation in Oklahoma. White people, believing themselves to be superior, had forced the natives off their homelands and onto rocky, unwanted ground. What they did not anticipate, however, was the abundance of oil residing beneath the surface. The Osage went from being oppressed to being the wealthiest people in the state. Full of avarice, the whites were not going to let them get away with this fortune for long.
David Grann takes a particular interest in Mollie Burkhart, an Osage member with a white husband. Mollie had three sisters, but within a few short years they were all dead, and so was her mother. Believing they had been murdered, Mollie fears for her life. Other Osage members were also being killed, as well as those who tried to investigate the spreading slaughter. However, the case remained stubbornly unsolved.
Nevertheless, there was still hope for Mollie after the arrival of Tom White, an agent of the soon to be known as Federal Bureau of Investigation (FBI). Determined to get to the bottom of the so-called Reign of Terror, Tom and his team carefully analyse the behaviours and motives of the disingenuous citizens, narrowing down the suspects until eventually finding their duplicitous killer.
Learning about this unknown period of history is eye opening and offers a completely new view on the relations between whites and Native Americans. It was a time of prejudice and racism, not unlike the attitude towards black people emphasised with the civil rights movement in the mid-1900s. Greed was a significant motivator, particularly where making money was involved. But, David Grann does not stop here.
The final section of <i>Killers of the Flower Moon</i> is written from the author’s perspective. As a staff writer at <i>The New Yorker</i>, the evidence of the Osage murders case intrigued David Grann, but he was concerned about some unresolved holes in the story. Determined to uncover the truth, Grann conducted his own research to discover the culprits behind the undocumented murders unrelated to Mollie Burkhart’s family. What he stumbles on highlights the severity of the dark fate the Osage Indians were threatened with.
Despite being written as a narrative, it is obvious that <i>Killers of the Flower Moon</i> is a work of non-fiction. It lacks emotion and character insight, however, since it is not meant to be a fabricated story, these elements are not required. Instead, it shocks and disturbs the reader with its unbelievable truths.
An extensive biography proves the authenticity of David Grann’s revelation. With the reinforcement of FBI files, jury testimonials, statements, court transcripts, letters, telegrams, diaries and confessions, Grann produces a strong historical record of events that should not be glossed over. Without authors and books such as <i>Killers of the Flower Moon</i>, people will blindly go around believing falsehoods. The truth needs to be discovered, and readers can start by reading this book.
It is well known that throughout history, facts have been omitted from history books. Written accounts of events ostensibly make important figures and countries appear to be in the right, whereas reality reveals otherwise. One such exclusion is the fate of the Native Americans inhabiting the southern states at the beginning of the 1900s. Children are brought up to believe the stories that “Red Indians” are bad and the cowboys are good, but this was unlikely the case. David Grann has researched into a particular period of Native American history that most people may never have heard of.<I> Killers of the Flower Moon</I> reveals the horrors innocent people faced at the hands of perfidious criminals.
The majority of the book is written as a third person narrative, recounting the lives of some of the members of the Osage Indian Nation in Oklahoma. White people, believing themselves to be superior, had forced the natives off their homelands and onto rocky, unwanted ground. What they did not anticipate, however, was the abundance of oil residing beneath the surface. The Osage went from being oppressed to being the wealthiest people in the state. Full of avarice, the whites were not going to let them get away with this fortune for long.
David Grann takes a particular interest in Mollie Burkhart, an Osage member with a white husband. Mollie had three sisters, but within a few short years they were all dead, and so was her mother. Believing they had been murdered, Mollie fears for her life. Other Osage members were also being killed, as well as those who tried to investigate the spreading slaughter. However, the case remained stubbornly unsolved.
Nevertheless, there was still hope for Mollie after the arrival of Tom White, an agent of the soon to be known as Federal Bureau of Investigation (FBI). Determined to get to the bottom of the so-called Reign of Terror, Tom and his team carefully analyse the behaviours and motives of the disingenuous citizens, narrowing down the suspects until eventually finding their duplicitous killer.
Learning about this unknown period of history is eye opening and offers a completely new view on the relations between whites and Native Americans. It was a time of prejudice and racism, not unlike the attitude towards black people emphasised with the civil rights movement in the mid-1900s. Greed was a significant motivator, particularly where making money was involved. But, David Grann does not stop here.
The final section of <i>Killers of the Flower Moon</i> is written from the author’s perspective. As a staff writer at <i>The New Yorker</i>, the evidence of the Osage murders case intrigued David Grann, but he was concerned about some unresolved holes in the story. Determined to uncover the truth, Grann conducted his own research to discover the culprits behind the undocumented murders unrelated to Mollie Burkhart’s family. What he stumbles on highlights the severity of the dark fate the Osage Indians were threatened with.
Despite being written as a narrative, it is obvious that <i>Killers of the Flower Moon</i> is a work of non-fiction. It lacks emotion and character insight, however, since it is not meant to be a fabricated story, these elements are not required. Instead, it shocks and disturbs the reader with its unbelievable truths.
An extensive biography proves the authenticity of David Grann’s revelation. With the reinforcement of FBI files, jury testimonials, statements, court transcripts, letters, telegrams, diaries and confessions, Grann produces a strong historical record of events that should not be glossed over. Without authors and books such as <i>Killers of the Flower Moon</i>, people will blindly go around believing falsehoods. The truth needs to be discovered, and readers can start by reading this book.
Suswatibasu (1701 KP) rated Thanks, Obama: My Hopey Changey White House Years in Books
Mar 16, 2018
A book of hopey changey during the Obama years
This funny, poignant look at the White House from the perspective of a speechwriter, humanises those who worked for Obama and the former president himself.
From hilarious anecdotes, where David Litt was literally found with his Hulk pants down on Air Force One, to harrowing experiences watching Obama sing Amazing Grace after the racially-motivated Charleston shooting -it's like a real-life series of West Wing.
His admiration for the ex-chief is rather sweet, turning from full-blown hero worshipping to quiet respect for POTUS as a person as in his own words: "We are not perfect but we have the capacity to be more perfect".
Hence the ending seems bittersweet - Litt was part of Obama's legacy that is being decimated so for him it is personal. He asks "Was Barack Obama a good President?" And without hesitation he agrees that he was.
From hilarious anecdotes, where David Litt was literally found with his Hulk pants down on Air Force One, to harrowing experiences watching Obama sing Amazing Grace after the racially-motivated Charleston shooting -it's like a real-life series of West Wing.
His admiration for the ex-chief is rather sweet, turning from full-blown hero worshipping to quiet respect for POTUS as a person as in his own words: "We are not perfect but we have the capacity to be more perfect".
Hence the ending seems bittersweet - Litt was part of Obama's legacy that is being decimated so for him it is personal. He asks "Was Barack Obama a good President?" And without hesitation he agrees that he was.
Lou Grande (148 KP) rated Sorry to Bother You (2018) in Movies
Jul 17, 2018
This movie was funny, poignant, and sure did take a turn in the third act. The world that Cassius Green ("cash is green") lives in is a not-quite bizarro version of our own world--take all the issues the United States is having and turn them to 11 and you'll understand. It reminded me a bit of Idiocracy in that way. But I digress. Cassius Green just wants stability. He wants to make money to eventually move out of his uncle's (Terry Crews) garage, and he wants to impress his girlfriend, Detroit (Tessa Thompson). He finds a job working as a telemarketer, and, what's more, he finds success by adopting a "white voice," voiced by David Cross. He soon faces a moral crisis when he finds out what he's actually selling, and who he's selling out.
Brilliantly shot and directed, Sorry to Bother You is a delight to watch. Every actor is on point, and the comedic timing never skips a beat. But it's not without a message, and it won't be hard to decipher. Sorry to Bother You is a satire in the purest of forms--and what is being satirized is us. After it's over, it invites you to take a moment to reflect on your own life, and what part you play in the world. Excellent, relevant film. Highly recommend.
(Also, I have to add that I saw this at a weekday afternoon matinee, and the audience was full of old white people. They looked less than pleased as we were walking out. What did you think this was??)
Brilliantly shot and directed, Sorry to Bother You is a delight to watch. Every actor is on point, and the comedic timing never skips a beat. But it's not without a message, and it won't be hard to decipher. Sorry to Bother You is a satire in the purest of forms--and what is being satirized is us. After it's over, it invites you to take a moment to reflect on your own life, and what part you play in the world. Excellent, relevant film. Highly recommend.
(Also, I have to add that I saw this at a weekday afternoon matinee, and the audience was full of old white people. They looked less than pleased as we were walking out. What did you think this was??)
