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Bong Mines Entertainment (15 KP) rated Making It Up by Kathryn Legendre in Music
Jun 17, 2019
Kathryn Legendre is a rising singer-songwriter from Austin, Texas. Not too long ago, she released a lovely country tune, entitled, “There You Go”.
“I try to keep myself at bay, but I miss you every day. You took off when I needed you the most. All I’ve got to get me through are these memories of you. It’s easier believing in a ghost. There you go again and here I am alone.” – lyrics
‘There You Go’ tells an interesting tale of a young woman who doesn’t like saying goodbye to her significant other.
Apparently, he has to travel on the road again. Therefore, he has to leave the love-of-his-life all by her lonesome.
After his emotional departure, she washes dishes in the sink, hangs with her friends, and counts the hours down to when she will see her partner’s smiling face again.
Later, she admits that it still feels like he just left, and all she has to get her through this lonely period are the memories of him.
‘There You Go’ contains a relatable storyline, ear-welcoming vocals, and vibey instrumentation scented with a country fragrance.
“I have a dear friend who lost her fiancé in a car accident while he was out on tour. ‘There You Go’ is a song about the fear of your loved one leaving and the fear of them never coming back.” – Kathryn Legendre
Kathryn Legendre drives around Austin with a ‘God Bless Merle Haggard’ sticker on her bumper.
The rising country artist thrives the most when she feels that something is missing. Also, she takes pride in the ability to relate to the human condition
https://www.bongminesentertainment.com/kathryn-legendre-there-you-go/
“I try to keep myself at bay, but I miss you every day. You took off when I needed you the most. All I’ve got to get me through are these memories of you. It’s easier believing in a ghost. There you go again and here I am alone.” – lyrics
‘There You Go’ tells an interesting tale of a young woman who doesn’t like saying goodbye to her significant other.
Apparently, he has to travel on the road again. Therefore, he has to leave the love-of-his-life all by her lonesome.
After his emotional departure, she washes dishes in the sink, hangs with her friends, and counts the hours down to when she will see her partner’s smiling face again.
Later, she admits that it still feels like he just left, and all she has to get her through this lonely period are the memories of him.
‘There You Go’ contains a relatable storyline, ear-welcoming vocals, and vibey instrumentation scented with a country fragrance.
“I have a dear friend who lost her fiancé in a car accident while he was out on tour. ‘There You Go’ is a song about the fear of your loved one leaving and the fear of them never coming back.” – Kathryn Legendre
Kathryn Legendre drives around Austin with a ‘God Bless Merle Haggard’ sticker on her bumper.
The rising country artist thrives the most when she feels that something is missing. Also, she takes pride in the ability to relate to the human condition
https://www.bongminesentertainment.com/kathryn-legendre-there-you-go/
Goddess in the Stacks (553 KP) rated The Kiss Quotient in Books
Dec 25, 2018
This was one of three books I got through Book of the Month this month - the other two were The Book of Essie and When Katie Met Cassidy. I'm reviewing this today instead of another Pride Month read because today is Autistic Pride Day! The Kiss Quotient both stars and is written by a woman on the autistic spectrum, so I thought today would be a fitting day to tell you about it!
So The Kiss Quotient is basically a gender-swapped Pretty Woman, as Hoang mentions in the Author's Note. Our heroine, Stella Lane, books an escort to teach her about sex. Stella is thirty years old, has only had sex a couple of times, never enjoyed it, and is worried about not being good at it and therefore not being able to get or keep a boyfriend. She's an incredibly successful econometrician, or someone who uses data and statistics to model and predict economic trends, in her case predicting what people will want to buy from clients. (She's the kind of person responsible for those "Amazon started marketing baby products to me before I even knew I was pregnant!" incidents.) So she has more money than she knows what to do with, and offers Michael, an escort, $50,000 a month to teach her about sex and relationships.
Because this is a romance, we know what's going to happen here. They fall in love with each other, but are sure that for the other one it's just a business arrangement.
I was NOT expecting this book to be as explicit as it is! I think because it is a Book of the Month, I wasn't expecting the standard trope of romance book with hot sex scenes. But that's what I got! I can't say I'm unhappy with that - god knows I like my guilty pleasure romance smut - but it was definitely unexpected. I'm not sure why it surprised me. The book's premise is all about Stella wanting to learn about sex; if that wasn't conducted on screen we'd lose a third of the book!
A sequel has already been announced, and it's about the other autistic character in the book, the hero's best friend's little brother, Khai, who we only see in one scene. Who I'd also like to know more about is the best friend, Quan! So I'm holding out hope for a third book.
One last thing that I found important - in the Author's Note, Hoang mentions her daughter was diagnosed with AS, and in reading about Autism, she realized she is also on the spectrum. This is something I've seen in three different books now. It's so common for women, especially, to go undiagnosed. They might be better at modelling allistic (non-autistic) behavior, or their special interests might be more "acceptable" to allistics, or sometimes they just get looked at as introverts when they're young instead of getting the help they might need. This is starting to change, as researchers and doctors are realizing Autism presents differently in women. But it seems autistic adult women are often discovering they're autistic through a diagnosis of their children. I found that interesting.
I did really enjoy this book. I think it's a great debut novel, and a great romance. I really like the recent trend of more diversity in lead characters in romance novels. Bring on the people of color! More disabled main characters! There's got to be a romance somewhere with a deaf heroine, right? More alternative sexualities and relationship structures! Everyone, everywhere, wants to be loved, and I want to read about it. The thing is, I'm sure these books exist, but they don't get the kind of publicity they need for people to know about them. We have to actually go looking for them. I feel like I've been better about that recently, but it's definitely a place where the publication industry could improve.
You can find all my reviews at http://goddessinthestacks.com
So The Kiss Quotient is basically a gender-swapped Pretty Woman, as Hoang mentions in the Author's Note. Our heroine, Stella Lane, books an escort to teach her about sex. Stella is thirty years old, has only had sex a couple of times, never enjoyed it, and is worried about not being good at it and therefore not being able to get or keep a boyfriend. She's an incredibly successful econometrician, or someone who uses data and statistics to model and predict economic trends, in her case predicting what people will want to buy from clients. (She's the kind of person responsible for those "Amazon started marketing baby products to me before I even knew I was pregnant!" incidents.) So she has more money than she knows what to do with, and offers Michael, an escort, $50,000 a month to teach her about sex and relationships.
Because this is a romance, we know what's going to happen here. They fall in love with each other, but are sure that for the other one it's just a business arrangement.
I was NOT expecting this book to be as explicit as it is! I think because it is a Book of the Month, I wasn't expecting the standard trope of romance book with hot sex scenes. But that's what I got! I can't say I'm unhappy with that - god knows I like my guilty pleasure romance smut - but it was definitely unexpected. I'm not sure why it surprised me. The book's premise is all about Stella wanting to learn about sex; if that wasn't conducted on screen we'd lose a third of the book!
A sequel has already been announced, and it's about the other autistic character in the book, the hero's best friend's little brother, Khai, who we only see in one scene. Who I'd also like to know more about is the best friend, Quan! So I'm holding out hope for a third book.
One last thing that I found important - in the Author's Note, Hoang mentions her daughter was diagnosed with AS, and in reading about Autism, she realized she is also on the spectrum. This is something I've seen in three different books now. It's so common for women, especially, to go undiagnosed. They might be better at modelling allistic (non-autistic) behavior, or their special interests might be more "acceptable" to allistics, or sometimes they just get looked at as introverts when they're young instead of getting the help they might need. This is starting to change, as researchers and doctors are realizing Autism presents differently in women. But it seems autistic adult women are often discovering they're autistic through a diagnosis of their children. I found that interesting.
I did really enjoy this book. I think it's a great debut novel, and a great romance. I really like the recent trend of more diversity in lead characters in romance novels. Bring on the people of color! More disabled main characters! There's got to be a romance somewhere with a deaf heroine, right? More alternative sexualities and relationship structures! Everyone, everywhere, wants to be loved, and I want to read about it. The thing is, I'm sure these books exist, but they don't get the kind of publicity they need for people to know about them. We have to actually go looking for them. I feel like I've been better about that recently, but it's definitely a place where the publication industry could improve.
You can find all my reviews at http://goddessinthestacks.com
The High Season
8.7
Rate It
Book
In a beach town overrun with vacationers and newly colonized by socialites, one woman goes to...
Zuky the BookBum (15 KP) rated Small Great Things in Books
Mar 15, 2018
I read this book (a while back now!) as part of a readalong with lots of bookish friends on Instagram! It was called it #TheSmallGreatReadalong
see what we did there! Anyway, this review is coming so late compared to when I actually finished, but at least its here now!
My overall opinion on this one is that I liked it, but mainly because it was such a good discussion book, not because of the actual story. Now, that may sound controversial, that I didnt enjoy the bulk of a book all about racism, but thats not what I mean. Let me explain
I think this book did an amazing job at opening up the topic of racism to the reader. As a white woman, living in a pretty middle class existence, I know for a fact that I have unfair privileges and I will never fully understand the complexities of racism, as much as I try to educate myself. This novel certainly has opened my eyes to the some of the more subtle aspects of racism that I hadnt even thought about before. While there were the obvious racist themes in this novel, it wasnt those that shocked me the most, it was the parts that you dont often think about when you think of racism. So for that, for opening my eyes and my mind, I applaud Picoult for writing such a difficult and controversial book.
However, I think the teachings of this book could have been done in a more compelling story. At the end of the day, there was nothing inherently wrong with the plot, but I didnt quite connect with it. I found a lot of it unexciting and the twist at the end, that Picoult just has to add into each one of her books, was so blatantly obvious it didnt surprise me at all and kind of made the rest of the book feel a bit cheap?
Picoults writing isnt my favourite, it doesnt suck me in as much as other authors, but its still weaves a pretty interesting story. I think the characters in this book were far stronger than the plot.
My favourite part of this novel was watching Ruth and Kennedys relationship grow. I loved seeing how Kennedy steadily grew to understand Ruths frustrations and her plight to bring race to the forefront of peoples minds.
Overall, I did enjoy this book, mainly because of what it taught me and how its made me see things in a different way. But, its not the most exciting story Ive ever read and Im not big on the writing style.
My overall opinion on this one is that I liked it, but mainly because it was such a good discussion book, not because of the actual story. Now, that may sound controversial, that I didnt enjoy the bulk of a book all about racism, but thats not what I mean. Let me explain
I think this book did an amazing job at opening up the topic of racism to the reader. As a white woman, living in a pretty middle class existence, I know for a fact that I have unfair privileges and I will never fully understand the complexities of racism, as much as I try to educate myself. This novel certainly has opened my eyes to the some of the more subtle aspects of racism that I hadnt even thought about before. While there were the obvious racist themes in this novel, it wasnt those that shocked me the most, it was the parts that you dont often think about when you think of racism. So for that, for opening my eyes and my mind, I applaud Picoult for writing such a difficult and controversial book.
However, I think the teachings of this book could have been done in a more compelling story. At the end of the day, there was nothing inherently wrong with the plot, but I didnt quite connect with it. I found a lot of it unexciting and the twist at the end, that Picoult just has to add into each one of her books, was so blatantly obvious it didnt surprise me at all and kind of made the rest of the book feel a bit cheap?
Picoults writing isnt my favourite, it doesnt suck me in as much as other authors, but its still weaves a pretty interesting story. I think the characters in this book were far stronger than the plot.
My favourite part of this novel was watching Ruth and Kennedys relationship grow. I loved seeing how Kennedy steadily grew to understand Ruths frustrations and her plight to bring race to the forefront of peoples minds.
Overall, I did enjoy this book, mainly because of what it taught me and how its made me see things in a different way. But, its not the most exciting story Ive ever read and Im not big on the writing style.
Janeeny (200 KP) rated The Curious Heart of Ailsa Rae in Books
Sep 13, 2019
Ailsa Rae is a woman with a terminal heart condition, until the day she receives a heart transplant. Ailsa is adjusting to life, a life that actually has a future. Now Ailsa is no longer dying she has to start living, but it’s hard. She’s struggling with her relationship with her mother and the father she’s never known, and coping with emotions controlled by a heart that isn’t really hers. Is it ungrateful to be so unhappy when your very existence is a gift?
Ailsa Rae is quirky and bold. She writes a blog about her illness and subsequent transplant, asking her followers to assist in some major life decisions. It’s a very clever device as whilst she is writing for her blog followers it feels like she’s talking to you so it fully engrosses you in the story. There is of course a love interest in there somewhere, but it’s not cliché. In fact in true style of Ailsa’s new life, it’s complicated. I really enjoyed this.
Ailsa Rae is quirky and bold. She writes a blog about her illness and subsequent transplant, asking her followers to assist in some major life decisions. It’s a very clever device as whilst she is writing for her blog followers it feels like she’s talking to you so it fully engrosses you in the story. There is of course a love interest in there somewhere, but it’s not cliché. In fact in true style of Ailsa’s new life, it’s complicated. I really enjoyed this.
Ninja Girl Adventures (Ninja Girl Adventures #1)
Melissa Wilson and Phil Elmore
10.0
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Sister Power at It’s Best Moira Mackenzie is just 14 years old. Her sister Mindy is 15, and...
Young Adult Thriller
The Fourth Talisman
9.0
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Book
Nocturne, a wilderness of eternal night. Solis, a wasteland of endless day. It’s been a...
Sweet Reunion (Hope Falls #1)
7.0
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For Amanda Jacobs, dealing with the pain of losing her beloved Dad is the toughest thing she's ever...
Movie Metropolis (309 KP) rated The Girl on the Train (2016) in Movies
Jun 10, 2019
A Victim of its marketing
It’s always refreshing to see a film released primarily for the adult market. We all loved The Hunger Games, but imagine what the series could’ve been like had the franchise been given a 15 or even an 18 certification.
And Fifty Shades of Grey may have its critics (me being one of them) but at least it appealed to those of us not interested in sharing cinema screens with rambling tweens. The finest of the adult genre? Well, that has to be Gone Girl. But now there’s a new kid on the block, ready to steal its crown. Is The Girl on the Train a worthy adversary?
Alcoholic Rachel Watson (Emily Blunt) catches daily glimpses of a seemingly perfect couple, Scott (Luke Evans) and Megan (Haley Bennett), from the window of her train. One day, Watson witnesses something shocking unfold in the garden of the strangers’ home. Rachel tells the authorities what she thinks she saw after learning Megan is missing. Unable to trust her memory, the troubled woman begins her own investigation, while police suspect that Rachel may have crossed a dangerous line.
Emily Blunt has become one of Hollywood’s finest actors, constantly adding new genres to her resume. From The Devil Wears Prada to Sicario and beyond, there is nothing she won’t try and The Girl on the Train is bolstered by a career-best performance by the actress. It’s never easy to play a drunk convincingly; you can look to some UK soap operas for proof of that, but she manages to pull it off exceptionally well.
Of the supporting cast, only Justin Theroux makes a lasting impact as Rachel’s ex-husband Tom, now living with his new wife Anna – a lacklustre Rebecca Ferguson. It would be unfair to sling too much mud at a very talented group of actors, but up against Blunt, there really is no comparison.
Elsewhere, the complex narrative of Paula Hawkins’ book translates to a rather messy filming style when viewed on the big screen. Continuous flashbacks from within Rachel’s mind are handled reasonably well by director Tate Taylor (The Help) and he manages to wrench everything together to stop the plot from becoming incoherent.
Unfortunately, The Girl on the Train is a victim of its own intense marketing campaign. The trailers have given away far too much for those who haven’t read the book and whilst the twists and turns aren’t immediately obvious, some of the Cluedo-esque fun has been removed. It’s clear Dreamworks wanted the film to resemble Gone Girl as much as possible, aiming to attract a similar audience, but this may have backfired slightly.
Overall, The Girl on the Train is a particularly faithful adaptation of the novel of the same name, held up by an intense and frankly incredible performance by Emily Blunt. Unfortunately, some of the film’s suspense has been lost by a poorly executed marketing campaign and as such it becomes a passable addition to the adult thriller genre. This year’s Gone Girl it is not.
https://moviemetropolis.net/2016/10/06/a-victim-of-its-marketing-the-girl-on-the-train-review/
And Fifty Shades of Grey may have its critics (me being one of them) but at least it appealed to those of us not interested in sharing cinema screens with rambling tweens. The finest of the adult genre? Well, that has to be Gone Girl. But now there’s a new kid on the block, ready to steal its crown. Is The Girl on the Train a worthy adversary?
Alcoholic Rachel Watson (Emily Blunt) catches daily glimpses of a seemingly perfect couple, Scott (Luke Evans) and Megan (Haley Bennett), from the window of her train. One day, Watson witnesses something shocking unfold in the garden of the strangers’ home. Rachel tells the authorities what she thinks she saw after learning Megan is missing. Unable to trust her memory, the troubled woman begins her own investigation, while police suspect that Rachel may have crossed a dangerous line.
Emily Blunt has become one of Hollywood’s finest actors, constantly adding new genres to her resume. From The Devil Wears Prada to Sicario and beyond, there is nothing she won’t try and The Girl on the Train is bolstered by a career-best performance by the actress. It’s never easy to play a drunk convincingly; you can look to some UK soap operas for proof of that, but she manages to pull it off exceptionally well.
Of the supporting cast, only Justin Theroux makes a lasting impact as Rachel’s ex-husband Tom, now living with his new wife Anna – a lacklustre Rebecca Ferguson. It would be unfair to sling too much mud at a very talented group of actors, but up against Blunt, there really is no comparison.
Elsewhere, the complex narrative of Paula Hawkins’ book translates to a rather messy filming style when viewed on the big screen. Continuous flashbacks from within Rachel’s mind are handled reasonably well by director Tate Taylor (The Help) and he manages to wrench everything together to stop the plot from becoming incoherent.
Unfortunately, The Girl on the Train is a victim of its own intense marketing campaign. The trailers have given away far too much for those who haven’t read the book and whilst the twists and turns aren’t immediately obvious, some of the Cluedo-esque fun has been removed. It’s clear Dreamworks wanted the film to resemble Gone Girl as much as possible, aiming to attract a similar audience, but this may have backfired slightly.
Overall, The Girl on the Train is a particularly faithful adaptation of the novel of the same name, held up by an intense and frankly incredible performance by Emily Blunt. Unfortunately, some of the film’s suspense has been lost by a poorly executed marketing campaign and as such it becomes a passable addition to the adult thriller genre. This year’s Gone Girl it is not.
https://moviemetropolis.net/2016/10/06/a-victim-of-its-marketing-the-girl-on-the-train-review/
Daf Yomi for Women - דף יומי לנשים
1.0
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Podcast
Now including more than 800 shiurim, Daf Yomi for Women is the first and only podcast featuring a...