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Stygian
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This is Urian's book (finally). Damn, this guy has been through too much. As usual, the author takes...
Dark Hunters mythology fantasy
Phillip McSween (751 KP) rated Glengarry Glen Ross (1992) in Movies
Feb 21, 2019
Solid Gold Movie
Chaos ensues when a bunch or salesman at a real estate agency are forced into a high-stakes game where they either become top closers or get fired.
Acting: 10
Beginning: 10
You think the beginning is going to be weak…until Blake (Alec Baldwin) walks in. He is filled with such passion and rage, but the one thing he is lacking is fucks. Blake has zero fucks to give about anyone’s feelings or their jobs. “Fuck you, that’s my name!” he screams at someone thinking they will get the upperhand on him. Classic.
Characters: 10
Aside from Blake, the rest of the characters add depth to the movie. With their different personalities, each character has a distinctly different approach to the way that they sell and go about winning. Their choices and reactions hold sway over which direction the movie turns and what the audience thinks is going to happen next. As things unfold and they end up being questioned by the Detective (Jude Ciccolella), it’s interesting to watch them have different responses to the pressure.
Cinematography/Visuals: 9
I love the cinematic work here. The entire film has a dreary feel, almost like there’s a fog being cast over the characters and their dilemma. The light comes in small glimpses and you mostly see rain throughout. It has a suffocating feel, adding even more certainty that the characters are resigned to their own fate.
Conflict: 10
Look, I’m in sales and few things institute conflict like sales situations. Tell a bunch of guys that they either hit their numbers or they’re fired and there’s bound to be problems. As the film drags on, the desperation becomes even heavier. You feel for these guys, but not so much so that you don’t get the enjoyment of watching them crumble in high pressure situations. As douchey as it sounds, it’s actually kind of fun.
Genre: 7
Memorability: 7
Pace: 10
Once Blake enters the scene, the movie maintains its pace from start to finish. Fueled by conflict and desperation, the characters ultimately create a mystery that you want to get to the bottom of before the movie reaches its end. It’s refreshing when you watch a movie that doesn’t have any dead spots and director James Foley succeeded in making that a reality.
Plot: 10
What happens when you put a bunch of different personalities in a room and tell them they have a certain amount of time to complete a goal or else? The story is ultimately moved by how people respond to pressure situations. I can imagine when this was written, the direction may have changed directions a couple of times due to the personalities of the characters. Memorable characters can alter the direction of a plot for the sake of staying true to the characters.
Resolution: 4
Overall: 87
I hadn’t even heard of this movie until a couple of years ago. It’s funny, this movie was recommended to me by a Sales Manager who thought, “This is how the sales team should go after it!” After watching it, I thought, “This isn’t how selling should be at all!” Glengarry Glen Ross succeeds because it appeals to people for different reasons. Some see it as a cautionary tale while others view it as inspiration. I am in the camp of the former. I’m also in the popular majority that think the movie is awesome.
Acting: 10
Beginning: 10
You think the beginning is going to be weak…until Blake (Alec Baldwin) walks in. He is filled with such passion and rage, but the one thing he is lacking is fucks. Blake has zero fucks to give about anyone’s feelings or their jobs. “Fuck you, that’s my name!” he screams at someone thinking they will get the upperhand on him. Classic.
Characters: 10
Aside from Blake, the rest of the characters add depth to the movie. With their different personalities, each character has a distinctly different approach to the way that they sell and go about winning. Their choices and reactions hold sway over which direction the movie turns and what the audience thinks is going to happen next. As things unfold and they end up being questioned by the Detective (Jude Ciccolella), it’s interesting to watch them have different responses to the pressure.
Cinematography/Visuals: 9
I love the cinematic work here. The entire film has a dreary feel, almost like there’s a fog being cast over the characters and their dilemma. The light comes in small glimpses and you mostly see rain throughout. It has a suffocating feel, adding even more certainty that the characters are resigned to their own fate.
Conflict: 10
Look, I’m in sales and few things institute conflict like sales situations. Tell a bunch of guys that they either hit their numbers or they’re fired and there’s bound to be problems. As the film drags on, the desperation becomes even heavier. You feel for these guys, but not so much so that you don’t get the enjoyment of watching them crumble in high pressure situations. As douchey as it sounds, it’s actually kind of fun.
Genre: 7
Memorability: 7
Pace: 10
Once Blake enters the scene, the movie maintains its pace from start to finish. Fueled by conflict and desperation, the characters ultimately create a mystery that you want to get to the bottom of before the movie reaches its end. It’s refreshing when you watch a movie that doesn’t have any dead spots and director James Foley succeeded in making that a reality.
Plot: 10
What happens when you put a bunch of different personalities in a room and tell them they have a certain amount of time to complete a goal or else? The story is ultimately moved by how people respond to pressure situations. I can imagine when this was written, the direction may have changed directions a couple of times due to the personalities of the characters. Memorable characters can alter the direction of a plot for the sake of staying true to the characters.
Resolution: 4
Overall: 87
I hadn’t even heard of this movie until a couple of years ago. It’s funny, this movie was recommended to me by a Sales Manager who thought, “This is how the sales team should go after it!” After watching it, I thought, “This isn’t how selling should be at all!” Glengarry Glen Ross succeeds because it appeals to people for different reasons. Some see it as a cautionary tale while others view it as inspiration. I am in the camp of the former. I’m also in the popular majority that think the movie is awesome.
Kyera (8 KP) rated The Ship of the Dead (Magnus Chase and the Gods of Asgard, #3) in Books
Feb 1, 2018
Magnus Chase: Ship of the Dead is the final book in the series that blends Norse mythology with the modern world. Rick Riordan writes in his typical humourous fashion and makes learning fun (even if its not always entirely accurate.) As this is the third and final book in the series, there isnt too much to say that wouldnt spoil the first two books if you have not read them so I would recommend doing so before reading this review. You can also read my review of the first book as it is spoiler-free.
Our heroes continue their journey to postpone Ragnarok and defeat Loki. Magnus is joined by Samirah the Valkyrie, Hearthstone the Elf, Blitzen the Dwarf and his fellow Einherjar Alex, Mallory, TJ and Halfborn. They must battle giants, outwit guardians, and save the world from utter destruction. Just your average Tuesday.
I really enjoyed how diversity was represented in this series as we have main characters with different sexualities or orientations, religions, ethnicities, and disabilities. Since I am not most of the ones that were represented in the book, I can't speak to how accurate the portrayal was but I am glad that they were included. As a casual reader, the representation felt informative and not condescending or demeaning.
Rick continues his world building by sending our heroes off on adventures in the nine realms while simultaneously teaching us a bit about Norse mythology. His books are a very approachable way to tackle the topic and perhaps foster a sense of curiosity that will lead readers to want to discover more. There isn't much else to say without spoilers, so I would recommend this series to middle grade, young adult or teen readers who enjoy fantasy. It is a fun, easy read that I hope you won't regret picking up.
Our heroes continue their journey to postpone Ragnarok and defeat Loki. Magnus is joined by Samirah the Valkyrie, Hearthstone the Elf, Blitzen the Dwarf and his fellow Einherjar Alex, Mallory, TJ and Halfborn. They must battle giants, outwit guardians, and save the world from utter destruction. Just your average Tuesday.
I really enjoyed how diversity was represented in this series as we have main characters with different sexualities or orientations, religions, ethnicities, and disabilities. Since I am not most of the ones that were represented in the book, I can't speak to how accurate the portrayal was but I am glad that they were included. As a casual reader, the representation felt informative and not condescending or demeaning.
Rick continues his world building by sending our heroes off on adventures in the nine realms while simultaneously teaching us a bit about Norse mythology. His books are a very approachable way to tackle the topic and perhaps foster a sense of curiosity that will lead readers to want to discover more. There isn't much else to say without spoilers, so I would recommend this series to middle grade, young adult or teen readers who enjoy fantasy. It is a fun, easy read that I hope you won't regret picking up.
Hazel (2934 KP) rated The Dinner Lady Detectives in Books
Oct 24, 2021
This is, in my humble opinion, a very successful debut and definitely a series that I am looking forward to keeping up with. It is described as "a delightful, quintessentially British cosy mystery" and that's exactly what you get.
Margery and Clementine are dinner ladies, or to give them their official title 'Education Centre Nourishment Consultants' (really? is that what they're called now?!?!?!), and they are an absolute blast. Their relationship absolutely shines through from start to finish, it's beautiful and very authentic feeling.
Margery and Clementine smell a rat when one of their colleagues is found dead in the walk-in freezer of the school kitchen and so begins their unorthodox investigation into her death which results in all manner of escapades. There are some very funny moments (the suspended school ceiling being a particular highlight for me 🤣🤣) amongst a great and engaging plot with excellent characters throughout.
I raced through this book desperate to find out what happened and how it was all going to come together and I wasn't disappointed in the slightest and I am pleased to read on the publisher website that they have acquired the rights to a three-book deal. I think someone needs to snap this up and make a television series - I can so see Dawn French and Jennifer Saunders as Margery and Clem, in fact, that's who I was seeing in my head as I was reading it!
Highly recommended for those of you who want a break from all the doom, gloom and violence in many crime fiction books and who don't mind a bit of dark humour.
Thank you so much Canelo and NetGalley for my advance copy in return for an honest, unbiased and unedited review.
Margery and Clementine are dinner ladies, or to give them their official title 'Education Centre Nourishment Consultants' (really? is that what they're called now?!?!?!), and they are an absolute blast. Their relationship absolutely shines through from start to finish, it's beautiful and very authentic feeling.
Margery and Clementine smell a rat when one of their colleagues is found dead in the walk-in freezer of the school kitchen and so begins their unorthodox investigation into her death which results in all manner of escapades. There are some very funny moments (the suspended school ceiling being a particular highlight for me 🤣🤣) amongst a great and engaging plot with excellent characters throughout.
I raced through this book desperate to find out what happened and how it was all going to come together and I wasn't disappointed in the slightest and I am pleased to read on the publisher website that they have acquired the rights to a three-book deal. I think someone needs to snap this up and make a television series - I can so see Dawn French and Jennifer Saunders as Margery and Clem, in fact, that's who I was seeing in my head as I was reading it!
Highly recommended for those of you who want a break from all the doom, gloom and violence in many crime fiction books and who don't mind a bit of dark humour.
Thank you so much Canelo and NetGalley for my advance copy in return for an honest, unbiased and unedited review.
Mark @ Carstairs Considers (2340 KP) rated Drowned Under in Books
Mar 20, 2019
Cyd’s Cruising to Find Missing Passengers
It’s the week before Christmas, and Cyd is dreading the upcoming holiday filled with rumors, whispers, and awkward family moments. Then Barry Manzoni comes to her for help. Barry is a childhood friend and Cyd’s ex-husband. His parents are on an Australian cruise, and they vanished part way through. Even though they didn’t book with Redondo Travel, Cyd still begins to use her contacts to see what she can learn. In fact, she uses one of those contacts to get herself booked on the next cruise their ship is taking, which is following the same route. Okay, so she might be using the trip to avoid Christmas with her family, but she does want to help Barry.
After a whirlwind trip half way around the world, she arrives on the ship only to find a dead body. The crew want to say it is a tragic accident, but Cyd suspects foul play. Does this tie into the disappearance of the Manzonis? Can Cyd trust anyone on board?
If you haven’t read the first book in the series, a warning – this book does by necessity spoil some of the events of the first book in the series. If you have read the first book, you know exactly what to expect here, and you won’t be disappointed. We’ve got a fast-paced story with twists that keep Cyd hopping as she tries to uncover what exactly is happening. There is a strong screwball comedy element that keeps us laughing, although some events and Cyd herself keeps us grounded. I did feel the book got a bit frantic at times, but it never lasted too long. The characters are a little caricature as well, but that just makes them fit perfectly into this world. There is a smattering of foul language here. We also have a very strong sub-plot with another endangered animal, but there is no animal cruelty involved this time around. I enjoyed the different take on the Christmas setting – since the book is set mostly off the coast of Australia, we don’t have cold and snow, after all. This is a fun ride, so pick up this book and hold on tight.
After a whirlwind trip half way around the world, she arrives on the ship only to find a dead body. The crew want to say it is a tragic accident, but Cyd suspects foul play. Does this tie into the disappearance of the Manzonis? Can Cyd trust anyone on board?
If you haven’t read the first book in the series, a warning – this book does by necessity spoil some of the events of the first book in the series. If you have read the first book, you know exactly what to expect here, and you won’t be disappointed. We’ve got a fast-paced story with twists that keep Cyd hopping as she tries to uncover what exactly is happening. There is a strong screwball comedy element that keeps us laughing, although some events and Cyd herself keeps us grounded. I did feel the book got a bit frantic at times, but it never lasted too long. The characters are a little caricature as well, but that just makes them fit perfectly into this world. There is a smattering of foul language here. We also have a very strong sub-plot with another endangered animal, but there is no animal cruelty involved this time around. I enjoyed the different take on the Christmas setting – since the book is set mostly off the coast of Australia, we don’t have cold and snow, after all. This is a fun ride, so pick up this book and hold on tight.
BookInspector (124 KP) rated If I Die Before I Wake in Books
Sep 24, 2020
It has a very interesting blurb, and I was expecting a really suspenseful thriller, but it didn’t really impress me.
The main character of this book is Alex, climbing enthusiast who gets paralyzed after climbing accident (or maybe an attempted murder…) He doesn’t remember how the incident happened, and he hears snippets of it and other information with every new visitor. What left me shook and baffled was the situation he was in. His brain was fully functioning but the body didn’t whatsoever. All his inconveniences, cramps, feelings were very painful to read about and really scary, to be honest. You can’t even scratch your itching nose, it is a mental torture! :S
The characters used in this book were not very interesting to me. I did like reading Alex’s story, but I was missing personality and character in other participants of this journey. The whole book was told from Alex’s perspective, and I would have liked to read other people’s perspectives as well. I don’t think other characters were fully utilized in this novel.
I liked that Koch used little snippets of new information in every chapter to kindle the interest to continue, but I didn’t feel tension while reading, and I think it needed some better twists. The dilemma of “To live or to die?”, raised in this book was really difficult and got me thinking, what I would like in such case.
The writing style of this novel was really creative, pleasant and easy to read. The chapters were pretty short and filled with some interesting details of not only Alex’s present but also with memories of his past and his dead mother. All this combination made this book quite an amusing book. After all the suffering and pain, the ending didn’t leave me satisfied as well…:( So to conclude, this novel was really an emotionally difficult journey for me, filled with pain, suffering and helplessness, where you have to choose between death and living. There were some interesting parts which I enjoyed, but it didn’t really work for me. I do hope you will give this book a chance and see for yourself, whether you like it or not. Enjoy 🙂
The main character of this book is Alex, climbing enthusiast who gets paralyzed after climbing accident (or maybe an attempted murder…) He doesn’t remember how the incident happened, and he hears snippets of it and other information with every new visitor. What left me shook and baffled was the situation he was in. His brain was fully functioning but the body didn’t whatsoever. All his inconveniences, cramps, feelings were very painful to read about and really scary, to be honest. You can’t even scratch your itching nose, it is a mental torture! :S
The characters used in this book were not very interesting to me. I did like reading Alex’s story, but I was missing personality and character in other participants of this journey. The whole book was told from Alex’s perspective, and I would have liked to read other people’s perspectives as well. I don’t think other characters were fully utilized in this novel.
I liked that Koch used little snippets of new information in every chapter to kindle the interest to continue, but I didn’t feel tension while reading, and I think it needed some better twists. The dilemma of “To live or to die?”, raised in this book was really difficult and got me thinking, what I would like in such case.
The writing style of this novel was really creative, pleasant and easy to read. The chapters were pretty short and filled with some interesting details of not only Alex’s present but also with memories of his past and his dead mother. All this combination made this book quite an amusing book. After all the suffering and pain, the ending didn’t leave me satisfied as well…:( So to conclude, this novel was really an emotionally difficult journey for me, filled with pain, suffering and helplessness, where you have to choose between death and living. There were some interesting parts which I enjoyed, but it didn’t really work for me. I do hope you will give this book a chance and see for yourself, whether you like it or not. Enjoy 🙂
Piper (13 KP) rated Strangers: Prey at Night (2018) in Movies
Nov 27, 2019
Real-feeling Characters (2 more)
Escalating Tension
Some Excellent Scenes
Some Naff Shots (1 more)
Hammy Acting
Contains spoilers, click to show
I’ve heard a lot of trash about this movie, and only some of it is right. Don’t get me wrong - it has its downfalls. We’ll get to those. But it’s a genuinely fun horror movie and, considering the predictability of the slasher genre, it’s fairly terrifying: the suspense doesn’t let up from damn near the beginning. For full disclosure, I haven’t seen the original Strangers movie, and I’ve heard it’s a whole lot better than this 2018 sequel. But the fact that Prey at Night stands successfully alone as a movie means it doesn’t matter which order you watch them in - all I’d say is that it’s probably best not to pay much attention to the reviews on this one (as sefl-destructive as a comment like that might be). It’s impressive in its own right, and if this apparently-subpar sequel is anything to go by, the original must be worthwhile. I’ll let you know once I’ve actually seen it.
Now, onto the juicy stuff. There really isn’t a whole lot of bad to this movie, and what there is is fairly standard for modern horror movies. The plot is fairly predictable: people with knives hunt down people without (the good guys do have a single gun between them, and in a display that makes you genuinely shout at your television it never gets used); a dysfunctional American family gets torn completely apart; every single time you think the evil nasty villain man is dead, he stands up, just a little out of our good guy’s eyeline. It’s fairly repetitive - how much story can you get out of some knives and masks and a little bit of running? - and while it nicely strays from the standard twisty ending, there’s a hint of danger at the end that a) doesn’t make sense, b) doesn’t mean anything, and c) isn’t explored or explained so falls very short of what it’s trying to do. And that’s nearly all the bad out of the way, but I’d like to give an honourable mention to some very corny Raimi-esque camera zooms that, momentarily, take the viewer completely out of the film and just look terrible.
Having said that, most of the camerawork is good - shaky where it needs to be, dead straight when it works. There are some claustrophobic close-ups that leave you wondering just what the director’s hiding out of frame. And while watching a creepily-masked figure loom silently into frame can get a little less scary every time, it’s certainly well-shot. Despite the pitfalls, most of which are just so easy to slip into, the good parts to this movie mostly fall into the categories of character work and nice, understated gore. The bloody parts are suitably bloody, but they don’t become unrealistic. In fact, there are gory moments that seem meticulously well-crafted and you can almost feel the pain. The characters are annoying at times, they all have their own quirks and tightly-wound baggage, and there are places where their obviously set-up arcs just don’t get the resolution they need - hang on, why do I think this is a good film?
Here’s why. Because it’s real. People don’t always get resolution (okay, it isn’t always because one of the conflicting characters dies about five minutes into the experience, but we don’t always get closure, we don’t always get to fix relationships before it’s too late). The characters in this film are, despite everything, quite likeable once you get to know them, and there’s a truly heartbreaking moment fairly early on that can’t be shunned. The injuries these characters sustain throughout don’t just go away - they stick around, for the most part, slow them down, make them vulnerable. The setting is unassuming until you realise this family are literally the only characters in the film that aren’t dead (and quite beautifully mutilated) or wielding a knife/axe/pickup truck - and if you dare make the connection between a spooky trailer park and a certain Camp Crystal Lake, it makes sense. The slashers themselves are fairly unoriginal (I’m really trying not to stray into the negatives again) but they’re human. They can die. Their motives are revealed in a simple, nicely-put “Why not?” and it’s clear they don’t need a reason, this is just fun for them. The masks, obviously, add a little layer of creep, and there’s a swimming pool scene that really is quite beautifully done. Watching people get murdered to a corny, cheerful eighties soundtrack might get irritating, if it wasn’t established that that’s just a chilling preference of the primary slasher character. The popping-up-out-of-nowhere gimmick might get a little annoying if it wasn’t established that really, this is just that kind of movie. The fact that we never find out what Kenzie did to get her shipped off to boarding school, or who Tamara was (should I have seen the first movie? I’ll have to watch it soon or I just might be lambasted for my ignorance) didn't put us too out-of-place, because there are enough wonderful gore and inventive set-piece-driven slasher moments to remind you that, hang on, you don't really need to know. The tension builds, and it builds, and oh it keeps on building right until the end, and it’s the one thing about this film that's masterfully done.
At the end of the day, this isn’t a great movie. It’s certainly not perfect. But it’s good. It feels real, and it feels, in places, genuinely terrifying. It’s a fun watch and it hasn’t been ridiculously drawn-out like some recent films (I’m looking at you, Chapter Two) so it’s quick, it’s choppy, and there’s a half-decent scare every now and then. Will it scar you for life? Depends how you feel about Kim Wilde.
Now, onto the juicy stuff. There really isn’t a whole lot of bad to this movie, and what there is is fairly standard for modern horror movies. The plot is fairly predictable: people with knives hunt down people without (the good guys do have a single gun between them, and in a display that makes you genuinely shout at your television it never gets used); a dysfunctional American family gets torn completely apart; every single time you think the evil nasty villain man is dead, he stands up, just a little out of our good guy’s eyeline. It’s fairly repetitive - how much story can you get out of some knives and masks and a little bit of running? - and while it nicely strays from the standard twisty ending, there’s a hint of danger at the end that a) doesn’t make sense, b) doesn’t mean anything, and c) isn’t explored or explained so falls very short of what it’s trying to do. And that’s nearly all the bad out of the way, but I’d like to give an honourable mention to some very corny Raimi-esque camera zooms that, momentarily, take the viewer completely out of the film and just look terrible.
Having said that, most of the camerawork is good - shaky where it needs to be, dead straight when it works. There are some claustrophobic close-ups that leave you wondering just what the director’s hiding out of frame. And while watching a creepily-masked figure loom silently into frame can get a little less scary every time, it’s certainly well-shot. Despite the pitfalls, most of which are just so easy to slip into, the good parts to this movie mostly fall into the categories of character work and nice, understated gore. The bloody parts are suitably bloody, but they don’t become unrealistic. In fact, there are gory moments that seem meticulously well-crafted and you can almost feel the pain. The characters are annoying at times, they all have their own quirks and tightly-wound baggage, and there are places where their obviously set-up arcs just don’t get the resolution they need - hang on, why do I think this is a good film?
Here’s why. Because it’s real. People don’t always get resolution (okay, it isn’t always because one of the conflicting characters dies about five minutes into the experience, but we don’t always get closure, we don’t always get to fix relationships before it’s too late). The characters in this film are, despite everything, quite likeable once you get to know them, and there’s a truly heartbreaking moment fairly early on that can’t be shunned. The injuries these characters sustain throughout don’t just go away - they stick around, for the most part, slow them down, make them vulnerable. The setting is unassuming until you realise this family are literally the only characters in the film that aren’t dead (and quite beautifully mutilated) or wielding a knife/axe/pickup truck - and if you dare make the connection between a spooky trailer park and a certain Camp Crystal Lake, it makes sense. The slashers themselves are fairly unoriginal (I’m really trying not to stray into the negatives again) but they’re human. They can die. Their motives are revealed in a simple, nicely-put “Why not?” and it’s clear they don’t need a reason, this is just fun for them. The masks, obviously, add a little layer of creep, and there’s a swimming pool scene that really is quite beautifully done. Watching people get murdered to a corny, cheerful eighties soundtrack might get irritating, if it wasn’t established that that’s just a chilling preference of the primary slasher character. The popping-up-out-of-nowhere gimmick might get a little annoying if it wasn’t established that really, this is just that kind of movie. The fact that we never find out what Kenzie did to get her shipped off to boarding school, or who Tamara was (should I have seen the first movie? I’ll have to watch it soon or I just might be lambasted for my ignorance) didn't put us too out-of-place, because there are enough wonderful gore and inventive set-piece-driven slasher moments to remind you that, hang on, you don't really need to know. The tension builds, and it builds, and oh it keeps on building right until the end, and it’s the one thing about this film that's masterfully done.
At the end of the day, this isn’t a great movie. It’s certainly not perfect. But it’s good. It feels real, and it feels, in places, genuinely terrifying. It’s a fun watch and it hasn’t been ridiculously drawn-out like some recent films (I’m looking at you, Chapter Two) so it’s quick, it’s choppy, and there’s a half-decent scare every now and then. Will it scar you for life? Depends how you feel about Kim Wilde.
Gareth von Kallenbach (980 KP) rated Call of Duty: Ghosts - Invasion in Video Games
Jun 19, 2019
Just in time for the 4th of July, Activision has released the Invasion DLC for Call of Duty: Ghosts so PC and Playstation users can get in on the action. The content as per the usual formula releases first on Xbox systems and then makes it way to the other platforms where it can be purchased on its own or as part of a season pass which offers 4 DLC releases.
The new release offers four new maps and the latest chapter of Extinction which will provide plenty of variety to keep fans going until the final DLC set is released which sets the stage for Call of Duty: Advanced Warfare in the fall.
Mixing old and new the new maps have much to offer at first glance and look to take the online experience of the game to the next level.
Pharaoh
Is set amongst Egyptian runes and there are dark temples and rubble strewn courtyards for players to navigate. Sadly it also makes for an ideal place for campers to setup in the shadow and this is one of the biggest frustrations as spawn camping happened to me often.
When I could get out to explore the richly detailed maps were great fun and I enjoyed the traps such as the collapsible pillar, the secret room, and the flesh eating scarabs as well as other treats the developers provided. I just wish gameplay issues did not mar the joy as much as they did.
Departed
Is set in a small Mexican Town during the Day of the Dead festival as if you had any doubt, the hearse and lively décor in the town’s fountain would be a giveaway. There is a church, retail shops, courtyards, and vehicles to contend with, however once again, camping rules the day as players often hide in the shadows or above picking players off when they spawn and making progress around the map tricky.
The Death Mariachi can be obtained via Field Orders and having a spectral ally with dual .44 Magnums can be a huge help along the way to victory for those lucky enough to obtain it.
Mutiny
This is perhaps the most creative of the new content as players battle in and around pirate ships and must contend with some speed and stealth requirements and two great Field Orders. There is the cannon barrage from the nearby sailing ship and the Ghostly Crew who are more than happy to help send enemies down the briny depths each chance they get.
I found a shotgun or an AK 47 worked best here as the close quarters make ideal conditions for a shotgun but on deck and the pier the rapid fire functions of the AK really helped out.
Favela
This is an update of the popular map from Modern Warfare II set in the Rio slums. Players have to run and gun across varied terrain to battle the enemy which is no easy task as snipers and campers love this map so expect to be frustrated if you have not played it before. Every window is a possible hiding place so this is not ideal for run and gun players.
Awakening
This is the third chapter in the Extinction storyline where players team up to battle an alien threat. This time they take the fight and the drill to the Alien’s backyard. As before players earn money by dispatching aliens which can be used for better weapons and power ups.
You need to work with one another as death will happen and you will need your team to revive you as once all four players are down, the game is over, and you will have to start the campaign over.
Calling in some sentry guns and artillery strikes help with the never ending waves as this is the best of the DLC by far.
As much as I wanted to love this collection, sadly I ran into several issues with this collection which has marred my enjoyment of it. Issues with camping, lag, and rampant hacking have been so bad that I have struggled at times to find games on the PC version and when I have, gameplay at times has been almost unplayable.
Skill is one thing but when you unload half a clip in a target and they stand there taking it or kill you dead with one shot all the while being hit, you know you have a hack, lag, or gameplay issues. This happened time and time again, day in and day out.
Many players had told me in game how unhappy they have been with this collection as the maps encourage camping which leads to a lot of frustration.
Some users have complained that the matchmaking system is combing players regardless of their geography which is resulting in latency issues. I cannot tell you how many times a game has slowed to a crawl or stopped or how gunfire appeared to have no affect due to lag which on a 20 MBS line should not happen.
I did not see issues as bad as this with the previous two DLCs, the first one actually helped change my thoughts on the multiplay of Ghost which for me has been the least enjoyable of the series. That being said, it sadly is a return to form this time around and I am hoping that we have a better finale in store.
http://sknr.net/2014/07/14/call-of-duty-ghosts-invasion-dlc/
The new release offers four new maps and the latest chapter of Extinction which will provide plenty of variety to keep fans going until the final DLC set is released which sets the stage for Call of Duty: Advanced Warfare in the fall.
Mixing old and new the new maps have much to offer at first glance and look to take the online experience of the game to the next level.
Pharaoh
Is set amongst Egyptian runes and there are dark temples and rubble strewn courtyards for players to navigate. Sadly it also makes for an ideal place for campers to setup in the shadow and this is one of the biggest frustrations as spawn camping happened to me often.
When I could get out to explore the richly detailed maps were great fun and I enjoyed the traps such as the collapsible pillar, the secret room, and the flesh eating scarabs as well as other treats the developers provided. I just wish gameplay issues did not mar the joy as much as they did.
Departed
Is set in a small Mexican Town during the Day of the Dead festival as if you had any doubt, the hearse and lively décor in the town’s fountain would be a giveaway. There is a church, retail shops, courtyards, and vehicles to contend with, however once again, camping rules the day as players often hide in the shadows or above picking players off when they spawn and making progress around the map tricky.
The Death Mariachi can be obtained via Field Orders and having a spectral ally with dual .44 Magnums can be a huge help along the way to victory for those lucky enough to obtain it.
Mutiny
This is perhaps the most creative of the new content as players battle in and around pirate ships and must contend with some speed and stealth requirements and two great Field Orders. There is the cannon barrage from the nearby sailing ship and the Ghostly Crew who are more than happy to help send enemies down the briny depths each chance they get.
I found a shotgun or an AK 47 worked best here as the close quarters make ideal conditions for a shotgun but on deck and the pier the rapid fire functions of the AK really helped out.
Favela
This is an update of the popular map from Modern Warfare II set in the Rio slums. Players have to run and gun across varied terrain to battle the enemy which is no easy task as snipers and campers love this map so expect to be frustrated if you have not played it before. Every window is a possible hiding place so this is not ideal for run and gun players.
Awakening
This is the third chapter in the Extinction storyline where players team up to battle an alien threat. This time they take the fight and the drill to the Alien’s backyard. As before players earn money by dispatching aliens which can be used for better weapons and power ups.
You need to work with one another as death will happen and you will need your team to revive you as once all four players are down, the game is over, and you will have to start the campaign over.
Calling in some sentry guns and artillery strikes help with the never ending waves as this is the best of the DLC by far.
As much as I wanted to love this collection, sadly I ran into several issues with this collection which has marred my enjoyment of it. Issues with camping, lag, and rampant hacking have been so bad that I have struggled at times to find games on the PC version and when I have, gameplay at times has been almost unplayable.
Skill is one thing but when you unload half a clip in a target and they stand there taking it or kill you dead with one shot all the while being hit, you know you have a hack, lag, or gameplay issues. This happened time and time again, day in and day out.
Many players had told me in game how unhappy they have been with this collection as the maps encourage camping which leads to a lot of frustration.
Some users have complained that the matchmaking system is combing players regardless of their geography which is resulting in latency issues. I cannot tell you how many times a game has slowed to a crawl or stopped or how gunfire appeared to have no affect due to lag which on a 20 MBS line should not happen.
I did not see issues as bad as this with the previous two DLCs, the first one actually helped change my thoughts on the multiplay of Ghost which for me has been the least enjoyable of the series. That being said, it sadly is a return to form this time around and I am hoping that we have a better finale in store.
http://sknr.net/2014/07/14/call-of-duty-ghosts-invasion-dlc/
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